Arthur Schnitzler Papers, 1875-1931
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LA RONDE EXPLORES PSYCHOLOGICAL DANCE of RELATIONSHIPS New Professor Brings Edgy Movement to Freudian-Inspired Play
FOR IMMEDIATE RELEASE: January 30, 2009 PASSION, POWER & SEDUCTION – LA RONDE EXPLORES PSYCHOLOGICAL DANCE OF RELATIONSHIPS New professor brings edgy movement to Freudian-inspired play. 2008/2009 Season What better time to dissect the psychology of relationships and human sexuality than just after Valentine’s Day? 3 LA RONDE Where better than at the University of Victoria Phoenix Theatre's production of La Ronde, February 19 to 28, 2009. February 19 – 28, 2009 By Arthur Schnitzler Steeped in the struggles of psychology, sex, relationships and social classes, Arthur Schnitzler's play La Ronde, Direction: Conrad Alexandrowicz th Set & Lighting Design: Paphavee Limkul (MFA) written in 1897, explores ten couples in Viennese society in the late 19 century. Structured like a round, in music or Costume Design: Cat Haywood (MFA) dance, La Ronde features a cast of five men and five women and follows their intricately woven encounters through Stage Manager: Lydia Comer witty, innuendo-filled dialogue. From a soldier and a prostitute, to an actress and a count, their intimate A psychological dance of passion, power and relationships transcend social and economic status to comment on the sexual mores of the day. Schnitzler himself seduction through Viennese society in the 1890s. was no stranger to such curiosities. A close friend of Sigmund Freud, Schnitzler was considered Freud's creative Advisory: Mature subject matter, sexual equivalent. He shared Freud’s fascination with sex: historians have noted that he began frequenting prostitutes at content. age sixteen and recording meticulously in his diary an analysis of every orgasm he achieved! Recently appointed professor of acting and movement, director Conrad Alexandrowicz gives La Ronde a contemporary twist while maintaining the late 19th century period of the play. -
Shattering Fragility: Illness, Suicide, and Refusal in Fin-De-Siècle Viennese Literature
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 Shattering Fragility: Illness, Suicide, and Refusal in Fin-De-Siècle Viennese Literature Melanie Jessica Adley University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the German Literature Commons, and the Women's Studies Commons Recommended Citation Adley, Melanie Jessica, "Shattering Fragility: Illness, Suicide, and Refusal in Fin-De-Siècle Viennese Literature" (2013). Publicly Accessible Penn Dissertations. 729. https://repository.upenn.edu/edissertations/729 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/729 For more information, please contact [email protected]. Shattering Fragility: Illness, Suicide, and Refusal in Fin-De-Siècle Viennese Literature Abstract How fragile is the femme fragile and what does it mean to shatter her fragility? Can there be resistance or even strength in fragility, which would make it, in turn, capable of shattering? I propose that the fragility embodied by young women in fin-de-siècle Vienna harbored an intentionality that signaled refusal. A confluence of factors, including psychoanalysis and hysteria, created spaces for the fragile to find a voice. These bourgeois women occupied a liminal zone between increased access to opportunities, both educational and political, and traditional gender expectations in the home. Although in the late nineteenth century the femme fragile arose as a literary and artistic type who embodied a wan, ethereal beauty marked by delicacy and a passivity that made her more object than authoritative subject, there were signs that illness and suicide could be effectively employed to reject societal mores. -
German (GERM) 1
German (GERM) 1 GERM 2650. Business German. (4 Credits) GERMAN (GERM) Development of oral proficiency used in daily communication within the business world, preparing the students both in technical vocabulary and GERM 0010. German for Study Abroad. (2 Credits) situational usage. Introduction to specialized vocabulary in business and This course prepares students for studying abroad in a German-speaking economics. Readings in management, operations, marketing, advertising, country with no or little prior knowledge of German. It combines learning banking, etc. Practice in writing business correspondence. Four-credit the basics of German with learning more about Germany, and its courses that meet for 150 minutes per week require three additional subtleties and specifics when it comes to culture. It is designed for hours of class preparation per week on the part of the student in lieu of undergraduate and graduate students, professionals and language an additional hour of formal instruction. learners at large, and will introduce the very basics of German grammar, Attribute: IPE. vocabulary, and everyday topics (how to open up a bank account, register Prerequisite: GERM 2001. for classes, how to navigate the Meldepflicht, or simply order food). It GERM 2800. German Short Stories. (4 Credits) aims to help you get ready for working or studying abroad, and better This course follows the development of the short story as a genre in communicate with German-speaking colleagues, family and friends. German literature with particular emphasis on its manifestation as a GERM 1001. Introduction to German I. (5 Credits) means of personal and social integration from the middle of the 20th An introductory course that focuses on the four skills: speaking, reading, century to the present day. -
The Figure of the Magister Ludi
Herbert Herzmann Play and Reality in Austrian Drama: The Figure of the Magister Ludi In Calderón de la Barca’s El gran teatro del mundo (The Great Theatre of the World), the Crea- tor/God wishes to see a play performed, and he orders the World to arrange it. He distributes the roles and then watches and judges it. In short, he is a Magister Ludi. The impact of the Baroque tradition, and especially of Calderón’s paradigm, can be detected in many Austrian works for the stage, works which show not only a predilection for a mixture of the emotional and the farcical, but also a strong sense of the theatricality of life, which often leads to a blurring of the borders between play and reality. This chapter concentrates on the function of the Magister Ludi and the relationship between play and reality in Calderón’s El gran teatro del mundo (1633/36), Mo- zart’s Così fan tutte (1790), and Arthur Schnitzler’s Der grüne Kakadu (The Green Cockatoo; 1898) and Felix Mitterer’s In der Löwengrube (In the Lion’s Den; 1998). Felix Mitterer: In der Löwengrube (1998) The Vienna Volkstheater premiered Mitterer’s In der Löwengrube on 24 Jan- uary 1998.1 The plot is based on the true story of a Jewish actor, Leo Reuss, who in 1936 fled from the Nazis in Berlin and went to Austria, where he took on the guise of a Tirolese mountain farmer who claimed to be obsessed with the desire to become an actor. He managed to be interviewed by Max Rein- hardt, who employed him in the Theater in der Josefstadt in Vienna, and he enjoyed a remarkable success. -
The Characterization of the Physician in Schnitzler's and Chekhov's Works
THE PHYSICIAN IN SCHNITZLERIS AND CHEKHOV1S WORKS THE CHARACTERIZATION OF THE PHYSICIAN IN SCHNITZLER 'S Al''-ID CHEKHOV I S WORKS By LOVORKA IVANKA FABEK, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree Master Gf Arts McMaster University September 1985 MASTER OF ARTS (1985) McMaster University Hamilton, Ontario TITLE: THE CHARACTERIZATION OF THE PHYSICIAN IN SCHNITZLER'S AND CHEKHOV'S WORKS AUTHOR: LOVORKA IVANKA FABEK, B.A. (McMaster University) SUPERVISOR: Dr. Gerald Chapple NUMBER OF PAGES: viii, 146. ii ABSTRACT Arthur Schnitzler (1862-1931) and Anton Pavlovich Chekhov (1860-1904) were both writers as well as physicians. The latter profession had a significant influence on their works, which is evident in the frequent use of the doctor figure in their plays and prose works. What distinguishes Schnitzler and Chekhov from other writers of the fin-de,...si~c1e, is their ability to clinically observe psycho logical and social problems. Sclmitzler's and Chekhov's works contain "diagnosesJl made by their doctor figure. This study examines the respective qualities of a spectrum of six major types. There are mixed, mainly positive and mainly negative types of doctor figures, ranging from the revolutionary type down to the pathetic doctor figure and the calculating type. Dealing with differences as well as with similarities, the thesis concludes by showing how the characterization of the doctor figure sh.eds light on the authors that created them. iii ACKNOWLEDGEMENTS I would like to express my gratitude to my Supervisor, Dr. Gerald Chapple, for initially suggesting the topic of this thesis and for his guidance and advice. -
La Ronde by Arthur Schnitzler Translated by Carl Mueller Directed by Cameron Watson Scene Dock Theatre Nov 19–22, 2015 PRESENTS
La Ronde By Arthur Schnitzler Translated by Carl Mueller Directed by Cameron Watson Scene Dock Theatre Nov 19–22, 2015 PRESENTS Cast of Characters La Ronde (in order of appearance) The Prostitute The Husband By Arthur Schnitzler Selina Scott-Bennin Ryan Holmes Translated by Carl Mueller The Soldier The Sweet Young Thing Jim French Mehrnaz Mohammadi WITH (in alphabetical order) The Parlor Maid The Poet Jim French Kristina Hanna Ryan Holmes Philippa Knyphausen Julián Juaquín The Young Gentleman The Actress Julián Juaquín Philippa Knyphausen Courtney Lloyd Charley Stern Courtney Lloyd Mehrnaz Mohammadi Selina Scott-Bennin Charley Stern The Young Wife The Count Kristina Hanna Jim French SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Katrina Coulourides Erica Park Nicole Eng TIME: The late 1890s. SOUND DESIGN VOCAL COACH STAGE MANAGER PLACE: Vienna. Briana Billups Lauren Murphy Savannah Harrow The story is told in ten dialogues with no intermission. DIRECTED BY Cameron Watson WARNING Please be advised that this production contains e-cigarettes, e-cigars, nudity, as well as mature language and themes. PRODUCTION STAFF Scene Dock Theatre | November 19-22, 2015 Scenic Artist Erin O’Donnell Crew Alison Applebaum, Caroline Berns, Haley Brown, Justin Chien, Anna Courvette, “La Ronde” is produced in special arrangement with Smith & Kraus Publishers. Sabrina Sonner, John Tavcar, Patrick Wallace INTERIM DEAN Associate Professor of Theatre Practice David Bridel (Director of MFA in Acting) ASSOCIATE DEANS Professor Sharon Marie Carnicke Professor Velina Hasu Houston (Director of Dramatic Writing) ASSOCIATE PROFESSORS Meiling Cheng (Director of Critical Studies) Oliver Mayer ASSISTANT PROFESSORS Luis Alfaro Carla Della Gatta Takeshi Kata DIRECTOR'S NOTE Tom Ontiveros La Ronde Sibyl Wickersheimer Everything that can go wrong between lovers, will. -
Sigmund Freud, Arthur Schnitzler, and the Birth of Psychological Man Jeffrey Erik Berry Bates College, [email protected]
Bates College SCARAB Honors Theses Capstone Projects Spring 5-2012 Sigmund Freud, Arthur Schnitzler, and the Birth of Psychological Man Jeffrey Erik Berry Bates College, [email protected] Follow this and additional works at: http://scarab.bates.edu/honorstheses Recommended Citation Berry, Jeffrey Erik, "Sigmund Freud, Arthur Schnitzler, and the Birth of Psychological Man" (2012). Honors Theses. 10. http://scarab.bates.edu/honorstheses/10 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. Sigmund Freud, Arthur Schnitzler, and the Birth of Psychological Man An Honors Thesis Presented to The Faculty of the Departments of History and of German & Russian Studies Bates College In partial fulfillment of the requirements for the degree of Bachelor of Arts By Jeffrey Berry Lewiston, Maine 23 March 2012 Acknowledgements I would like to thank my thesis advisors, Professor Craig Decker from the Department of German and Russian Studies and Professor Jason Thompson of the History Department, for their patience, guidance and expertise during this extensive and rewarding process. I also would also like to extend my sincere gratitude to the people who will be participating in my defense, Professor John Cole of the Bates College History Department, Profesor Raluca Cernahoschi of the Bates College German Department, and Dr. Richard Blanke from the University of Maine at Orno History Department, for their involvement during the culminating moment of my thesis experience. Finally, I would like to thank all the other people who were indirectly involved during my research process for their support. -
Hofmannsthal-Blätter: Inhaltsverzeichnisse Heft 1 (1968) – Heft 41/42 (1991/92)
Hofmannsthal-Blätter: Inhaltsverzeichnisse Heft 1 (1968) – Heft 41/42 (1991/92) Heft l Herbst 1968 Vorbericht der Redaktion. l Hofmannsthal und Böhmen (1): Der Briefwechsel mit Jaroslav Kvapil und das Projekt der »Ehrenstätten Österreichs«. Herausgegeben von Martin Stern 3 Hofmannsthal auf den deutschsprachigen Bühnen seit 1945 (1) 31 1. Die Komödien 32 2. Die Trauerspiele 38 Zusammengestellt von Günther Erken Heft 2 Frühjahr 1969 Erste Tagung und Mitgliederversammlung der Hugo von Hofmannsthal-Gesellschaft in Frankfurt am 28./29. September 1968. Zusammengestellt von Leonhard M. Fiedler 73 Eugene Weber: Die Hofmannsthal-Sammlung im Besitz der Harvard Universität 91 Mary E. Gilbert: Arbeitsbericht aus England 97 Hofmannsthal und Böhmen (2): Die Rolle der Tschechen und Slowaken in Hofmannsthals Österreich-Bild der Kriegszeit und seine Prager Erfahrung im Juni 1917. Mit unveröffentlichten Briefen und Notizen. Zusammengestellt von Martin Stern 102 Berichtigungen 128 Nachtrag: »Brief an Jaroslav Kvapil« von Richard A. Bermann und »Eine Antwort« von Jaroslav Kvapil 129 Hofmannsthal auf den deutschsprachigen Bühnen seit 1945 (2) 136 3. Die geistlichen Spiele 136 4. Die kleinen Dramen 145 5. Die Bearbeitungen 147 Zusammengestellt von Günther Erken Günther Erken: Hofmannsthal-Aufführungen der laufenden Spielzeit 150 Tebbe Harms Kleen: Zur Arbeit am »Schwierigen« 152 Heft 3 Herbst 1969 Ein Brief Hofmannsthals an Alfred Roller. Mitgeteilt und erläutert von Rudolf Hirsch 185 Hofmannsthal und Böhmen (3): Hofmannsthals Plan einer »Tschechischen Bibliothek« (1918). Ein Aufklärungswerk für die Deutschen. Mit unveröffentlichten Briefen und Notizen von und an Paul Eisner, Franz Spina und Ottokar Winicky. Zusammengestellt von Martin Stern 195 Günther Erken: Hofmannsthal-Aufführungen im Sommer 1969 216 Jedermann-Festspiele in Böhmen. -
Arthur Schnitzler and Jakob Wassermann: a Struggle of German-Jewish Identities
University of Cambridge Faculty of Modern and Medieval Languages Department of German and Dutch Arthur Schnitzler and Jakob Wassermann: A Struggle of German-Jewish Identities This dissertation is submitted for the degree of Doctor of Philosophy by Max Matthias Walter Haberich Clare Hall Supervisor: Dr. David Midgley St. John’s College Easter Term 2013 Declaration of Originality I declare that this dissertation is the result of my own work. This thesis includes nothing which is the outcome of work done in collaboration except where specifically indicated in the text. Signed: June 2013 Statement of Length With a total count of 77.996 words, this dissertation does not exceed the word limit as set by the Faculty of Modern and Medieval Languages, University of Cambridge. Signed: June 2013 Summary of Arthur Schnitzler and Jakob Wassermann: A Struggle of German- Jewish Identities by Max Matthias Walter Haberich The purpose of this dissertation is to contrast the differing responses to early political anti- Semitism by Arthur Schnitzler and Jakob Wassermann. By drawing on Schnitzler’s primary material, it becomes clear that he identified with certain characters in Der Weg ins Freie and Professor Bernhardi. Having established this, it is possible to trace the development of Schnitzler’s stance on the so-called ‘Jewish Question’: a concept one may term enlightened apolitical individualism. Enlightened for Schnitzler’s rejection of Jewish orthodoxy, apolitical because he always remained strongly averse to politics in general, and individualism because Schnitzler felt there was no general solution to the Jewish problem, only one for every individual. For him, this was mainly an ethical, not a political issue; and he defends his individualist position in Professor Bernhardi. -
Masterarbeit
„Schabernack über Schabernack.“ Till Eulenspiegel in deutschsprachigen Komödien des 19. und 20. Jahrhunderts. Masterarbeit zur Erlangung des akademischen Grades Master of Arts (MA) an der Karl-Franzens-Universität Graz vorgelegt von Andrea SCHABERNACK am Institut für Germanistik Begutachterin: Ao.Univ.-Prof. Mag. Dr.phil. Beatrix Müller Kampel Graz, 2012 Inhaltsverzeichnis 1. Einleitung..........................................................................................................................................................3 2. Das Eulenspiegel-Buch und sein Held..............................................................................................................4 2.1. Anmerkung zur Quellenlage.....................................................................................................................4 2.2. Frühe Drucke und Zeugnisse, Verfasserschaft und stoffliche Grundlagen..............................................4 2.3. Form und Inhalt der Schwanksammlung..................................................................................................8 2.4. Till Eulenspiegel – Ein Widerspruch in Person......................................................................................11 3. Zur Rezeptionsgeschichte der Schwanksammlung.........................................................................................19 3.1. Ein Überblick über die Rezeptionsgeschichte des Eulenspiegel-Buches..............................................19 3.2. Rezeptionstypen der Eulenspiegelfigur..................................................................................................24 -
The Indigenous World 2014
IWGIA THE INDIGENOUS WORLD 2014 This yearbook contains a comprehensive update on the cur- rent situation of indigenous peoples and their human rights, THE INDIGENOUS WORLD and provides an overview of the most important developments in international and regional processes during 2013. In 73 articles, indigenous and non-indigenous scholars and activists provide their insight and knowledge to the book with country reports covering most of the indigenous world, and updated information on international and regional processes relating to indigenous peoples. The Indigenous World 2014 is an essential source of informa- tion and indispensable tool for those who need to be informed THE INDIGENOUS WORLD 2014 about the most recent issues and developments that have impacted on indigenous peoples worldwide. 2014 INTERNATIONAL WORK GROUP FOR INDIGENOUS AFFAIRS 3 THE INDIGENOUS WORLD 2014 Copenhagen 2014 THE INDIGENOUS WORLD 2014 Compilation and editing: Cæcilie Mikkelsen Regional editors: Arctic & North America: Kathrin Wessendorf Mexico, Central and South America: Alejandro Parellada Australia and the Pacific: Cæcilie Mikkelsen Asia: Christian Erni and Christina Nilsson The Middle East: Diana Vinding and Cæcilie Mikkelsen Africa: Marianne Wiben Jensen and Geneviève Rose International Processes: Lola García-Alix and Kathrin Wessendorf Cover and typesetting: Jorge Monrás Maps: Jorge Monrás English translation: Elaine Bolton Proof reading: Elaine Bolton Prepress and Print: Eks-Skolens Trykkeri, Copenhagen, Denmark © The authors and The International Work Group for Indigenous Affairs (IWGIA), 2014 - All Rights Reserved HURRIDOCS CIP DATA The reproduction and distribution of information contained Title: The Indigenous World 2014 in The Indigenous World is welcome as long as the source Edited by: Cæcilie Mikkelsen is cited. -
{PDF EPUB} Therese. Chronik Eines Frauenlebens by Arthur Schnitzler Therese
Read Ebook {PDF EPUB} Therese. Chronik eines Frauenlebens by Arthur Schnitzler Therese. Chronik eines Frauenlebens by Arthur Schnitzler. Our systems have detected unusual traffic activity from your network. Please complete this reCAPTCHA to demonstrate that it's you making the requests and not a robot. If you are having trouble seeing or completing this challenge, this page may help. If you continue to experience issues, you can contact JSTOR support. Block Reference: #497174a0-c334-11eb-a270-b5f72b9ceb1f VID: #(null) IP: 188.246.226.140 Date and time: Tue, 01 Jun 2021 23:51:30 GMT. Therese. Chronik eines Frauenlebens. Therese. Chronik eines Frauenlebens ist der zweite und zugleich letzte Roman von Arthur Schnitzler, der 1928 bei S. Fischer in Berlin erschien. Er behandelt das harte Schicksal von Therese Fabiani, die als alleinstehende Mutter in der bürgerlichen Welt des Wiener Fin-de-siècle einen langsamen sozialen Abstieg erlebt. Während sie ihren kärglichen Lebensunterhalt zumeist als Erzieherin in großbürgerlichen Häusern verdient, wächst ihr uneheliches Kind fern von ihr am Land auf. Zeit und Ort. Der Roman handelt in Salzburg, sowie in Wien und Umgebung, in der Zeit etwa von 1885 bis 1913. [1] Schnitzler gibt sogar Thereses Postanschrift an: Wien, Wagnergasse 74, zweiter Stock. [2] Inhalt. Nachdem der Vater, ein Oberstleutnant mit italienischen Wurzeln, frühzeitig in den Ruhestand geschickt wird, zieht die Familie Fabiani nach Salzburg. Da trifft Therese auf Alfred Nüllheim , einen Schulkameraden von Thereses Bruder Karl , der ihre erste Liebe wird. Dieser zieht bald nach Wien, um Medizin zu studieren, bittet davor aber Therese, auf ihn zu warten, um ihn nach Studienabschluss zu heiraten.