“The Analysis of Figure of Speech in Rage Against the Machine Songs Lyrics” (Bullet in the Head, No Shelter)
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Umphrey's Mcgee
Umphrey’s McGee Brendan Bayliss: Guitar, vocals Jake Cinninger: Guitar, vocals Joel Cummins: Keyboard, piano, vocals Andy Farag: Percussion Kris Myers: Drums, vocals Ryan Stasik: Bass After 18-plus years of performing more than 100 concerts annually, releasing nine studio albums and selling more than 4.2 million tracks online, Umphrey’s McGee might be forgiven if they chose to rest on their laurels. But then that wouldn’t be consistent with the work ethic demonstrated by the band, which consistently attempts to raise the bar, setting and achieving new goals since forming on the Notre Dame campus in South Bend, Indiana, in 1997. After releasing their eighth studio album, Similar Skin, the first for their own indie label, Nothing Too Fancy (N2F) Music (distributed by RED), the group continued to push the envelope and test the limits. The London Session, was a dream come true for the members having been recorded at the legendary Studio Two at historic Abbey Road. The stealth recording session yielded 10 tracks in a single day, proving once again, the prolific UM waits for no one. As a follow up to The London Session, the envelope pushing continues with the November 11th release of ZONKEY. Umphrey’s McGee has been arranging and performing original mashups live for over eight years. It was only a matter of when, not if, some of those innovative concoctions would find their way into a studio. An album of 12 unique mashups, conceived and arranged by the band, ZONKEY is as seamless as it bizarre, playful as it is razor sharp. -
The Southern (California) Question
Have Your City and Eat It Too: Los Angeles and the Urban Food Renaissance By Alexander Robert Tarr A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Geography and the Designated Emphasis in Global Metropolitan Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Richard A Walker, Chair Professor Paul Duguid Professor Paul E Groth Professor Carolyn Finney Spring 2015 Abstract Have Your City and Eat It Too: Los Angeles and the Urban Food Renaissance By Alexander Robert Tarr Doctor of Philosophy in Geography Designated Emphasis in Global Metropolitan Studies University of California, Berkeley Professor Richard A Walker, Chair Time and time again, the residents of Los Angeles have used the promises of the “garden city” and urban agriculture to imagine a way out of the persistent problems of urban life. In the contemporary moment, alternative food system activists are again working to create a cultural movement committed to “slow,” local and small- scale community-based urban food systems – which, paradoxically, they are organizing through sophisticated digital tools and global social media. This study argues that, beyond debates over urban diets, food is a lens through which post- industrial imaginaries of an egalitarian digital society are fused with pre-industrial imaginaries of utopian, agrarian communities. The consequence of these entangled visions is a unique set of practices that attempt to inject a sense of radical possibility into an urban geography that is itself the result of decades of struggle over land use, livelihoods, and urban culture. -
RAGE AGAINST the MACHINE Rage Against the Machine (Metal)
RAGE AGAINST THE MACHINE Rage against the machine (Metal) Année de sortie : 1992 Nombre de pistes : 10 Durée : 53' Support : CD Provenance : Acheté Nous avons décidé de vous faire découvrir (ou re découvrir) les albums qui ont marqué une époque et qui nous paraissent importants pour comprendre l'évolution de notre style préféré. Nous traiterons de l'album en le réintégrant dans son contexte originel (anecdotes, etc.)... Une chronique qui se veut 100% "passionnée" et "nostalgique" et qui nous l'espérons, vous fera réagir par le biais des commentaires ! ...... Bon voyage ! Musiciens dotés d’une forte personnalité, le chanteur Zack DE LA ROCHA et le guitariste Tom MORELLO s’illustrent déjà à la fin des années 1980 dans diverses formations. Le premier appartient à la scène hardcore de Californie, où il débute la guitare puis fonde en 1988 INSIDE OUT. Ce groupe, dans lequel il tient le micro, exercera une influence certaine sur ce courant musical. Quant à MORELLO, il a formé dans l’Illinois ELECTRIC SHEEP, en compagnie d’Adam JONES, futur guitariste de TOOL. Persuadé de pouvoir y mener des projets plus sérieux, il se rend à Los Angeles, où il assiste à une prestation de Zack DE LA ROCHA. Le guitariste est séduit par le discours du chanteur, avec qui il fonde rapidement une nouvelle formation, complétée par le batteur Brad WILK et le bassiste Tim COMMERFORD, ami d’enfance du chanteur. Les musiciens optent pour le nom de RAGE AGAINST THE MACHINE. A l’origine, il s’agissait du titre d’un des morceaux d’INSIDE OUT, et également celui prévu pour leur deuxième album, finalement jamais paru. -
Honour Killing in Sindh Men's and Women's Divergent Accounts
Honour Killing in Sindh Men's and Women's Divergent Accounts Shahnaz Begum Laghari PhD University of York Women’s Studies March 2016 Abstract The aim of this project is to investigate the phenomenon of honour-related violence, the most extreme form of which is honour killing. The research was conducted in Sindh (one of the four provinces of Pakistan). The main research question is, ‘Are these killings for honour?’ This study was inspired by a need to investigate whether the practice of honour killing in Sindh is still guided by the norm of honour or whether other elements have come to the fore. It is comprised of the experiences of those involved in honour killings through informal, semi- structured, open-ended, in-depth interviews, conducted under the framework of the qualitative method. The aim of my thesis is to apply a feminist perspective in interpreting the data to explore the tradition of honour killing and to let the versions of the affected people be heard. In my research, the women who are accused as karis, having very little redress, are uncertain about their lives; they speak and reveal the motives behind the allegations and killings in the name of honour. The male killers, whom I met inside and outside the jails, justify their act of killing in the name of honour, culture, tradition and religion. Drawing upon interviews with thirteen women and thirteen men, I explore and interpret the data to reveal their childhood, educational, financial and social conditions and the impacts of these on their lives, thoughts and actions. -
Table of Contents
Table of Contents 1. Williams-Forson and Counihan. Introduction: Taking Food Public: Redefining Foodways in a Changing World Section 1 – Rethinking Production 2. Tim Lang - Food Industrialization and Food Power: Implications for Food Governance Corporations of developed countries dominate food supply chains, which provide consumers with cheap foods of questionable quality. The article explores tensions between organizations regulating food quality and the corporate forces of an industrialized food market. 3. Patricia Allen and Carolyn Sachs - Women and Food Chains: The Gendered Politics of Food. This article looks at the material, socio-cultural, and corporeal domains of women‘s relationship to food to describe the state of contemporary gender relations in the global agrifood system. 4. Larch Maxey – Can We Sustain Sustainable Agriculture? Learning from small-scale producer- suppliers in Canada and the UK Ethnographic research with small-scale producer-suppliers in south Wales and Southern Ontario explores the challenges of maintaining sustainable farming and the key issues for consumers and policy-makers. 5. Hanna Garth - Things Became Scarce: Food Availability and Accessibility in Santiago de Cuba Then and Now This article uses semi-structured interviews, community mapping, and participant-observation to examine how consumers in Santiago de Cuba struggle to maintain food traditions and revitalize the food economy in the wake of the collapse of Cuban agro-industry. 6. Joan Gross - Capitalism and its Discontents: Back-to-the-Lander and Freegan Foodways in Rural Oregon This article explores the foodways of Oregon’s back-to-the-landers and freegans who resist the global industrial food system by tapping into subsistence strategies that offer alternatives to the capitalist food economy. -
California State University, Northridge
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE SPATIAL PRACTICES OF SOUL REBEL RADIO IN LOS ANGELES’ THIRD WORLD LEFT A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts Chicano and Chicana Studies By Miguel Paredes August 2012 The thesis of Miguel Paredes is approved: _________________________ ______________________ Professor Yreina D. Cervántez Date _________________________ ______________________ Dr. Gabriel Gutierrez Date _________________________ _______________________ Dr. David Rodriguez, Chair Date ii Dedication To the young people in Los Angeles, to the working class communities in the Third World Left throughout Southern California especially Elysian Valley aka “Frogtown” in Northeast LA, to the over 50 members of the Soul Rebel Radio collective especially the founding members Eduardo, Laura, Javier, Jose, Tito, Teresa, Hasmik, Jorge, XL, Travis, Oriel, and Lex, to the KPFK staff and audience, to the staff of the CSUN Chican@ Studies Department especially Dr. Rudy Acuña, Dr. Alberto Garcia, Harry Gamboa, Fermin Herrera, Dr. Mary Pardo, Dr. Gabriel Gutierrez, Yreina D. Cervántez, Dr. Jorge Garcia, Ruben Mendoza, and posthumously dedicated to Roberto Sifuentes , Dr. Shirlene Soto, and “Toppy” Flores. To my family especially my mother Lucila Paredes, my father Miguel Paredes Sr., my brother Adrian Paredes, my sister Gabriela Paredes and her daughter Dahlila and son Ivan, my brother Daniel Paredes, and his son Diego, to my best friends Mike and Guzman, to my godchildren Juliette, Justin, Isaac, Elia, and Ehecatl, and to the Fe@s including Pascual, Mixpe, and Chris, but particularly to Ixya Herrera for giving me the motivation and support to complete my Master’s Degree in Chican@ Studies. -
Guitar Songbook Series
837 GUITARGUITAR SONGBOOKSONGBOOK SERIESSERIES DECADE SERIES GUITAR PLAY- ALONG SERIES Play the songs that defined an era with these great note-for-note transcription collections. The Guitar Play-Along Series will assist players in learn- ing to play their favorite songs quickly and easily. Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. Mac or PC users can also slow down the tempo by using the CD in their computer. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. INCLUDES TAB VOLUME 1 – ROCK 8 songs, including: Day Tripper • Message in a Bottle • Refugee • Shattered • Sunshine of Your Love • GUITAR Takin’ Care of Business • Tush • Walk This Way. _____00699570 Book/CD Pack...................$12.95 VOLUME 2 – ACOUSTIC THE 1950s INCLUDES THE 1980s INCLUDES 8 songs, including: Angie • Behind Blue Eyes • Best 30 pivotal songs from the early rock years, TAB 30 songs that shaped a decade, including: TAB of My Love • Blackbird • Dust in the Wind • Layla • including: All Shook Up • Be-Bop-A-Lula • Bo Diddley Every Breath You Take • Fight for Your Right (To Night Moves • Yesterday. • Donna • Hound Dog • Rebel ’Rouser • Rockin’ Party) • Hit Me with Your Best Shot • I Love Rock ’N _____00699569 Book/CD Pack...................$12.95 Robin • Tequila • Wake up Little Susie • more. Roll • Love Struck Baby • Money for Nothing • Mony, VOLUME 3 – HARD ROCK _____00690543 Guitar Recorded Versions...$14.95 Mony • R.O.C.K. -
This Machine Kills Fascists" : the Public Pedagogy of the American Folk Singer
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2016 "This machine kills fascists" : the public pedagogy of the American folk singer. Harley Ferris University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Rhetoric Commons Recommended Citation Ferris, Harley, ""This machine kills fascists" : the public pedagogy of the American folk singer." (2016). Electronic Theses and Dissertations. Paper 2485. https://doi.org/10.18297/etd/2485 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN FOLK SINGER By Harley Ferris B.A., Jacksonville University, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English/Rhetoric and Composition Department of English University of Louisville Louisville, KY August 2016 “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN -
Acoustic Guitar
794 ACOUSTICACOUSTIC GUITARGUITAR ACOUSTIC THE ACOUSTIC INCLUDES THE NEW TAB NEW GUITAR GUITAR COMPLETE INCLUDES MAGAZINE’S PRIVATE METHOD, ACOUSTIC TAB LESSONS VOLUME 1 BOOK 2 GUITAR METHOD 24 IN-DEPTH LESSONS by David Hamburger LEARN TO PLAY USING String Letter Publishing String Letter Publishing THE TECHNIQUES & With this popular guide and Learn how to alternate the bass SONGS OF AMERICAN two-CD package, players will notes to a country backup ROOTS MUSIC learn everything from basic pattern, how to connect chords by David Hamburger techniques to more advanced with some classic bass runs, and String Letter Publishing moves. Articles include: Learning to Sight-Read (Charles how to play your first fingerpicking patterns. You’ll find out A complete collection of all three Acoustic Guitar Method Chapman); Using the Circle of Fifths (Dale Miller); what makes a major scale work and what blues notes do to books and CDs in one volume! Learn how to play guitar Hammer-ons and Pull-offs (Ken Perlman); Bass Line a melody, all while learning more notes on the fingerboard with the only beginning method based on traditional Basics (David Hamburger); Accompanying Yourself and more great songs from the American roots repertoire American music that teaches you authentic techniques and (Elizabeth Papapetrou); Bach for Flatpickers (Dix – especially from the blues tradition. Songs include: songs. Beginning with a few basic chords and strums, Bruce); Double-Stop Fiddle Licks (Glenn Weiser); Celtic Columbus Stockade Blues • Frankie and Johnny • The Girl you’ll start right in learning real music drawn from blues, Flatpicking (Dylan Schorer); Open-G Slide Fills (David I Left Behind Me • Way Downtown • and more. -
Wiithe People
Wii the people... Of the United States, in Order to form a more perfect body, Establish exercise, Insure tranquil weight loss, Provide for the common citizen, Promote general sports, party and fitness games, for ourselves and our players do ordain and establish this Wiistitution for the United States of America. nexus a magazine of culture sual C The Grady Arts i ui V Staffer Payton si festival featured n Fritch critiques an e a wide variety of 1 enjoyable meal at creative work by 3 4th and Swift, Grady students. Claire a restaurant that Buyens and Emily serves “southern Atkinson were there 6 comfort food” in the to take pictures. 3heart of Atlanta. io d u Table of A Contents The Hansons and The Veronicas rocked out at the Variety Playhouse 1on October 6 in Little Five and Emily Atkinson was there to take in the 0sights and sounds. re tu u o 15 In this issue, we C examine the Wii phenomena that has swept the nation. The Wii Spirit week at Grady has done what no other was one big fashion show. From tacky to video console has done 2 blast-from-the-past erie before. It has changed day, students were ag n the way people exercise, decked out from head e to toe. M provided an educational 6 experience for kids, rehabilitated the elderly and even revolutionized drinking games. Have you ever wondered what Cover art by Taylor Alford and Ann Haley some of your favorite 3male teachers would look like as women? Turn to page 36, if 6you dare! nexus Volume 5 Issue 2 Fall/Winter 2008 Selected Contributing re Writers/Artists Dean Jackson Standing a head above nearly every student at Grady, Dean really stands out in the crowd. -
Nu-Metal As Reflexive Art Niccolo Porcello Vassar College, [email protected]
Vassar College Digital Window @ Vassar Senior Capstone Projects 2016 Affective masculinities and suburban identities: Nu-metal as reflexive art Niccolo Porcello Vassar College, [email protected] Follow this and additional works at: http://digitalwindow.vassar.edu/senior_capstone Recommended Citation Porcello, Niccolo, "Affective masculinities and suburban identities: Nu-metal as reflexive art" (2016). Senior Capstone Projects. Paper 580. This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. ! ! ! ! ! ! ! ! ! ! ! AFFECTIVE!MASCULINITES!AND!SUBURBAN!IDENTITIES:!! NU2METAL!AS!REFLEXIVE!ART! ! ! ! ! ! Niccolo&Dante&Porcello& April&25,&2016& & & & & & & Senior&Thesis& & Submitted&in&partial&fulfillment&of&the&requirements& for&the&Bachelor&of&Arts&in&Urban&Studies&& & & & & & & & _________________________________________ &&&&&&&&&Adviser,&Leonard&Nevarez& & & & & & & _________________________________________& Adviser,&Justin&Patch& Porcello 1 This thesis is dedicated to my brother, who gave me everything, and also his CD case when he left for college. Porcello 2 Table of Contents Acknowledgements .......................................................................................................... 3 Chapter 1: Click Click Boom ............................................................................................. -
Rage Against the Machine Calm Like a Bomb
Calm Like a Bomb Rage Against the Machine Feel the funk blast (whispered) Feel the funk blast (whispered) Well feel the funk blast Well feel the funk blast Well feel the funk blast Yo Yo Yo Yo Yo Yo Yo Check it Out Yo Yo Yo I be walkin god like a dog My narrative fearless Word war returns to burn Like Baldwin home from Paris, Uh Like steel from a furnace I was born landless Yes its tha native son Born of Zapatas guns Stroll through the shanties And tha cities remains Same bodies buried hungry But with different last names The vultures robbin everything Leave nothing but chains Pick a point on the globe Yes tha pictures tha same Theres a bank, theres a church, a myth and a hearse A mall and a loan, a child dead at birth Theres a widow pig parrot A rebel to tame A whitehooded judge A syringe and a vein And the riot be the rhyme of the unheard What ya say? What ya say? What ya say? What? What ya say? What ya say? What ya say? What? What ya say? What ya say? What ya say? What? What ya say? What ya say? What ya say? What? We're calm like a bomb (Ignite) We're calm like a bomb (Ignite) This aint subliminal Feel the critical mass approach horizon Tha pulse of the condemned Sound off Americas demise Tha anti-myth rhythm rock shocker Yes I spit fire Hope lies in the smoldering rubble of empires Yes back through tha shanties and tha cities remains Same bodies buried hungry, uh-huh With different last names, uh-huh The vultures robbin everyone Leave nothing but chains Pick a point here at home Yes the pictures tha same Theres a field full of slaves