DOCSLIB.ORG

California State University, Northridge

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
California State University, Northridge CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE SPATIAL PRACTICES OF SOUL REBEL RADIO IN LOS ANGELES’ THIRD WORLD LEFT A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts Chicano and Chicana Studies By Miguel Paredes August 2012 The thesis of Miguel Paredes is approved: _________________________ ______________________ Professor Yreina D. Cervántez Date _________________________ ______________________ Dr. Gabriel Gutierrez Date _________________________ _______________________ Dr. David Rodriguez, Chair Date ii Dedication To the young people in Los Angeles, to the working class communities in the Third World Left throughout Southern California especially Elysian Valley aka “Frogtown” in Northeast LA, to the over 50 members of the Soul Rebel Radio collective especially the founding members Eduardo, Laura, Javier, Jose, Tito, Teresa, Hasmik, Jorge, XL, Travis, Oriel, and Lex, to the KPFK staff and audience, to the staff of the CSUN Chican@ Studies Department especially Dr. Rudy Acuña, Dr. Alberto Garcia, Harry Gamboa, Fermin Herrera, Dr. Mary Pardo, Dr. Gabriel Gutierrez, Yreina D. Cervántez, Dr. Jorge Garcia, Ruben Mendoza, and posthumously dedicated to Roberto Sifuentes , Dr. Shirlene Soto, and “Toppy” Flores. To my family especially my mother Lucila Paredes, my father Miguel Paredes Sr., my brother Adrian Paredes, my sister Gabriela Paredes and her daughter Dahlila and son Ivan, my brother Daniel Paredes, and his son Diego, to my best friends Mike and Guzman, to my godchildren Juliette, Justin, Isaac, Elia, and Ehecatl, and to the Fe@s including Pascual, Mixpe, and Chris, but particularly to Ixya Herrera for giving me the motivation and support to complete my Master’s Degree in Chican@ Studies. I Love You. Aho Metaquiasen- To All My Relations In Lak Ech- You are the Other I Zapata Vive y La Lucha Sigue I Love LA “Another world is not only possible, she is on her way. On a quiet day, I can hear her breathing.” -Arundhati Roy iii Table of Contents Signature Page ii Dedication iii List of Tables iv List of Illustrations v Abstract vi Introduction 1 Chapter 1- Soul Rebel Radio: Alternative Media for Non Commercial Radio 4 Subheading- The Challenges to Mainstream Media 7 Subheading- The Third World Left in Los Angeles 11 Subheading- The Intersection of Soul and Revolution 15 Subheading- Soul Rebel Radio and Gender Equity 18 Subheading- The Revolution in Prime Time 21 Subheading- Youth Radio in California 27 Chapter 2- Soul Rebel Radio Themes: The Good, the Great, and the Legendary Shows 29 Subheading- Youth Themes 30 Subheading- Gender Themes 34 Subheading- Environmental Themes 38 Subheading- Years as Themes 43 Subheading- People Themes 48 Subheading- Concepts as Themes 54 Chapter/Section 3: Voices of Soul Rebel Radio 68 Subheading- The Ladies of Soul Rebel Radio 69 Subheading- The Fellas of Soul Rebel Radio 79 Conclusions of Soul Rebels Radio Voices 91 Final Thoughts on Soul Rebel Radio 94 References/Bibliography/Works Cited 98 Appendix A: Soul Rebel Radio Terms 100 Appendix B: Results of Quantitative Questions 101 Appendix C: Index of Shows #1-73 102 iv List of Illustrations (A) Soul Rebel Radio Logo (B) Soul Rebel Radio KPFK Banner v ABSTRACT THE SPATIAL PRACTICES OF SOUL REBEL RADIO IN LOS ANGELES’ THIRD WORLD LEFT By Miguel Paredes For the degree of Master of Arts Chicano and Chicana Studies The study examines the results of the case study analysis of Soul Rebel Radio and the use of space and location by the Chican@ community in the Third World Left in Los Angeles. The term Chican@ is used interchangeably for Chicanas and Chicanos, and the community makes up a part of what the study identifies as the Third World Left in Los Angeles. The concept of the Third World Left in Los Angeles is used to refer to non-majority groups instead of using the term “minority,” and it is used interchangeably with Chican@s and other communities. Soul Rebel Radio transforms the sound of KPFK and redefines the meaning of Chican@ radio to produce cultural citizenship. The collective seizes the listener sponsored community space of the Pacifica Network and reclaims ownership of the public airwaves. The study demonstrates that Chican@s and the Third World Left in Los Angeles challenge the mainstream productions of media, negotiate the limits of the structure and format of radio, and create alternative spaces for themselves and the community. By producing alternative media, Soul Rebel Radio builds community, develops the self-identity of the collective members, and finds new and young voices. Soul Rebel Radio does this through an engagement with radio and a spatial practice that is collective, vibrant, original, and based on the experiences of the Chican@s and members of the Third World Left in Los Angeles. KPFK forms part of the Pacifica Network, the oldest public radio association in the United States, and it remains the only independent media outlet in Los Angeles. “Independent Media” is defined as listener sponsored radio, and the program can be accessed at KPFK 90.7 FM in Los Angeles and at www.kpfk.org. According to the KPFK website, the Mission of the Pacifica Network is to “promote full distribution of public information and to employ such varied sources in public presentation of accurate, objective, and comprehensive news on all matters vitally affecting the community.” By not relying on outside funding, the vi station and the show are free to present a number of different topics to the community. Soul Rebel Radio liberated a space for youth in Los Angeles, and placed themselves at the core of the narrative to create media that is culturally, politically, socially, historically, and aesthetically relevant. By employing an auto- ethnographic method of analysis, the author utilizes qualitative and quantitative studies of media and other examples of radio to demonstrate that Soul Rebel Radio creates culturally relevant, politically active, and reconceptualized concepts of space, media, audience, community, and radio production in Los Angeles. The author demonstrates that youth need to have spaces to exercise their creativity in order to develop a powerful voice, and the data utilized in this study is drawn from original programs created by Soul Rebel Radio. Interviews with members of the collective substantiate my claim that participation in the program was beneficial to individuals and the community. My goal for this study is to demonstrate the significance of the new knowledge created by radio programs produced by Chican@s and other youth in Los Angeles. The experimental program does not adhere to traditional radio formats, and Chapter One details how Soul Rebel Radio presents a challenge to mainstream media. The Third World Left in Los Angeles represents a challenge to social hierarchy while helping contextualize the space occupied by the community that makes up most of the Soul Rebel Radio collective. The Intersection of Soul and Revolution explains one of the goals of the group as the expansion of the definition of uprising to embrace all forms of dissent including spiritual challenges, philosophical differences, and revolutionary nationalism that could benefit the community. Another important contribution in this chapter involves Soul Rebel Radio and Gender Equity. The responsibility for the collective is to ensure the participation of women in every aspect of the program, develop new voices, and unlearn gender norms that the men in the group can take for granted. Soul Rebel Radio created the Revolution in Prime Time as an effort to demonstrate how media shuns the actions of poor, minority, and Chican@ youth in particular, and we confront this by seeking out individuals to participate in the production of collective forms of knowledge. Finally, the section called Youth Radio in California is a case study of the Oakland organization that most resembles the focus on youth produced media established autonomously by the Soul Rebel Radio collective in Los Angeles. Chapter Two expands on the original work produced by Soul Rebel Radio proving that when given an opportunity, youth create original programs that help challenge the mainstream representation of Chican@s and other communities in what Laura Pulido defines as the Third World Left. The purpose of vii Soul Rebel Radio is to highlight, profile, and present young people on the air, and the section highlights shows related to the core concept of youth. Another key factor for the group is the inclusion of women and a focus on gender equity, and the section presents programs related to historical challenges to patriarchy led by the young women in the collective. One of the most pressing issues for Soul Rebel Radio is the environment, and the Kilo Watts and Tiny Energy Segment provides a platform to advocate for sustainability and respect for Mother Earth. In the seven plus years that Soul Rebel Radio has aired, the collective has profiled a number of specific years and individuals. Parts of the chapter demonstrate how the program connects historical moments and central figures that transform our reality. Perhaps Soul Rebel Radio’s best radio productions revolve around abstract concepts, and the last section of the chapter displays the power of youth to employ creativity and present critical media capable of educating and entertaining the community. The purpose of the program is to present youth on the air, but the goal is to recruit young people to help craft social justice. Soul Rebel Radio, like Chican@ Studies, is a multi-disciplined approach to understanding the contradictions in society related to race, class, gender, and sexual orientation. The final chapter of the study includes interviews with the individuals who participated in the program throughout the years. In general, most members of the collective benefited from the development of their voice with Soul Rebel Radio. Each member volunteered and participated fully in the production of original content, and Soul Rebel Radio provided the stage for Chican@s and other members of the Third World Left to take ownership of the airwaves and create a space for youth on the radio.
Load more

Recommended publications
  • Is Hip Hop Dead?
    IS HIP HOP DEAD? IS HIP HOP DEAD? THE PAST,PRESENT, AND FUTURE OF AMERICA’S MOST WANTED MUSIC Mickey Hess Library of Congress Cataloging-in-Publication Data Hess, Mickey, 1975- Is hip hop dead? : the past, present, and future of America’s most wanted music / Mickey Hess. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-275-99461-7 (alk. paper) 1. Rap (Music)—History and criticism. I. Title. ML3531H47 2007 782.421649—dc22 2007020658 British Library Cataloguing in Publication Data is available. Copyright C 2007 by Mickey Hess All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2007020658 ISBN-13: 978-0-275-99461-7 ISBN-10: 0-275-99461-9 First published in 2007 Praeger Publishers, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.praeger.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 CONTENTS ACKNOWLEDGMENTS vii INTRODUCTION 1 1THE RAP CAREER 13 2THE RAP LIFE 43 3THE RAP PERSONA 69 4SAMPLING AND STEALING 89 5WHITE RAPPERS 109 6HIP HOP,WHITENESS, AND PARODY 135 CONCLUSION 159 NOTES 167 BIBLIOGRAPHY 179 INDEX 187 ACKNOWLEDGMENTS The support of a Rider University Summer Fellowship helped me com- plete this book. I want to thank my colleagues in the Rider University English Department for their support of my work.
    [Show full text]
  • En Vogue L at Oya C R O S S
    - Left to Right: Tem inimus sequiae veriatem quam, estibus amet et aborerro offici de rest, quam, tendand uscienti ut FROM QUARTET TO TRIO, THE FUNKY DIVAS STILL SHOW (AND PROVE) THEY WERE BORN TO SING :EN VOGUE L AT OYA C R O S S APRIL/MAY 2017 EBONY.COM 83 lion YouTube views. But wait, there’s connection that goes into play when to learn each of more: The sultry songstresses climbed blending voices, one that Bennett came En Vogue members, from left, Rhona Bennett, the girls and re- the charts six times with singles “Hold equipped with, Ellis explains. Terry Ellis and Cindy Herron-Braggs spect the difer- On,” “My Lovin’ (Never Gonna Get “It’s being conscious of each other ences,” says El- It),” “Free Your Mind,” “Giving Him when we’re singing,” she says. “Where lis, the youngest THE SUPREMES.The Marvelettes. Something He Can Feel,” “Don’t Let is she placing her vibrato? What’s the of fve siblings. The Pointer Sisters. Between the 1960s Go,” and “Whatta Man” featuring tempo or how is she executing this song, “For me, that’s and the 1980s, the music scene was Salt-N-Pepa. this line or this word? I never thought freeing your dominated by timeless female groups. On top of their silky siren abilities, about it, but maybe that does come with mind. I think the But when it comes to girl group dynam- pop culture embraced the clingy red some seasoning and time. Rhona is a key is to under- ics, the 1990s are defned by En Vogue— dresses the vocally gifed women se- veteran as well, so she came in with that stand that you a foursome equipped with efortless duced viewers with in the music video information and awareness already.
    [Show full text]
  • Higher Ed Increase Could Mean $1 Million Lor DMSI
    VOLUME 38 January· 17, 2006 ISSUE 1111 See Nightlife p. 9 Check out Pepper and Nectar _iiiiiiiiiiliiiiiiiiiiiiii_____ iIIII._IIIII!I_~ .. ---IIiIIII--iiil----------------------. UNIVERSITYOFMISSOURI - st. lOUI~ Higher ed increase could mean $1m illion lor DMSI t Lt. Gov. Peter r-----~~~---....,." BY PAUL HACKBARTH- that he places importance . on higher and maintain UM-St. Louis' ongoing Managerial and Technologica . - -- . - -.~ •... - .. education. programs, George said. Samples Services, said the money·would addi Kinder talks with News Editor student Dustin Of the $17.1 million increase to added that the Budget and Planning tionally be used to cover the ri s in~ Coffell, after a Gov. Matt Blunt reaffirmed his higher education that Blunt promised, committee would discuss which pro­ costs of utilities and maintenance anc press conference faith in higher education during his half or about $8 million will go to the grams have priority to the money. repair to campus buildings. Mone) in the MSC on State of the State address on University of Missouri system .. George named increasing the per­ will also be used for insurance, infor­ Friday. Kinder Wednesday, Jan. 11 with a proposed 2 According to a carnpuswide e-mail centage of money donated to need­ mation technology and hiring new fac· spoke in support percentor $17.1 million increase to sent out by George and Bob Samples, based scholarships as one priority. In ulty. of Gov. Blunt's Missouri colleges and universities. director of University Relations, "Not his e-mail, George wrote that state The 2. percent increase will alS( 'State of the Chancellor Thomas George attend­ calculating a further funding gap appropriations "also would lessen the affect tuition rates.
    [Show full text]
  • Music 18145 Songs, 119.5 Days, 75.69 GB
    Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L..
    [Show full text]
  • Casa Limon: NY Week 2017 NEW YORK
    MUSIC Casa Limon: NY Week 2017 NEW YORK Sat, October 14– Fri, October 20, 2017 8:00 pm Venue Various venues, New York View map More information Full program (PDF) Credits Organized by Casa Limon with the support of Instituto Cervantes New York, Consulate General of Spain in New York, the Mediterranean Music The Casa Limón record label presents a week-long series of Institute at Berklee College of Music concerts with over 30 musicians to celebrate its 20th IMG Artists and Universal Music anniversary. Group Casa Limón is a record label and production company owned and directed by producer and composer Javier Limón. Paco de Lucía, Wynton Marsalis, Joe Lovano, Caetano Veloso, Tom Harrell, Alicia Keys, Enrique and Estrella Morente, José Mercé, Bebo Valdés, Buika, Diego El Cigala, Mariza, or Anoushka Shankar are just some of the artists that have recorded with Casa Limón. Celebrating its 20th anniversary, Casa Limón launches Casa Limón NY Week, a revolutionary initiative that, with the help of other institutions, intends to renew the current international music scene with innovative, high-quality projects. During the span of a week, a diverse pool of over 30 well-established and new talents present new artistic concepts in different locations in New York City. Theaters, underground music halls and prestigious classical music venues are the cosmopolitan hosts that encompass the first edition. Spearheaded by Casa Limón’s artists, the aim is the creation of a new musical movement. FLAMENCO LEGENDS. THE PACO DE LUCIA PROJECT Embassy of Spain – Cultural Office | 2801 16th Street, NW, Washington, D.C.
    [Show full text]
  • En Vogue Ana Popovic Artspower National Touring Theatre “The
    An Evening with Jazz Trumpeter Art Davis Ana Popovic En Vogue Photo Credit: Ruben Tomas ArtsPower National Alyssa Photo Credit: Thomas Mohr Touring Theatre “The Allgood Rainbow Fish” Photo Courtesy of ArtsPower welcome to North Central College ometimes good things come in small Ana Popovic first came to us as a support act for packages. There is a song “Bigger Isn’t Better” Jonny Lang for our 2015 homecoming concert. S in the Broadway musical “Barnum” sung by When she started on her guitar, Ana had everyone’s the character of Tom Thumb. He tells of his efforts attention. Wow! I am fond of telling people who to prove just because he may be small in stature, he have not been in the concert hall before that it’s a still can have a great influence on the world. That beautiful room that sounds better than it looks. Ana was his career. Now before you think I have finally Popovic is the performer equivalent of my boasts lost it, there is a connection here. February is the about the hall. The universal comment during the smallest month, of the year, of course. Many people break after she performed was that Jonny had better feel that’s a good thing, given the normal prevailing be on his game. Lucky for us, of course, he was. But weather conditions in the month of February in the when I was offered the opportunity to bring Ana Chicagoland area. But this little month (here comes back as the headliner, I jumped at the chance! Fasten the connection!) will have a great influence on the your seatbelts, you are in for an amazing evening! fine arts here at North Central College with the quantity and quality of artists we’re bringing to you.
    [Show full text]
  • Print Complete Desire Full Song List
    R & B /POP /FUNK /BEACH /SOUL /OLDIES /MOTOWN /TOP-40 /RAP /DANCE MUSIC ‘50s/ ‘60s MUSIC ARETHA FRANKLIN: ISLEY BROTHERS: SAM COOK: RESPECT SHOUT TWISTIN THE NIGHT AWAY NATURAL WOMAN JAMES BROWN: YOU SEND ME ARTHUR CONLEY: I FEEL GOOD SMOKEY ROBINSON & THE MIRACLES: SWEET SOUL MUSIC I'T'S A MAN'S MAN'S WORLD OOH BABY BABY DIANA ROSS & THE SUPREMES: PLEASE,PLEASE,PLEASE TAMS: BABY LOVE LLOYD PRICE: BE YOUNG BE FOOLISH BE HAPPY STOP! IN THE NAME OF LOVE STAGGER LEE WHAT KIND OF FOOL YOU CAN’T HURRY LOVE MARY WELLS: TEMPTATIONS: YOU KEEP ME HANGIN ON MY GUY AIN’T TOO PROUD TO BEG DION: MARTHA & THE VANDELLAS: I WISH IT WOULD RAIN RUN AROUND SUE DANCING IN THE STREET MY GIRL DRIFTERS & BEN E. KING: HEATWAVE THE WAY YOU DO THE THINGS YOU DO DANCE WITH ME MARVIN GAYE: THE DOMINOES: I’VE GOT SAND IN MY SHOES AIN’T NOTHING LIKE THE REAL THING SIXTY MINUTE MAN RUBY RUBY HOW SWEET IT IS TO BE LOVED BY YOU TINA TURNER: SATURDAY NIGHT AT THE MOVIES I HEARD IT THROUGH THE GRAPEVINE PROUD MARY STAND BY ME OTIS REDDING: WILSON PICKET: THERE GOES MY BABY DOCK OF THE BAY 634-5789 UNDER THE BOARDWALK THAT’S HOW STRONG MY LOVE IS DON’T LET THE GREEN GRASS FOOL YOU UP ON TH ROOF PLATTERS: IN THE MIDNIGHT HOUR EDDIE FLOYD: WITH THIS RING MUSTANG SALLY KNOCK ON WOOD RAY CHARLES ETTA JAMES: GEORGIA ON MY MIND AT LAST SAM AND DAVE: FOUR TOPS: HOLD ON I'M COMING BABY I NEED YOUR LOVING SOUL MAN CAN'T HELP MYSELF REACH OUT I'LL BE THER R & B /POP /FUNK /BEACH /SOUL /OLDIES /MOTOWN /TOP-40 /RAP /DANCE MUSIC ‘70s MUSIC AL GREEN: I WANT YOU BACK ROD STEWART: LOVE AND HAPPINESS JAMES BROWN: DA YA THINK I’M SEXY? ANITA WARD: GET UP ROLLS ROYCE: RING MY BELL THE PAYBACK CAR WASH BILL WITHERS: JIMMY BUFFETT: SISTER SLEDGE: AIN’T NO SUNSHINE MARGARITAVILLE WE ARE FAMILY BRICK: K.C.
    [Show full text]
  • 046-49 Stonesthrow.Qxd
    046 49 StonesThrow.qxd 10/30/06 7:00 AM Page 64 STONES THROW TURNS 10 BY CHRIS MARTINS — PHOTOS BY B+ “I’VE GOT A WHOLE FRIDGE FULL OF WINE,” better known as Egon: general manager, vintage director Jeff Jank, an erstwhile graffiti artist and illus- says Eothen Alapatt with the air of a veteran busi- regional funk archivist, DJ and all-around hustler trator from Oakland who made the move south with nessman. “Going up to places like Lompoc and (though it must be mentioned that he’s much more Wolf. Photographer B+, an Irish transplant whose Buellton right outside Santa Barbara, to these wineries endearing than he is business) for Stones Throw credits include album covers for N.W.A., the Watts that are site specific…it’s just like the music I like.” Records. Of course, this isn’t to say that the label’s Prophets, DJ Shadow, and the majority of the Stones He is, after all, an accomplished record label manager. basic function isn’t happening (that previously men- Throw catalog. Rapper Medaphoar, who grew up with “I feel the same way traveling to Omaha to track a funk tioned “supposed to” about reinventing hip-hop), the label’s flagship artist Madlib in Oxnard, California, band as when I’m going to a winery seeing where they because it most certainly is. But times have changed. 60 miles northwest of L.A. Producer J-Rocc, founding grow the grapes, tasting the wine and meeting the Ten years is a lot of time for an independent hip-hop member of the seminal West Coast turntablist crew people that do it.” But Eothen isn’t an industry old- (etc.) imprint that never had dreams of pressing its the World Famous Beat Junkies (who’ve worked with, timer.
    [Show full text]
  • Copy UPDATED KAREOKE 2013
    Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M.
    [Show full text]
  • (159) [PL5] Sample Some Of
    Sample Some Of This, Sample Some Of That (160) [PL6] ✔ INEZ FOXX / Let Me Down Easy [Volt/Stax (LP)] PHFNG / Nie lubię [phfng (LP)] JOHN COLTRANE w/ Duke Ellington / My Little Brown Book [Impulse! (LP)] KAZIK / Na każdy temat [S.P. Records (LP)] JOHN COLTRANE QUARTET / Feelin' Good [UMG (LP)] FISZ / Bla bla bla [Asfalt (LP)] KRZYSZTOF KOMEDA / Niekochana [Power Bros. (LP)] FISZ / Bla bla bla (DJ 600V w autobusie remix) [Asfalt (LP)] DIONNE WARWICK / The Look Of Love [Duchesse (LP)] PEJA - SLUMS ATTACK / WOS [T1-teraz (LP)] BETTYE LAVETTE & HANK BALLARD / Hello, Sunshine [Charly (LP)] LUCJAN & SYMONO f/ Rico / Bądź luksusowy (remix) [Yaneck (LP)] GEORGE BENSON / The Changing World [CTI (LP)] DJ 600V f/ Tede / Świat zwariował w 23 lata (e?!) [RRX (LP)] PHFNG f/ Dwa Sławy / Teściowa (I used to love h.e.r.) (remix) [phfng (LP)] Sample Some Of This, Sample Some Of That (159) [PL5] ✔ VLADIMIR VYSOTSKY / Dom chrustalnyj [Melodija (LP)] KALIBER 44 / Konfrontacje [S.P. Records (LP)] SHARON REDD / Takin' A Chance On Love [Prelude (LP)] DJ 600V f/ Jajo, Grubas, Gano (HaiHaieR) / Nie jestem kurwa biznesmenem [RRX (LP)] JERZY MILIAN TRIO / Rewelacyjny Luciano [Polskie Nagrania (LP)] DJ 600V f/ Jajo, Grubas, Gano (HaiHaieR) / Nie jestem kurwa biznesmenem (remix) [RRX (LP)] NINA SIMONE / Four Women (DJ OBaH's Recycled Funk remix) [Bstrd Boots Nuggets! (7")] FISZ EMADE / Heavi Metal [Asfalt (LP)] BERNARD PURDIE / Lialeh [Light In The Attic (LP)] SINY f/ Roszja / Aleja życia [Blend (LP)] KLEEER / Tonight [Atlantic (LP)] TRZYHA/WARSZAFSKI DESZCZ / Sobota [RRX (LP)] SÈYFU YOHANNÈS / Mèla Mèla [Buda Musique (LP)] POE (PROJEKT OSTRY EMADE) / Nadzieja [Asfalt (LP)] ENNIO MORRICONE / Main Theme ("A Fistful Of Dynamite", O.S.T.) [Decca (LP)] PEJA - SLUMS ATTACK / Mój rap, moja rzeczywistość [T1-teraz (LP)] Sample Some Of This, Sample Some Of That (158) [PL4] ✔ SILNA GRUPA POD WEZWANIEM / Rozprawa o robokach [Polskie Nagrania Muza (LP)] KAZIK / Wewnętrzne sprawy [S.P.
    [Show full text]
  • Bob Marley Background Informations
    Bob Marley Background informations: Birth name: Robert Nesta Marley Also known as: Tuff Gong Born: February 6, 1945 Nine Miles, Saint Ann, Jamaica Died: May 11, 1981 Genre: Reggae, ska, rocksteady Occupation: Singer, songwriter, guitarist Instrument: Guitar, vocals Years active: 1962 – 1981 Label: Studio One, Beverley’s Upseeter/ Trojan Island/Tuff Gong Associated acts: The wailers Band, The Wailers HITS: . I shot the sheriff, . No woman, No cry, . Three little birds, . Exodus, . Could you be loved, . Jamming, . Redemption song . One love[one of his most famous love songs] Bob Marley once reflected: I don’t have prejudice against myself. My father was white and my mother was black. Them call me half-caste or whatewer. Me don’t dip on nobady’s side. Me don’t dip on the black man’s side or the white man’s side. Me dip on God’s side, the one who create me and cause me to come from black and white. Musical career: Bob Marley, Bunny Livingston, Peter McIntosh, Junior Braitheaite, Beverley Kelso and Cherry Smith – rocksteady group first named “The Teenagers”. Later “The Wailing Rudeboys”, then to “The Wailing Wailers”, and finally to “The Wailers”. Albums: * The Wailing Wailers 1966 * The Best of the Wailers 1970 * Soul Rebels 1970 * Soul Revolution 1971 * Soul Revolution Part II 1971 * African Herbsman 1973 * Catch a Fire 1973 [Wailers first album] * Burnin' 1973 * Rasta Revolution 1974 * Natty Dread 1974 * Rastaman Vibration 1976 * Exodus 1977 * Kaya 1978 * Survival 1979 * Uprising 1980 * Confrontation (izdano po Marleyjevi smrti) 1983 Bob Marley’s 13 childrens: . Imani Carole, born May 22, 1963, to Cheryl Murray; .
    [Show full text]
  • On the Market
    INSIDE BROOKLYN’S WEEKLY NEWSPAPER Including The Downtown News, Carroll Gardens-Cobble Hill Paper and Fort Greene-Clinton Hill Paper Rosie Perez comes home to Brooklyn Published weekly by Brooklyn Paper Publications Inc, 26 Court St., Brooklyn 11242 Phone 718-834-9350 AD fax 718-834-1713 • NEWS fax 718-834-9278 © 2003 Brooklyn Paper Publications • 16 pages including GO BROOKLYN • Vol.26, No. 23 BWN • June 9, 2003 • FREE ON THE MARKET Witnesses put waterfront tower up for sale By Patrick Gallahue turing and Design Center, a collec- The Brooklyn Papers tion of businesses and artist studios now operating in a former rope fac- TA set to The Watchtower Bible and tory, would be compatible with Tract Society of New York, also Brooklyn Bridge Park. shaft the known as the Jehovah’s Wit- “It’s a million square feet and it nesses, announced this week has absolutely spectacular views of Heights their interest in selling their 1- the harbor and Lower Manhattan,” million-square-foot building at Koval said. “I think we’re enor- PAGE 2 360 Furman St between Jora- mously interested in the possibility lemon Street and Atlantic that this wouldn’t be a shipping and Avenue. printing operation of any organiza- there is compatible with the park “We have a number of options tion, religious or otherwise. The and traffic.” out there that we are exploring,” truck traffic and the volume of traf- She declined, however, to voice said Watchtower spokesman fic has always been an issue not opinions or concerns about the Robert Alexander. “We’re waiting just for the park but the surround- project until a specific proposal is ing community.” to see what … will come back.” Mango / Greg made.
    [Show full text]