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Casio XW-P1 & XW-G1 Groove Synthetizer
Démarrage - 1.1 Introduction personnelle Casio XW-P1 & XW-G1 Aide mémoire d’utilisation L. Duffar Synthetizer (VA/PCM) & Organ modelisation Groove Synthetizer (Looper- Sampler) CASIO XW-P1 & XW-G1 – Aide-mémoire Décembre 2018 1/205 Démarrage - 1.1 Introduction personnelle Sommaire court (Voir le sommaire complet à la fin) Pour une lecture à l’écran pensez à utiliser les signets du PDF pour naviguer dans le document 1 DÉMARRAGE 6 1.1 INTRODUCTION PERSONNELLE 6 1.2 OU TROUVER QUOI ? 7 1.1 SE PRÉPARER À JOUER 8 1.2 PANNEAU DE COMMANDE 11 1.3 OPÉRATIONS DE BASE 14 2 UTILISATION AVANCÉE 26 2.1 PANNEAU DE COMMANDE 26 2.2 SÉLECTION ET CRÉATION DE « TONES » 30 2.3 EXÉCUTION AUTOMATIQUE DE « PHRASE ARPÉGÉE » (XW-P1 UNIQUEMENT) 66 2.4 ENREGISTREMENT ET REPRODUCTION DE PHRASES 71 2.5 UTILISATION DU « STEP SEQUENCER » 78 2.6 ENREGISTREMENT ET LECTURE AVEC LE « LOOPER-SAMPLER » (XW-G1 UNIQUEMENT) 94 2.7 UTILISATION DU MODE « PERFORMANCES » 103 2.8 AUTRES FONCTIONS UTILES 112 2.9 UTILISATION D’UNE CARTE MÉMOIRE 120 2.10 RACCORDEMENT À UN ORDINATEUR 127 2.11 RÉFÉRENCE 129 3 APPENDICE 145 3.1 TONE LIST 145 3.2 DRUM ASSIGNMENT LIST 151 3.3 SYNTH WAVE LIST 154 3.4 PCM WAVE LIST 156 3.5 NOISE WAVE LIST 162 3.6 INSTRUMENT WAVE LIST 163 3.7 NORMAL DSP LIST 164 3.8 ARPEGGIO LIST 165 3.9 PHRASE LIST 165 3.10 SEQUENCE LIST 166 3.11 CHAIN LIST 166 3.12 PERFORMANCE LIST 167 4 LOGICIELS DE CONTRÔLE EXTÉRIEURS 168 4.1 LOGICIEL PC/MAC « DATA EDITOR FOR XW-P1/XW-G1 » PAR CASIO (GRATUIT) 168 4.2 APPLICATION IOS « MIDI DESIGNER XW SOLO SYNTH CONTROLLER » DE CONFUSION -
Performance in EDM - a Study and Analysis of Djing and Live Performance Artists
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 12-2018 Performance in EDM - A Study and Analysis of DJing and Live Performance Artists Jose Alejandro Magana California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Music Performance Commons Recommended Citation Magana, Jose Alejandro, "Performance in EDM - A Study and Analysis of DJing and Live Performance Artists" (2018). Capstone Projects and Master's Theses. 364. https://digitalcommons.csumb.edu/caps_thes_all/364 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Magaña 1 Jose Alejandro Magaña Senior Capstone Professor Sammons Performance in EDM - A Study and Analysis of DJing and Live Performance Artists 1. Introduction Electronic Dance Music (EDM) culture today is often times associated with top mainstream DJs and producers such as Deadmau5, Daft Punk, Calvin Harris, and David Guetta. These are artists who have established their career around DJing and/or producing electronic music albums or remixes and have gone on to headline world-renowned music festivals such as Ultra Music Festival, Electric Daisy Carnival, and Coachella. The problem is that the term “DJ” can be mistakenly used interchangeably between someone who mixes between pre-recorded pieces of music at a venue with a set of turntables and a mixer and an artist who manipulates or creates music or audio live using a combination of computers, hardware, and/or controllers. -
11C Software 1034-1187
Section11c PHOTO - VIDEO - PRO AUDIO Computer Software Ableton.........................................1036-1038 Arturia ...................................................1039 Antares .........................................1040-1044 Arkaos ....................................................1045 Bias ...............................................1046-1051 Bitheadz .......................................1052-1059 Bomb Factory ..............................1060-1063 Celemony ..............................................1064 Chicken Systems...................................1065 Eastwest/Quantum Leap ............1066-1069 IK Multimedia .............................1070-1078 Mackie/UA ...................................1079-1081 McDSP ..........................................1082-1085 Metric Halo..................................1086-1088 Native Instruments .....................1089-1103 Propellerhead ..............................1104-1108 Prosoniq .......................................1109-1111 Serato............................................1112-1113 Sonic Foundry .............................1114-1127 Spectrasonics ...............................1128-1130 Syntrillium ............................................1131 Tascam..........................................1132-1147 TC Works .....................................1148-1157 Ultimate Soundbank ..................1158-1159 Universal Audio ..........................1160-1161 Wave Mechanics..........................1162-1165 Waves ...........................................1166-1185 -
THE COMPLETE SYNTHESIZER: a Comprehensive Guide by David Crombie (1984)
THE COMPLETE SYNTHESIZER: A Comprehensive Guide By David Crombie (1984) Digitized by Neuronick (2001) TABLE OF CONTENTS TABLE OF CONTENTS...........................................................................................................................................2 PREFACE.................................................................................................................................................................5 INTRODUCTION ......................................................................................................................................................5 "WHAT IS A SYNTHESIZER?".............................................................................................................................5 CHAPTER 1: UNDERSTANDING SOUND .............................................................................................................6 WHAT IS SOUND? ...............................................................................................................................................7 THE THREE ELEMENTS OF SOUND .................................................................................................................7 PITCH ...................................................................................................................................................................8 STANDARD TUNING............................................................................................................................................8 THE RESPONSE OF THE HUMAN -
Slim Phatty Manual
Table of Contents FOREWORD from Steve Dunnington .................. 5 THE USER INTERFACE (con’t) Performance Sets ................................................................ 50 THE BASICS Activating the Arpeggiator and Latch .................... 52 How to use this Manual ....................................... 6 How the SP handles MIDI ............................................. 54 Setup and Connections ........................................ 6 Overview and Features ........................................ 8 APPENDICES Signal Flow .................................................................... 10 A – LFO Sync Modes ..................................................... 58 Basic Operation ......................................................... 11 B – Arpeggiator Clock Source .................................. 59 C – The Calibration Preset ......................................... 60 THE COMPONENTS D – Accessories ................................................................. 61 A. Oscillator Section ............................................... 12 E – Tutorial ............................................................................. 62 B. Filter Section ......................................................... 14 F – MIDI Implementation Chart .............................. 67 C. Envelope Generators Section .................... 16 G – Service & Support Information ........................ 68 D. Modulation Section .......................................... 18 H – Caring for the Slim Phatty .................................. -
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University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts. -
Slim Phatty Lundi 9 27.Indd
Table des matières AVANT-propos de Steve Dunnington... 5 L'INTERFACE utilisateur (suite) Performance Sets ................................................................50 LES NOTIONS DE BASE Activation de l'arpégiateur et verrou... 52 Comment utiliser ce manuel... 6 Comment le SP gère MIDI... 54 Installation et connexions... 6 Présentation générale et caractéristiques... 8 ANNEXES Signal Flow ....................................................................10 A – LFO Sync Modes .....................................................58 Basic Operation .........................................................11 B – arpégiateur Clock Source... 59 C – le préréglage de Calibration... 60 LES COMPOSANTS D – Accessories .................................................................61 A. Section oscillateur... 12 E – Tutorial .............................................................................62 B. Filter Section .........................................................14 F – MIDI mise en œuvre graphique... 67 C. article d'enveloppe de générateurs... 16 G – Service & des informations de Support...68 D. article modulation... 18 H – entretien de la Slim Phatty... 68 E. Output Section ....................................................19 I – à l'aide de la CP-251 avec le Slim Phatty...69 F. entrée/sortie panneau... 20 J – Specifications .................................................................71 G. interface panneau... 21 GLOSSARY ......................................................................................72 L'INTERFACE -
Netto Brutto Minimoog Voyager XL Super Cena !!! Flagowy Syntezator
Maj 2012 Cennik zawiera sugerowane ceny detaliczne. Ceny w sklepach muzycznych mogą być niższe. Audiostacja nie prowadzi sprzedaży detalicznej z wyłączeniem profesjonalnych instalacji studyjnych oraz broadcast. Naszych produktów szukaj u partnerów handlowych na terenie całego kraju. Sugerowane Ceny Detaliczne w PLN Minimoog Voyager – wersje z klawiaturą netto brutto Minimoog Voyager XL Flagowy syntezator analogowy Moog'a wyposażony w klawiaturę 61 14 633 17 999 Super Cena !!! klawiszy oraz panel modularny Minimoog Voyager – Syntezator analogowy Minimoog Voyager w wersji Electric Blue 11 699 14 390 Electric Blue Minimoog Voyager – Minimoog Voyager w wersji konfigurowanej na zamówienie klienta, do 11 699 14 390 Select Series wyboru podświetlanie [Jade, Fire, Solar, Lunar, Electric Blue] oraz drewno [Standard Ash, Electric Blue, Mahogany, Walnut, Cherry, White Wash, Minimoog Voyager – SyntezatorMaple] analogowy Minimoog Voyager w wersji Performer Edition 10 894 13 400 Performer Edition [wersja standardowa bez podświetlania i wyboru drewna] Minimoog Voyager – wersje modułowe netto brutto Minimoog Voyager – Syntezator analogowy Minimoog Voyager Rack Mount Edition 8 942 10 999 wersje modułowe Little Phatty – wersje z klawiaturą netto brutto Little Phatty Stage II Syntezator analogowy Little Phatty – klawiatura 3 oktawy, pełna pamięć 4 675 5 750 ustawień Little Phatty Stage II Syntezator analogowy Little Phatty z wyjściami w standardzie CV 5 569 6 850 w/CV Slim Phatty – wersje modułowe netto brutto Slim Phatty Syntezator analogowy Slim Phatty -
Synthesizer 1 Guide 2014 Guide Nr
Synthesizer 1 Guide 2014 Guide Nr. 5 Synthesizer Sonnenstraße 15 Tel: 0049/(0)89/55146-116 D-80331 München www.hieber-lindberg.de www.hieber-lindberg.de [email protected] www.hieber-lindberg.de Vorwort Clavia Seite 4 Liebe Synthesizer-Freunde! Nord Lead 4 3 5 Jahre Synthesizer-Guide! Seit dem Erscheinen der ersten Ausgabe Arturia Seite 7 2009 hat sich der Guide zu einem sehr beliebten Ratgeber rund um ak- MicroBrute tuelle Synthesizer entwickelt. Auch der Markt hilft mit und kommt dem Korg Seite 10 allgemeinen Interesse an analogen / virtuell-analogen Instrumenten MS-20 mini entgegen. So konnten wir aus einer Vielzahl von leistungsfähigen und gut gebauten Synthesizern die Testkandidaten für den Guide auswäh- Moog Seite 12 len: Von monophonen Energie-Bündeln für Rack oder Tisch - MacBeth Sub Phatty MicroMac - über kraftvolle, sehr handliche Analogkeyboards - Arturia MicroBrute, Korg MS-20 mini, Novation Bass Station II und Moog Sub- Novation Seite 16 Phatty - bis hin zu neuesten polyphonen Klassikern - Clavia NordLead Bass Station II 4 - ist das Angebot der Testberichte sehr umfassend. Abgerundet wer- Hieber Lindberg Seite 20 den die Berichte durch ein interessantes Interview mit Dieter Doepfer, 5 Jahre Synthesizer Guide dem wir nicht nur das A-100 Modularsystem, sondern auch so man- chen genialen Workshop in unserem Hause zu verdanken haben. Hieber Lindberg Seite 22 Ich hoffe, dass euch die Jubiläumsausgabe des Guides gefällt. Für Synthesizer Preisliste ausführliche Beratungen rund um Synthesizer und Studiotechnik stehe ich euch natürlich gerne jederzeit zur Verfügung. Hieber Lindberg Seite 28 News Euer Macbeth Seite 30 Martin Machwitz mit Team MicroMac Vermona Seite 35 fourMulator 4-fach LFO Interview Seite 36 Dieter Doepfer Vintage Synthesizer Ecke Seite 40 Monophone Instrumente Theo Bloderer Martin Vintage Synthesizer Ecke Seite 42 Stefan Machwitz Polyphone Instrumente Leberfinger Hieber Lindberg Synthesizer Guide Nr. -
T3 User Manual.Indd
Table of Contents FOREWORD by Cyril Lance ........................................ 4 THE USER INTERFACE Preset Mode ............................................................................ 28 THE BASICS Master Mode ........................................................................... 30 How to Use this Manual .......................................... 5 A. Master Mode Menu Structure .................... 31 Setup and Connections ........................................... 6 B. Master Mode Menus ....................................... 32 Overview and Features ........................................... 7 C. Advanced Presets Menus ............................... 35 Signal Flow ....................................................................... 9 D. MIDI Setup Menus ............................................ 38 Basic Operation ............................................................ 10 E. System Exclusive (SysEx) Menus ............... 42 F. System Utilities Menus .................................... 44 THE COMPONENTS How the Taurus 3 handles MIDI .................................... 50 A. Oscillator/LFO Panel............................................. 11 B. Filter/Arpeggiator Panel ..................................... 15 APPENDICES C. CONTROL Footwheel ..................................... 18 A – Arpeggiator Examples .............................................. 53 D. Footswitches .......................................................... 19 B – MIDI Implementation Chart ................................. 54 E. Pedalboard -
Minimoog Voyager Xl Analog Synthesizer We Have the Largest Selection of Hard to Find Items. Call
302 KEYBOARD WORKSTATIONS & SYNTHESIZERS MINIMOOG VOYAGER XL ANALOG SYNTHESIZER The XL version of the MiniMoog Voyager features the same all-analog signal path and adds extensive front panel patchability. Digital control allows you to store and recall patches, map pots, and MIDI control. • 61-note velocity sensitive keyboard • 20 CV outputs, 10 CV inputs • Ribbon controller ITEM PRICE VY-MIN-0015 ................................................................................................. CALL NEW! MooG MiNITauR ANALOG Bass SYNTHESIZER Compact and pow- MOOG LITTLE PHATTY SERIES ANALOG SYNTHESIZERS This 2-oscillator, erful, the Minitaur 100% analog synthesizer packs the classic Moog sounds into a compact package combines analog with a stylish black finish. The Little Phatty series features an arpeggiator, tap Moog bass with a new pedal-less package, seamless control interface, and tempo and controls that can be remapped to any parameter. MIDI over USB pro- increased level of accessibility. Add growl, snarl, or punch via the 2 oscilla- vides added power and flexibility, as well as PC connectivity. 100% analog signal tors, 2 assignable envelope generators, ladder filter, and MIDI-syncable LFO. path features (2)Voltage Controlled Oscillators and (1)Voltage Controlled Filter. 8.5" x 5.25" and less than 3lbs, the compact steel chassis integrates easily via External audio input and CV inputs add versatility. The Slim Phatty is the stand- DIN MIDI, MIDI over USB, external audio, and CV inputs into today's produc- alone version. Little Phatty Stage II adds KB gate inputs and a 37-key controller. tion and performance environments. ITEM DESCRIPTION PRICE ITEM DESCRIPTION PRICE SLIM-PHATTY ............ 2-Oscillator analog synthesizer, stand alone ............................. -
Bedienungsanleitung Rev 2.2 a Vc
VCO 2 FILTER 320Hz VCA 80Hz BEDIENUNGSANLEITUNG 5KHz MIDI FINE TUNE FREQ 20Hz 20KHZ RES CUTOFF EG AMOUNT VOLUME / MIX ENVELOPE REV 2.2 RELEASE FILTER VCO 1 LVL VCO 2 LVL AMPLIFIER MOD GLIDE RATE GLIDE RELEASE SUSTAIN ATTACK DECAY/ AMT VCF LFO AMT LFO RATE VCO LFO VCO 2 FILTER 320 H z VC A 80H z 5KH z MID I FINE TU N E FRE Q 20 H z 20 KH Z RE S C U TO FF EG AMO U N T VO LUME / MIX EN VELOP E RELEASE FI LTE R VC O 1 LVL VC O 2 LVL AMPLIFIE R MO D G LID E R ATE GLID E RE LEAS E SU STAI N ATTAC K DEC AY/ AMT VCF LFO AM T LFO R ATE VCO LF O MINITAUR Herzlichen Glückwunsch zu Ihren neuen Moog Minitaur Analog Bass Synthesizer! Der Minitaur ist ein ebenso klangstarker wie kompakter Synthesizer – der bisher kompakteste Moog Synthesizer überhaupt, um genau zu sein. Mit Abmessungen von gerade einmal 22 cm mal 13 cm und einem Gewicht von nur wenig mehr als einem Kilogramm passt der Minitaur problemlos in jedes erdenk- liche Setup und lässt sich zudem mühelos transportieren. Das Klangvolumen des Minitaur steht seinen großen und ganz großen Brüdern dagegen in nichts nach – in Verbindung mit einer geeigneten Abhöhr- anlage lässt der Minitaur buchstäblich den Putz von den Wänden fliegen... Dank seiner kompromisslos hochwertigen Verarbeitung werden Sie an Ihrem Minitaur viele Jahre Spass haben. Genau jetzt werden Sie jedoch sicher nichts lieber wollen, als Ihren neuen Minitaur so schnell wie möglich auszuprobieren.