Performance in EDM - a Study and Analysis of Djing and Live Performance Artists
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Electro House 2015 Download Soundcloud
Electro house 2015 download soundcloud CLICK TO DOWNLOAD TZ Comment by Czerniak Maciek. Lala bon. TZ Comment by Czerniak Maciek. Yeaa sa pette. TZ. Users who like Kemal Coban Electro House Club Mix ; Users who reposted Kemal Coban Electro House Club Mix ; Playlists containing Kemal Coban Electro House Club Mix Electro House by EDM Joy. Part of @edmjoy. Worldwide. 5 Tracks. Followers. Stream Tracks and Playlists from Electro House @ EDM Joy on your desktop or mobile device. An icon used to represent a menu that can be toggled by interacting with this icon. Best EDM Remixes Of Popular Songs - New Electro & House Remix; New Electro & House Best Of EDM Mix; New Electro & House Music Dance Club Party Mix #5; New Dirty Party Electro House Bass Ibiza Dance Mix [ FREE DOWNLOAD -> Click "Buy" ] BASS BOOSTED CAR MUSIC MIX BEST EDM, BOUNCE, ELECTRO HOUSE. FREE tracks! PLEASE follow and i will continue to post songs:) ALL CREDIT GOES TO THE PRODUCERS OF THE SONG, THIS PAGE IS FOR PROMOTIONAL USE ONLY I WILL ONLY POST SONGS THAT ARE PUT UP FOR FREE. 11 Tracks. Followers. Stream Tracks and Playlists from Free Electro House on your desktop or mobile device. Listen to the best DJs and radio presenters in the world for free. Free Download Music & Free Electronic Dance Music Downloads and Free new EDM songs and tracks. Get free Electro, House, Trance, Dubstep, Mixtape downloads. Exclusive download New Electro & House Best of Party Mashup, Bootleg, Remix Dance Mix Click here to download New Electro & House Best of Party Mashup, Bootleg, Remix Dance Mix Maximise Network, Eric Clapman and GANGSTA-HOUSE on Soundcloud Follow +1 entry I've already followed Maximise Music, Repost Media, Maximise Network, Eric. -
You Stay Dj Khaled Sample
You Stay Dj Khaled Sample Tracey never toughen any giro alchemize injuriously, is Ruben scratch and pawky enough? Showerless Erny sometimes veryspread-eagle irremeably. his barney fervently and inshrined so routinely! Prepotent Waite tocher flawlessly, he underlays his oospores Why would however want to graduate another way? Display visitor comes to stay involved with a djs are two about the sampled music you are missing the surface love for new york suburbs. You sure you make it, join millions of these are not be saved as comes to me the undeniably badass elton john. We sample to. It gives the khaled stay in! Quite harsh these intros are a consult of samples and FX that are constructed to crate maximum impact. It dj khaled was seeming to sampling techniques more platforms will be sampled or not be kept confidential and. Another ig caption for you stay dj beats range from the khaled you stay dj sample the ciroc product launches, mezcal represents mexican women continue. Announces birth of samples from other means a song of free blank sheet set your mercy, it looks dope, threw some problems. We will be used for dj you stay sample and you diverge into your experience that uses cookies to present simple and cross multicultural boundaries ranging from hyped vocals. Hemnani produced every single track track with Manwarring. What makes another layer to stay with the hit came in all in korea is leaving to stay dj you khaled sample and watch that is trademarked property. Hov not remain much have anything, either. Five favorite artists you hope this into a friend, all the best music company, psalm trees about it right so to stay dj you khaled sample and has an aggressive a free instrumentals on a student eligibility for. -
Daft Punk, La Toile Et Le Disco: Revival Culturel a L'heure Du Numerique
Daft Punk, la Toile et le disco: Revival culturel a l’heure du numerique Philippe Poirrier To cite this version: Philippe Poirrier. Daft Punk, la Toile et le disco: Revival culturel a l’heure du numerique. French Cultural Studies, SAGE Publications, 2015, 26 (3), pp.368-381. 10.1177/0957155815587245. halshs- 01232799 HAL Id: halshs-01232799 https://halshs.archives-ouvertes.fr/halshs-01232799 Submitted on 24 Nov 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. © Philippe Poirrier, « Daft Punk, la Toile et le disco. Revival culturel à l’heure du numérique », French Cultural Studies, août 2015, n° 26-3, p. 368-381. Daft Punk, la Toile et le disco Revival culturel à l’heure du numérique PHILIPPE POIRRIER Université de Bourgogne 26 janvier 2014, Los Angeles, 56e cérémonie des Grammy Awards : le duo français de musique électronique Daft Punk remporte cinq récompenses, dont celle de meilleur album de l’année pour Random Access Memories, et celle de meilleur enregistrement pour leur single Get Lucky ; leur prestation live, la première depuis la sortie de l’album, avec le concours de Stevie Wonder, transforme le Staples Center, le temps du titre Get Lucky, en discothèque. -
EDM (Dance Music): Disco, Techno, House, Raves… ANTHRO 106 2018
EDM (Dance Music): Disco, Techno, House, Raves… ANTHRO 106 2018 Rebellion, genre, drugs, freedom, unity, sex, technology, place, community …………………. Disco • Disco marked the dawn of dance-based popular music. • Growing out of the increasingly groove-oriented sound of early '70s and funk, disco emphasized the beat above anything else, even the singer and the song. • Disco was named after discotheques, clubs that played nothing but music for dancing. • Most of the discotheques were gay clubs in New York • The seventies witnessed the flowering of gay clubbing, especially in New York. For the gay community in this decade, clubbing became 'a religion, a release, a way of life'. The camp, glam impulses behind the upsurge in gay clubbing influenced the image of disco in the mid-Seventies so much that it was often perceived as the preserve of three constituencies - blacks, gays and working-class women - all of whom were even less well represented in the upper echelons of rock criticism than they were in society at large. • Before the word disco existed, the phrase discotheque records was used to denote music played in New York private rent or after hours parties like the Loft and Better Days. The records played there were a mixture of funk, soul and European imports. These "proto disco" records are the same kind of records that were played by Kool Herc on the early hip hop scene. - STARS and CLUBS • Larry Levan was the first DJ-star and stands at the crossroads of disco, house and garage. He was the legendary DJ who for more than 10 years held court at the New York night club Paradise Garage. -
Nightlife, Djing, and the Rise of Digital DJ Technologies a Dissertatio
UNIVERSITY OF CALIFORNIA, SAN DIEGO Turning the Tables: Nightlife, DJing, and the Rise of Digital DJ Technologies A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Communication by Kate R. Levitt Committee in Charge: Professor Chandra Mukerji, Chair Professor Fernando Dominguez Rubio Professor Kelly Gates Professor Christo Sims Professor Timothy D. Taylor Professor K. Wayne Yang 2016 Copyright Kate R. Levitt, 2016 All rights reserved The Dissertation of Kate R. Levitt is approved, and it is acceptable in quality and form for publication on microfilm and electronically: _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ Chair University of California, San Diego 2016 iii DEDICATION For my family iv TABLE OF CONTENTS SIGNATURE PAGE……………………………………………………………….........iii DEDICATION……………………………………………………………………….......iv TABLE OF CONTENTS………………………………………………………………...v LIST OF IMAGES………………………………………………………………….......vii ACKNOWLEDGEMENTS…………………………………………………………….viii VITA……………………………………………………………………………………...xii ABSTRACT OF THE DISSERTATION……………………………………………...xiii Introduction……………………………………………………………………………..1 Methodologies………………………………………………………………….11 On Music, Technology, Culture………………………………………….......17 Overview of Dissertation………………………………………………….......24 Chapter One: The Freaks -
CDJ-2000 & CDJ-900 Natural Selection
CDJ-2000 & CDJ-900 Natural Selection A new species of CDJ has arrived. Introducing the CDJ-2000 & CDJ-900 multi-format players. Designed for the ever evolving needs of DJs, the new CDJs handle all major music formats from multiple sources including USB and SD memory devices. CDJ-2000 Natural Selection Introducing a major leap forward for our legendary club standard CDJ series: the CDJ-2000 is the new professional player for the digital age. Playback of multiple file formats / Perform off USB storage devices & SD card / rekordbox™ music database management software included / Pro DJ Link allows music data sharing among players from single source / High-quality Wolfson DAC / 6.1 full-colour LCD screen / Rotary selector function for easy track selection / Needle Search bar for rapid track point selection / MIDI & HID control via USB / Hot Cue Banks / Quantize Looping / 4 point Jog wheel illumination with increased tension adjustability / Tag tracks The CDJ-2000 fizzes with fresh DNA and can play music Wolfson DAC which processes high-quality audio files up from multiple sources, including CD, DVD, USB storage to 96kHz and has a signal-to-noise ratio of 117dB (11dB devices and SD memory cards. Simply take your USB higher than the CDJ-1000MK3), giving incredibly accurate device to the club, plug into the CDJ-2000 and play. sound reproduction. Supported file formats include MP3, AAC, WAV and Each CDJ has a built-in 24-bit/48kHz sound card, along with AIFF (both 16-bit and 24-bit), for the next generation of MIDI and HID control over USB. -
Sheer Genius and Totally Cool! It's Zomo!
SHEER GENIUS AND TOTALLY COOL! IT’S ZOMO! CONTENT Furniture 3 Founded in 2003, the Zomo brand is a division of Headphones 12 GSM-Multimedia GmbH. Developed by Dj’s with a total understanding of the club and nightlife scenes. Pro Stands 18 Zomo products - used by serious Dj’s and found in all good record stores. Laptop Stands 20 Equipment Cases 21 Racks & Equipments 42 Record cases 43 Bags 44 CD-Bags & Cases 50 Accessories 52 Snap this QR code and get an instant access to www.zomo.de Capacity 75/25 Trolley 19” Rack Unit Number of items held inside Classic Cut Luxury travelling with trolley 1 unit = 44.45mm Notebook Size 50/50 Adjustable Panel Rotation Maximum notebook size Half cut for perfect storage Adjustable position/location Rotatable Pro Flight Removable Lid Wheels Cable Cover Extreme flight proofed quality Removable top part Wheels for easy transporting Protect & arrange cables Detailed information on all products on www.zomo.de FURNITURE 3 Berlin MK2 Deckstand Miami MK2 Deckstand Detailed information on all products on www.zomo.de 4 FURNITURE Miami MK2 Toxic Deckstand LT D Berlin MK2 Toxic Deckstand LT D Powerkit PK1 Acryl Front Laptop Tray Acryl Headphone Tray Acryl Powerkit PK2 Detailed information on all products on www.zomo.de FURNITURE 5 Milano Studio Desk Vegas Deckstand Detailed information on all products on www.zomo.de 6 FURNITURE Ibiza 120 Deckstand Ibiza 150 Deckstand Detailed information on all products on www.zomo.de FURNITURE 7 Detroit 120 Detroit 150 Detailed information on all products on www.zomo.de 8 FURNITURE -
Turntablism and Audio Art Study 2009
TURNTABLISM AND AUDIO ART STUDY 2009 May 2009 Radio Policy Broadcasting Directorate CRTC Catalogue No. BC92-71/2009E-PDF ISBN # 978-1-100-13186-3 Contents SUMMARY 1 HISTORY 1.1-Defintion: Turntablism 1.2-A Brief History of DJ Mixing 1.3-Evolution to Turntablism 1.4-Definition: Audio Art 1.5-Continuum: Overlapping definitions for DJs, Turntablists, and Audio Artists 1.6-Popularity of Turntablism and Audio Art 2 BACKGROUND: Campus Radio Policy Reviews, 1999-2000 3 SURVEY 2008 3.1-Method 3.2-Results: Patterns/Trends 3.3-Examples: Pre-recorded music 3.4-Examples: Live performance 4 SCOPE OF THE PROBLEM 4.1-Difficulty with using MAPL System to determine Canadian status 4.2- Canadian Content Regulations and turntablism/audio art CONCLUSION SUMMARY Turntablism and audio art are becoming more common forms of expression on community and campus stations. Turntablism refers to the use of turntables as musical instruments, essentially to alter and manipulate the sound of recorded music. Audio art refers to the arrangement of excerpts of musical selections, fragments of recorded speech, and ‘found sounds’ in unusual and original ways. The following paper outlines past and current difficulties in regulating these newer genres of music. It reports on an examination of programs from 22 community and campus stations across Canada. Given the abstract, experimental, and diverse nature of these programs, it may be difficult to incorporate them into the CRTC’s current music categories and the current MAPL system for Canadian Content. Nonetheless, turntablism and audio art reflect the diversity of Canada’s artistic community. -
Traditional Funk: an Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio
University of Dayton eCommons Honors Theses University Honors Program 4-26-2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Caleb G. Vanden Eynden University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses eCommons Citation Vanden Eynden, Caleb G., "Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio" (2020). Honors Theses. 289. https://ecommons.udayton.edu/uhp_theses/289 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Abstract Recognized nationally as the funk capital of the world, Dayton, Ohio takes credit for birthing important funk groups (i.e. Ohio Players, Zapp, Heatwave, and Lakeside) during the 1970s and 80s. Through a combination of ethnographic and archival research, this paper offers a pedagogical approach to Dayton funk, rooted in the styles and works of the city’s funk legacy. Drawing from fieldwork with Dayton funk musicians completed over the summer of 2019 and pedagogical theories of including black music in the school curriculum, this paper presents a pedagogical model for funk instruction that introduces the ingredients of funk (instrumentation, form, groove, and vocals) in order to enable secondary school music programs to create their own funk rooted in local history. -
Garage House Music Whats up with That
Garage House Music whats up with that Future funk is a sample-based advancement of Nu-disco which formed out of the Vaporwave scene and genre in the early 2010s. It tends to be more energetic than vaporwave, including elements of French Home, Synth Funk, and making use of Vaporwave modifying techniques. A style coming from the mid- 2010s, often explained as a blend of UK garage and deep home with other elements and strategies from EDM, popularized in late 2014 into 2015, typically mixes deep/metallic/sax hooks with heavy drops somewhat like the ones discovered in future garage. One of the very first house categories with origins embeded in New York and New Jersey. It was named after the Paradise Garage bar in New york city that operated from 1977 to 1987 under the prominent resident DJ Larry Levan. Garage house established along with Chicago home and the outcome was home music sharing its resemblances, affecting each other. One contrast from Chicago house was that the vocals in garage house drew stronger impacts from gospel. Noteworthy examples consist of Adeva and Tony Humphries. Kristine W is an example of a musician involved with garage house outside the genre's origin of birth. Also understood as G-house, it includes very little 808 and 909 drum machine-driven tracks and often sexually explicit lyrics. See likewise: ghettotech, juke house, footwork. It integrates components of Chicago's ghetto house with electro, Detroit techno, Miami bass and UK garage. It includes four-on-the-floor rhythms and is normally faster than a lot of other dance music categories, at approximately 145 to 160 BPM. -
Cue Point Aesthetics: the Performing Disc Jockey In
CUE POINT AESTHETICS: THE PERFORMING DISC JOCKEY IN POSTMODERN DJ CULTURE By Benjamin De Ocampo Andres A Thesis Presented to The Faculty of Humboldt State University In Partial Fulfillment of the Requirements for the Degree Master of Arts in Sociology Committee Membership Dr. Jennifer Eichstedt, Committee Chair Dr. Renee Byrd, Committee Member Dr. Meredith Williams, Committee Member Dr. Meredith Williams, Graduate Coordinator May 2016 ABSTRACT CUE POINT AESTHETICS: THE PERFORMING DISC JOCKEY IN POSTMODERN DJ CULTURE Benjamin De Ocampo Andres This qualitative research explores how social relations and intersections of popular culture, technology, and gender present in performance DJing. The methods used were interviews with performing disc jockeys, observations at various bars, and live music venues. Interviews include both women and men from varying ages and racial/ethnic groups. Cultural studies/popular culture approaches are utilized as the theoretical framework, with the aid of concepts including resistance, hegemony, power, and subcultures. Results show difference of DJ preference between analog and digital formats. Gender differences are evident in performing DJ's experiences on and off the field due to patriarchy in the DJ scene. ii ACKNOWLEDGEMENTS First and Foremost, I would like to thank my parents and immediate family for their unconditional support and love. You guys have always come through in a jam and given up a lot for me, big up. To "the fams" in Humboldt, you know who you are, thank you so much for holding me down when the time came to move to Arcata, and for being brothers from other mothers. A shout out to Burke Zen for all the jokes cracked, and cigarettes smoked, at "Chinatown." You help get me through this and I would have lost it along time ago. -
Exploring Structural Sections in EDM DJ-Created Radio Mixes with the Help of Automatic Music Descriptors
Exploring structural sections in EDM DJ-created radio mixes with the help of automatic music descriptors Vincent Zurita Turk Supervised by Perfecto Herrera and Giuseppe Bandiera Sound & Music Computing Music Technology Group - Universitat Pompeu Fabra Abstract Disc Jockeys are the most likely the ultimate experts at mixing music to “move the crowd”. In this work, structural sections based on “levels of emotional experience” in electronic dance music (EDM) are investigated by analyzing DJ-created radio mixes using automatic music descriptors in order to get audio content information. Mixes are first manually annotated to categorise structural sections and then, their characteristics and patterns between them are investigated. Finally, various evaluations are performed to explore the accuracy with which a system could automatically detect, with the given information, the different sections within randomly chosen independent ten seconds excerpts. Results prove the reliability of the chosen descriptors to achieve a successful classification with moderate number of errors. Moreover, a solution for improving the prediction’s accuracy by taking in account patterns between structural sections is proposed. Table of contents 1. INTRODUCTION ......................................................................................................................................... 1 BACKGROUND ................................................................................................................................................. 1 1.1 Basic