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Buy UNO, get a TRIO Sale Register UNO Synth or UNO Drum and get Syntronik* for free! This month, get more out of your UNO with our Buy UNO, get a TRIO Sale. From September 2nd - September 30th, register UNO Synth or UNO Drum and get 3 free Syntronik Singles of your choice. Register both UNO Synth and Drum, or complete your duo*, and get Syntronik full for free. *Customers who already own either UNO Drum or UNO Synth only need to register the other to get Syntronik full. How to qualify for the promotion: 1. Register your product online via the IK Multimedia website. 2. Go to your User Area and click on 'Promotions' to view the details. 3. If you’re registering your 1st UNO product, you’ll be able to choose 3 of the below Syntronik singles 4. If you’ve registered both UNO Synth and UNO Drum, Syntronik full will be added to “My Products” automatically. Offer valid September 2, 2019 – September 30, 2019 Eligible Singles are: Syntronik - T-03 The massive bass of the Roland TB-303 Syntronik - SAM The iconic sound of the Oberheim SEM synthesizer Syntronik - Polymorph Based on the Polymoog, Opus 3, Rogue, and Concertmate MG-1 Syntronik - 99 Our take on the Yamaha SY99 Syntronik - Blau Classic sounds of the PPG Wave 2.3 Syntronik - Bully The iconic bass of the Moog Taurus I, II, and 3 Syntronik - DCO-X Based on the Roland JX series classic synths Syntronik - Galaxy Our spin on the Alesis Andromeda Syntronik - Harpy 260 Iconic sounds of the ARP 2600 Syntronik - J-60 Based on the Juno 60, including chorus Syntronik - J-8 Iconic sounds of the Roland Jupiter series Syntronik - Minimod Our take on the Minimoog, Modular and Voyager synths Syntronik - Noir Based on the Moog Prodigy, Micromoog and the Multimoog Syntronik - OXa Based on the Oberheim OB-X and OB-Xa Syntronik - Pro-V Classic sounds of the Prophet-5 and Prophet-10 Syntronik - String Box Based on ARP, Elka, Hohner, and Roland string machines Syntronik - V-80 Classic sounds of the Yamaha CS-80, GX-1 and CS-01 .

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Minimoog Model D Manual
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University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts.
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