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Fftuner Basic Instructions. (For Chrome Or Firefox, Not
FFTuner basic instructions. (for Chrome or Firefox, not IE) A) Overview B) Graphical User Interface elements defined C) Measuring inharmonicity of a string D) Demonstration of just and equal temperament scales E) Basic tuning sequence F) Tuning hardware and techniques G) Guitars H) Drums I) Disclaimer A) Overview Why FFTuner (piano)? There are many excellent piano-tuning applications available (both for free and for charge). This one is designed to also demonstrate a little music theory (and physics for the ‘engineer’ in all of us). It displays and helps interpret the full audio spectra produced when striking a piano key, including its harmonics. Since it does not lock in on the primary note struck (like many other tuners do), you can tune the interval between two keys by examining the spectral regions where their harmonics should overlap in frequency. You can also clearly see (and measure) the inharmonicity driving ‘stretch’ tuning (where the spacing of real-string harmonics is not constant, but increases with higher harmonics). The tuning sequence described here effectively incorporates your piano’s specific inharmonicity directly, key by key, (and makes it visually clear why choices have to be made). You can also use a (very) simple calculated stretch if desired. Other tuner apps have pre-defined stretch curves available (or record keys and then algorithmically calculate their own). Some are much more sophisticated indeed! B) Graphical User Interface elements defined A) Complete interface. Green: Fast Fourier Transform of microphone input (linear display in this case) Yellow: Left fundamental and harmonics (dotted lines) up to output frequency (dashed line). -
Arturia Minibrute 2 and the “
Arturia MiniBrute 2 and the “Synth-Flation” phenomenon The Arturia MiniBrute 2 could easily be chosen “People’s-Analog-Synthesizer Number ONE of the decade”. It certainly has all the refinements that a modern versatile analog synth should have. But in truth, its award may be out of reach, since the market is going through an odd phase of inflation at the moment. W hile “Inflation” is indicative of money, we could coin the term “Synth-Flation” to explain what’s going on: The artificial expansion of the synth market. Foremost among the competitors, the MiniBrute 2, an excellent sounding 2- VCO synthesizer from the French synth manufacturer Arturia. The fact is, if the market were dominated by the veterans of the category “Vintage Synthesizer”, the release of MiniBrute 2 would see masses of enthusiasts around the globe, stampeding to the music stores. They would desert their jobs, friends and family and jump on already overcrowded trains to get to cities where they could buy the MiniBrute 2 (or at least see their object of desire). But that’s just not the way it’s happening … | 1 Arturia MiniBrute 2 and the “Synth-Flation” phenomenon After the original MiniBrute had experienced an entirely respectable output of production, after MicroBrute and MatrixBrute had been introduced into Arturia’s portfolio, and after many dozens of analog instruments of various producers had appeared on the market, MiniBrute 2 has become just one of numerous analog synths in 2019. The fact that the MiniBrute 2 is selling well, but not in extraordinary quantities, the fact that it’s not a top-seller, so to speak, is a fate that the instrument suffers unfairly. -
SBHS Finally Open "We're Not Getting a Revised Site Plan in (Time for the Scheduled Meeting)," Schaefer Argued
IN THIS ISSUE IN THE NEWS Football Community Unity Day Page 17 Pages 12-13 SEPTEMBER 18, 1997 40 CENTS VOLUME 4, NUMBER 48 Rezoning ordinance introduced Public hearing on Deans- Rhode Hall Road site is scheduled for Nov. 5 BY JOHN P. POWGIN Staff Writer n ordinance to rezone approximately 120 acres surrounding the intersection of A Route 130 and Deans-Rhode Hall Road in South Brunswick to allow for more concentrat- ed development cleared its first hurdle Tuesday when the Township Committee voted 4-1 to offi- cially introduce the proposal. Committeeman David Schaefer cast the lone vote against introducing the ordinance, saying he felt that his colleagues were "rushing this along for no reason." The ordinance's second reading, which will be accompanied by public comment on the matter followed by the final vote on its adoption, has been scheduled for the committee's Nov. 5 regu- Senior Greg Merritt takes a test on the first day of school at the new South Brunswick High School: figuring out his lar meeting. locker combination. For more pictures of the opening, see pages 3 and 9. The committee previously asked Forsgate (Jackie Pollack/Greater Media) Industries, the South Brunswick-based firm which has requested the land in question be rezoned from light industrial (LI) 3 to LI 2, to provide fur- ther information on its proposal, including a revised site plan and traffic impact studies. SBHS finally open "We're not getting a revised site plan in (time for the scheduled meeting)," Schaefer argued. Revised calendar day, early-release schedule on school delays, "they sought the guid- "Let's be realistic. -
The Carillon United Church of Christ, Congregational (585) 492-4530 Editor: Marilyn Pirdy (585) 322-8823
The Carillon United Church of Christ, Congregational (585) 492-4530 Editor: Marilyn Pirdy (585) 322-8823 May 2013 As May is rapidly approaching, we are gearing up for the splendors of this Merry Month. We anxiously and Then, just 3 days later in the month, we come to one gratefully await the grandeur of the budding trees and of America’s most favorite holidays – Mother’s Day, shrubs, the lawns which are becoming green and May 12. On this day we honor our mothers – those increasingly lush, the birds busily gathering nesting persons who either by birth or by their actions are as materials for their about-to-be new families, and fields mothers to us through love, kindness, compassion, being diligently groomed and planted for the year’s caring, encouraging, and so much more. It’s on this day growing season. In addition to looking forward to we acknowledge our mother’s influence on our lives, experiencing all these spIendors, I scan the calendar and whether they are yet in our midst or have gone before can’t help but think that May is really a month of us to God’s heavenly realm. On this day also, we remembrance. Let me share my reasoning, and celebrate the blessing of the Christian Home. It’s a perhaps you will agree. special day, indeed – this day when we again remember May 1 is May Day – originally a day to remember the our mothers! Haymarket Riot of 1886 in Chicago, Illinois. Even And then, on May 27, we celebrate yet another day though the riot occurred on May 4, it was the of tribute – Memorial Day. -
![Arxiv:1910.11997V1 [Cs.SD] 26 Oct 2019 Ited Access to Such Data](https://docslib.b-cdn.net/cover/9249/arxiv-1910-11997v1-cs-sd-26-oct-2019-ited-access-to-such-data-319249.webp)
Arxiv:1910.11997V1 [Cs.SD] 26 Oct 2019 Ited Access to Such Data
MELLOTRON: MULTISPEAKER EXPRESSIVE VOICE SYNTHESIS BY CONDITIONING ON RHYTHM, PITCH AND GLOBAL STYLE TOKENS Rafael Valle*, Jason Li*, Ryan Prenger, Bryan Catanzaro NVIDIA Corporation ABSTRACT easily extended to singing voice synthesis (SVS) [3, 4]. Un- fortunately, recent attempts [4] require a singing voice dataset Mellotron is a multispeaker voice synthesis model based on and heavily quantized pitch and rhythm data obtained from a Tacotron 2 GST that can make a voice emote and sing with- digital representation of a music score, for example MIDI [5] out emotive or singing training data. By explicitly condition- or musicXML [6]. Mellotron does not require any singing ing on rhythm and continuous pitch contours from an audio voice in the dataset nor manually aligned pitch and text in signal or music score, Mellotron is able to generate speech order to synthesize singing voice. in a variety of styles ranging from read speech to expressive Mellotron can make a voice emote and sing without emo- speech, from slow drawls to rap and from monotonous voice tion or singing data. Training Mellotron is very simple and to singing voice. Unlike other methods, we train Mellotron only requires read speech and transcriptions. During infer- using only read speech data without alignments between text ence, we can change the generated voice’s speaking style, and audio. We evaluate our models using the LJSpeech and make it emote or sing by extracting pitch and rhythm char- LibriTTS datasets. We provide F0 Frame Errors and synthe- acteristics from an audio file or a music score. As a bonus, sized samples that include style transfer from other speakers, with Mellotron we can explore latent characteristics from an singers and styles not seen during training, procedural manip- audio corpus by sampling a dictionary of learned latent char- ulation of rhythm and pitch and choir synthesis. -
Boomstar by MIKAEL JOHNSTON
REVIEW ANALOG SYNTH STUDIO ELECTRONICS Boomstar BY MIKAEL JOHNSTON THERE ARE A SELECT FEW COMPANIES OUT THERE WHO, FOR WHATEVER reason, seem to fly under the radar of the general public when, in fact, they make the secret weapons of some of the music industry’s most elite producers. Take Studio Snap Judgment Electronics. Those who use their analog synthesizers are a veritable who’s who of the industry, yet you usually won’t hear “Studio Electronics” on the lips of the aver- PROS Fully discrete analog age customer browsing in a big instrument store. With the new Boomstar line bring- signal path. Unparalleled ing the sound of discrete analog—in the form of a family of monophonic desktop sound quality. Tons of synths—to the company’s most affordable price yet, we hope that’s going to change. modulation and routing options. Available with A Brief History their rack-mounted synths are still hot-ticket different filters based on Founded in 1985 by Val St. Regis and Tim Caswell items when they show up on eBay. classic synth designs. as an electronics repair business, Studio Electron- In 1993 the prototype of their frst in-house ics soon transitioned to rack-mounting vintage synthesizer was born, the three-oscillator SE-1. CONS No patch memory. analog synthesizers (including Minimoogs, I was lucky enough to have one of these early Somewhat complicated to Prophets, and Oberheims) and ftting them with prototypes living in my studio thanks to Darin program. Monaural audio out. MIDI, with the help of Val’s son Greg. -
Latin American Nimes: Electronic Musical Instruments and Experimental Sound Devices in the Twentieth Century
Latin American NIMEs: Electronic Musical Instruments and Experimental Sound Devices in the Twentieth Century Martín Matus Lerner Desarrollos Tecnológicos Aplicados a las Artes EUdA, Universidad Nacional de Quilmes Buenos Aires, Argentina [email protected] ABSTRACT 2. EARLY EXPERIENCES During the twentieth century several Latin American nations 2.1 The singing arc in Argentina (such as Argentina, Brazil, Chile, Cuba and Mexico) have In 1900 William du Bois Duddell publishes an article in which originated relevant antecedents in the NIME field. Their describes his experiments with “the singing arc”, one of the first innovative authors have interrelated musical composition, electroacoustic musical instruments. Based on the carbon arc lutherie, electronics and computing. This paper provides a lamp (in common use until the appearance of the electric light panoramic view of their original electronic instruments and bulb), the singing or speaking arc produces a high volume buzz experimental sound practices, as well as a perspective of them which can be modulated by means of a variable resistor or a regarding other inventions around the World. microphone [35]. Its functioning principle is present in later technologies such as plasma loudspeakers and microphones. Author Keywords In 1909 German physicist Emil Bose assumes direction of the Latin America, music and technology history, synthesizer, drawn High School of Physics at the Universidad de La Plata. Within sound, luthería electrónica. two years Bose turns this institution into a first-rate Department of Physics (pioneer in South America). On March 29th 1911 CCS Concepts Bose presents the speaking arc at a science event motivated by the purchase of equipment and scientific instruments from the • Applied computing → Sound and music German company Max Kohl. -
Minitaur Editor マニュアル
MINITAUR ANALOG BASS SYNTHESIZER エディターユーザーズマニュアル MINITAUR エディターマニュアル オーバービュー & フィーチャー Minitaur Plugin と Standalone Editor を使用することにより、リアルタイムの編集、プリセットライブラリ管理やシェアリ ング、ホスト DAW との統合が可能となります。これにより Minitaur の強力な 諸機能を簡単に利用することができます。 Minitaur Editor は DAW 上で作動している VST や AU,RTAS あるいは AAX フォーマットにも対応しています。 Minitaur Editor には 3 つのスクリーンレイアウトがあります : PANEL UNDER THE HOOD EXTENDED このモードでは、 Minitaur のフロント このモードでは、このソフトウェア このモードでは一つの画面上で パネルの外観と感覚で操作を行うこと 自身もしくはハードウェアコントロ PANEL と UNDER THE HOOD のど が可能です。 ーラーのような MIDI コントロール ちらも利用することができます。また、 ソースからのみ操作可能な Minitaur エンベロープ・リリースを追加して個 が持つ様々な音作りの追加機能を手 別に利用することも可能です。 軽に利用することができます。 PRESET MANAGER と SETTINGS へアクセスするボタンもここに置かれています。 注意 : このソフトウェアは MIDI コントロール専用です。音声を作成・処理することは出来ません。 より詳細な機能の説明については、Minitaur Manual を参照してください: http://www.moogmusic.com/products/taurus/minitaur#downloads-tab 1 動作環境 Mac: OS X 10.6.8 以上 PC: Windows 7 以上、Intel もしくは AMD のプロセッサ搭載 • 使用可能な USB ポートもしくは DIN MIDI IN/OUT。 • VST, AU, RTAS, AAM プラットフォーム対応の DAW 。 • Minitaur のファームウェアは 2.1.0 以上を必要とします。 VST 互換性 : 2.4+ もしくは VST 3+ サポートについては DAW のソフトウェアメーカにお問い合わせください。 全ての仕様は予告なしに変更されることがあります。 設定 & 接続 USB ケーブルで Minitaur シンセサイザをコンピュータに接続してください。 注意 :ご自身の Mac/PC で MIDI I/O を設定してください。 コンピュータやオーディオデバイスへの接続についての詳細は Minitaur User’s Manual の 4-5 ページを参照して ください。 インストール : Mac ユーザー : .pkg ファイルをクリックし、インストールしたいエディタのバージョンを 選択したのち CONTINUE ボタンをクリックしてください。 Windows ユーザー : 手動で.dll ファイルをデフォルトの VST プラグインのディレクトリに保存して下さ い。 32 Bit: C:\Program Files(x86)\”Name of DAW manufacturer”\Vst Plugins\ 64 Bit : C:\Program Files\”Name of DAW manufacturer”\VST Plugins\ (for 64 bit) RTAS: -
Arturia Minibrute User Manual
USER'S MANUAL Arturia MiniBrute User's Manual 1 6 Legal notes PRODUCT AND PROJECT MANAGEMENT Frédéric BRUN Romain DEJOIE ELECTRONICS Yves USSON Bruno PILLET François BEST Laurent BARET Robert BOCQUIER Antoine BACK DESIGN Axel HARTMANN (Design Box) Daniel VESTER Morgan PERRIER INDUSTRIALIZATION Nicolas DUBOIS Suzy ZHU (Huaxin) MANUAL Yves USSON Craig ANDERTON Antoine BACK Yasu TANAKA Noritaka UBUKATA SPECIAL THANKS TO: Arnaud REBOTINI, Étienne JAUMET, Jean-Benoît DUNCKEL, Simon TARRICONE, Glen DARCEY, Frank ORLICH, Jean-Michel BLANCHET, Frédéric MESLIN, Mathieu BRUN, Gérard BURACCHINI. 1st edition: February 2012 Information contained in this manual is subject to change without notice and does not represent a commitment on behalf of ARTURIA. The hardware unit and the software product described in this manual are provided under the terms of a license agreement or non-disclosure agreement. The license agreement specifies the terms and conditions for its lawful use. No part of this manual may be produced or transmitted in any form or by any purpose other than purchaser’s personal use, without the explicit written permission of ARTURIA S.A. All other products, logos or company names quoted in this manual are trademarks or registered trademarks of their respective owners. © ARTURIA S.A. 1999-2012, all rights reserved. ARTURIA S.A. 4, chemin de Malacher 38240 Meylan FRANCE http://www.arturia.com Arturia MiniBrute User's Manual 2 6 Legal notes TABLE OF CONTENTS 1 Introduction ............................................................................ -
Arturia Minibrute – the New Roland SH-101? in Many Ways the Arturia Minibrute Is an Exception to the Rule
Arturia MiniBrute – the new Roland SH-101? In many ways the Arturia MiniBrute is an exception to the rule. First, it’s French, a rarity on the analog synth market. Second, it’s something really special. THE analog synth of the year 2012 (and probably also 2013). In the lower price segment, in any case … Most remarkable is the fact that a product of this high quality could be produced with such an exceptional price- performance ratio without any great sacrifices. Arturia, up to now primarily involved in the development of software synthesizers, seems to have managed the impossible. The MiniBrute is well-made, sounds great, is versatile and – at 500 Euros – very affordable. An analog synth with MIDI, USB and CV/Gate. You might expect that you’d just be getting what’s absolutely necessary in basic sound design, but the opposite is true. The MiniBrute is full of little extras that total up to enormous flexibility. We’ll explain this in detail in the course of the following report. | 1 Arturia MiniBrute – the new Roland SH-101? We have also taken the liberty to compare the MiniBrute with the similarly designed Roland SH-101. But let’s start at the beginning … On availability, the manual and other stuff … The MiniBrute comes with a couple of suprises. First, concerning delivery times and availability: these can be sticky. Arturia has too few MiniBrutes available around the world. So, you may have to be patient at the moment. | 2 Arturia MiniBrute – the new Roland SH-101? The original user manual is written in English, French and Japanese Second, the manual: well organized – good printing quality, very informative … everything’s great, except … you’re limited to English, French and Japanese! For other languages (German, for example), please put on hold. -
Physical Modelling Synthesis
Physical modelling synthesis Physical modelling synthesis refers to sound synthesis methods in which the waveform of the sound to be generated is computed using a mathematical model, a set of equations and algorithms to simulate a physical source of sound, usually a musical instrument. Contents General methodology Technologies associated with physical modelling Hardware synthesizers Software synthesizers References Footnotes External links General methodology Modelling attempts to replicate laws of physics that govern sound production, and will typically have several parameters, some of which are constants that describe the physical materials and dimensions of the instrument, while others are time-dependent functions describing the player's interaction with the instrument, such as plucking a string, or covering toneholes. For example, to model the sound of a drum, there would be a mathematical model of how striking the drumhead injects energy into a two-dimensional membrane. Incorporating this, a larger model would simulate the properties of the membrane (mass density, stiffness, etc.), its coupling with the resonance of the cylindrical body of the drum, and the conditions at its boundaries (a rigid termination to the drum's body), describing its movement over time and thus its generation of sound. Similar stages to be modelled can be found in instruments such as a violin, though the energy excitation in this case is provided by the slip-stick behavior of the bow against the string, the width of the bow, the resonance and damping behavior of the strings, the transfer of string vibrations through the bridge, and finally, the resonance of the soundboard in response to those vibrations. -
11C Software 1034-1187
Section11c PHOTO - VIDEO - PRO AUDIO Computer Software Ableton.........................................1036-1038 Arturia ...................................................1039 Antares .........................................1040-1044 Arkaos ....................................................1045 Bias ...............................................1046-1051 Bitheadz .......................................1052-1059 Bomb Factory ..............................1060-1063 Celemony ..............................................1064 Chicken Systems...................................1065 Eastwest/Quantum Leap ............1066-1069 IK Multimedia .............................1070-1078 Mackie/UA ...................................1079-1081 McDSP ..........................................1082-1085 Metric Halo..................................1086-1088 Native Instruments .....................1089-1103 Propellerhead ..............................1104-1108 Prosoniq .......................................1109-1111 Serato............................................1112-1113 Sonic Foundry .............................1114-1127 Spectrasonics ...............................1128-1130 Syntrillium ............................................1131 Tascam..........................................1132-1147 TC Works .....................................1148-1157 Ultimate Soundbank ..................1158-1159 Universal Audio ..........................1160-1161 Wave Mechanics..........................1162-1165 Waves ...........................................1166-1185