DOCSLIB.ORG

Arturia Minibrute – the New Roland SH-101? in Many Ways the Arturia Minibrute Is an Exception to the Rule

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Arturia Minibrute – the New Roland SH-101? in Many Ways the Arturia Minibrute Is an Exception to the Rule Arturia MiniBrute – the new Roland SH-101? In many ways the Arturia MiniBrute is an exception to the rule. First, it’s French, a rarity on the analog synth market. Second, it’s something really special. THE analog synth of the year 2012 (and probably also 2013). In the lower price segment, in any case … Most remarkable is the fact that a product of this high quality could be produced with such an exceptional price- performance ratio without any great sacrifices. Arturia, up to now primarily involved in the development of software synthesizers, seems to have managed the impossible. The MiniBrute is well-made, sounds great, is versatile and – at 500 Euros – very affordable. An analog synth with MIDI, USB and CV/Gate. You might expect that you’d just be getting what’s absolutely necessary in basic sound design, but the opposite is true. The MiniBrute is full of little extras that total up to enormous flexibility. We’ll explain this in detail in the course of the following report. | 1 Arturia MiniBrute – the new Roland SH-101? We have also taken the liberty to compare the MiniBrute with the similarly designed Roland SH-101. But let’s start at the beginning … On availability, the manual and other stuff … The MiniBrute comes with a couple of suprises. First, concerning delivery times and availability: these can be sticky. Arturia has too few MiniBrutes available around the world. So, you may have to be patient at the moment. | 2 Arturia MiniBrute – the new Roland SH-101? The original user manual is written in English, French and Japanese Second, the manual: well organized – good printing quality, very informative … everything’s great, except … you’re limited to English, French and Japanese! For other languages (German, for example), please put on hold. They’ll get there in the long run. In any case, this is a manual you can browse in, great bedside reading. | 3 Arturia MiniBrute – the new Roland SH-101? The MiniBrute comes with a generous pile of sound sheets Forget about the language. The instrument comes with a generous pile of sound sheets … nice, thick cardboard templates which fit perfectly over the control panel to visually record favourite sound positions. Analog in the truest sense! Arturia’s MiniBrute comes with 10 “presets” and 5 “blank sheets”. The quality of the handiwork is very, very good. The MiniBrute doesn’t look impressive, that’s true. But just pick it up. It’s a whopper. Absolutely solid, a thick chassis, high quality knobs and faders. Nothing wiggles. Fantastic! Arturia didn’t stint on the hardware … and not on the sound, either, just to be clear on that. And you see at a glance that the MiniBrute is another wonderful product from Axel Hartmann’s Design Box … Elegant design … bearing the signature of Axel Hartmann It goes to say that a whole arsenal of people were involved in its realization. The following list reflects an intensive French-Japanese-German cooperation. Product and Project Management Frédéric Brun Romain Dejoie Electronics Yves Usson Bruno Pillet Francois Best Laurent Baret Robert Bocquier Antoine Back Design | 4 Arturia MiniBrute – the new Roland SH-101? Axel Hartmann (Design Box) Daniel Vester Morgan Perrier Industialization Nicolas Dubois Suzy Zhu (Huaxin) Manual Yves Usson Craig Anderton Antoine Back Yasu Tanaka Noritaka Ubukata Yves Usson, above all, deserves mention. He is a senior scientist responsible for creating some of the most amazing analog modular systems. He started designing and building his first modular analog synthesizer back in 1977. Today, he freely shares his acclaimed designs and indepth knowledge with the worldwide community of SDIY (synthesizer do it yourself). A wide playing range which you wouldn’t expect with a 2-octave keyboard But let’s get back to the MiniBrute. That it has an external PSU is not suprising considering its small size (recollections of the Roland SH-101). Signs of the times. The 2 octave keyboard may seem minimalistic at first glance. But: the keys are normal sized (“big” – not kid-sized à la Micro-Korg) and, thanks to the octave range switches, you really have access to a full six octaves. So – minimalistic, yes, but also well thought through. | 5 Arturia MiniBrute – the new Roland SH-101? The keyboard may indeed have its week points Something to watch out for on the keyboard: those metal plates under the keys may come loose. They were put there to enhance the playing feeling through additional weight. But some of these plates have been known to go loose. In that rare case there’s even a danger of them falling inside the instrument … in which event the MiniBrute shouldn’t be turned on. The manufacterer is indeed aware of this problem, so we are expecting a permanent solution in the very near future. Specifications The MiniBrute contains … … a Voltage Controlled Oscillator (VCO) with sub-oscillator. The VCO is well designed. It offers sawtooth, pulse, sine and noise, each individually mixable via fader (signal mixer), so, in fact, you end up with an endless amount of waveform possibilities. The sub-oscillator can be pulse or sine, 1 or 2 octaves below the original signal. The main waveforms (saw, pulse and sine) offer some extras: Ultrasaw, for example, builds two phase-shifted copies of the basic sawtooth signal. What you get is a very thick sound, something you’d expect from a 2-VCO synthesizer. It’s sort of a supersaw, similar to what we know from the (virtual) Roland JP-8000. PWM is possible via LFO and envelope and the unique metalizer function turns the sine-wave into non- harmonic waveforms, something very useful, as there’s no ring-modulator. The VCO is, strictly speaking, an extremely versatile analog oscillator. Compliment! | 6 Arturia MiniBrute – the new Roland SH-101? … a Steiner multimode filter. There’s lowpass, bandpass, highpass and notch. Not bad! The filter resonance is very aggressive (maybe that’s the typical “Steiner” sound?), so the MiniBrute is perfectly usable for raw, dominant, hard analog sounds. The VCF has its own ADSR and keyboard tracking is available from 0 to 200 (!) %. Filter frequency modulation is also possible by LFO (of course …), by modulation wheel, aftertouch (via MIDI or directly through the internal keyboard) and finally by an external CV-source. There’s an audio-input, too, enabling filtering of any external audio signal. If the gate source switch on back of the instrument is set to audio, you don’t even have to touch the MiniBrute keyboard … the external signal will trigger the synth. | 7 Arturia MiniBrute – the new Roland SH-101? … a main LFO with lots of waveforms. Frequency ranges from 0.05 bis 100 Hz, so this LFO is perfect for very slow as well as for ultra-fast (ok, let’s say: fast) modulation purposes. 6 waveforms (including sample & hold) and multiple modulation destinations (VCO, VCF and VCA) turn the main LFO into a powerful sound design module. Last but not least, it’s possible to synchronize LFO clock and arpeggiator clock … something both useful and elegant. | 8 Arturia MiniBrute – the new Roland SH-101? … a second LFO for vibrato. The special vibrato-LFO is controllable by modulation wheel or aftertouch. The aftertouch factory setting is very strong, so the vibrato might be more “jumpy” than smooth. But no problem, there’s the MiniBrute Connection software. It allows for personal aftertouch adjustment and for other goodies (such as selection of the MIDI channel, …). … two envelopes. Classic: two ADSR. Basic envelope time may be switched from fast to slow. That’s great, since it allows you precise control over a sound’s shape. This feature would do credit to a lot of analog synthesizers on the market. … the Brute factor. The Brute factor is an extra knob that enhances the filter resonance. It makes the sound more aggressive and wild … if that’s what you’re looking for. | 9 Arturia MiniBrute – the new Roland SH-101? … a versatile arpeggiator. An arpeggiator is generally a useful tool. And this one is comprehensive as well. The MiniBrute arpeggiator has various playing modes (including random!) and octave range settings. The basic note length is selectable (quarter, eighth, sixteenth, …) and a swing factor gives you various groove options. The arpeggiator has its own internal clock, but may also be synched to MIDI clock. You can even tap in your own tempo … just hit the TAP button to adjust. Ah yes … arpeggio lines are transmitted via CV/gate to any external synthesizer … to your Roland SH-101 or ARP Axxe, for example. | 10 Arturia MiniBrute – the new Roland SH-101? … glide, bend range and audio in. Glide (portamento) is always welcome. It’s that little extra that turns your simple arpeggios into groovy patterns or gives your solo lead lines that special human touch. Adjustable pitch bend range. Great. Another feature that would do credit to a lot of the analog synthesizers currently on the market. Finally, there’s audio-in, for processing stuff like vocal lines, drum patterns, polyphonic synth pads. … lots of INs and OUTs. Flexibility is one of the MiniBrute’s key words. This little monster can be hooked up to any modular system, to any (1V/octave) analog keyboard, any step sequencer, MIDI keyboard, computer (via MIDI and USB). Its connections are just as versatile as its sound design potential. | 11 Arturia MiniBrute – the new Roland SH-101? Connections: audio in / out headphones out CV/gate in / out MIDI in / out USB CV-in for pitch, VCF and VCA Sound There is no question about it. The MiniBrute is a stunner. Small and beautiful.
Load more

Recommended publications
  • Arturia Minibrute 2 and the “
    Arturia MiniBrute 2 and the “Synth-Flation” phenomenon The Arturia MiniBrute 2 could easily be chosen “People’s-Analog-Synthesizer Number ONE of the decade”. It certainly has all the refinements that a modern versatile analog synth should have. But in truth, its award may be out of reach, since the market is going through an odd phase of inflation at the moment. W hile “Inflation” is indicative of money, we could coin the term “Synth-Flation” to explain what’s going on: The artificial expansion of the synth market. Foremost among the competitors, the MiniBrute 2, an excellent sounding 2- VCO synthesizer from the French synth manufacturer Arturia. The fact is, if the market were dominated by the veterans of the category “Vintage Synthesizer”, the release of MiniBrute 2 would see masses of enthusiasts around the globe, stampeding to the music stores. They would desert their jobs, friends and family and jump on already overcrowded trains to get to cities where they could buy the MiniBrute 2 (or at least see their object of desire). But that’s just not the way it’s happening … | 1 Arturia MiniBrute 2 and the “Synth-Flation” phenomenon After the original MiniBrute had experienced an entirely respectable output of production, after MicroBrute and MatrixBrute had been introduced into Arturia’s portfolio, and after many dozens of analog instruments of various producers had appeared on the market, MiniBrute 2 has become just one of numerous analog synths in 2019. The fact that the MiniBrute 2 is selling well, but not in extraordinary quantities, the fact that it’s not a top-seller, so to speak, is a fate that the instrument suffers unfairly.
    [Show full text]
  • Boomstar by MIKAEL JOHNSTON
    REVIEW ANALOG SYNTH STUDIO ELECTRONICS Boomstar BY MIKAEL JOHNSTON THERE ARE A SELECT FEW COMPANIES OUT THERE WHO, FOR WHATEVER reason, seem to fly under the radar of the general public when, in fact, they make the secret weapons of some of the music industry’s most elite producers. Take Studio Snap Judgment Electronics. Those who use their analog synthesizers are a veritable who’s who of the industry, yet you usually won’t hear “Studio Electronics” on the lips of the aver- PROS Fully discrete analog age customer browsing in a big instrument store. With the new Boomstar line bring- signal path. Unparalleled ing the sound of discrete analog—in the form of a family of monophonic desktop sound quality. Tons of synths—to the company’s most affordable price yet, we hope that’s going to change. modulation and routing options. Available with A Brief History their rack-mounted synths are still hot-ticket different filters based on Founded in 1985 by Val St. Regis and Tim Caswell items when they show up on eBay. classic synth designs. as an electronics repair business, Studio Electron- In 1993 the prototype of their frst in-house ics soon transitioned to rack-mounting vintage synthesizer was born, the three-oscillator SE-1. CONS No patch memory. analog synthesizers (including Minimoogs, I was lucky enough to have one of these early Somewhat complicated to Prophets, and Oberheims) and ftting them with prototypes living in my studio thanks to Darin program. Monaural audio out. MIDI, with the help of Val’s son Greg.
    [Show full text]
  • Arturia Minibrute User Manual
    USER'S MANUAL Arturia MiniBrute User's Manual 1 6 Legal notes PRODUCT AND PROJECT MANAGEMENT Frédéric BRUN Romain DEJOIE ELECTRONICS Yves USSON Bruno PILLET François BEST Laurent BARET Robert BOCQUIER Antoine BACK DESIGN Axel HARTMANN (Design Box) Daniel VESTER Morgan PERRIER INDUSTRIALIZATION Nicolas DUBOIS Suzy ZHU (Huaxin) MANUAL Yves USSON Craig ANDERTON Antoine BACK Yasu TANAKA Noritaka UBUKATA SPECIAL THANKS TO: Arnaud REBOTINI, Étienne JAUMET, Jean-Benoît DUNCKEL, Simon TARRICONE, Glen DARCEY, Frank ORLICH, Jean-Michel BLANCHET, Frédéric MESLIN, Mathieu BRUN, Gérard BURACCHINI. 1st edition: February 2012 Information contained in this manual is subject to change without notice and does not represent a commitment on behalf of ARTURIA. The hardware unit and the software product described in this manual are provided under the terms of a license agreement or non-disclosure agreement. The license agreement specifies the terms and conditions for its lawful use. No part of this manual may be produced or transmitted in any form or by any purpose other than purchaser’s personal use, without the explicit written permission of ARTURIA S.A. All other products, logos or company names quoted in this manual are trademarks or registered trademarks of their respective owners. © ARTURIA S.A. 1999-2012, all rights reserved. ARTURIA S.A. 4, chemin de Malacher 38240 Meylan FRANCE http://www.arturia.com Arturia MiniBrute User's Manual 2 6 Legal notes TABLE OF CONTENTS 1 Introduction ............................................................................
    [Show full text]
  • User Manual Minibrute 2 - Introduction 3 the Arturia Minibrute 2 Analog Synthesizer
    USER MANUAL Special Thanks DIRECTION Frederic Brun Nicolas Dubois Adrien Courdavault Philippe Vivancos ENGINEERING Fred’s Lab / Frédéric Nicolas Dubois Luc Walrawens Yves Usson Meslin (lead engineer) Benjamin Renard Victor Morello Olivier Delhomme Valentin Lepetit Bruno Pillet Nadine Lantheaume Pierre-Lin Laneyrie Thierry Chatelain MANUAL Sebastien Rochard Morgan Perrier Florian Marin Randy Lee DESIGN Sebastien Rochard DesignBox Sylvain Missemer Morgan Perrier SOUND DESIGN Victor Morello Jean-Baptiste Arthus Jean-Michel Blanchet BETA TESTERS Chuck Capsis Adrien Kanter Andrew Capon Reek Havok Terry Mardsen Jean-Philippe Gross Gert Braakman Randy Lee Marco Correia Ken Flux Pierce Tom Hall Simon Gallifet © ARTURIA SA – 2017 – All rights reserved. 11 Chemin de la Dhuy 38240 Meylan FRANCE www.arturia.com Information contained in this manual is subject to change without notice and does not represent a commitment on the part of Arturia. The software described in this manual is provided under the terms of a license agreement or non-disclosure agreement. The software license agreement specifies the terms and conditions for its lawful use. No part of this manual may be reproduced or transmitted in any form or by any purpose other than purchaser’s personal use, without the express written permission of ARTURIA S.A. All other products, logos or company names quoted in this manual are trademarks or registered trademarks of their respective owners. Product version: 1.0 Revision date: 15 January 2018 Thank you for purchasing the Arturia MiniBrute 2/2S! This manual covers the features and operation of Arturia’s MiniBrute 2 or MiniBrute 2S. In this package you will find: • One MiniBrute 2 series analog synthesizer, with a serial number on the bottom.
    [Show full text]
  • User Manual Minibrute 2S - Introduction 3 the Arturia Minibrute 2S Analog Synthesizer
    USER MANUAL Special Thanks DIRECTION Frederic Brun Nicolas Dubois Adrien Courdavault Philippe Vivancos ENGINEERING Fred’s Lab / Frédéric Nicolas Dubois Luc Walrawens Yves Usson Meslin (lead engineer) Benjamin Renard Victor Morello Olivier Delhomme Valentin Lepetit Bruno Pillet Nadine Lantheaume Pierre-Lin Laneyrie Thierry Chatelain MANUAL Sebastien Rochard Morgan Perrier Florian Marin Randy Lee DESIGN Sebastien Rochard DesignBox Sylvain Missemer Morgan Perrier SOUND DESIGN Victor Morello Jean-Baptiste Arthus Jean-Michel Blanchet BETA TESTERS Chuck Capsis Adrien Kanter Andrew Capon Reek Havok Terry Mardsen Jean-Philippe Gross Gert Braakman Randy Lee Marco Correia Ken Flux Pierce Tom Hall Simon Gallifet © ARTURIA SA – 2017 – All rights reserved. 11 Chemin de la Dhuy 38240 Meylan FRANCE www.arturia.com Information contained in this manual is subject to change without notice and does not represent a commitment on the part of Arturia. The software described in this manual is provided under the terms of a license agreement or non-disclosure agreement. The software license agreement specifies the terms and conditions for its lawful use. No part of this manual may be reproduced or transmitted in any form or by any purpose other than purchaser’s personal use, without the express written permission of ARTURIA S.A. All other products, logos or company names quoted in this manual are trademarks or registered trademarks of their respective owners. Product version: 1.0 Revision date: 7 June 2018 Thank you for purchasing the Arturia MiniBrute 2S! This manual covers the features and operation of Arturia’s MiniBrute 2S. In this package you will find: • One MiniBrute 2S series analog synthesizer, with a serial number on the bottom.
    [Show full text]
  • Synthesizer 1 Guide 2019 Guide Nr
    Synthesizer 1 Guide 2019 Guide Nr. 10 Guide Nr. Synthesizer Sonnenstraße 15 Tel: 0049/(0)89/55146-116 D-80331 München www.hieber-lindberg.de www.hieber-lindberg.de [email protected] www.hieber-lindberg.de [email protected] Vorwort Waldorf Quantum Seite 4 Liebe Synthesizer-Freunde! 2 8-stimmiger Hybrid-Synthesizer 3 10 Jahre Synthesizer Guide: Zeit für einen kleinen Rückblick – und für ein paar Moog Grandmother Seite 8 allgemeine Gedanken rund um Synthesizer. Dass der Elektronik-Markt seit vie- Semi-modularer Analog-Synthesizer len Jahren (Jahrzehnten!) boomt, ist erfreulich. Speziell der Modular-Bereich hat für einen beachtlichen Zuwachs an Usern in der Synthesizer-Gemeinde gesorgt. Arturia MiniBrute 2 / 2S + RackBrute Seite 12 Musikelektronik für alle: Diese Vision ist wahr geworden, nunmehr Realität. Heute 2-VCO Analog-Synthesizer + Eurorack-Rahmen mehr denn je, wo vom kleinen Taschen-Modular-Synthesizer (volca modular) bis hin zum polyphonen Analog-Synthesizer (Moog ONE) ein breites Spektrum an In- Korg volca modular Seite 16 strumenten verfügbar ist. Zugegeben, der Modular-Boom geht etwas zurück. Kein Wunder, hat dieser Bereich doch einen jahrelangen Höhenflug erlebt. So pendelt Micro Modular Synthesizer sich das Verlangen nach Eurorack- Modulen nun auf ein – wenn man es so sagen darf – „natürliches“ Maß ein. Und schafft Freiraum für neue, kombinierte und be- Hieber Lindberg Shop Seite 21 sonders live-taugliche Konzepte. Wie die Verknüpfung von Mono-Synthesizern Preisliste Synthesizer / Modularsysteme / Module und Modularsystemen. Stichwort Arturia Mini Brute 2 /2S mit RackBrute, alles im gemeinsamen, handlichen Klappsystem. Ein ähnlich spannendes Team haben wir Hieber Lindberg News Seite 28 in der Kombination Waldorf kb37 und GRP Eurorack Module gefunden.
    [Show full text]
  • Arturia Microbrute Manual Español
    Arturia microbrute manual español Continue Home - Guides - Arturia - MicroBrute - User Guide (Spanish) This page contains information about the User Manual (Spanish) for MicroBrute from Arturia. A locally cached version of the User's Guide (Spanish) is available by: This copy of the User Manual (Spanish) was originally available from: File size: 3671 KB Click here to shop for products from Arturia. Arturia Microbrute is probably a 100% analog synth with the best value for money on the market. A versatile and powerful tool with the perfect size to carry anywhere. A tool that has turned market standards upside down. Want to know why it became the top selling last year? Here we reveal all his secrets! With the heritage and improved interior of the famous Minibrute and a completely renovated exterior. The Arturia Microbrute analog synthesizer is undoubtedly one of the most powerful and portable positions on the market. For you to check for yourself, here we leave you with the specifications of Arturia Microbrute. 100% Analog Monophonic Synthesizer Keyboard: 25 Mini-Key Filter: 2-pole Steiner-Parker multimod (low pass, High pass and strip pass) Oscillator: overtone, sawtooth, square, triangle, audio input (at the back) LFO: 3 wave shapes (sinus, sawtooth and square) (can be synchronized with arpeggiator) CV In nests: step, filter, sub-harmonious, Pulse width, metallizer, saw animator CV Out Nest: step, envelope, LFO Step sequencer: 8 memories, up to 64 steps on memory, tap pace, speed control, step dividing (via software), shooting modes (via software) Filter section with rough mod wheel: assigned clipping or number of LFO Pitch wheel: bend range selected through octave selector software: -2 to No.
    [Show full text]
  • Arturia Microbrute – Tiny on the Outside, Huge on the Inside Surprise! After the Success of the Minibrute Synthesizer, Arturia Has Delved Further Into the Microcosmos
    Arturia MicroBrute – tiny on the outside, huge on the inside Surprise! After the success of the MiniBrute synthesizer, Arturia has delved further into the microcosmos. We all expected a real “Brute” synthesizer, a full-blown version of the “mini” with 4 octaves, 4-voice polyphony, memory and some extra controls (such as a ribbon controller). But we had it all wrong – Arturia has released the MicroBrute. The real surprise, however, is that the tiny MicroBrute (the dwarf) is a fantastic musical instrument. The concept behind this latest Arturia offspring is clever and flexible, thanks to its cute CV-department, together with MIDI and USB. It’s a fun instrument, a magic box par excellence, a synthesizer for sound engineers and all- round musicians. A dwarf, a dwarf … At first, its size would seem to nudge the MicroBute into a certain corner. Into a corner where it does NOT belong. Its mini-keys might lead you to think that this is a toy! So serious keyboard players could hold their noses, smile politely (or not), turn around and go on their way. Whoever has learned to play the piano – whether on an acoustic or on an electric instrument – is NOT used to mini-sized keys. | 1 Arturia MicroBrute – tiny on the outside, huge on the inside This, it can not be denied, might be a problem. We have to be clear about this. But – wonder of wonders – the MicroBrute SOUND just blows any little inconveniences away. This is a hell of an analog synth with superb sounds and stunning performance possibilities.
    [Show full text]
  • Creativity Tutorial!
    REVERB/DELAY 1,192 FREE VST/AU PLUGIN SAMPLES SOLARDO 1-hour video with the tech-house hotshots £6.99 / June 2018 / CM256 FREE PLUGINS USED IN EVERY CREATIVITY TUTORIAL! 42 studio strategies for instant inspiration BRAIN-TRAINING MORE FROM ESCAPE SEQUENCING PRO TIPS HACKS YOUR DAW THE LOOP TRICKS AND MORE! 18GB EXPERT DOWNLOAD WORKSHOPS >ESSENTIAL VOCAL-EDITING TIPS > PROGRAM FILLS IN YOUR DAW FREE VST/AU PLUGIN > THEORY: REPEATING MOTIFS MICROFUSE Dial in unique ambience with Surreal Machines’ two-in-one delay/reverb hybrid FREE SOUNDWARE SAMPLE ALEXIS TAYLOR 3PACKS The Hot Chip frontman talks studio and stage >FUTURE RAVE >PHATTY PACK > LOOPMASTERS CM256 PLUS! 80 INSTRUMENTS & EFFECTS intro / computer music < DOWNLOAD See page 5 to find out HOW TO USE how to download this issue’s exclusive content We’ve got a new system for downloading files. Whenever you see this icon, you can grab the files on your PC or Mac by going DOWNLOAD to filesilo.co.uk/computermusic. Tutorials featuring this icon make welcome use of our own Plugins – find out all about them on p107. Hereat HQ,we’reespeciallyproudthatourmagazine Make Music Now This icon means there are extra files brings you everything you need to , TUTORIAL to help you follow a tutorial feature: FILES everysinglemonth,nomatteryourskilllevelorsetup. project files, audio examples, etc. Butwhatabouttheunderlyingpsychologybehind ouruniquemusicalcraft?Howdoourmindsworkinthe There’s extra video content wherever you see this icon. studio? In this month’s “Tap into that cover feature (p18), we’ll get those synapses intangible state firing and tap into that WWW intangible state we call www.computermusic.co.uk we call creativity” creativity.
    [Show full text]
  • Arturia Minibrute JS TA T Arturia Minibrute JS TA 15.10.12 07:30 Seite 038
    T_arturia minibrute_JS_TA_T_arturia minibrute_JS_TA 15.10.12 07:30 Seite 038 Klangbeispiele vom Arturia MiniBrute findest du auf www.keyboards.de Back to the Roots Arturia MiniBrute – Monofoner Analog-Synthesizer Analoge Synthesizer sind gefragter denn je, und dass Arturia mit dem MiniBrute einen Volltreffer landen würde, zeichnete sich bereits bei der ersten Präsentation zu Anfang des Jahres ab. Leider hatte Arturia mit argen Startschwierigkeiten zu kämpfen, was die Markteinführung immer wieder verzögerte. Nun ist es endlich so weit: Der Arturia MiniBrute ist in größeren Stückzahlen lieferbar und kann eifrig in den Läden angetestet werden. Text: Hans-Jörg Scheffler, Fotos: Dieter Stork 038 | TEST | ARTURIA MINIBRUTE KEYBOARDS | 5.2012 T_arturia minibrute_JS_TA_T_arturia minibrute_JS_TA 15.10.12 07:30 Seite 039 handene Effekte werden aber durch den ausge- Suboszillator als Stütze zum Einsatz kommen, prägten Klangcharakter und den hohen Spaß- um z. B. Bass-Sounds mehr Druck zu verleihen. faktor beim Arbeiten mit dem Instrument schnell Der Suboszillator bietet eine Auswahl zwischen zum Nebenschauplatz. Die permanente Heraus- Sinus und Rechteck und kann ein oder zwei forderung, in der jeweiligen Situation spontan Oktaven unter dem Hauptoszillator schwingen. einen geeigneten Klang erstellen zu müssen, Als sechste Quelle kann ein Audiosignal fördert nicht nur die Kreativität, sondern schult hinzu gemischt werden, das über den rückseiti- nebenbei auch noch das Verständnis dafür, wie gen Monoeingang eingespeist wird. Dadurch Synthesizer funktionieren. Nebenbei führt das wird der MiniBrute zum Effektgerät, mit dem immer wieder zu unerwarteten klanglichen man ideal Drumloops und Vocals verfremden Überraschungen, die wiederum neue musika - kann. lische Ideen triggern können. Die Summe all dieser Signale wird dann im Da das eigene Know-how in Sachen digitaler Multimode-Filter weiterverarbeitet.
    [Show full text]
  • Synthesizer 1 Guide 2013 Guide Nr
    Synthesizer 1 Guide 2013 Guide Nr. 4 Synthesizer Sonnenstraße 15 Tel: 0049/(0)89/55146-116 D-80331 München www.hieber-lindberg.de www.hieber-lindberg.de [email protected] www.hieber-lindberg.de MFB Seite 4 Vorwort Dominion X / X SED Liebe Synthesizer-Freunde! Arturia Seite 8 3 MiniBrute Arturia überrascht die Musikwelt. Als führender Hersteller von Soft- ware-Instrumenten (Emulationen von legendären Synthesizern wie etwa Endorphin.es Seite 10 CS-80, ARP-2600, u.a.) bringt der Hersteller mit dem MiniBrute einen Furthrrrr Generator 3HE VCO vollanalogen, monophonen Hardware-Synthesizer auf den Markt. Ein Studiologic Seite 13 fantastisches Instrument zu einem unschlagbaren Preis/Leistungs- Sledge verhältnis. Damit hat Arturia nicht nur eine Sensation gelandet, damit hat es auch den Weg für andere Hersteller vorgegeben: Analoge Syn- Hieber Lindberg Seite 16 thesizer mit ausgezeichnetem Klang, mit MIDI/CV/Gate und Tastatur 3 Jahre Synthesizer Ausstellung sowie gewissen Extras (Arpeggiator z.B.), das ist es, wonach viele Hieber Lindberg Seite 22 Musiker Ausschau halten. Und nachdem der Gebrauchtmarkt entwe- Synthesizer Preisliste der leergefegt oder vielfach nur von sehr zweifelhaften Exponaten der Hieber Lindberg Seite 28 gesuchten Vintage Synthesizer gekennzeichent ist, trifft der MiniBrute News auf voller Länge und zum exakt richtigen Zeitpunkt ins Schwarze. Doch auch darüber hinaus ist die Synthesizer-Welt weiterhin im Auf- Cwejman Seite 30 schwung. Doepfer, Cwejman, MacBeth, Moog, Roland, Korg, GRP ... VM-1 Voice Module die Hersteller sind sehr aktiv und bieten uns erstaunliche Instrumente, Doepfer Seite 32 über die wir im vorliegenden Heft berichten. In diesem Sinne: Viel Spaß A-106-6 Xpander VCF mit dem neuen Synthesizer Guide.
    [Show full text]
  • University of Huddersfield Repository
    University of Huddersfield Repository Wilson, Geoffrey An Autoethnography on Film Composition Practice: Integrating Virtual Instruments and the Live Performance Realisation within the DAW Original Citation Wilson, Geoffrey (2018) An Autoethnography on Film Composition Practice: Integrating Virtual Instruments and the Live Performance Realisation within the DAW. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34807/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ An Autoethnography on Film Composition Practice: Integrating Virtual Instruments and the Live Performance Realisation within the DAW Geoffrey Lloyd Wilson A thesis submitted to the University of Huddersfield In partial fulfilment of the requirements for The degree of Masters by Research The University of Huddersfield August 2018 1 i. The author of this thesis (including any appendices and/or schedules to this thesis) owns any copyright in it (the “Copyright”) and s/he has given The University of Huddersfield the right to use such Copyright for any administrative, promotional, educational and/or teaching purposes.
    [Show full text]