Trackcrafters Instrument Sound List
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Object Oriented Programming
No. 52 March-A pril'1990 $3.95 T H E M TEe H CAL J 0 URN A L COPIA Object Oriented Programming First it was BASIC, then it was structures, now it's objects. C++ afi<;ionados feel, of course, that objects are so powerful, so encompassing that anything could be so defined. I hope they're not placing bets, because if they are, money's no object. C++ 2.0 page 8 An objective view of the newest C++. Training A Neural Network Now that you have a neural network what do you do with it? Part two of a fascinating series. Debugging C page 21 Pointers Using MEM Keep C fro111 (C)rashing your system. An AT Keyboard Interface Use an AT keyboard with your latest project. And More ... Understanding Logic Families EPROM Programming Speeding Up Your AT Keyboard ((CHAOS MADE TO ORDER~ Explore the Magnificent and Infinite World of Fractals with FRAC LS™ AN ELECTRONIC KALEIDOSCOPE OF NATURES GEOMETRYTM With FracTools, you can modify and play with any of the included images, or easily create new ones by marking a region in an existing image or entering the coordinates directly. Filter out areas of the display, change colors in any area, and animate the fractal to create gorgeous and mesmerizing images. Special effects include Strobe, Kaleidoscope, Stained Glass, Horizontal, Vertical and Diagonal Panning, and Mouse Movies. The most spectacular application is the creation of self-running Slide Shows. Include any PCX file from any of the popular "paint" programs. FracTools also includes a Slide Show Programming Language, to bring a higher degree of control to your shows. -
Terrestrial Hibernation in the Northern Cricket Frog, Acris Cnepitans
1240 Terrestrial hibernation in the northern cricket frog, Acris cnepitans Jason T. hwin, Jon P. Gostanzo, and Rlchard E. Lee, Jr. Abstract: We used laboratory experiments and field observations to explore overwintering in the northern cricket frog, Acris crepitans, in southern Ohio and Indiana. Cricket frogs died within 24 h when submerged in simulated pond warer that was anoxic or hypoxic, but lived 8-10 days when the water was oxygenatedinitially. Habitat selectionexperiments indicated that cricket frogs prefer a soil substrate to water as temperature decreasesfrom 8 to 2"C. These data suggested that cricket frogs hibernate terrestrially. However, unlike sympatric hylids, this species does not tolerate extensive freezing: only 2 of 15 individuals survived freezing in the -0.8 to -2.6"C range (duration 24-96 h). Cricket fiogs supercooledwhen dry (mean supercoolingpoint -5.5"C; range from -4.3 to -6.8'C), but were easily inoculated by external ice at temperatures between -0.5 and -0.8"C. Our data suggested that cricket frogs hibernate terrestrially but are not freeze tolerant, are not fossorial, and are incapable of supercooling in the presence of external ice. Thus we hypothesized that cricket frogs must hibernate in terrestrial sites that adequately protect against freezing. Indeed, midwinter surveys revealed cricket frogs hibernating in crayfish burrows and cracks of the pond bank, where wet soils buff'ered against extensive freezing of the soil. R6sum6 : Nous avons proc6d6 i des expdriences en laboratoire et A des observations sur le terrain pour 6tudier le sort de la Rainettegrillon, Acris crepitans,en hiver dans le sud de I'Ohio et de I'Indiana. -
Soundgas Stock List
e THE SOUNDGAS LIST November 2020 We don't have prices for all the incoming items: in many cases it’s impossible to determine price before assessment, servicing and testing has taken place. Preorders are possible on some of our regular pieces (eg Binson Echorecs, Space Echoes, Junos etc). As-is: we need to clear our service backlog so are open to offers on unserviced items. We hope that you like the new list and welcome feedback: this is very much a work in progress. “Your list is one of the best, it really is. I just want everything on it.” - Pete Townshend "I’m on the list, thanks. It’s like crack …” - Michael Price All items are serviced and in full working order (and covered by our guarantee) unless stated otherwise. New arrivals highlighted in yellow Prices (where quoted) are in £GBP and exclude delivery. Debit/Credit Card and Paypal payments may incur a surcharge on high value items. *VAT (Sales Tax): Customers in USA/Canada/Australia the pay the tax-free price shown in the first column where applicable. All prices in the first column show standard VAT-exclusive prices; if the second column has the same price, then there’s no reclaimable VAT on the item. SECTION GUIDE STATUS KEY 1. ECHOES AND EFFECTS 2. RECORDING GEAR: MIXERS - PRES - EQs - COMPRESSORS ETC. Listed now on the Soundgas website, click the link to go to the listing Listed 3. SYNTHS - KEYS - DRUM MACHINES - SAMPLERS Arrived or on its way, yet to be listed. Please enquire. Enquire 4. EFFECT PEDALS Reserved for our studio or further investigation required. -
Eminent 310 Unique
Eminent 310 Unique The Eminent 310 Unique is a home electronic organ that was built and introduced in 1972 by the Dutch organ manufacturer Eminent Orgelbouw B.V.[1] in Lelystad, the Netherlands. 9. ARP String Ensemble ⓠThe sounds it incorporates are violin, viola, trumpet, horn, cello, and contrabass. The keyboard uses organ style divide-down technology to make it polyphonic, the built-in chorus effect gives the instrument its distinctive sound. Just a quick test to see if the VP-03 is up for some classic phased pads with an Electro Harmonix Small Stone phaser. I didn't push the mini-jack plug all the way into the socket on the VP-03, the chorus gets a bit more wobbly when the stereo channels are combined to mono. This video shows the Eminent 310 Unique in action. This is the organ heard on Oxygene! The Eminent 310U was the first organ featuring an electronic string OXYGENE Part 1 cover played on EMINENT 310 Unique ELECTRO HARMONIX SMALL STONE Jean-Michel JarreAnalogAudio1. 10 tahun yang lalu. OXYGENE variation - played with Eminent 310U Small Stone digital delay and Lexicon MPX500 reverb. Music by Jean Michel Jarre - a great musician. Sounds from Eminent 310Uelectone75. 4 tahun yang lalu. This site is fully dedicated to the eminent 310 Unique, a unique organ with a fascinating sound made by a dutch company at the Green Heart of the Netherlands, Bodegraven. The 310 has a huge popularity under Jean Michel Jarre fans -pioneer in the electronic music genre- who used this organ in 1976 for his well known composition Oxygen part IV. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON School of Humanities: Music Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Thesis for the degree of Doctor of Philosophy October 2012 i UNIVERSITY OF SOUTHAMPTON ABSTRACT Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Josef Zawinul (1932-2007) holds a rare place in the world of jazz in view of the fact that as a European he forged a long and distinguished musical career in America. Indeed, from a position of relative obscurity when he arrived in New York in 1959, he went on to become one of contemporary jazz’s most prolific and commercially successful composers. The main focus of this dissertation will be Zawinul’s rise to prominence in American jazz during the 1960s and 1970s. -
Working Pack Dog Titles 2017-0119
Working Pack Dog issued number registeredname owners regnum sire sireregnum dam damregnum 1 Shadak’s Sastan Taka Keith & Lynne Hurrell WC786190 Lobito's Caballero of Kiska WC257803 Shadak's Shukeenyuk WB579440 2 Shadak’s Tich-A-Luk Keith & Lynne Hurrell 3 Shadak’s Artic Sonrise Keith & Lynne Hurrell WB650563 Pak N Pulls Kingak WA764822 Pak N Pulls Arctic Shadow WA524342 4 Arken’s Nakina Cheryll Arkins 5 Shadak’s Wicked Winter Keith & Lynne Hurrell WD543192 Witch 6 Czarina Anastasia Nicolle Pat Paulding WD625393 Wyvern Alyeska Arkah of Jo- WB547353 Wyvern's Heather WC990172 Jan 7 Kamai’s Alaluk Of Inuit Ralph Coppola WD686604 Inuit's Driftwood WD252511 Kamai's Artica of Inuit WC738866 8 Suak’s Brite Artic Dawn Paula & Louis Perdoni WE020543 Wyvern's Invictus WD609383 Suak's Aksoah of Brandy WD222764 9 Sno King’s Northern Light Jackai Szuhai WD932145 Tigara's Apollo of Totemtok WC367473 Tamerak's Mist of Cougar Cub WC980864 10 Nicole Ohtahyon Jackai Szuhai WC010823 Athabascan King WB386373 Nicole of Athabasca WB495979 11 Storm King Of Berkeley Gale Castro WE266354 12 Maska Bull Of Rushing Waters Jeff Rolfson WD233138 Gypsy King WC791246 Cricket Lady Under the Pine WC423794 13 Avalanche At Snow Castle Helen Brockmeyer WD598136 Aristeed's Frost Shadow WB496698 Storm Kloud's Happy Nequivik WC510192 14 Maska’s Sure-Foot Sheba Jeff Rolfson WE707239 Maska Bull of Rushing Waters WD233138 Beauty Queen of Swamp WD701391 Hollow 15 Hi-De-Ho’s Royal Heritage Of Sue Worley WE333340 Northwood's Lord Kipnuk WB475489 Eldor's Starr Von Hi-De-Ho WD490983 -
Herbie Hancock Sunlight Mp3, Flac, Wma
Herbie Hancock Sunlight mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Sunlight Country: US Released: 1978 Style: Fusion, Disco MP3 version RAR size: 1740 mb FLAC version RAR size: 1371 mb WMA version RAR size: 1380 mb Rating: 4.1 Votes: 104 Other Formats: MP1 XM RA DMF APE MP2 ADX Tracklist 1 I Thought It Was You + I Thought It Was You (Reprise) 2 Come Running To Me + No Means Yes (Part I) 3 No Means Yes (Conclusion) + Sunlight 4 Good Question + Good Question (Reprise) Credits Artwork [Cover Art] – Dario Campanile Bass – Byron Miller (tracks: 1), Jaco Pastorius (tracks: 4), Paul Jackson (tracks: 2 to 4) Congas – Raul Rekow (tracks: 1, 2, 4) Drums – Tony Williams* (tracks: 4), Harvey Mason (tracks: 4), James Levi (tracks: 2, 3), Leon Chancler* (tracks: 1) Engineer [Mastering] – Phil Brown Engineer [Recording] – David Rubinson, Fred Catero Guitar – Wah Wah Watson* (tracks: 1), Ray Parker Jr. (tracks: 1, 3) Percussion – Bill Summers (tracks: 2 to 4) Piano [Acoustic], Synthesizer [Arp Pro Soloist, Arp 2600, Arp Odyssey, Arp String Ensemble, E-mu Polyphonic Synthesizer, Oberheim Polyphonic Synthesizer + Obie I, Sequential Sircuits Prophet Synthesizer, Yamaha Cp-30, Yamaha Polyphonic Synthesizer], Clavinet [Hohner D6], Keyboards [Micro-moog, Mini-moog, Poly-moog], Electric Piano [Fender Rhodes], Vocoder [Sennheiser Vsm 201] – Herbie Hancock Producer – David Rubinson & Friends, Inc. Saxophone – Bennie Maupin (tracks: 3) Synthesizer [Additional] – Patrick Gleeson (tracks: 4) Tabla – Baba Duru (tracks: 2) Vocals – Herbie -
Strategies for Managing Timbre and Interaction in Automatic
Strategies for Managing Timbre and Interaction in Automatic Improvisation Systems a b s t r a c t Earlier interactive improvisa- tion systems have mostly worked with note-level musical William Hsu events such as pitch, loudness and duration. Timbre is an integral component of the musi- cal language of many improvis- ers; some recent systems use timbral information in a variety of ways to enhance interactiv- ity. This article describes the imbre is an important structural element in tried to identify simple behavioral timbre-aware ARHS improvi- T mechanics that one might con- sation system, designed in free improvisation. When working with a saxophonist or other instrumentalist whose practice incorporates extended tech- sider desirable in a human im- collaboration with saxophonist John Butcher, in the context of niques and timbre variations, it is important to go beyond proviser and emulate them with recent improvisation systems note-level MIDI-like events when constructing useful descrip- some straightforward strategies. that incorporate timbral informa- tions of a performance. For example, a long tone may be held One novel aspect of my work is tion. Common practices in audio on a saxophone, with fairly stable pitch and loudness, but the the integral and dynamic part that feature extraction, performance state characterization and intensity of multiphonics is increased through embouchure timbre plays in sensing, analysis, management, response synthe- control. An experienced human improviser would perceive material generation and interaction sis and control of improvising and respond to this variation. decision-making. agents are summarized and In this paper, I will focus on systems designed to improvise Collins [9] observed that a ma- compared. -
General Guide to the Science and Cosmos Museum
General guide to the Science and Cosmos Museum 1 Background: “Tenerife monts” and “Pico” near of Plato crater in the Moon PLANTA TERRAZA Terrace Floor 5 i 2 1 4 6 3 ASCENSOR 4 RELOJ DE SOL ECUATORIAL Elevator Analemmatic sundial i INFORMACIÓN 5 BUSTO PARLANTE Information “AGUSTÍN DE BETANCOURT” Agustín de Betancourt 1 PLAZA “AGUSTÍN DE talking bust BETANCOURT” Agustín de Betancourt 6 ZONA WI-FI Square Wi-Fi zone 2 ANTENA DE RADIOASTRONOMÍA Radioastronomy antenna 3 TELESCOPIO Telescope PLANTA BAJA Ground Floor WC 10 9 8 11 7 1 6 5 4 12 2 3 ASCENSOR Cosmos Lab - Creative Elevator Laboratory 1 EXPOSICIÓN 7 PLANETARIO Exhibition Planetarium 2 TALLER DE DIDÁCTICA 8 SALIDA DE EMERGENCIA Didactic Workshop Emergency exit 3 EFECTOS ÓPTICOS 9 MICROCOSMOS Optical illusions 10 SALÓN DE ACTOS 4 SALA CROMA KEY Assembly hall Chroma Key room 11 EXPOSICIONES TEMPORALES 5 LABERINTO DE ESPEJOS Temporary exhibitions Mirror Labyrinth 12 ZONA DE DESCANSO 6 COSMOS LAB - LABORATORIO Rest zone CREATIVO CONTENIDOS Contents 7 LA TIERRA The Earth 23 EL SOL The Sun 33 EL UNIVERSO The Universe 45 CÓMO FUNCIONA How does it work 72 EL CUERPO HUMANO The human body 5 ¿POR QUÉ PIRÁMIDES? Why pyramids? 1 Sacred places have often been con- ceived of as elevated spaces that draw the believer closer to the divi- nity. For this reason, once architec- tural techniques became sufficiently refined, mosques or cathedrals rai- sed their vaults, minarets, towers and spires to the sky. However, for thousands of years, the formula fa- voured by almost every culture was the pyramid. -
UNIVERZITET UMETNOSTI U BEOGRADU FAKULTET MUZIČKE UMETNOSTI Katedra Za Muzikologiju
UNIVERZITET UMETNOSTI U BEOGRADU FAKULTET MUZIČKE UMETNOSTI Katedra za muzikologiju Milan Milojković DIGITALNA TEHNOLOGIJA U SRPSKOJ UMETNIČKOJ MUZICI Doktorska disertacija Beograd, 2017. Mentor: dr Vesna Mikić, redovni profesor, Univerzitet umetnosti u Beogradu, Fakultet muzičke umetnosti, Katedra za muzikologiju Članovi komisije: 2 Digitalna tehnologija u srpskoj umetničkoj muzici Rezime Od prepravke vojnog digitalnog hardvera entuzijasta i amatera nakon Drugog svetskog rata, preko institucionalnog razvoja šezdesetih i sedamdesetih i globalne ekspanzije osamdesetih i devedesetih godina prošlog veka, računari su prešli dug put od eksperimenta do podrazumevanog sredstva za rad u gotovo svakoj ljudskoj delatnosti. Paralelno sa ovim razvojem, praćena je i nit njegovog „preseka“ sa umetničkim muzičkim poljem, koja se manifestovala formiranjem interdisciplinarne umetničke prakse računarske muzike koju stvaraju muzički inženjeri – kompozitori koji vladaju i veštinama programiranja i digitalne sinteze zvuka. Kako bi se muzički sistemi i teorije preveli u računarske programe, bilo je neophodno sakupiti i obraditi veliku količinu podataka, te je uspostavljena i zajednička humanistička disciplina – computational musicology. Tokom osamdesetih godina na umetničku scenu stupa nova generacija autora koji na računaru postepeno počinju da obavljaju sve više poslova, te se pojava „kućnih“ računara poklapa sa „prelaskom“ iz modernizma u postmodernizam, pa i ideja muzičkog inženjeringa takođe proživljava transformaciju iz objektivističke, sistematske autonomne -
Minitaur Editor マニュアル
MINITAUR ANALOG BASS SYNTHESIZER エディターユーザーズマニュアル MINITAUR エディターマニュアル オーバービュー & フィーチャー Minitaur Plugin と Standalone Editor を使用することにより、リアルタイムの編集、プリセットライブラリ管理やシェアリ ング、ホスト DAW との統合が可能となります。これにより Minitaur の強力な 諸機能を簡単に利用することができます。 Minitaur Editor は DAW 上で作動している VST や AU,RTAS あるいは AAX フォーマットにも対応しています。 Minitaur Editor には 3 つのスクリーンレイアウトがあります : PANEL UNDER THE HOOD EXTENDED このモードでは、 Minitaur のフロント このモードでは、このソフトウェア このモードでは一つの画面上で パネルの外観と感覚で操作を行うこと 自身もしくはハードウェアコントロ PANEL と UNDER THE HOOD のど が可能です。 ーラーのような MIDI コントロール ちらも利用することができます。また、 ソースからのみ操作可能な Minitaur エンベロープ・リリースを追加して個 が持つ様々な音作りの追加機能を手 別に利用することも可能です。 軽に利用することができます。 PRESET MANAGER と SETTINGS へアクセスするボタンもここに置かれています。 注意 : このソフトウェアは MIDI コントロール専用です。音声を作成・処理することは出来ません。 より詳細な機能の説明については、Minitaur Manual を参照してください: http://www.moogmusic.com/products/taurus/minitaur#downloads-tab 1 動作環境 Mac: OS X 10.6.8 以上 PC: Windows 7 以上、Intel もしくは AMD のプロセッサ搭載 • 使用可能な USB ポートもしくは DIN MIDI IN/OUT。 • VST, AU, RTAS, AAM プラットフォーム対応の DAW 。 • Minitaur のファームウェアは 2.1.0 以上を必要とします。 VST 互換性 : 2.4+ もしくは VST 3+ サポートについては DAW のソフトウェアメーカにお問い合わせください。 全ての仕様は予告なしに変更されることがあります。 設定 & 接続 USB ケーブルで Minitaur シンセサイザをコンピュータに接続してください。 注意 :ご自身の Mac/PC で MIDI I/O を設定してください。 コンピュータやオーディオデバイスへの接続についての詳細は Minitaur User’s Manual の 4-5 ページを参照して ください。 インストール : Mac ユーザー : .pkg ファイルをクリックし、インストールしたいエディタのバージョンを 選択したのち CONTINUE ボタンをクリックしてください。 Windows ユーザー : 手動で.dll ファイルをデフォルトの VST プラグインのディレクトリに保存して下さ い。 32 Bit: C:\Program Files(x86)\”Name of DAW manufacturer”\Vst Plugins\ 64 Bit : C:\Program Files\”Name of DAW manufacturer”\VST Plugins\ (for 64 bit) RTAS: -
Lepidoptera: Noctuidae) of Australia and Utility of DNA Barcodes for Pest Identification in Helicoverpa and Relatives
RESEARCH ARTICLE DNA Barcoding the Heliothinae (Lepidoptera: Noctuidae) of Australia and Utility of DNA Barcodes for Pest Identification in Helicoverpa and Relatives Andrew Mitchell1*, David Gopurenko2,3 1 Australian Museum Research Institute, Australian Museum, Sydney, NSW, Australia, 2 NSW Department of Primary Industries, Wagga Wagga, NSW, Australia, 3 Graham Centre for Agricultural Innovation, Wagga a11111 Wagga, NSW, Australia * [email protected] Abstract ’ OPEN ACCESS Helicoverpa and Heliothis species include some of the world s most significant crop pests, causing billions of dollars of losses globally. As such, a number are regulated quarantine Citation: Mitchell A, Gopurenko D (2016) DNA species. For quarantine agencies, the most crucial issue is distinguishing native species Barcoding the Heliothinae (Lepidoptera: Noctuidae) of Australia and Utility of DNA Barcodes for Pest from exotics, yet even this task is often not feasible because of poorly known local faunas Identification in Helicoverpa and Relatives. PLoS and the difficulties of identifying closely related species, especially the immature stages. ONE 11(8): e0160895. doi:10.1371/journal. DNA barcoding is a scalable molecular diagnostic method that could provide the solution to pone.0160895 this problem, however there has been no large-scale test of the efficacy of DNA barcodes Editor: Daniel Doucet, Natural Resources Canada, for identifying the Heliothinae of any region of the world to date. This study fills that gap by CANADA DNA barcoding the entire heliothine moth fauna of Australia, bar one rare species, and com- Received: May 6, 2016 paring results with existing public domain resources. We find that DNA barcodes provide Accepted: July 26, 2016 robust discrimination of all of the major pest species sampled, but poor discrimination of Published: August 10, 2016 Australian Heliocheilus species, and we discuss ways to improve the use of DNA barcodes for identification of pests.