THESIS ADVISER RECOMMENDATION LETTER This

THESIS ADVISER RECOMMENDATION LETTER This thesis and short film entitled “LAGU BARU KASET KUSUT” A RESPONSE TO PHYSICAL RECORDS IN DIGITAL ERA RESEARCH AND DESIGN PRODUCTION FOR FILM REPORTS. Prepared and submitted by Thomi Prima Aristya in partial fulfillment of the requirements for the degree of Bachelor of Arts in the Faculty of Humanities, Communication Studies has been reviewed and found to have satisfied the requirements for a thesis fit to be examined. I therefore recommend this thesis for Oral Defense. Cikarang, Indonesia, January 30th 2018 Recommended by Syamsuddin Aziz, M.Phil., Ph.D. Hari Suryanto, M.Sn. Research Advisor Creative Advisor i PANEL OF EXAMINERS APPROVAL SHEET The Period of Examiner declare that the thesis and a short film entitled “LAGU BARU KASET KUSUT” A RESPONSE TO PHYSICAL RECORDS IN DIGITAL ERA RESEARCH AND DESIGN PRODUCTION FOR FILM REPORTS. That was submitted by Thomi Prima Aristya in Film and Television from the Faculty of Humanities was assessed and approved to have passed the oral examination on Dindin Dimyati, S.Sos., M.M. Chair of Panel of Examination/Examiner I _________________________________ Naswan Iskandar, M.Sn. Examiner II _______________________________ _______________________________ Syamsuddin Aziz, M.Phil., Ph.D. Hari Suryanto, M.Sn. Thesis Advisor Creative Advisor ii DECLARATION OF ORIGINALITY I declare that this thesis, entitled “LAGU BARU KASET KUSUT” A RESPONSE TO PHYSICAL RECORDS IN DIGITAL ERA RESEARCH AND DESIGN PRODUCTION FOR FILM REPORTS, is to the best of my knowledge and belief, an original piece of my work that has not been submitted, either in whole or in part, to another university to obtain a degree Cikarang, Indonesia, January 30th 2018 Thomi Prima Aristya iii ACKNOWLEDGMENTS It is a grace and blessing from Allah SWT that finally, I can finish my college, thesis and a documentary film project through a long journey, the ups and downs of life, overwhelming support and unceasing prayers from the loved ones. I would like to express my highest gratitude to Allah SWT for all the protection and conveniences which given to me during passed my study in President University, just like His promise, Allah will never break His covenant. Besides, by this special pages, I would like to thank to everyone who spend their times, energies, and even everything in helping me to finish this phase: 1. I would like to thank profusely to my parents, Mr. Trisnanto and Mrs. Sri Sulistiany, also to my brother Firman Maulana Aditya, who never stop giving supports, love, attention, prayer and permission in doing any activities from the first year until the last year at President University. 2. Bunch of thanks to Mr. Syamsuddin Aziz as my thesis advisor and Mr. Hari Suryanto as my creative advisor for all their time spent, guidance, support, unexpected ideas, motivations and advices during the completion of my thesis. 3. I would like to express my gratitude to Mr. Teuku Rezasyah, Ph. D as Dean of Faculty of Humanities in President University. 4. My sincere gratitude to Mr. Dindin Dimyati, S. Sos., MM as Head of Communication Studies Program in President University. 5. I would like to say thank you to Mrs. Meri Kristina Simanjuntak for assisting in preparing documents related to my final project also during my college life. 6. I also would like to say thank you to Ms. Irani Yosef for assisting in preparing equipments related to my final project. 7. I place on record, my sense of gratitude to these great lecturers of Film and Television, Mr. Naswan Iskandar, Mr. German Mintapradja, Mr. Ardha iv Muhlisiun, Mr. Nur Hidayat for all the shared knowledge, guidance, kindness, and advices during finish my film television subjects. 8. I am also grateful to Mr. Wendi Putranto, Mr. Bens Leo, Mr. Jabatin Bangun, Mr. David Karto, Mr. Wahyu Nugroho, Mr. Bin Harlan, Mr. Satria Ramadhan, Mr. Aditya Analoghead, Gilang and Barra from BM Jokulstore for accepting me and my friends with the warmest welcome from each of you and helping us to collect all data for research purposes although it might disturb your time and place. 9. I would like say thank you for Evan Wiratama, Indra Iman Sentosa, Muhammad Reza Maulana, Hari Syafar, Thoriq Anwar, Ghanding Ghali Kanory, Widhia Kresna, Benni Satriya, Nugroho Anjar, Farhan Alfarizi, and Munawir Sazali for helping me to make this film. 10. Special thanks addressed to Film and Television batch 2012, Indra Iman Sentosa, M Anugerah Mahesa, Estherlita, Jesslin Putri, Nisa Hanifa Arifin, Inggid Gianina Syatha, Daverta Christine, Randy Huang, Yorika Hasniar, and Candy Nguyen for all joys and tears throughout college life. 11. I also would like say thank you for Potlot H. Dayat neighborhood, Farhan Abdullah, Fadlan Abdullah, Mustafa Muhamad Olow, Bintang Paska, Rio Setio Nugroho, Abdi Abdillah, Fadhil Elman, Alif Prata, Fachry Nazrullah, Chilma Layla Nausika, and Sigit Naufal for remembering me to finish this thesis. 12. The last but not least, my sincere gratitude given to Hidayatullah Nova, for coming in the right time to take me from the darkness. v ABSTRACT Technology has bring the new era for people to do their activity in timeless and economist way. In music industry nowadays, technology has created a new way of listening music through the music streaming services. It also brought the music industry consumption moving from physical records to any digital platforms. As we know that as a part of culture and history, physical records have some uniqueness that cannot be replaced and it should be preserved so the future generation could still learn something from their past. Keywords: music, distribution, record industry, physical record, documentation vi TABLE OF CONTENTS THESIS ADVISER RECOMMENDATION LETTER ..................................... i PANEL OF EXAMINERS APPROVAL SHEET ............................................. ii DECLARATION OF ORIGINALITY .............................................................. iii ACKNOWLEDGMENTS ................................................................................... iv ABSTRACT .......................................................................................................... vi TABLE OF CONTENTS ...................................................................................... 1 CHAPTER I INTRODUCTION .......................................................................... 6 1.1 Background ......................................................................................................... 6 1.2 Production Purposes ........................................................................................... 7 1.3 Research Questions ............................................................................................. 7 1.4 Intended Impacts ................................................................................................. 7 1.5 Production Team ................................................................................................. 8 1.6 Target Audience .................................................................................................. 8 CHAPTER II .......................................................................................................... 9 LITERATURE REVIEW ..................................................................................... 9 2.1 Music Record Deliberation ................................................................................. 9 2. 2 Information and Communication Technology in Music Record Industry ......... 11 2.3 The Brief History of Physical Record format ..................................................... 12 CHAPTER III ...................................................................................................... 15 RESEARCH METHODOLOGY ....................................................................... 15 3.1 Conceptual Framework ..................................................................................... 15 3.2 Method ............................................................................................................. 16 3.2.1 Research Approach ................................................................................... 16 3.2.2 Object of Inquiry ....................................................................................... 17 3.2.3 Unit of Analysis ......................................................................................... 17 3.2.4 Data Collection Technique ........................................................................ 17 3.2.5 Coding and interpretation ........................................................................ 18 3.2.6 Trustworthiness and authenticity ............................................................. 19 1 CHAPTER IV PRODUCTION DESIGN .......................................................... 20 4.1 Scenario Development ...................................................................................... 20 4.1.1 Film Statement ................................................................................................. 20 4.1.2 Theme .............................................................................................................. 20 4.1.3 Basic Story ........................................................................................................ 20 4.1.4 Synopsis ........................................................................................................... 20 4.1.5 Segmentation ..................................................................................................

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