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The Tiberian Pronunciation Tradition of Biblical Hebrew, Volume 2
Cambridge Semitic Languages and Cultures The Tiberian Pronunciation Khan Tradition of Biblical Hebrew (Vol. II) The Tiberian Pronunciation Geoffrey Khan Tradition of Biblical Hebrew The form of Biblical Hebrew that is presented in printed edi� ons, with vocaliza� on and accent signs, has its origin in medieval manuscripts of the Bible. The vocaliza� on and Tradition of Biblical Hebrew Vol. II Volume II accent signs are nota� on systems that were created in Tiberias in the early Islamic period by scholars known as the Tiberian Masoretes, but the oral tradi� on they represent has roots in an� quity. The gramma� cal textbooks and reference grammars of Biblical Hebrew The Tiberian Pronunciation in use today are heirs to centuries of tradi� on of gramma� cal works on Biblical Hebrew in GEOFFREY KHAN Europe. The paradox is that this European tradi� on of Biblical Hebrew grammar did not have direct access to the way the Tiberian Masoretes were pronouncing Biblical Hebrew. In the last few decades, research of manuscript sources from the medieval Middle East has made it possible to reconstruct with considerable accuracy the pronuncia� on of the Tiberian Masoretes, which has come to be known as the ‘Tiberian pronuncia� on tradi� on’. This book presents the current state of knowledge of the Tiberian pronuncia� on tradi� on of Biblical Hebrew and a full edi� on of one of the key medieval sources, Hidāyat al-Qāriʾ ‘The Guide for the Reader’, by ʾAbū al-Faraj Hārūn. It is hoped that the book will help to break the mould of current gramma� cal descrip� ons of Biblical Hebrew and form a bridge between modern tradi� ons of grammar and the school of the Masoretes of Tiberias. -
17372R-N4923-Dam1-Chart.Pdf
Title: Additional repertoire for ISO/IEC 10646:2017 (5th ed.) Amendment 1 (DAM1) Date: 2017-11-22 L2/17-xxx WG2 N4923 Source: Michel Suignard, project editor Status: Project Editor's summary of the character repertoire addition as of November 2017 Action: For review by WG2 and UTC expertsm Distribution: WG2 and UTC Replaces: Status This document presents a summary of all characters that constitute the tentative new repertoire for ISO/IEC 10646 5th edition Amd1, with code positions, representative glyphs and character names. Manner of Presentation The character names and code points shown are the same for Unicode and ISO/IEC 10646, including annotations. Note to Reviewers UTC reviewers, please use this document as a summary of UTC review of pending ballots and proposals. WG2 Reviewers, please use this document as an aid during disposition of ballot comments. Contents This document lists 911 characters (yellow highlight) and other modified characters (blue highlight). The following list shows all 40 blocks (existing or new) to which characters are proposed to be added, or which have been affected by other changes documented here. 0530-058F Armenian See document: L2/17-032 0590-05FF Hebrew See document: L2/16-305 07C0-07FF NKo See document L2/15-338 08A0-08FF Arabic Extended-A See document L2/16-056 0980-09FF Bengali See document L2/16-322 0A00-0A7F Gurmukhi See document L2/16-209 0C00-0C7F Telugu See document: L2/16-285 0C80-0CFF Kannada See document L2/16-031 1800-18AF Mongolian See document: L2/17-007 2B00-2BFF Miscellaneous Symbols and -
How to Install B. Hebrew Font (Mac)
INSTALLING SBL HEBREW FONT (SIL) For Mac OS 1. Open Safari (or Chrome) 2. CLICK LINK Teaching Bible SBL HEBREW FONT Biblical Fonts Texts and Resources Bible Odyssey Font download (True Type Font file, v1 .56a Build 016, updated 12/15/2010) Keyboard Drivers (.zip files, updated 4/21/2008) SBL Hebrew keyboard Driver, SIL Layout (Windows) SBL Hebrew keyboard Driver, Tiro Layout (Windows) SBL Hebrew keyboard Drivers, SIL and Tiro (macOS/OS X). PASSWORD User Manuals (pdf files, updated 2/26/2008) SBL Hebrew User Manual ... Login SBL Hebrew SIL Keyboard Driver Manual Create new 12assword SBL Hebrew Tiro Keyboard Driver Manual ForgQL'{.our12assword? Join SBL To decide which keyboard layout is best for you, consult the driver manuals. Having trouble installing or using the SBL Hebrew font? Please consult our Biblical Fonts FAQ. Please donate to support Font development and other SBL projects. 3. CLICK AND DOWNLOAD HEBREW FONT FOR MAC ~r.(True Type Font file, v1 .56a Build 016, updated 12/15/2010) rs (.zip files, updated 4/21/2008) fl r·,rrl r,-iur T' C,. I U"""-1 • -- - -- • /r" \ SBL Hebrew keY.board Drivers, SIL and Tiro (macOS/0S X). User Manuals (pdf files, updated 2/26/2008) !, ,L H- t-,-.!w L 1r'!" r,1c-,,-1..-- !, ,L H- t-""•w !, "'ry~o;. rrt >r.v---r, 1111 11 f, ,L H ~ • ,·J 1ro K .ybo·1rdL•r1¥1 r ' T' 1, 1 To decide which keyboard layout is best for you, consult the driver manuals. Having trouble installing or using the SBL Hebrew font? Please consult our r 1t"lic I r or•, r Af , , _or J to support Font development and other SBL projects. -
1 Teruma 5724. Alef. 1. A. the Wood Was Originally Planted by Yaakov In
Teruma 5724. Alef. 1. a. The wood was originally planted by Yaakov in Egypt and brought out of Egypt when the people were freed from slavery. b.The wood grew near Mt. Sinai and was harvested when needed. c. The wood was purchased from peoples with whom the Jews traded. 2. The reason why RaShI explains a second time how Yaakov originally planted these trees in Egypt in anticipation of the eventual construction of the Mishkan is because of the “Heh Rather than simply making boards for the Mishkan, the people .”הקרשים“ ,HaYedia” in 26:15 made the boards, which had already been anticipated. It would appear that while other parts of the Mishkan were also constructed from this material, i.e., the Aron (25:10) and the Shulchan (25:23), the main reason for the growing of the wood and probably the purpose for which most of the wood was devoted, was the construction of the boards. 3. In the first commentary, the Peirush HaAroch,1 Ibn Ezra prefers the interpretation that the וכל אשר נמצא אתו עצי “ (trees were growing in the vicinity of Mt. Sinai. The phrase (35:24 refers to those who had harvested some of these locally ”שטים לכל מלאכת העבודה הביאו grown trees in order to construct shelters for themselves, were now being called upon to contribute that wood for the purpose of constructing the Mishkan. In the Peirush HaKatzar, Ibn Ezra, probably based upon the same phrase that he used to construct his first interpretation, now redefines his understanding to be similar to that of the Midrash and RaShI (he does not necessarily accept that this was all part of a plan that Yaakov had shared with his family; only that the Jews brought the wood from Egypt in anticipation of their own lodging needs), i.e., that these were brought from Egypt rather than harvested locally. -
Primo Technical Guide
Technical Guide May 2016 Ex Libris Confidential 6/7 1 CONFIDENTIAL INFORMATION The information herein is the property of Ex Libris Ltd. or its affiliates and any misuse or abuse will result in economic loss. DO NOT COPY UNLESS YOU HAVE BEEN GIVEN SPECIFIC WRITTEN AUTHORIZATION FROM EX LIBRIS LTD. This document is provided for limited and restricted purposes in accordance with a binding contract with Ex Libris Ltd. or an affiliate. The information herein includes trade secrets and is confidential. DISCLAIMER The information in this document will be subject to periodic change and updating. Please confirm that you have the most current documentation. There are no warranties of any kind, express or implied, provided in this documentation, other than those expressly agreed upon in the applicable Ex Libris contract. This information is provided AS IS. Unless otherwise agreed, Ex Libris shall not be liable for any damages for use of this document, including, without limitation, consequential, punitive, indirect or direct damages. Any references in this document to third‐party material (including third‐party Web sites) are provided for convenience only and do not in any manner serve as an endorsement of that third‐ party material or those Web sites. The third‐party materials are not part of the materials for this Ex Libris product and Ex Libris has no liability for such materials. TRADEMARKS ʺEx Libris,ʺ the Ex Libris bridge , Primo, Aleph, Alephino, Voyager, SFX, MetaLib, Verde, DigiTool, Preservation, Rosetta, URM, ENCompass, Endeavor eZConnect, WebVoyáge, Citation Server, LinkFinder and LinkFinder Plus, and other marks are trademarks or registered trademarks of Ex Libris Ltd. -
Dead Sea Scrolls - the Music of the Bible an Overview on the Work of Suzanne Haik-Vantura(1912 - 2000)
Dead Sea Scrolls - The Music of the Bible An overview on the work of Suzanne Haik-Vantura(1912 - 2000) Hebrew Bible Cantillation ITU-State Conservatory, Istanbul. Term Project Mehmet Okon¸sar January 27, 2011 i Contents Biblical research 1 BiblicalExegesis ............................ 1 TraditionalJudaicBibleStudies . 2 Musical Archeology 2 ”NewTestament”Times .. .. .. .. .. .. .. .. .. 2 IncantationversusChanting. 3 Dead Sea Scrolls 4 Thediscovery.............................. 6 TheimportanceoftheScrolls . 7 Qumran-EsseneTheory and the departures from it . 8 The texts 9 GroupingtheScrolls .. .. .. .. .. .. .. .. .. .. 10 Excavations............................... 11 The Story of the Discovery 11 TheBedouins.............................. 11 MarSamuel............................... 12 The photographies allows for the reading . 12 Gettingintotherighthands. 13 Historical importance of the Scrolls . 13 Facts About the Dead Sea Scrols . 14 On Jewish Liturgical Music 17 Maqams 18 Cantillation Signs 19 ThePurposeofCantillationSigns . 20 Thesyntacticalfunction . 20 Importanceintheunderstanding . 21 Thephoneticfunction . 22 Themusicalfunction.. .. .. .. .. .. .. .. .. .. 22 Types of Cantillation Marks 22 Babyloniansystem ........................... 22 Palestiniansystem ........................... 23 Tiberiansystem ............................ 24 Differentiation in the poetic books . 25 Notation 25 ii Suzanne Haik-Vantura 26 The Methodology 28 The schools of interpretation of the signs . 28 Appendices 30 NamesandMeaningoftheSigns . 30 Sequences -
Trope and Blessings CD (Recordings At
Table of Contents: Bar/Bat Mitzvah Packet • Table of Contents……………………………………………………………….p. 0 • Trope Background….………………………………………………….……pp. 1-2 • Trope Symbols…..….………………………………………………….……pp. 3-6 • The Trope Song……………………………………………………………..…..p. 7 • Torah Blessings & Blessings for Tallit and Tefillin………………………........p. 8 • Blessing Before the Haftarah…………………………………………...…..…..p. 9 • Blessing After the Haftarah………………………………………...….....pp. 10-11 • Chanting the Shma…………………...……………………………...……pp. 12-14 • Blessing After the Haftarah for Festivals including Shavuot………………....p. 15 • Friday Night Kiddush………………………………………........................….p.16 • Shema for Taking Out the Torah……………………………………………...p. 17 • Saturday Noon Kiddush……………………………………………………….p. 18 • Bar and Bat Mitzvah CD List also at https://tiofnatick.org/Torah …………....p. 19 All material in the packet, plus recordings, and musical notation of the trope, can be found on the Temple Israel of Natick website, on this page: https://www.tiofnatick.org/Torah Please come to class each week, prepared, and with: 1) A binder or folder with this packet in it (there will be more handouts during the year as well) 2) A set of highlighters (with yellow, blue, green, pink, purple, orange) The Recommended Daily Allowance of practice is about 10-15 minutes each day to complete your weekly assignments. Once you’ve begun individual bar/bat mitzvah lessons, this increases to 20-30 minutes a day. Class assignments will be emailed out regularly, and if an email hasn’t come yet, please review the previous week’s assignment. Feel free to call or email with questions. Thank you! Cantor Ken Richmond [email protected] 508-650-3521, ext. 107 0 Bar/Bat Mitzvah Trope Packet: A guide to the Cantillation Trope, or Cantillation, serves three main purposes: 1. -
Yom Kippur Shacharit - Isaiah 57-14 to 58-14.Doc Page 1 of 3 58:1 Cry out at Full Volume,[Don’T Hold Back]; Like a Shofar, Lift up Your Voice
Haftarah of Yom Kippur-Shacharit – Isaiah 57:14-58:14 chantable English version by Len Fellman based on the translations of Aryeh Kaplan, the Stone Edition Tanach, I.W. Slotski, W. Gunther Plaut, and The Jersualem Bible My recording was modeled on the Hebrew version by Moshe Haschel for ‘Navigating the Bible II’: http://bible.ort.org/books/haftarotd4.asp?action=displaypage&book=6&chapter=57&verse=14&portion=65 57:14 And He will say: Open, open up , clear a path! Remove all the obstacles from the way of My people. 15[For indeed], thus speaks the High and Lofty One, who lives forever, and Holy is His name: In a high and holy place I dwell, and with the contrite[and lowly of spirit], to revive the spirit of the humble, and to revive the heart of the contrite ones. 16 [For indeed], not forever will I contend, not forever be wrathful, for the spirit before Me[would give way[, the very souls that I have made. 17 [For the sin] [of his unjust gain], I was angry and I struck him , hid my face and was wroth, but he went on waywardly in the path of his heart. 18 His ways I have seen : I will heal him.[I will guide him],[and reward] [with consolation]––him and his mourners. 19 I will create this fruit of the lips: “Shalom, shalom,[to those far away] [and to those who are near],”––thus says the Lord––and I will heal him. 20 But the wicked are like the sea that is troubled, because the stillness––it cannot attain, Cast up by the waters is mire and mud. -
Cantillation Marks
http://www.sagreiss.org [email protected] CCaannttiilllliizzeerr Distributional Analysis of Cantillation Marks Author: Scott Alexander Gabriel Reiss Developers: Music Editors: Susan Owen, John Wheeler, John McMurtery What imagination the scrupulous originators manifested in these creative pictographical representations. It is paramount to translate with precision this message transmitted with so much love.1 Suzanne Haïk-Vantoura Cover Page Cantillizer is copyright © protected under the LGPL (GNU Lesser General Public License). This text is copyright © protected under the FDL (GNU Free Documentation License). Cover Page 1 http://www.sagreiss.org [email protected] Table of Contents Cover Page ...................................................................................... 1 Table of Contents ............................................................................ 2 Table of Figures .............................................................................. 3 1 Cantillation .................................................................................. 5 1.1 Vocalization ............................................................................................... 5 1.2 Semiotics ................................................................................................... 6 1.3 Versification ............................................................................................... 8 1.4 Hermeneutics ............................................................................................ 8 2 Architecture -
8Hv5z1bc1pdtupik7eqijtaad5r.Pdf
( { glyphOrder = ( NULL, CR, space, exclam, quotedbl, numbersign, dollar, percent, ampersand, quotesingle, parenleft, parenright, asterisk, plus, comma, hyphen, period, slash, zero, one, two, three, four, five, six, seven, eight, nine, colon, semicolon, less, equal, greater, question, at, A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z, bracketleft, backslash, bracketright, asciicircum, underscore, grave, a, b, c, d, e, f, g, h, i, j, k, l, m, n, o, p, q, r, s, t, u, v, w, x, y, z, braceleft, bar, braceright, asciitilde, exclamdown, cent, sterling, currency, yen, brokenbar, section, dieresis, copyright, ordfeminine, guillemotleft, logicalnot, registered, overscore, degree, plusminus, twosuperior, threesuperior, acute, mu, paragraph, middot, cedilla, onesuperior, ordmasculine, guillemotright, onequarter, onehalf, threequarters, questiondown, Agrave, Aacute, Acircumflex, Atilde, Adieresis, Aring, AE, Ccedilla, Egrave, Eacute, Ecircumflex, Edieresis, Igrave, Iacute, Icircumflex, Idieresis, Ntilde, Ograve, Oacute, Ocircumflex, Otilde, Odieresis, multiply, Oslash, Ugrave, Uacute, Ucircumflex, Udieresis, germandbls, agrave, aacute, acircumflex, atilde, adieresis, aring, ae, ccedilla, egrave, eacute, ecircumflex, edieresis, igrave, iacute, icircumflex, idieresis, ntilde, ograve, oacute, ocircumflex, otilde, odieresis, divide, oslash, ugrave, uacute, ucircumflex, udieresis, ydieresis, dotlessi, Lslash, lslash, OE, oe, Scaron, scaron, Zcaron, zcaron, circumflex, caron, ring, ogonek, tilde, hungarumlaut, sheva, "hataf_segol", "hataf_patah", -
BEKI Bulletin March 2008 Web Edition
A New Haven Tradition since 1892 bulletin March 2008 Adar Rishon / Adar Sheni 5768 Vol. 14 Issue 3 Kosher Wine-tasting Seminary Shabbat Page 6 Page 13 Purim at BEKI Be Happy It’s Adar Taanit Esther marks the serious side of the holiday. While on Purim we joyously Shushan celebrate the failure of the plot and mock :the racism of its hatchers, on the Fast of Purim Ball משנכנס אדר מרבים בשמחה Esther we fast and pray that we will bring Mishenikhnas Adar marbim besimha Come as You the world to an era that does not know — When Adar begins, joy increases. the threat of genocide. The Fast of Esther are Not Talmud Eruvin 29a begins at dawn (5:32 a.m.) March 20. The You’re invited to an adults-only Thursday shaharit morning service is from Shushan Purim Costume Party, 8:15 to 9, and includes “Avinu Malkenu Fast of Esther Saturday, March 22, 9 p.m. to The holiday of Purim commemorates the — Our Father, Our King,” as on Yom Kip- midnight. Experience BEKI as you’ve failure of a genocidal plot against the Jews pur. No food or drink is consumed. The never seen it before! The evening will in the Persian Kingdom over twenty cen- Fast of Esther is a minor observance, and include live entertainment (you wanted turies ago. The dramatic (and some would therefore those with any significant medi- dead entertainment?), foolishness and say comic) story is told in the Biblical Book cal contraindication should not undertake fun, dancing, plenty of food and drink, of Esther, which is read on the night and the fast. -
(Tiro) Keyboard Manual
Version 1.5 keyboardִ manual ת(Biblical Hebrew (Tiroרֹ © John Hudson, 004, 007. For keyboard driver version 1.5 Installation See below for upgrade instructions The installation procedure for this version of the keyboard differs from previous versions, so please review these instructions carefully. The Introduction good news is that the installation is considerably easier. The new ver- This manual and keyboard charts are designed to help you make use of sion includes several different keyboard drivers for use with different Tiro Typework’s Biblical Hebrew keyboard driver (v1.5). This keyboard versions of Windows, and a single setup file that automatically selects driver has been developed to facilitate typing of Biblical texts includ- and installs the appropriate driver for your system configuration. This ing teamin (accents/cantillation marks) and nikudot (vowel points). The new installation procedure also automatically adds the keyboard to your driver works with the Windows 000, XP and Vista operating systems, installed Text Services, removing the need to do this manually. [Instruc- and is being made available for download from the Society of Biblical tions for manual addition of the keyboard to installed services are still Literature website (www.sbl-site.org) as a service to scholars using documented in this manual, since they will be of use in managing such the new SBL Hebrew font. The keyboard layout was developed by John services if you need to disable or re-enable the keyboard drivers. See Hudson, the designer of the SBL Hebrew typeface. ‘Managing keyboards’ on pages 1–13] The keyboard driver can be unin- Note that the keyboard driver can only be installed on Windows 000 stalled using system tools, as documented on page 1, so this version of and later.