The Writing on the Screen: Images of Text in the German Cinema from 1920 to 1949
THE WRITING ON THE SCREEN: IMAGES OF TEXT IN THE GERMAN CINEMA FROM 1920 TO 1949 by Daniel Heinrich Wild BA (equiv.), University of Bonn, Germany, 1992 MA, University of Pittsburgh, 1995 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2006 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Daniel H. Wild It was defended on April 21, 2006 and approved by Paul A. Bové, Distinguished Professor, Department of English, University of Pittsburgh Lucy Fischer, Professor, Department of English, University of Pittsburgh Linda Schulte-Sasse, Professor, Department of German Studies, Macalester College Dissertation Advisor: Marcia Landy, Distinguished Service Professor, Department of English, University of Pittsburgh ii Copyright © by Daniel H. Wild 2006 iii THE WRITING ON THE SCREEN: IMAGES OF TEXT IN THE GERMAN CINEMA FROM 1920 TO 1949 Daniel H. Wild, PhD University of Pittsburgh, 2006 By establishing a crucial figural relation between image and text in the cinema, this dissertation offers a detailed analysis of the uses of writing through select canonical works of a significant period in the history of the German cinema. Drawing on Walter Benjamin’s theory of allegory and Gilles Deleuze’s conceptions of the cinematic image, as well as a Derridean definition of writing, I argue that instances of written text in images of the German cinema are social hieroglyphs rendered as allegorical gestures, which inscribe questions of authority in the form of grammatological constellations within the movement of images. These hieroglyphic configurations, spelled out as writing on the screen, stand in reference to specific modalities which affirm the presence of a larger organizational regime of truth.
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