Biblioteca Di Studi Di Filologia Moderna
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JOURNAL of VIROLOGY VOLUME 57 * MARCH 1986 * NUMBER 3 Arnold J
JOURNAL OF VIROLOGY VOLUME 57 * MARCH 1986 * NUMBER 3 Arnold J. Levine, Editor in Chief Michael B. A. Oldstone, Editor (1988) (1989) Scripps Clinic & Research Foundation Princeton University La Jolla, Calif. Princeton, N.J. Thomas E. Shenk, Editor (1989) David T. Denhardt, Editor (1987) Princeton University University of Western Ontario Princeton, N.J. London, Ontario, Canada Anna Marie Skalka, Editor (1989) Bernard N. Fields, Editor (1988) Hoffmann-La Roche Inc. Harvard Medical School Nutley, N.J. Boston, Mass. Robert A. Weisberg, Editor (1988) Robert M. Krug, Editor (1987) National Institute of Child Health Sloan-Kettering Institute and Human Development New York, N.Y. Bethesda, Md. EDITORIAL BOARD James Alwine (1988) Hidesaburo Hanafusa (1986) Lois K. Miller (1988) Priscilla A. Schaffer (1987) David Baltimore (1987) William S. Hayward (1987) Peter Model (1986) Sondra Schlesinger (1986) Tamar Ben-Porat (1987) Roger Hendrix (1987) Bernard Moss (1986) Manfred Schubert (1988) Kenneth I. Berns (1988) Martin Hirsch (1986) Fred Murphy (1986) June R. Scott (1986) Michael Botchan (1986) John J. Holland (1987) Opendra Narayan (1988) Bart Sefton (1988) Thomas J. Braciale (1988) Ian H. Holmes (1986) Joseph R. Nevins (1988) Charles J. Sherr (1987) Joan Brugge (1988) Robert W. Honess (1986) Nancy G. Nossal (1987) Saul J. Silverstein Barrie J. Carter (1987) Nancy Hopkins (1986) Abner Notkins (1986) (1988) John M. Coffin (1986) Peter M. Howley (1987) J. Thomas Parsons (1986) Patricia G. Spear (1987) Geoffrey M. Cooper (1987) Alice S. Huang (1987) Ulf G. Pettersson (1986) Nat Sternberg (1986) Donald Court (1987) Steve Hughes (1988) Lennart Philipson (1987) Bruce Stillman (1988) Richard Courtney (1986) Tony Hunter (1986) Lewis I. -
Begegnungen in MÜNCHEN SCHWABING Inhaltsverzeichnis
Qualität schafft Vertrauen BING SCHWA Bosseler & Abeking EN Immobilienberatung GmbH CH N Nymphenburger Straße 21 MÜ 80335 München Tel. +49 (0)89 / 17 95 39 - 0 Fax +49 (0)89 / 17 95 39 - 11 [email protected] www.bosselerabeking.com BEGEGNUNGEN IN BEGEGNUNGEN IN MÜNCHEN SCHWABING Inhaltsverzeichnis Vorwort 3 30. Lena Christ und Fanny Reventlow östlich der Ungererstraße 38 1. Gleich hinterm Siegestor fängt Schwabing an 4 31. Erich Kästner im Haus Fuchsstraße 2 39 2. Schönste Tochter Münchens 5 32. Erste Stationen Schwabing-West: Senatorin Julia Mann und Sohn Heinrich 40 3. Urzelle des Orts: St. Sylvester 5 33. Lenin schreibt seine Revolutionsfibel im Haus Siegfriedstraße 14 42 4. Idyllen des Geistes zwischen Schack- und Ohmstraße 6 34. Nobelpreisträger Max von Laues Einfall in der Siegfriedstraße 43 5. Visitenkarte Wilhelm Hausensteins: Ohmstraße 20 7 35. Ruth Schaumanns gewaltiges Schaffen am Nordrand Schwabings 44 6. Leopoldstraße 4 – Geldadel und Schönheitsköniginnen 8 36. „Erfreuliche Gottnähe“ 45 7. Maler und Modell: Corinths wildes Atelier an der Giselastraße 10 37. Hohenzollernstraße 23 – Oskar Maria Grafs Flucht 1933 46 8. Obere Kaulbachstraße: Hamsun aus Norwegen und Holm aus Riga 12 38. Heisenbergs Zuhause 47 9. Jubilarin Ricarda Huch 12 39. Max Reger und Chirico im Anwesen Viktor-Scheffel-Straße 10 48 10. Polarisierung: Reichskanzler und Simpl-Verlag am Englischen Garten 14 40. Feodor Lynen – ein Schwabinger 49 11. Kaiserin und Kocherl am Chinesischen Turm 16 41. Weisgerber und Prévot nahe dem Hohenzollernplatz 50 12. Im Rumfordschlößl ißt der bayerische Adel die ersten Kartoffeln 18 42. Wahnmoching – Schwabylon 50 13. Der „König von Schwabing“ an der Martiusstraße 20 43. -
Femme Fatale
the cinematic flâneur manifestations of modernity in the male protagonist of 1940s film noir Petra Désirée Nolan Submitted in Total Fulfilment of the Requirements of the Degree of Doctor of Philosophy April 2004 The School of Art History, Cinema, Classics and Archaeology The University of Melbourne Abstract The hardboiled hero is recognised as a central trope in the film noir cycle, and particularly in the ‘classic’ noir texts produced in Hollywood in the 1940s. Like the films themselves, this protagonist has largely been understood as an allegorical embodiment of a bleak post-World War Two mood of anxiety and disillusionment. Theorists have consistently attributed his pessimism, alienation, paranoia and fatalism to the concurrent American cultural climate. With its themes of murder, illicit desire, betrayal, obsession and moral dissolution, the noir canon also proves conducive to psychoanalytic interpretation. By oedipalising the noir hero and the cinematic text in which he is embedded, this approach at best has produced exemplary noir criticism, but at worst a tendency to universalise his trajectory. This thesis proposes a complementary and newly historicised critical paradigm with which to interpret the noir hero. Such an exegesis encompasses a number of social, aesthetic, demographic and political forces reaching back to the nineteenth century. This will reveal the centrality of modernity in shaping the noir hero’s ontology. The noir hero will also be connected to the flâneur, a figure who embodied the changes of modernity and who emerged in the mid-nineteenth century as both an historical entity and a critical metaphor for the new subject. As a rehistoricised approach will reveal, this nineteenth century—or classic—flâneur provides a potent template for the noir hero. -
Friday Former Speaker Coming to ND Two Profs Given
~-.~------------~----~------------~--------------~~----------------------------.-----~·· Take a break • four Mexican gang members were arrested • The Observer wishes you a safe and happy spring Friday Thursday for kidnapping the Euher of soccer break. We will next publish on Tuesday, Feb. 16. star Jorge Campos. MARCH 5, World & Nation • 5 1999 THE The Independent Newspaper Serving Notre Dame and Saint Mary's VOL XXXII NO. 103 WWW. ND.EDU/-OBSERVER Dole, Philbin to receive degrees Former Speaker thn company af'tiH' a fire nran or tho broadcasting indus ND will confer destroyed thnw of' thn compa try and the popular cohost of ny's c1~ntury-old ·buildings. the nationally ~-----~ 10 honorary Malden Mills. which produces syndicated coming to ND l'olartnc f'abrics. has annual television talk sah~s of' $400 million. show, "Live! degrees at Hoberto GutictTl'Z (doctor or With Hegis & By MAGGY TINUCCI he left," said Rieck. laws) - The prnsid1mt and Kathie Lnn." Assistant News Ediror Gingrieh will discuss issues such as the natural world, graduation cof'oundnr or thl~ llispanic llis contribu Tnlncommunieations Nntwork tions to Notrn Newt Gingrich, former the biological revolution's Special 1<> The Oh•crvcr ( II TN ) . G uli 1\ r r n z has b n n n Damn and Speaker of the Housfl and impact on health. American former Republican represen· politics, the ehallenge of' the involvnd in communications South Bond Philbin Nirw distinguislwd ligures in ami rnligious programming for include host- tative from Georgia. will military, terrorism and tlw Chureh. Pduration, law, two decades. lin is nxncutivn ing an annual focus on the internation husirwss and broadcasting will producer of thn wnnkly televi fund-raising broadcast on challenges al erime join principal spnakPr 1-:lizahPlh sion snrins "Nunstra Familia" behalf of tlw Center for the and oppor- throats. -
9783835336674.Pdf
Research Collection Edited Volume Randkulturen Lese- und Gebrauchsspuren in Autorenbibliotheken des 19. und 20. Jahrhunderts Publication Date: 2020-11 Permanent Link: https://doi.org/10.3929/ethz-b-000360058 Originally published in: http://doi.org/10.46500/83533667 Rights / License: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International This page was generated automatically upon download from the ETH Zurich Research Collection. For more information please consult the Terms of use. ETH Library Randkulturen Lese- und Gebrauchsspuren in Autorenbibliotheken des 19. und 20. Jahrhunderts Randkulturen Lese- und Gebrauchsspuren in Autoren bibliotheken des 19. und 20. Jahrhunderts Herausgegeben von Anke Jaspers und Andreas B. Kilcher Wallstein Verlag Publiziert mit Unterstützung des Schweizerischen Nationalfonds zur Förderung der wissenschaftlichen Forschung Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Publiziert von der Wallstein Verlag GmbH, Göttingen 2020 www.wallstein-verlag.de Text © Anke Jaspers / Andreas Kilcher 2020 Umschlaggestaltung: Susanne Gerhards, Düsseldorf Gesamtherstellung: Wallstein Verlag, Göttingen ISBN 978-3-8353-3667-4 DOI: https://doi.org/ 10.46500/83533667 Dises Werk ist lizenziert unter einer Creative Commons Lizenz: CC BY-NC-ND 4.0 Inhalt Anke Jaspers | Andreas B. Kilcher Einleitung: Lesen und Schreiben am Rand der Bücher . 7 I Theorie Uwe Wirth Lesespuren als Inskriptionen. Zwischen Schreibprozessforschung und Leseprozessforschung . 37 Magnus Wieland Border Lines – Zeichen am Rande des Sinnzusammenhangs . 64 Manuel Bamert Gelesenes Gedrucktes. Textzentrierte Erklärungsansätze zur Entstehung von Lesespuren . 90 Mike Rottmann Verstehendes Entziffern eines ›historisierten‹ Papierarbeiters. Methodische und responsive Reflexionen zur Erschließung, Edition und Kommentierung von Friedrich Nietzsches nachgelassener Bibliothek . -
Full Dramatisation with Samuel West As Faust and Toby Jones As
CLASSIC DRAMA Full dramatisation with Samuel West as Faust and Toby Jones as Mephistopheles Part 1 1 Prologue in Heaven 6:56 2 The First Part of the Tragedy – Scene 1: Night 5:38 3 Enter the Spirit 5:19 4 Exit Wagner. Faust alone 6:46 5 Scene 2: Outside the City Gate 4:50 6 Scene 3: Faust’s Study 3:24 7 Enter Mephistopheles 7:34 8 Scene 4: Faust’s Study 5:29 9 Mephistopheles: ‘It’s done!’ 5:13 10 Scene 5: A Witch’s Kitchen 7:40 11 Scene 6: A Street 2:45 12 Scene 6a 0:29 13 Scene 7: Gretchen’s Room 4:05 2 14 Scene 9: The Neighbour’s House 5:26 15 Scene 10: A Garden 4:44 16 Scene 11: A Summerhouse 0:54 17 Scene 12: Forest and Cavern 3:47 18 Scene 12a: Gretchen’s Song 3:39 19 Scene 13: Martha’s Garden 3:34 20 Scene 14: At the Well 2:16 21 Scene 16: The Street in Front of Gretchen’s House 5:03 22 Scene 17: Cathedral 1:47 23 Scene 18: Walpurgis Night 10:37 24 Scene 19: Gloomy Day. A Field 1:14 25 Scene 20: A Dungeon 9:23 3 Part 2 26 Scene 1: A Pleasant Landscape 3:24 27 Scene 2: Throne Room of the Imperial Palace 6:16 28 Scene 3: A Pleasure Garden 3:53 29 Scene 4: A Gloomy Gallery 4:23 30 Scene 6: Great Hall 7:27 31 Act II Scene 1: High-vaulted Narrow Gothic Room… 4:36 32 Scene 2: Laboratory 7:34 33 Scene 3: Classical Walpurgis Night 1:51 34 Scene 3b: On the Upper Peneus 3:25 35 Scene 3c: On the Lower Peneus 4:16 36 Scene 3d: On the Upper Peneus, as before 4:35 37 Scene 3e: Mephistopheles Climbing 3:53 4 38 Scene 4: Rocky Bays of the Aegean Sea 9:19 39 Act III Scene 1: Before the Palace of Menelaus… 5:39 40 Phorkyas (Mephistopheles) appears 8:04 41 Scene 2: Inner Courtyard of a Castle 5:33 42 Scene 2a: In Front of a Series of Rocky Caves 4:22 43 Act IV Scene 1: High Mountains 4:56 44 Act V Scene 1: A Palace 3:22 45 Scene 2: Dead of Night 3:49 46 Scene 3a: Midnight 0:44 47 Scene 3b: Faust’s Room 5:11 48 Scene 4: Great Forecourt of the Palace 13:37 Total time: 3:59:13 5 Johann Wolfgang von Goethe (1749–1832) Though Goethe’s Faust is considered compromising Goethe’s original. -
Experiment in the Film
sh. eitedbyM&l MANVOX EXPERIMENT IN THE FILM edited by Roger Manveil In all walks of life experiment precedes and paves the way for practical and widespread development. The Film is no exception, yet although it must be considered one of the most popular forms of entertainment, very little is known by the general public about its experimental side. This book is a collec- tion of essays by the leading experts of all countries on the subject, and it is designed to give a picture of the growth and development of experiment in the Film. Dr. Roger Manvell, author of the Penguin book Film, has edited the collection and contributed a general appreciation. Jacket design by William Henry 15s. Od. net K 37417 NilesBlvd S532n 510-494-1411 Fremont CA 94536 www.nilesfilminiiseuin.org Scanned from the collections of Niles Essanay Silent Film Museum Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from Jeff Joseph EDITED BY ROGER MANVELL THE GREY WALLS PRESS LTD First published in 1949 by the Grey Walls Press Limited 7 Crown Passage, Pall Mall, London S.W.I Printed in Great Britain by Balding & Mansell Limited London All rights reserved AUSTRALIA The Invincible Press Sydney, Melbourne, Brisbane, Adelaide NEW ZEALAND The Invincible Press, Wellington SOUTH AFRICA M. Darling (Pty.) Ltd., Capetown EDITOR'S FOREWORD The aim of this book is quite simply to gather together the views of a number of people, prominent either in the field of film-making or film-criticism or in both, on the contribution of their country to the experimental development of the film. -
„Bücher, Bücher, Bücher, Bücher …“
„Bücher, Bücher, Bücher, Bücher …“ Wertvolle Autographen, Bücher, Graphik, Handschriften und Plakate Gemeinschaftskatalog der Antiquare 2009 veranstaltet von der Genossenschaft der Internet-Antiquare eG Geschäftsbedingungen: 1, 2 und 4 BGB-InfoV sowie unserer Pflichten gemäß § 312e Abs. 1 Satz 1 BGB in Verbindung mit § 3 Der Gemeinschaftskatalog der Antiquare 2009 wird BGB-InfoV. Zur Wahrung der Widerrufsfrist genügt von der Genossenschaft der Internet-Antiquare eG die rechtzeitige Absendung des Widerrufs oder der (GIAQ) herausgegeben, sie selbst bietet jedoch keine Sache. Der Widerruf ist an das jeweilige Antiquariat Waren zum Kauf an. Anbieter sind die jeweiligen zu richten. Die Adresse ist dem Kopf der jeweiligen Antiquariate, an die Bestellungen zu richten sind. Angebotsseiten im Katalog zu entnehmen. Kaufverträge kommen nur zwischen den einzel- nen Antiquariaten und den Käufern zustande, und Widerrufsfolgen: zwar dadurch, daß ein Antiquariat eine Bestellung Im Falle eines wirksamen Widerrufs sind die beider- annimmt und die Lieferung bestätigt oder die Ware seits empfangenen Leistungen zurückzugewähren liefert. Für den Vertragsschluß und die Vertrags- und ggf. gezogene Nutzungen (z. B. Zinsen) heraus- abwicklung gelten die Geschäftsbedingungen des zugeben. Können Sie uns die empfangene Leis- jeweiligen Antiquariates. Soweit dort nichts anderes tung ganz oder teilweise nicht oder nur in ver- geregelt ist gelten folgende Grundsätze: schlechtertem Zustand zurückgewähren, müssen Das Angebot ist freibleibend, Lieferzwang besteht Sie uns insoweit ggf. Wertersatz leisten. Bei der nicht. Preise in € inkl. der gesetzlich gültigen MwSt. Überlassung von Sachen gilt dies nicht, wenn die Der Versand erfolgt in der Reihenfolge der Bestel- Verschlechterung der Sache ausschließlich auf de- lungen und auf Kosten der Besteller. Die Ware bleibt ren Prüfung – wie sie Ihnen etwa im Ladengeschäft bis zur vollständigen Bezahlung Eigentum des an- möglich gewesen wäre – zurückzuführen ist. -
Nietzsche Truth, Value, Tragedy
Nietzsche Harries 1 Karsten Harries Nietzsche Truth, Value, Tragedy Seminar Notes Spring Semester 2015 Yale University Copyright Karsten Harries Nietzsche Harries 2 Contents 1. Introduction: Nietzsche, Schopenhauer, and Wagner 3 2. "On the Pathos of Truth" I 32 3. “On the Pathos of Truth" II 45 4. "On Truth and Lie in an Extramoral Sense" I 59 5. "On Truth and Lie in an Extramoral Sense" I 76 6. Artisten-Metaphysik 87 7. Apollo and Dionysus 102 8. Socrates 119 9. Incipit Tragoedia 132 10. Old and New Values 146 11. The Problem of Time 154 12. The Eternal Recurrence 168 13. Conclusion: Tragedy and Redemption 186 Nietzsche Harries 3 1. Introduction: Nietzsche, Schopenhauer, and Wagner 1 In the 19th century the traditional Platonic-Christian conception of human being underwent a revolution in which we are still caught up and with which we still have to come to terms. Darwin is one name often mentioned in this connection, Marx another, Freud a third. In this seminar I would like to examine some aspects and consequences of this revolution by taking a look at some of Nietzsche's writings. This examination will focus on three themes, truth, value, and tragedy. My discussion will end with a consideration of Zarathustra,1 but much of it will be concerned with Nietzsche’s early writings, especially The Birth of Tragedy. To introduce that discussion I shall begin, however, by taking a careful look at two short essays dating from that period, at "The Pathos of Truth," dating from 1872, and "On Truth and Lie in an Extramoral Sense," dating from the following year.2 More clearly than The Birth of Tragedy3 these essays allow us to understand the nature of Nietzsche's philosophical project, his life-long struggle with nihilism. -
Moving Forward, Looking Back. the European Avant-Garde and the Invention of Film Culture, 1919-1939
Repositorium für die Medienwissenschaft Malte Hagener Moving Forward, Looking Back. The European Avant- garde and the Invention of Film Culture, 1919-1939 2007 https://doi.org/10.5117/9789053569610 Buch / book Empfohlene Zitierung / Suggested Citation: Hagener, Malte: Moving Forward, Looking Back. The European Avant-garde and the Invention of Film Culture, 1919-1939. Amsterdam University Press 2007 (Film Culture in Transition). DOI: https://doi.org/10.5117/9789053569610. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above. anderweitig nutzen. Mit der Verwendung dieses Dokuments erkennen Sie die Nutzungsbedingungen an. -
Völkisch Writers and National Socialism
CULTURAL HISTORY AND LITERARY IMAGINATION This book provides a view of literary life under the Nazis, highlighting • Guy Tourlamain the ambiguities, rivalries and conflicts that determined the cultural climate of that period and beyond. Focusing on a group of writers – in particular, Hans Grimm, Erwin Guido Kolbenheyer, Wilhelm Schäfer, Emil Strauß, Börries Freiherr von Münchhausen and Rudolf Binding – it examines the continuities in völkisch-nationalist thought in Germany from c.1890 into the post-war period and the ways in which völkisch-nationalists identified themselves in opposition to four successive German regimes: the Kaiserreich, the Weimar Republic, the Third Reich and the Federal Republic. Although their work Völkisch predated Hitler’s National Socialist movement, their contribution to preparing the cultural climate for the rise of Nazism ensured them continued prominence in the Third Reich. Those who survived into the post-war era continued to represent the völkisch-nationalist worldview in the West German public sphere, opposing both Socialism and National Writers the Soviet and liberal-democratic models for Germany’s future. While not uncontroversial, they were able to achieve significant publishing success, suggesting that a demand existed for their works among the German public, stimulating debate about the nature of the recent past and its effect on Germany’s cultural and political identity and position in the world. Völkisch Writers and National Socialism Guy Tourlamain received his D.Phil. from Oxford University in 2007. He also spent time as a visiting student at the University of Gießen, A Study of Right-Wing Political Culture University of Hamburg and Humboldt University in Berlin as well as undertaking postdoctoral research at the German Literature in Germany, 1890–1960 Archive in Marbach am Neckar. -
Wedekind and Schnitzler| Social Criticism and Literary Scandals in Turn-Of-The-Century Munich and Vienna
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1986 Wedekind and Schnitzler| Social criticism and literary scandals in turn-of-the-century Munich and Vienna Elizabeth Graff Ametsbichler The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Ametsbichler, Elizabeth Graff, "Wedekind and Schnitzler| Social criticism and literary scandals in turn-of- the-century Munich and Vienna" (1986). Graduate Student Theses, Dissertations, & Professional Papers. 4062. https://scholarworks.umt.edu/etd/4062 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. COPYRIGHT ACT OF 1976 HIS IS AN UNPUBLISHED MANUSCRIPT IN WHICH COPYRIGHT SUB" S. ANY FURTHER REPRINTING OF ITS CONTENTS MUST BE APPROVED rIE AUTHOR, MANSFIELD LIBRARY UNIVERSITY OF MONTANA DATE: 198 Wedekind and Schnitzler: Social Criticism and Literary Scandals in Turn-of-the-Century Munich and Vienna By Elizabeth Graff Ametsbichler B.A., University of Montana, 1983 resented in partial fulfillment of the requirements for the degree of Master of Arts UNIVERSITY OF MONTANA 1986 Approved by: Chairman, Boara of Examiners can. Graduate" SCThool /-3- / / ^ Date^ UMI Number: EP34723 All rights reserved INFORMATION TO ALL USERS ie quality of this reproduction is dependent on the quality of the copy submitted.