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Biblioteca Di Studi Di Filologia Moderna biblioteca di studi di filologia moderna – 12 – biblioteca di studi di filologia moderna aree anglofona, francofona, di germanistica, sezione di comparatistica, filologie e studi linguistici, e sezioni di iberistica, rumenistica, scandinavistica, slavistica, turcologia, ugrofinnistica e studi italo-ungheresi, riviste Direttore beatrice töttössy Coordinamento editoriale martha luana canfield, Pieroc eccucci, massimo ciaravolo, John denton, mario domenichelli, fiorenzo fantaccini, ingrid Hennemann, michela landi, donatella Pallotti, stefania Pavan, ayşe saraçgil, rita svandrlik, angela tarantino, beatrice töttössy Segreteria editoriale arianna antonielli laboratorio editoriale open access, via santa reparata 93, 50129 firenze tel +39 0552756664; fax +39 0697253581 email: [email protected]; web: <http://www.collana-filmod.unifi.it> Comitato scientifico nicholas brownlees, università degli studi di firenze arnaldo bruni, università degli studi di firenze martha luana canfield,u niversità degli studi di firenze richard allen cave, royal Holloway college, university of london Piero ceccucci, università degli studi di firenze massimo ciaravolo, università degli studi di firenze John denton, università degli studi di firenze mario domenichelli, università degli studi di firenze maria teresa fancelli, università degli studi di firenze massimo fanfani, università degli studi di firenze fiorenzo fantaccini, università degli studi di firenze Paul geyer, rheinischen friedrich-Wilhelms-universität bonn seamus Heaney, nobel Prize for literature 1995 ingrid Hennemann, studiosa donald Kartiganer, university of mississippi, oxford, miss. ferenc Kiefer, Hungarian academy of sciences sergej akimovich Kibal’nik, saint-Petersburg state university ernő Kulcsár szabó, eötvös loránd university, budapest michela landi, università degli studi di firenze mario materassi, studioso, scrittore e traduttore murathan mungan, scrittore Álvaro mutis, scrittore Hugh nissenson, scrittore donatella Pallotti, università degli studi di firenze stefania Pavan, università degli studi di firenze Peter Por, CNR de Paris Paola Pugliatti, studiosa miguel rojas mix, centro extremeño de estudios y cooperación iberoamericanos giampaolo salvi, eötvös loránd university, budapest ayşe saraçgil, università degli studi di firenze rita svandrlik, università degli studi di firenze angela tarantino, università degli studi di firenze beatrice töttössy, università degli studi di firenze marina Warner, scrittrice laura Wright, university of cambridge levent Yilmaz, bilgi universitesi, istanbul clas Zilliacus, Åbo akademi of turku mattia di taranto l’arte del libro in germania fra otto e novecento editoria bibliofilica, arti figurative e avanguardia letteraria negli anni della Jahrhundertwende firenze university press 2011 L’arte del libro in Germania fra Otto e Novecento. Editoria bibliofilica, arti figurative e avanguardia letteraria negli anni della Jahrhundertwende / Mattia Di Taranto – Firenze : Firenze University Press, 2011 (Biblioteca di Studi di Filologia Moderna ; 12) http://digital.casalini.it/9788866550501 ISBN (online) 978-88-6655-050-1 I volumi della Biblioteca di Studi di Filologia Moderna (<http://www.collana-filmod. unifi.it>) vengono pubblicati con il contributo del Dipartimento di Lingue, Letterature e Culture Comparate dell’Università degli Studi di Firenze. Il Laboratorio editoriale open access del Dipartimento supporta lo sviluppo dell’editoria open access, ne promuove le applicazioni alla didattica e all’orientamento professionale degli studenti e dottorandi dell’area delle filologie moderne straniere, fornisce servizi di formazione e di progettazione. Le Redazioni elettroniche del Laboratorio curano l’editing e la composizione dei volumi e delle riviste di Biblioteca. Editing e composizione: Redazione elettronica della Biblioteca di Studi di Filologia Moderna con Arianna Antonielli (caporedattore), Serena Alcione, Diana Battisti, Lorenza Bocciero, Giulia Del Col, Giacomo Poli. Progetto grafico: Alberto Pizarro Fernández. Certificazione scientifica delle Opere Tutti i volumi pubblicati sono soggetti ad un processo di referaggio esterno di cui sono responsabili il Consiglio editoriale della FUP e i Consigli scientifici delle singole collane. Le opere pubblicate nel catalogo della FUP sono valutate e approvate dal Consiglio editoriale della casa editrice. Per una descrizione più analitica del processo di referaggio si rimanda ai documenti ufficiali pubblicati sul sito-catalogo della casa editrice (http://www.fupress.com). Consiglio editoriale Firenze University Press G. Nigro (Coordinatore), M.T. Bartoli, M. Boddi, F. Cambi, R. Casalbuoni, C. Ciappei, R. Del Punta, A. Dolfi, V. Fargion, S. Ferrone, M. Garzaniti, P. Guarnieri, G. Mari, M. Marini, M. Verga, A. Zorzi. La presente opera è rilasciata nei termini della licenza Creative Commons Attribuzione - Non commerciale - Non opere derivate 3.0 Italia, il cui testo integrale è disponibile alla pagina web: <http://creativecommons.org/licenses/by-nc-nd/3.0/it/legalcode>. 2011 Firenze University Press Università degli Studi di Firenze Firenze University Press Borgo Albizi, 28, 50122 Firenze, Italy http://www.fupress.com/ Printed in Italy INDICE ringraziamenti viii Premessa di Patrizio collini ix introduzione 11 1. la nascita della moderna arte del libro in Europa 15 1.1 rivoluzione industriale e rivoluzione tecnica: il libro di massa ottocentesco 15 1.2 reazione al degrado qualitativo dell’oggetto-libro: il libro d’arte 21 1.3 francia. Livre d’art e livre de peintre 25 1.4 inghilterra. William morris e il movimento arts and crafts 31 1.5 italia. il ‘risorgimento della libreria’ 38 2. la buchkunstbewegung: un’introduzione 47 2.1 il modello inglese 47 2.2 Profilo artistico-editoriale del movimento tedesco 49 3. gli artisti del libro 57 3.1 melchior lechter (1865-1937) 57 3.2 Thomas Theodor Heine (1867-1948) 60 3.3 Heinrich Vogeler (1872-1942) 62 3.4 emil rudolf Weiß (1875-1942) 65 3.5 rudolph Koch (1876-1934) 67 4. le riviste artistico-letterarie 73 4.1 breve introduzione: Jugendstil e diffusione tramite riviste 73 4.2 «Pan» (1895-1900) 75 4.3 «Jugend» (1896-1940) 77 4.4 «simplicissimus» (1896-1944) 80 4.5 «Ver sacrum» (1898-1903) 83 4.6 «die insel» (1899-1902) 85 4.7 «Hyperion» (1908-1910) 89 4.8 «der Zwiebelfisch» (1909-1934) 90 5. le stamperie private 95 5.1 steglitzer Werkstatt (1900-1905) 95 mattia di taranto, L’arte del libro in Germania fra Otto e Novecento: Editoria bibliofilica, arti figurative e avanguar- dia letteraria negli anni della Jahrhundertwende, ISBN (online) 978-88-6655-050-1, 2011 firenze university Press vi l’arte del libro in germania tra otto e noVecento 5.2 Janus Presse (1907-1923) 97 5.3 ernst ludwig Presse (1907-1919) 99 5.4 bremer Presse (1911-1934) 101 5.5 officina serpentis (1911-1948) 103 5.6 rupprecht Presse (1913-1934) 107 5.7 cranach Presse (1913-1931) 108 5.8 officina bodoni (1923-1977) 111 6. la nuova generazione di editori 119 6.1 breve introduzione al concetto di Kulturverleger 119 6.2 samuel fischer (1859-1934) 120 6.3 eugen diederichs (1867-1930) 122 6.4 albert langen (1869-1909) 126 6.5 ernst rowohlt (1887-1960) 128 7. insel verlag e anton kippenberg 133 7.1 la fase di transizione: rudolf von Pöllnitz (1901-1905) e carl ernst Poeschel (1905-1906) 133 7.2 una vita nel segno del libro: Kippenbergs ‘Lehrjahre’ (1906-1914) 136 7.3 il programma editoriale di Kippenberg 138 7.4 Goethe und seine Welt. anton Kippenberg, collezionista ed editore goethiano 140 7.5 Buchkunst im insel Verlag. il contributo di Kippenberg all’arte del libro 142 7.6 la “insel-bücherei” (1912-1932). la rivoluzione nella rivoluzione 146 8. kurt wolff e il kurt wolff verlag 155 8.1 una Bildung nel segno di musica, letteratura e arte della stampa 155 8.2 Prime esperienze editoriali e fondazione del Kurt Wolff Verlag 158 8.3 Kurt Wolff, il «Verleger des expressionismus» 161 8.4 georg Heinrich meyer, il pubblicista ‘bibliofilo’ di Wolff 164 8.5 gli anni del dopoguerra e l’esperienza bibliofilica dell’Hype- rion Verlag 167 8.6 la bildende Kunst secondo Wolff 169 8.7 l’arte pittorica tradotta in arte del libro: la Kunstbibliophilie wolffiana 171 Bibliografia 183 Indice dei nomi 201 A mia madre Ringraziamenti rivolgo un ringraziamento speciale al Prof. Patrizio collini, direttore della scuola di dottorato internazionale in germanistica firenze-bonn e mio tutore, per gli indispensabili consigli offerti in fase di documenta- zione ed elaborazione. ringrazio anche tutti i docenti delle università di firenze e bonn che hanno seguito le varie fasi di scrittura dell’opera, for- nendomi utili suggerimenti e indicazioni bibliografiche.s ono altresì grato alla Prof. ingrid Hennemann barale per il puntuale e prezioso supporto nella lunga fase preparatoria alla pubblicazione. desidero, inoltre, ringraziare la Prof. beatrice töttössy, direttore del- la biblioteca di studi di filologia moderna e del laboratorio editoriale open access. un sentito grazie va alla redazione per la professionalità e la competenza espresse nel lavoro di editing del testo e, in particolare, al- la dr. arianna antonielli per la cortesia e la disponibilità dimostrate nei miei confronti. È doveroso, infine, estendere i ringraziamenti alla firenze university Press per la qualità scientifica e la serietà dell’attività editoriale. Premessa la bella e ben documentata monografia di mattia di taranto vede la luce in un momento buio per le sorti del libro. la cosiddetta ‘rivoluzione informatica’ minaccia infatti di confinare l’amore e la conoscenza del li-
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