Nietzsche Truth, Value, Tragedy
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View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Cork Open Research Archive UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Towards a comparative process thought: from Nietzsche to ancient Chinese philosophy Author(s) Burke, Ruud Thomas Publication date 2019 Original citation Burke, R. T. 2019. Towards a comparative process thought: from Nietzsche to ancient Chinese philosophy. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2019, Ruud Thomas Burke. http://creativecommons.org/licenses/by-nc-nd/3.0/ Embargo information Not applicable Item downloaded http://hdl.handle.net/10468/7783 from Downloaded on 2019-04-30T23:22:44Z Towards a Comparative Process Thought: From Nietzsche to Ancient Chinese Philosophy Thesis presented by Ruud Thomas Burke, BA, MA For the degree of Doctor of Philosophy Supervisors: Dr. Jason Dockstader, Dr. Gerald Cipriani Head of Department of Philosophy: Prof. Don Ross Department of Philosophy Faculty of Arts National University of Ireland, Cork February 2019 1 Abstract The objective of this research project is to develop a preliminary examination of an heuristic process ontology derived from an east-west comparative methodology. It attempts to trace the similarities and discontinuities of an ontological perspective in Friedrich Nietzsche‘s philosophy and several different strands of thought in Warring States era Chinese philosophical thought, focusing on Daoism in particular. The project traces the conclusions of these comparisons from a basic theoretical ontology to a socio-practical consideration. It concludes that in theorizing process both perspectives do not rely on traditional dichotomies that are seen in Western philosophical thought, they see the world as non-deterministic and utilize correlative thinking. -
Module-9 Background Prose Readings COMEDY and TRAGEDY
Module-9 Background Prose Readings COMEDY AND TRAGEDY What is comedy? The word ‘Comedy’ has been derived the French word comdie, which in turn is taken from the Greeco-Latin word Comedia. The word comedia is made of two words komos, which means revel and aeidein means to sing. According to Oxford Advanced Learner’s Dictionary, comedy means a branch of drama, which deals with everyday life and humourous events. It also means a play of light and amusing type of theatre. Comedy may be defined as a play with a happy ending. Function of Comedy Though, there are many functions of comedy, yet the most important and visible function of comedy is to provide entertainment to the readers. The reader is forced to laugh at the follies of various characters in the comedy. Thus, he feels jubilant and forgets the humdrum life. George Meredith, in his Idea of Comedy, is of the view that comedy appeals to the intelligence unadulterated and unassuming, and targets our heads. In other words, comedy is an artificial play and its main function is to focus attention on what ails the world. Comedy is critical, but in its scourge of folly and vice. There is no contempt or anger in a comedy. He is also of the view that the laughter of a comedy is impersonal, polite and very near to a smile. Comedy exposes and ridicules stupidity and immorality, but without the wrath of the reformer. Kinds of Comedy 1. Classical Comedy Classical comedy is a kind of comedy, wherein the author follows the classical rules of ancient Greek and Roman writers. -
As in Milan Kundera's the Unbearable Lightness of Being
Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Postmodernism and the Concept of Kitsch- As in Milan Kundera’s The Unbearable Lightness of Being Dr.Shanthichitra Associate Professor & Head, Dept. of English, College of Science and Humanities SRMIST, Chennai, India Abstract: The concept of Kitsch is one of the difficult concepts which has been so easily handles by Milan Kundera in his incredible work of art – The Unbearable Lightness of Being. Culturally accepted words and situations vs. the words which are labeled as grotesque points out that peculiar point which deviates the ordinary to sublimity. This paper studies that ordinary which is ignored in culture through Milan Kundera’s The Unbearable Lightness of Being. Keywords: Kitsch, Postmodernism, Phenomenology, Milan Kundera, Ideologies and Culture. When I came across the concept of Taipei modern Toilet diner, I was reminded of Milan Kundera’s Kitsch…This Modern Toilet diner is one of chain of themed eateries in Taiwan appealing to largely the youngsters of the city. This diner has greater relevance to the modern culture, culture in which youngsters call each other by bad words out of love…they have overcome all the grotesques!? Are they above all the human hurts?! Or is it an effort to deviate from kitsch?! Milan Kundera in his The Unbearable Lightness of Being talks about the concept of Kitsch. Kitsch is a German word that’s been adopted by a number of other languages, including English. It refers primarily to art that is overly sentimental or melodramatic, and so refers to aesthetics. What’s interesting is the way Kundera uses the concept in his novel, not to talk about art, but to talk about political ideology and about life. -
Walter Benjamin and Kitsch Politics in the Phantasmagorical Age by Ayşegül Ergül a Thesis Submitted to the Faculty of Gradua
Walter Benjamin and Kitsch Politics in the Phantasmagorical Age by Ayşegül Ergül A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Political Science Carleton University Ottawa, Ontario © 2016, Ayşegül Ergül Abstract In this dissertation I explore the relationship between politics, aesthetics, culture and technology by (re)thinking and (re)conceptualizing the concept of kitsch as a theoretical construct in order to investigate the dream-worlds of Europe which sprang at the intersection of liberalism, social democracy and capitalism. I argue that the unexplored potentialities of kitsch, as a concept, reside in the analysis of the dream-worlds, which have been occupying the social and political imaginaries of Western individuals, communities and institutions since the disenchantment of the world. My methodological approach is built on Benjamin’s notion of historical materialism. Thus, I engage with the historical object(s) (e.g., arcades, fashion, technological reproductions etc.) not as “object(s) of experience” but as a “participant(s) in historical experience” (Caygill 2004, 90). Challenging the progressive notion of history, I argue that within the objective impenetrability of commodity fetishism a “sur-real” world of fetishized images – that is, kitsch – emerges, alienated from the individual and the collective, yet constituting and shaping them. By mapping out the implications of this “sur-real” world on “the political,” the collective (un)conscious and action, I conclude that alternative politics could arise from the unsettling interpretations of the reified and symbolic expressions of this same “sur-real” world, paving a path for new political imaginaries. -
The Effect of War on Art: the Work of Mark Rothko Elizabeth Leigh Doland Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2010 The effect of war on art: the work of Mark Rothko Elizabeth Leigh Doland Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Doland, Elizabeth Leigh, "The effect of war on art: the work of Mark Rothko" (2010). LSU Master's Theses. 2986. https://digitalcommons.lsu.edu/gradschool_theses/2986 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. THE EFFECT OF WAR ON ART: THE WORK OF MARK ROTHKO A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Arts in The Interdepartmental Program in Liberal Arts by Elizabeth Doland B.A., Louisiana State University, 2007 May 2010 TABLE OF CONTENTS ABSTRACT…………………………………………………………………iii CHAPTER 1 INTRODUCTION……………………………………………........1 2 EARLY LIFE……………………………………………………....3 Yale Years……………………………………………………6 Beginning Life as Artist……………………………………...7 Milton Avery…………………………………………………9 3 GREAT DEPRESSION EFFECTS………………………………...13 Artists’ Union………………………………………………...15 The Ten……………………………………………………….17 WPA………………………………………………………….19 -
Nietzsche and Eternal Recurrence: Methods, Archives, History, and Genesis
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School April 2021 Nietzsche and Eternal Recurrence: Methods, Archives, History, and Genesis William A. B. Parkhurst University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Philosophy Commons Scholar Commons Citation Parkhurst, William A. B., "Nietzsche and Eternal Recurrence: Methods, Archives, History, and Genesis" (2021). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/8839 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Nietzsche and Eternal Recurrence: Methods, Archives, History, and Genesis by William A. B. Parkhurst A dissertation submitted in partial fulfillment of the requirement for the Doctor of Philosophy in Philosophy Department of Philosophy College of Arts and Sciences University of South Florida Major Professor: Joshua Rayman, Ph.D. Lee Braver, Ph.D. Vanessa Lemm, Ph.D. Alex Levine, Ph.D. Date of Approval: February 16th, 2021 Keywords: Fredrich Nietzsche, Eternal Recurrence, History of Philosophy, Continental Philosophy Copyright © 2021, William A. B. Parkhurst Dedication I dedicate this dissertation to my mother, Carol Hyatt Parkhurst (RIP), who always believed in my education even when I did not. I am also deeply grateful for the support of my father, Peter Parkhurst, whose support in varying avenues of life was unwavering. I am also deeply grateful to April Dawn Smith. It was only with her help wandering around library basements that I first found genetic forms of diplomatic transcription. -
Symbolism of Surface and Depth in Edvard
MARJA LAHELMA want life and its terrible depths, its bottomless abyss. to hold on to the ideal, and the other that is at the same Lure of the Abyss: – Stanisław Przybyszewski1 time ripping it apart. This article reflects on this more general issue through Symbolist artists sought unity in the Romantic spirit analysis and discussion of a specific work of art, the paint- Symbolism of Ibut at the same time they were often painfully aware of the ing Vision (1892) by Edvard Munch. This unconventional impossibility of attaining it by means of a material work of self-portrait represents a distorted human head floating in art. Their aesthetic thinking has typically been associated water. Peacefully gliding above it is a white swan – a motif Surface and with an idealistic perspective that separates existence into that is laden with symbolism alluding to the mysteries of two levels: the world of appearances and the truly existing life and death, beauty, grace, truth, divinity, and poetry. The Depth in Edvard realm that is either beyond the visible world or completely swan clearly embodies something that is pure and beautiful separated from it. The most important aim of Symbolist art as opposed to the hideousness of the disintegrating head. would then be to establish a direct contact with the immate- The head separated from the body may be seen as a refer- Munch’s Vision rial and immutable realm of the spirit. However, in addition ence to a dualistic vision of man, and an attempt to separate to this idealistic tendency, the culture of the fin-de-siècle the immaterial part, the soul or the spirit, from the material (1892) also contained a disintegrating penchant which found body. -
Conservative Revolutionary Intellectuals in the Weimar Republic and National Socialist Germany: Carl Schmitt, Martin Heidegger, and Ernst Jϋnger Vincent S
State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State History Theses History and Social Studies Education 5-2013 Conservative Revolutionary Intellectuals in the Weimar Republic and National Socialist Germany: Carl Schmitt, Martin Heidegger, and Ernst Jϋnger Vincent S. Betts [email protected] Advisor John D. Abromeit, Ph.D., Assistant Professor of History First Reader Georg G. Iggers, Ph.D., Distinguished Professor Emeritus, University at Buffalo Department Chair Andrew D. Nicholls, Ph.D., Chair and Professor of History To learn more about the History and Social Studies Education Department and its educational programs, research, and resources, go to http://history.buffalostate.edu/. Recommended Citation Betts, incV ent S., "Conservative Revolutionary Intellectuals in the Weimar Republic and National Socialist Germany: Carl Schmitt, Martin Heidegger, and Ernst Jϋnger" (2013). History Theses. Paper 19. Follow this and additional works at: http://digitalcommons.buffalostate.edu/history_theses Part of the European History Commons, and the Intellectual History Commons i ABSTRACT OF THESIS Conservative Revolutionary Intellectuals in the Weimar Republic and National Socialist Germany: Carl Schmitt, Martin Heidegger, and Ernst J ϋnger This thesis will examine the writings and career/life paths of three conservative revolutionary intellectuals during the Weimar Republic and National Socialist Germany. The purpose of this examination is not only to provide an overview of the development of conservative revolutionary thought in Germany after World War I, but also to investigate the influence these intellectuals had on the National Socialists’ seizure and consolidation of power. The works and lives of three important intellectuals will be examined: Carl Schmitt, Martin Heidegger, and Ernst Jϋnger. -
Heidegger, Being and Time
Heidegger's Being and Time 1 Karsten Harries Heidegger's Being and Time Seminar Notes Spring Semester 2014 Yale University Heidegger's Being and Time 2 Copyright Karsten Harries [email protected] Heidegger's Being and Time 3 Contents 1. Introduction 4 2. Ontology and Fundamental Ontology 16 3. Methodological Considerations 30 4. Being-in-the-World 43 5. The World 55 6. Who am I? 69 7. Understanding, Interpretation, Language 82 8. Care and Truth 96 9. The Entirety of Dasein 113 10. Conscience, Guilt, Resolve 128 11. Time and Subjectivity 145 12. History and the Hero 158 13. Conclusion 169 Heidegger's Being and Time 4 1. Introduction 1 In this seminar I shall be concerned with Heidegger's Being and Time. I shall refer to other works by Heidegger, but the discussion will center on Being and Time. In reading the book, some of you, especially those with a reading knowledge of German, may find the lectures of the twenties helpful, which have appeared now as volumes of the Gesamtausgabe. Many of these have by now been translated. I am thinking especially of GA 17 Einführung in die phänomenologische Forschung (1923/24); Introduction to Phenomenological Research, trans. Daniel O. Dahlstrom (Bloomington, Indiana University Press, 2005) GA 20 Prolegomena zur Geschichte des Zeitbegriffs (1925); History of the Concept of Time, trans. Theodore Kisiel (Bloomington, Indiana University Press, 1985) GA 21 Logik. Die Frage nach der Wahrheit (1925/26). Logic: The Question of Truth, trans. Thomas Sheehan GA 24 Die Grundprobleme der Phänomenologie (1927); The Basic Problems of Phenomenology, trans. -
The Feminine Value in Nietzsche Echo, Baubo and Ariadne
The Feminine Value In Nietzsche Echo, Baubo and Ariadne By Sarah Nichole Patterson A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts Department of Political Science Carleton University Ottawa, Ontario Canada © Sarah Nichole Patterson, 2005 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 0-494-13419-4 Our file Notre reference ISBN: 0-494-13419-4 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Nietzsche's “Gay” Science
Fordham University Masthead Logo DigitalResearch@Fordham Articles and Chapters in Academic Book Philosophy Collections 2006 Nietzsche’s “Gay” Science Babette Babich Fordham University, [email protected] Follow this and additional works at: https://fordham.bepress.com/phil_babich Part of the Classical Literature and Philology Commons, Continental Philosophy Commons, Esthetics Commons, German Language and Literature Commons, Medieval History Commons, Musicology Commons, Other French and Francophone Language and Literature Commons, Philosophy of Science Commons, and the Rhetoric and Composition Commons Recommended Citation Babich, Babette, "Nietzsche’s “Gay” Science" (2006). Articles and Chapters in Academic Book Collections. 18. https://fordham.bepress.com/phil_babich/18 This Article is brought to you for free and open access by the Philosophy at DigitalResearch@Fordham. It has been accepted for inclusion in Articles and Chapters in Academic Book Collections by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. A Companion to Nietzsche Edited by Keith Ansell Pearson Copyright © 2006nietzsche by Blackwell’s “gay Publishing” science Ltd 6 Nietzsche’s “Gay” Science BABETTE E. BABICH Nietzsche’s conception of a gay science is alluringly seductive, comic, and light – and accordingly many readers have celebrated it as the art of laughter. And, to be sure, the first edition of The Gay Science began with a teasing series of light, joking rhymes.1 Taking this teasing further, the 1887 title page replaces the 1882 epigraph from Emerson with a gently unserious rhyme, adding a fifth book and finishing it off with an additional cycle of songs – Songs of Prince Vogelfrei2 – invoking at once the knightly as well as the chastely3 erotic character of the troubadour (and recurring in the arch allusions of Nietzsche’s Ecce Homo). -
JOURNAL of VIROLOGY VOLUME 57 * MARCH 1986 * NUMBER 3 Arnold J
JOURNAL OF VIROLOGY VOLUME 57 * MARCH 1986 * NUMBER 3 Arnold J. Levine, Editor in Chief Michael B. A. Oldstone, Editor (1988) (1989) Scripps Clinic & Research Foundation Princeton University La Jolla, Calif. Princeton, N.J. Thomas E. Shenk, Editor (1989) David T. Denhardt, Editor (1987) Princeton University University of Western Ontario Princeton, N.J. London, Ontario, Canada Anna Marie Skalka, Editor (1989) Bernard N. Fields, Editor (1988) Hoffmann-La Roche Inc. Harvard Medical School Nutley, N.J. Boston, Mass. Robert A. Weisberg, Editor (1988) Robert M. Krug, Editor (1987) National Institute of Child Health Sloan-Kettering Institute and Human Development New York, N.Y. Bethesda, Md. EDITORIAL BOARD James Alwine (1988) Hidesaburo Hanafusa (1986) Lois K. Miller (1988) Priscilla A. Schaffer (1987) David Baltimore (1987) William S. Hayward (1987) Peter Model (1986) Sondra Schlesinger (1986) Tamar Ben-Porat (1987) Roger Hendrix (1987) Bernard Moss (1986) Manfred Schubert (1988) Kenneth I. Berns (1988) Martin Hirsch (1986) Fred Murphy (1986) June R. Scott (1986) Michael Botchan (1986) John J. Holland (1987) Opendra Narayan (1988) Bart Sefton (1988) Thomas J. Braciale (1988) Ian H. Holmes (1986) Joseph R. Nevins (1988) Charles J. Sherr (1987) Joan Brugge (1988) Robert W. Honess (1986) Nancy G. Nossal (1987) Saul J. Silverstein Barrie J. Carter (1987) Nancy Hopkins (1986) Abner Notkins (1986) (1988) John M. Coffin (1986) Peter M. Howley (1987) J. Thomas Parsons (1986) Patricia G. Spear (1987) Geoffrey M. Cooper (1987) Alice S. Huang (1987) Ulf G. Pettersson (1986) Nat Sternberg (1986) Donald Court (1987) Steve Hughes (1988) Lennart Philipson (1987) Bruce Stillman (1988) Richard Courtney (1986) Tony Hunter (1986) Lewis I.