“Mary Roper Clarke Bassett and Meredith Hanmer's
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NOTE TO USERS This reproduction is the best copy available. National Library Bibliothèque nationale 1*1 ofCanada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, nie Wellington OMW~ON K1A ON4 Ottawa ON KIA ON4 Canada Canada Yw#e votm rf5mrDnœ Our hLB NMe référence The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Libraty of Canada to Bibliothèque nationale du Canada de reproduce, loan, distriiute or sell reproduire, prêter, distriiuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la fonne de microfiche/fllml de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts from it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être impximés reproduceà without the author's ou autrement reproduits sans son permission. autorisation. English Historians' Treatments of Sir Thomas More and Bishop John Fisher in the Sixteenth and Nineteenth Gmhmies by John C. R Taylor-Hood A thesis submitted to the School of Graduate Studies in partial fullillment of the requirements for the degree of Master of Arts. Deparfment of History Mernorial University of Newf'oundland St. John's nie siuteenth-oentury personages of Sir Th011185 More and Bishop John Fiiher have repeatedy appeanxî as signiticant figures in historical works. -
“Delivered at Second Hand”: Translation, Gifting, and the Politics of Authorship in Tudor Women’S Writing
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2014-01-17 “Delivered at Second Hand”: Translation, Gifting, and the Politics of Authorship in Tudor Women’s Writing Inglis, Kirsten Inglis, K. (2014). “Delivered at Second Hand”: Translation, Gifting, and the Politics of Authorship in Tudor Women’s Writing (Unpublished doctoral thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/25543 http://hdl.handle.net/11023/1272 doctoral thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY “Delivered at Second Hand”: Translation, Gifting, and the Politics of Authorship in Tudor Women’s Writing by Kirsten Inglis A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH CALGARY, ALBERTA JANUARY, 2014 © KIRSTEN INGLIS 2014 Abstract This dissertation explores manuscript translations made by four women of the English Renaissance, and argues that these translations subvert dominant modes of discourse through the act of translation, both linguistic and inter-semiotic and the performance of self/identity through the conventions of gift-giving. Mary Bassett (d. 1572), Jane Lumley (1537-1578), Jane Seager (fl. 1589), and Esther Inglis (1570/1-1624) each translated an existing printed text into English; each woman translated her source text on a linguistic level – from Greek, or Latin, or French into English – but also translated on an inter- semiotic level – from print to manuscript, sometimes with striking additions in terms of painting, drawing, needlework, calligraphy, and bindings. -
Hans Holbein at the Court of Henry VIII
Holbein at the Court of Henry VIII • The talk is about Holbein’s life in England and the well known personalities at Henry VIII’s court that he painted. • Figures such as Thomas Wolsey (no portrait by Holbein), Thomas More, Thomas Cromwell, Richard Rich (drawing), and Thomas Cranmer (not by Holbein) figured prominently in Henry's administration. • I discuss Holbein’s style by comparing his drawings with his paintings. • And, finally, I look at the many puzzles presented by The Ambassadors. Notes The Tudors (1485 -1603) in brief: • Henry VII 1485 – 1509, Henry Richmond, descendent of John of Gaunt, defeated Richard III at Bosworth Field in 1485. Married Elizabeth of York uniting the two houses of York (white) and Lancaster (red) as symbolised in the white and red rose he adopted. He was a skilful politician but he is often described as avaricious although this did mean he left a lot in the treasury for his son to spend. • Henry VIII 1509 – 1547, he married Catherine of Aragon (his brother’s widow and mother of Mary) but Henry annulled the marriage to marry Anne Boleyn (mother Elizabeth) who he beheaded for alleged adultery. He declared himself head of the Catholic Church and married Jane Seymour who died after giving birth to Edward. He then married Anne of Cleves but the marriage was annulled and she survived Henry the longest. He then married Catherine Howard who he beheaded for adultery and finally Catherine Parr (her third husband) who outlived him and married Thomas Seymour (who grew up in Wulfhall) whose brother was Edward Seymour, Lord Protector of England during the first two years of Edward VI’s reign. -
Redalyc.Mary Roper Clarke Bassett and Meredith Hanmer's Honorable Ladie of the Lande
SEDERI Yearbook ISSN: 1135-7789 [email protected] Spanish and Portuguese Society for English Renaissance Studies España OLIVARES MERINO, Eugenio Mary Roper Clarke Bassett and Meredith Hanmer’s Honorable Ladie of the Lande SEDERI Yearbook, núm. 17, 2007, pp. 75-91 Spanish and Portuguese Society for English Renaissance Studies Valladolid, España Available in: http://www.redalyc.org/articulo.oa?id=333527604004 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Mary Roper Clarke Bassett and Meredith Hanmer’s Honorable Ladie of the Lande Eugenio OLIVARES MERINO University of Jaén ABSTRACT In his 1577 English translation of Eusebius’ History of the Church, Meredith Hanmer makes reference to “an honorable Ladie of the lande,” whose identity still remains unknown. My design here is to gather the scarce and scattered available evidence, so as to propose a name that is rather reasonable. In order to contextualize the conclusions, reference will also be made to such issues as women’s literacy and religious controversies in Elizabethan England. KEYWORDS: Mary Roper Clarke Bassett, Meredith Hanmer, translation, Greek, Eusebius Mary Roper,1 Sir Thomas More’s granddaughter by his beloved Margaret, is especially known for an English translation of her grandfather’s Latin book about Christ’s Passion, written while prisoner in the Tower of London.2 This work was included in William Rastell’s edition of More’s English Works (1557), pp. 1350- 1404, and it was the only text by a woman to appear in print during the reign of Mary Tudor (Demers 2001: 5). -
The English Correspondence of Sir Thomas More
The English Correspondence of Sir Thomas More The letter and line numbers correspond to the 1947 Rogers edition (Princeton UP). The English spellings have been standardized for this edition and its concordance by Andrea Frank. A complete concordance to this work can be found at www.thomasmorestudies.org/publications.html#Concordance. ©CTMS 2014 Thomas More’s English letters, following 1947 Rogers numbering [4] To Sister Joyce Leigh. <London, c. 1 January 1505> …………………………… 3 [11] To the Council, from Tunstall, Sampson, More. Bruges, 9 July 1515………….... 4 [12] To <Henry VIII>, from Tunstall, More, Clyfford. Bruges, 21 July 1515............. 5 [13] To Wolsey, from Knight, More, Wilsher, Sampson,…. Bruges, 1 Oct 1515......... 6 [49] To Wolsey & Council, from Wingfield, Knight, More. Calais, 13 Oct <1517>...... 6 [51] To Wolsey & Council, from Wingfield, Knight, More. <Calais? c. Oct 1517>…... 7 [53] To <Wolsey>, from Wingfield, Knight, More. Calais, 4 <Nov>ember <1517>.... 9 [77] To Wolsey. Woking, 5 July <1519>.......................................................... 10 [78] To Wolsey. Woking, 6 July <1519>.......................................................... 11 [79] To Wolsey. Woking, 9 July <1519>.......................................................... 12 [98] To Wolsey, from Knight, More, Wilsher, Sampson. Bruges, 15 Sept <1520>........ 13 [100] To the Deputy Chamberlains of the Exchequer. <c. May 1521>....................... 15 [109] To Wolsey. Newhall, 14 September <1522> ............................................. 15 [110] -
Alaris Capture Pro Software
Did the Sons of Edward IV Outlive Henry VII: A postscript MUCH INTEREST has been raised by the article by Mr Leslau in the September Ricardian. Some comments have been received, of which the most interesting are given in this postscript. Part of the comment has been centred on the question of who painted the picture discussed. As Mrs Helen Maurer remarks, if it cannot be shown that Holbein painted it, ‘then Leslau’s contention that Holbein’s portraits conceal within them hidden messages cannot be used to lend credence to the presumed existence of a message concealed in this particular painting’. It is a fact that Lord St. Oswald’s painting bears the date 1530 or 1532, and the name Rowlandus Locky. The date is impossible for Locky (fl. 1590), and the painting is generally believed to have been painted about 1593, and to be an exact or modified copy of a Holbein original, now lost or destroyed.‘ Mr Leslau of course believes that the painting is in fact by Holbein, and in support of his belief makes the following comments: ‘The painting was described by both the Reverend John Lewis2 and George Vertue (died 1756)} Neither Lewis nor Vertue report the inscription “Rowlandus Locky” upon the portrait, and both, with little hesitation, attribute the portrait to Holbein. Lewis, in 1717, makes a detailed description of the entire portrait, including specific details within three inches of the area where today can just be seen the inscription ‘Rowlandus Locky’. I conjecture that the inscription was not on th_e_portrait when Lewis and Vertue examined it. -
Mary Roper Basset's English Rendering Of
Translating Devotion: Mary Roper Basset’s English Rendering of Thomas More’s De tristitia … Christi brenda m. hosington Université de Montréal/University of Warwick La dernière œuvre de Thomas More, composée en 1534–1535 dans la Tour de Londres alors qu’il attendait son exécution, retrace l’agonie du Christ à Gethsémani dans les heures précédant son arrestation. Le De tristitia, tedio, pauore, et oratione Christi ante captionem eius, texte d’une grande intensité dévotionnelle et émotionnelle, n’en est pas moins marqué par les traits d’esprit et l’humour ironique caractéristiques de More. L’œuvre est traduite en anglais quelque temps après le décès de More par sa petite-fille, Mary Roper, mais c’est seulement en 1557, après le mariage de cette dernière à James Basset, et alors qu’elle tient l’office de dame de compagnie (« lady of the privy chamber ») de la reine Marie Tudor, que la traduction est publiée. On la retrouve en effet dans l’édition des English Works de More par William Rastell (1557), qui présente Mary Basset comme une femme « tout à fait experte en latin et en anglais ». Bien que les notices biographiques et les ouvrages de référence sur l’écriture féminine anglaise à la Renaissance fassent mention de cette œuvre — quoique parfois de manière erronée —, ainsi que des passages tirés de l’Histoire de l’Église d’Eusèbe que Basset avait précédemment traduits en latin et en anglais, ces textes n’ont jamais été étudiés. Afin de remédier à cette situation, cet article offre dans un premier temps une analyse détaillée de l’œuvre remarquable que représente Of the sorowe, werinesse, feare, and prayer of Christ before hys taking. -
Building Opposition at the Early Tudor Tower of London: Thomas More’S Dialogue of Comfort*
Building Opposition at the Early Tudor Tower of London: Thomas More’s Dialogue of Comfort* kristen deiter Tennessee Tech University Medieval and early modern English monarchs constructed the Tower of London’s iconography to symbolize royal power, creating a self-promoting royal ideology of the Tower. However, the Tower’s cultural significance turned sharply when Thomas More wroteA Dialogue of Comfort against Tribulation (1534) as a Tower prisoner, laying the foundation for an early modern tradition of liter- ary and cultural representations of the Tower as oppositional to the Crown. In the Dialogue, through four progressive transgressions against Henry VIII, More defies the royal ideology of the Tower and refashions the Tower itself as a symbol of resistance to royal tyranny. Les monarques anglais du Moyen Âge et de la Renaissance ont représenté la Tour de Londres comme un symbole du pouvoir royal, mettant ainsi en place une idéologie de la Tour promouvant la royauté. Toutefois, la signification culturelle de la Tour a subi un retournement rapide lorsque Thomas More a écrit A Dialogue of Comfort against Tribulation (1534), alors prisonnier à la Tour ; l’ouvrage a en effet posé les fondations d’une tradition littéraire et culturelle présentant la Tour comme un lieu d’opposition à la couronne. Dans le Dialogue, à travers quatre étapes progressives de contestations à l’égard d’Henri VIII, More remet en question l’idéologie royale de la Tour, et la redéfinit comme un symbole de résistance à la tyrannie royale. n the mid-1530s, Henry VIII had Thomas More imprisoned in the Tower of ILondon and beheaded on Tower Hill to assert royal control over his obsti- nate subject. -
546 EARL of WARWICK at CALAIS in 1460 October Passage by J3e Grace of God, Hoo Hafie Yow and Alle Yowris in His Gracius Kepyng Body and Soule
546 EARL OF WARWICK AT CALAIS IN 1460 October passage by J3e grace of god, hoo hafie yow and alle yowris in his gracius kepyng body and soule. Worshipfull Syr, hafie me excuset of myn en- dytyng for I can do none other wyse bot as corse of merchandise askes. Vreten at Cales the xiiij day of June By yowr pore bedeman ffi Symonde L. Endorsed. To my Right Worshipfull and . .Syr and my gode master Thomas Thorpe in pe medyll Temple yn London. Downloaded from A Calendar of the Correspondence of Sir Thomas More THE chief sources here used for More's letters are the following : I. Opus Epistolarum Des. Erasmi Roterodami, Oxford, 1906- http://ehr.oxfordjournals.org/ 4 volumes. II. The Workes of Sir Thomas More Knyght, sometyme Lorde Chauncellour of England, wrytten by him in the Englysh tonge, London, 1557. III. Thomas Stapleton : ' Vita Thomae Mori ' in Tree Thomae. Douay, 1588. Stapleton carried manuscript letters of More with him to at Georgetown University on August 17, 2015 Douay. These he incorporated, in whole or in part, in his Vita Tliomae Mori, published when the Roman Catholics were most hopeful, just before the sailing of the Armada. His extracts are often very brief ; and the few which can be compared with the complete letters preserved elsewhere are found sometimes not to give the most interesting part of the letter. (See cap. iii. 845, Introduction, and W. H. Hutton, Sir Thomas More, 1885, p. vi.) For most of the English letters—those preserved in the British Museum and the Public Record Office, and epitomized in J. -
“Still More Glorifyed in His Saints and Spouses”: the English Convents in Exile and the Formation of an English Catholic Identity, 1600-1800 ______
“STILL MORE GLORIFYED IN HIS SAINTS AND SPOUSES”: THE ENGLISH CONVENTS IN EXILE AND THE FORMATION OF AN ENGLISH CATHOLIC IDENTITY, 1600-1800 ____________________________________ A Thesis Presented to the Faculty of California State University, Fullerton ____________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in History ____________________________________ By Michelle Meza Thesis Committee Approval: Professor Gayle K. Brunelle, Chair Professor Robert McLain, Department of History Professor Nancy Fitch, Department of History Summer, 2016 ABSTRACT The English convents in exile preserved, constructed, and maintained a solid English Catholic identity in three ways: first, they preserved the past through writing the history of their convents and remembering the hardships of the English martyrs; that maintained the nuns’ continuity with their English past. Furthermore, producing obituaries of deceased nuns eulogized God’s faithful friends and provided an example to their predecessors. Second, the English nuns cultivated the present through the translation of key texts of English Catholic spirituality for use within their cloisters as well as for circulation among the wider recusant community to promote Franciscan and Ignatian spirituality. English versions of the Rule aided beginners in the convents to faithfully adhere to monastic discipline and continue on with their mission to bring English Catholicism back to England. Finally, as the English nuns looked toward the future and anticipated future needs, they used letter-writing to establish and maintain patronage networks to attract novices to their convents, obtain monetary aid in times of disaster, to secure patronage for the community and family members, and finally to establish themselves back in England in the aftermath of the French Revolution and Reign of Terror. -
{PDF} Sir Thomas More Ebook, Epub
SIR THOMAS MORE PDF, EPUB, EBOOK William Shakespeare,John Jowett | 544 pages | 15 May 2011 | Bloomsbury Publishing PLC | 9781904271482 | English | London, United Kingdom Sir Thomas More PDF Book Oxford University Press. Thanks to his boundless curiosity and a prodigious capacity for work, he managed, along with the law, to keep up his literary pursuits. He was first appointed a Privy Councilor and accompanied Wolsey to an important diplomatic mission to Europe. Published in , Utopia describes an imaginary land that is free of the ostentation, greed, and violence that plagued the society of Henry's England. Every place he has seen in his voyages seems superior to Europe. Across a small park and Old Church Street from Crosby Hall is Chelsea Old Church , an Anglican church whose southern chapel More commissioned and in which he sang with the parish choir. Utopians eat, work, travel, and spend their leisure time in groups. Modeled on Plato's Republic, written in Latin, finished and published in , it describes an imaginary land, purged of the ostentation, greed, and violence of the English and European scenes that More surveyed. For many of Europe 's most critical years, More worked to revitalize the Christian world. New York: Picador. The description of Utopia is put in the mouth of a mysterious traveler, Raphael Hythloday, in support of his argument that communism is the only cure against egoism in private and public life. It gave rise in the sixteenth and seventeenth centuries to an entire genre of Utopian literature in which social theorists imagined their own perfect society. This edition contains the English translation only plus annotations and an introduction , omitting the Latin original. -
© 2014 Valerie Schutte All Rights Reserved
© 2014 VALERIE SCHUTTE ALL RIGHTS RESERVED “TO THE MOOSTE EXCELLENT AND VERTUOUSE QUEENE MARYE”: BOOK DEDICATIONS AS NEGOTIATIONS WITH MARY I A Dissertation Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Valerie Schutte August, 2014 “TO THE MOOSTE EXCELLENT AND VERTUOUSE QUEENE MARYE”: BOOK DEDICATIONS AS NEGOTIATIONS WITH MARY I Valerie Schutte Dissertation Approved: Accepted: _____________________________ ________________________________ Advisor Department Chair Dr. Michael Graham Dr. Martin Wainwright _____________________________ ________________________________ Committee Member Dean of the College Dr. Constance Bouchard Dr. Chand Midha _____________________________ ________________________________ Committee Member Dean of the Graduate School Dr. Michael Levin Dr. George Newkome _____________________________ ________________________________ Committee Member Date Dr. Hilary Nunn _____________________________ Committee Member Dr. Susan Wabuda ii ABSTRACT Printed book and manuscript dedications were at the juncture between the actual interests (and reading abilities) of Tudor royal ladies and the beliefs and hopes of those who wrote and printed them on what was suitable for royalty and how royal ladies might be persuaded in certain directions. This dissertation argues that dedications, and the negotiations that accompanied them, reveal both contemporary perceptions of how statecraft, religion, and gender were and the political maneuvering attempting to influence how they ought to be. In particular, this dissertation provides a case study of these textual negotiations as they related to Queen Mary I. The fact that Mary received eighteen manuscript dedications and thirty-three printed book dedications shows that even by the middle of the sixteenth century manuscripts and print competed for value and prestige among patrons.