IMPERIAL EXEMPLA Military Prowess, Or Virtus, Is but One Quality That

Total Page:16

File Type:pdf, Size:1020Kb

IMPERIAL EXEMPLA Military Prowess, Or Virtus, Is but One Quality That CHAPTER FOUR IMPERIAL EXEMPLA Military prowess, or virtus, is but one quality that characterized an efffec- tive emperor. Ideally, a ‘good’ emperor was not just a competent general but also displayed other virtues. These imperial virtutes were propagated throughout the Roman Empire by means of imperial panegyric, decrees, inscriptions, biographies, and coins.1 On coinage in particular, juxtaposi- tions of AVG or AVGG with the virtue and/or the imperial portrait on the obverse would connect the virtues mentioned on the reverses directly with the emperor(s). Not all emperors emphasized the same virtues on their coinage. For example, Elagabalus seems not to have felt the need to stress virtus, whereas his successor Severus Alexander did try to convince the Roman people of his military prowess by propagating it on his coins. The presence or absence of particular virtues on coins issued by diffferent emperors brings us to the question as to whether an imperial canon of virtues existed. But before elaborating on this, the concept ‘virtue’ must be clarifijied.2 Modern scholars investigating imperial virtues on coinage consider vir- tues to be personifijications with divine power – in other words, deifijied abstractions or, as Fears puts it, ‘specifijic impersonal numina’.3 For many, the terms ‘personifijication’ and ‘virtue’ are interchangeable.4 Indeed, vir- tues can be considered personifijications. Yet, not all personifijications are 1 Noreña, “The communication of the emperor’s virtues”, p. 153. 2 ‘But if one is to compare coins with other sources, particularly philosopically inspired ones (i.e. in talking of the virtues of the ideal statesman) it is vital to distinguish what is a virtue and what is not’, A. Wallace-Hadrill, “The emperor and his virtues”, Historia 30 (1981), pp. 298–323; p. 309. 3 J.R. Fears, “The cult of virtues and Roman imperial ideology”, p. 839. Personifijications received cultic honours and are therefore deities. They can be considered ‘impersonal nar- rowly prescribed functional godheads’ whereas the Olympians are ‘personalized multifac- eted gods’ (Fears, “The cult of virtues and Roman imperial ideology”, p. 840; see also above, p. 97). However, Liberalitas was the only virtue that was never the object of a state cult (Noreña, “The communication of the emperor’s virtues”, p. 161). 4 See for instance H. Mattingly, “The Roman ‘virtues’ ”, HTR 30 (1937), pp. 103–117; Fears, “The cult of virtues and Roman imperial ideology”; Wallace-Hadrill, “The emperor and his virtues”; C.J. Classen, “Virtutes Imperatoriae”, Arctos 25 (1991), pp. 17–39. 156 chapter four virtues.5 I therefore follow Noreña in separating ‘moral qualities inherent in men’ (i.e. virtues) from other personifijications.6 Yet, even after label- ing virtues as moral qualities inherent in men, the division between vir- tues and other personifijications stays somewhat vague. The classifijication could perhaps be clarifijied by explaining the link between the two types of personifijications. The emperor’s personal qualities benefijited the Roman Empire materially and immaterially. ‘Personal qualities’, then, are syn- onymous with virtues, while other personifijications imply ‘material and immaterial benefijits’.7 Virtues were thus the source of benefijits; because of the emperor’s liberalitas the Roman people received gifts in cash or kind (moneta or annona) from time to time and because of his providentia a fortunate age (saeculum feliciter) could dawn. The personifijications on imperial coinage that Noreña defijines as virtues are Aequitas, Clementia, Indulgentia, Iustitia, Liberalitas, Munifijicentia, Patientia, Pietas, Providentia, Pudicitia, and Virtus.8 The representational category ‘virtues’ is based on Noreña’s list of virtues, which means that coin types propagating one of these 11 virtues are considered to be within this particular representational category. Coins representing material and immaterial benefijits are distributed over several representational cat- egories. Various immaterial benefijits, summarized by the term saeculum aureum, will be discussed in the following chapter. 5 I follow Noreña in his defijinition of personifijication; he describes personifijications as ‘human fijigures that gave visual shape and concrete embodiment to a wide range of abstract ideas’, see Noreña, “The communication of the emperor’s virtues”, p. 153. See above, p. 97. 6 Noreña, “The communication of the emperor’s virtues”, p. 153. Virtus est animi habitus: Cicero, De inventione rhetorica 2.53. 7 According to Fears the cultic signifijicance of the worship of virtues at Rome was based on ‘power’ and ‘benefijits.’ He takes Concordia (no virtue, however, in my view since it is not a moral quality inherent in men) as an example: ‘Concordia is a numen, a specifijic divine power defijined by the production of a specifijic divine benefijit: the establishment of a state of harmonious cooperation among fellow citizens’ (Fears, “The cult of virtues and Roman imperial ideology”, p. 833). He bases this point on Cicero, De natura deorum 2.62 (‘Those gods therefore who were the authors of various benefijits which they bestowed, and indeed the names that I just now enumerated express the various powers of the gods that bear them’: Utilitatum igitur magnitudine constituti sunt ei di qui utilitates quasque gignebant, atque his quidem nominibus quae paulo ante dicta sunt quae vis sit in quoque declaratur deo). 8 Noreña, “The communication of the emperor’s virtues”, p. 155. The same eleven vir- tues (with the exception of Constantia) were also listed by Wallace-Hadrill (“The emperor and his virtues”, p. 310 with n. 56). .
Recommended publications
  • Plutarch, Machiavelli and Shakespeare's Coriolanus Patrick
    The Changing Faces of Virtue: Plutarch, Machiavelli and Shakespeare’s Coriolanus Patrick Ashby University of Bristol [email protected] Introduction: The hinges of virtue ‘Let it be virtuous to be obstinate’, says Caius Martius Coriolanus, shortly before the catastrophe of Shakespeare’s tragedy (Coriolanus, 5.3.26).1 In uttering these words, he articulates a moral hypothesis which is of central importance to Coriolanus: the supposition that steadfastness of principle is a fundamental good. This is a theory which the play puts to the test. The idea of ‘virtue’ — in a variety of guises — is a key focus of this essay, which identifies as crucial those moments at which definitions of virtue are unsettled, transformed, or confronted with a range of alternatives. Several commentators have connected Shakespeare’s Coriolanus with the political ideas of Niccolò Machiavelli, the Florentine theorist whose notoriety rests upon his recommendation of moral flexibility for political leaders. For Anne Barton, who reads the play in the context of Machiavelli’s Discourses on Livy’s history of early Rome, Coriolanus dramatises the futile persistence of obsolescent virtues (the valorisation of battlefield heroics) in an environment of subtler needs and growing political sophistication.2 In Shakespeare and the Popular Voice, Annabel Patterson hints at Shakespeare’s sympathy with the idea of popular political representation, proposing that ‘there is nothing in the play to challenge that famous interpretation of the tribunate which [. .] Machiavelli made a premise of Renaissance political theory’.3 John Plotz 1 William Shakespeare, Coriolanus, The Norton Shakespeare, ed. by Stephen Greenblatt, Katherine Eisaman Maus, Jean E.
    [Show full text]
  • Coriolanus: the Tragedy of Virtus ANTHONY MILLER
    SYDNEY STUDIES Coriolanus: The Tragedy of Virtus ANTHONY MILLER From the opening entry of "a company of mntinous Citizens, with staves, clubs, and other weapons" to the next to last, barely coherent action-"Kill, kill, kill, kill, kill him!" "Hold, hold, hold, hold!"-Coriolanus displays an ancient world riven by war and civic turmoil.l For all its occasional evocations of a mar­ moreal Romanitas, it is also a busy play. Its protagonist accepts with relish and superhuman energy the opportunities for martial action that his world presents: Coriolanus is probably the most active of Shakespeare's tragic heroes, certainly the one least given to reflection. Yet the play's busyness is not always warlike. Much of it consists of talk, especially the contentious talk of political debate. Characters plan courses of action, rehearse public appearances, plot acts of vengeance, conjure with names, report off-stage events-and even events that the audience has seen occur on-stage. Much of the discussion revolves around Coriolanus himself. His nature and motives, his martial prowess and farouche political manners, are incessantly and variously canvassed. To a belligerent citizen, Coriolanus's heroics are performed to please his mother, and to be partly proud; to the indulgent Menenius, his nature is too noble for the world; to Aufidius, shrewd and grudgingly admiring, his actions are a matter for almost obsessive, but inconclusive, rumination: Whether 'twas pride, Which out of daily fortune ever taints The happy man; whether defect of judgement, To fail in the disposing of those chances Which he was lord of; or whether nature, Not to be other than one thing, not moving From th'casque to th'cushion, but commanding peace Even with the same austerity and garb As he controll'd the war; but one of these­ As he hath spices of them all, not all, For I dare so far free him-made him fear'd, So hated, and so banish'd.
    [Show full text]
  • Heads Or Tails
    Heads or Tails Representation and Acceptance in Hadrian’s Imperial Coinage Name: Thomas van Erp Student number: S4501268 Course: Master’s Thesis Course code: (LET-GESM4300-2018-SCRSEM2-V) Supervisor: Mw. dr. E.E.J. Manders (Erika) 2 Table of Contents List of Figures ............................................................................................................................ 5 Figure 1: Proportions of Coin Types Hadrian ........................................................................ 5 Figure 2: Dynastic Representation in Comparison ................................................................ 5 Figure 3: Euergesia in Comparison ....................................................................................... 5 Figure 4: Virtues ..................................................................................................................... 5 Figure 5: Liberalitas in Comparison ...................................................................................... 5 Figure 6: Iustitias in Comparison ........................................................................................... 5 Figure 7: Military Representation in Comparison .................................................................. 5 Figure 8: Divine Association in Comparison ......................................................................... 5 Figure 9: Proportions of Coin Types Domitian ...................................................................... 5 Figure 10: Proportions of Coin Types Trajan .......................................................................
    [Show full text]
  • Some Aspects of the Concept of Virtus in Roman Literature Until Livy
    STUDIA PHILOLOGICA JYV ASKYLAENSIA 16 JUHANI SARSILA SOME ASPECTS OF THE CONCEPT OF VIRTUS IN ROMAN LITERATURE UNTIL LIVY ACADEMIC DISSERTATION TO THE PUBLICLY DISCUSSED, BY PERMISSION OF THE FACULTY OF HUMANITIES, OF THE UNIVERSITY OF JYVASKYLA, IN AUDITORIUM S 212, ON APRIL 7, 1982, AT 12 O'CLOCK NOON UNIVERSITY OF ]YVASKYLA, JYVASKYLA 1982 SOME ASPECTS OF THE CONCEPT OF VIRTUS IN ROMAN LITERATURE UNTIL LIVY STUDIA PHILOLOGICA JYVASKYLAENSIA 16 JUHANI SARSILA SOME ASPECTS OF THE CONCEPT OF VIRTUS IN ROMAN LITERATURE UNTIL LIVY UNIVERSITY OF JYVASKYLA, JYVASKYLA 1982 URN:ISBN:978-951-39-8309-3 ISBN 978-951-39-8309-3 (PDF) ISSN 0585-5462 lSBN 951-678-661-8 ISSN 0585-5462 COPYRIGHT © 1982, by University of Jyvliskylli Jyvliskyllin yliopisto monistuskeskus Kirjapaino Oy Sisa-Suomi. Jyvliskylli 1982 ABSTRACT Sarsila, Juhani, Some Aspects of the Concept of Virtus in Roman Literature until Livy / Juhani Sarsila. - Jyvaskyla Jyvaskylan yliopisto, 1981. - 153 s. - (Studia Philologica Jyvaskylaensia, ISSN 0585-5462; 16) ISBN 951-678-661-8 Diss. This study is an interpretation of some essential occurrences of virtus in the Roman literature from the beginnings until Livy. The method can be characterized as philological, more precisely compara­ tive-diachronical. Despite the great variety of literary genres, virtus remains rather similar from one author to another. The fact that the Romans repeatedly emphasized the importance of virtus goes to show the fundamental significance of this concept for their so­ ciety. Originally the conception of virtus was quite narrow consisting in the readiness of the agrarian and militant community to wage war and to endure hard toil.
    [Show full text]
  • The Communication of the Emperor's Virtues Author(S): Carlos F
    The Communication of the Emperor's Virtues Author(s): Carlos F. Noreña Reviewed work(s): Source: The Journal of Roman Studies, Vol. 91 (2001), pp. 146-168 Published by: Society for the Promotion of Roman Studies Stable URL: http://www.jstor.org/stable/3184774 . Accessed: 01/09/2012 16:45 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Society for the Promotion of Roman Studies is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Roman Studies. http://www.jstor.org THE COMMUNICATION OF THE EMPEROR'S VIRTUES* By CARLOS F. NORENA The Roman emperor served a number of functions within the Roman state. The emperor's public image reflected this diversity. Triumphal processions and imposing state monuments such as Trajan's Column or the Arch of Septimius Severus celebrated the military exploits and martial glory of the emperor. Distributions of grain and coin, public buildings, and spectacle entertainments in the city of Rome all advertised the emperor's patronage of the urban plebs, while imperial rescripts posted in every corner of the Empire stood as so many witnesses to the emperor's conscientious administration of law and justice.
    [Show full text]
  • Greek and Roman Mythology and Heroic Legend
    G RE E K AN D ROMAN M YTH O LOGY AN D H E R O I C LE GEN D By E D I N P ROFES SOR H . ST U G Translated from th e German and edited b y A M D i . A D TT . L tt LI ONEL B RN E , , TRANSLATOR’S PREFACE S Y a l TUD of Greek religion needs no po ogy , and should This mus v n need no bush . all t feel who ha e looked upo the ns ns and n creatio of the art it i pired . But to purify stre gthen admiration by the higher light of knowledge is no work o f ea se . No truth is more vital than the seemi ng paradox whi c h - declares that Greek myths are not nature myths . The ape - is not further removed from the man than is the nature myth from the religious fancy of the Greeks as we meet them in s Greek is and hi tory . The myth the child of the devout lovely imagi nation o f the noble rac e that dwelt around the e e s n s s u s A ga an. Coar e fa ta ie of br ti h forefathers in their Northern homes softened beneath the southern sun into a pure and u and s godly bea ty, thus gave birth to the divine form of n Hellenic religio . M c an c u s m c an s Comparative ythology tea h uch . It hew how god s are born in the mind o f the savage and moulded c nn into his image .
    [Show full text]
  • Due April 15
    UCLA UCLA Electronic Theses and Dissertations Title The Representation of Poverty in the Roman Empire Permalink https://escholarship.org/uc/item/3sp0w5c4 Author Larsen, Mik Robert Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Representation of Poverty in the Roman Empire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Mik R Larsen 2015 © Copyright by Mik R Larsen 2015 ABSTRACT OF THE DISSERTATION The Representation of Poverty in the Roman Empire by Mik R Larsen Doctor of Philosophy in History University of California, Los Angeles, 2015 Professor Ronald J. Mellor, Chair This dissertation investigates the cultural imagination of Roman elites regarding poverty in their society – how it was defined, how traditional and accepted images of poverty were deployed for rhetorical effect, and in what way elite attitudes toward poverty evolved over the course of the first century and a half under the Empire. It contends that the Roman conception of poverty was as a disordered discourse involving multiple competing definitions which frequently overlapped in practice. It argues that the inherent contradictions in Roman thought about poverty were rarely addressed or acknowledged by authors during this period. The Introduction summarizes scholarly approaches toward Roman perceptions of poverty and offers a set of definitions which describe the variant images of poverty in elite texts. The first chapter addresses poverty’s role in the histories of Livy, and the ways in which his presentation of poverty diverge from his assertion that the loss of paupertas was key to the decline of the Roman state.
    [Show full text]
  • The Magic of Professional Gravitas
    CHICAGOLAWBULLETIN.COM MONDAY, AUGUST 25, 2014 ® Volume 160, No. 167 The magic of professional gravitas ince I started this business worlds. our approach in real time. column nearly three As with other things which Maintaining a high level of years ago, I have defy a clear-cut explanation, you PARADIGM SHIFT engagement in these situations is discussed a variety of know it when you see it. People an important element of topics which address with gravitas exude success, an gravitas. Sthe evolution of the legal profes - air of authority and leadership Developing and maintaining sion and the disruptive forces and command respect. They are gravitas takes a lot of hard work. profoundly changing the way in effective communicators and There is an age-old debate about which we practice law. they garner credibility and CHRISTINA whether it is something we are Together, we have explored convey a wisdom often attribut - L. M ARTINI born with. As with most things in ways in which we can weather able to both age and experience. life, there are those who seem to this permanent instability by They have a level of confi - effortlessly demonstrate bettering ourselves as profes - dence which is readily perceived Christina L. Martini is a practicing gravitas, whereas others have a sionals and as people and by by others, yet without attorney, author and columnist. She is more difficult time with it. developing and harnessing those projecting a sense of arrogance. vice chair of the Chicago intellectual Regardless of which camp we qualities and characteristics Those with gravitas are property practice group at DLA Piper are in, everyone can take steps in which help make us uniquely authentic and align what they and has been in private practice since developing and harnessing valuable to our clients and in the say with how they think and 1994.
    [Show full text]
  • Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G
    Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G Latin text, study aids with vocabulary, and commentary ILDENHARD INGO GILDENHARD AND JOHN HENDERSON A dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the Aeneid. Following the savage slaughter in Aeneid 10, the AND book opens in a mournful mood as the warring parti es revisit yesterday’s killing fi elds to att end to their dead. One casualty in parti cular commands att enti on: Aeneas’ protégé H Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father ENDERSON Evander and his surrogate father Aeneas into heart-rending despair – and helps set up the foundati onal act of sacrifi cial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus’ departure from the living is prefi gured by that of his ally Camilla, a maiden schooled in the marti al arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the fi nal third of Aeneid 11, she wreaks havoc not just on the batt lefi eld but on gender stereotypes and the conventi ons of the epic genre, before she too succumbs to a premature death. In the porti ons of the book selected for discussion here, Virgil off ers some of his most emoti ve (and disturbing) meditati ons on the tragic nature of human existence – but also knows how to lighten the mood with a bit of drag.
    [Show full text]
  • The Holy Lance of Antioch
    The Holy Lance of Antioch A Study on the Impact of a Perceived Relic during the First Crusade Master Thesis By Marius Kjørmo The crucified Jesus and the Roman soldier Longinus with the spear that would become the Holy Lance. Portrait by Fra Angelico from the Dominican cloister San Marco, Florence. A Master Thesis in History, Institute of Archaeology, History, Culture Studies and Religion, University of Bergen, Spring 2009. 2 Contents Preface.........................................................................................................................................5 List of Maps..................................................................................................................................6 List of Illustrations.......................................................................................................................6 Cast of Characters.......................................................................................................................7 1. Introduction.........................................................................................................................................9 1.1. Introduction...........................................................................................................................9 1.2. Lance Historiography..........................................................................................................11 1.3. Terms and Expressions.......................................................................................................13
    [Show full text]
  • Roman Religion
    4 Roman Religion 1. “By pietas and fides the Romans Reached TheiR PResent eminence” the strength of Rome rested on a number of foundations. Among these were its extraordinarily vital political culture and its capacity to sustain warfare for extended periods of time. Previous chapters have emphasized these features, but in this chapter and the next, focus shifts to less obvious sources of Rome’s strength, namely the special character of its society whose dual foundations were the household and the civic religion of the city. Roman Religiosity during the period of the Republic, outsiders were struck by the religiosity of the Romans. In the second century b.c., Polybius, a Greek statesman and historian who lived much of his adult life in Rome, claimed that it was “scrupulous fear of the gods that kept the Roman commonwealth together” (6.56). A century or so later another expatriate Greek, Dionysius of Halicarnassus, was also impressed by the concern of Romans for religion. Writing about the second king of Rome, dionysius noted that as a result of Numa’s activities, Rome possessed more religious observances than any other city “Greek or non-Greek, even among those who thought of themselves as most god- fearing” (2.63). Needless to say, Romans themselves promoted the belief that fidelity to their oaths and treaties and their general reverence for the gods explained their imperial success. “the gods look kindly on these qualities, for it was by pietas and fides that Romans reached their present eminence” declared the consul Q. Marcius Philippus in 169 b.c.
    [Show full text]
  • Stoic Pietas in the Aeneid: a Study of the Poem's Ideological Appeal and Reception
    Moore, Gardner Mary (2021) Stoic Pietas in the Aeneid: a study of the poem's ideological appeal and reception. PhD thesis. http://theses.gla.ac.uk/82148/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Stoic Pietas in the Aeneid: A Study of the Poem’s Ideological Appeal and Reception Gardner Mary Moore M.A., M.Litt., M.Res Submitted for the fulfilment of the requirements for the degree of Doctorate of Philosophy School of Classics College of Arts University of Glasgow March 2021 © Gardner Moore, 22/03/2021 1 Abstract Employing a research method informed by Begriffsgeschichte, this thesis proposes a re- examining of pietas in Virgil’s Aeneid through a Stoic lens. It aims to show how Stoic philosophy underlines the Aeneid and Virgilian pietas. It illustrates how the Aeneid represents a unique intervention in the virtue’s history as a distinctly masculine quality characterised by Stoic submission to fate and suppression of emotion. In the character Aeneas, Virgil shows how philosophical ideas can be transmitted through individuals.
    [Show full text]