Interrogating the Ironies in Andrea Levy's the Small Island and Fruit Of

Total Page:16

File Type:pdf, Size:1020Kb

Interrogating the Ironies in Andrea Levy's the Small Island and Fruit Of Reading Multiculturalism: Interrogating the Ironies in Andrea Levy’s The Small Island and Fruit of the Lemon A Dissertation Submitted in Partial Fulfillment of the Requirements for the Award of the Degree of Master of Philosophy in English Studies by Namitha Merin Thomas (Reg. No. 1730025) Under the Supervision of Abhaya N. B. Associate Professor Department of English CHRIST (Deemed to be University) BENGALURU, INDIA December 2018 Approval of Dissertation Dissertation entitled Reading Multiculturalism: Interrogating the Ironies in Andrea Levy’s The Small Island and Fruit of the Lemon by Namitha Merin Thomas, Reg. No. 1730025, is approved for the award of the degree of Master of Philosophy in English. Supervisor: ______________________________________ Chairperson: ______________________________________ General Research Coordinator: ______________________________________ Date: …………………….. Place: Bengaluru ii DECLARATION I, Namitha Merin Thomas, hereby declare that the dissertation, titled Reading Multiculturalism: Interrogating the Ironies in Andrea Levy’s The Small Island and Fruit of the Lemon is a record of original research work undertaken by me for the award of the degree of Master of Philosophy in English Studies. I have completed this study under the supervision of Dr. Abhaya N. B., Associate Professor, Department of English. I also declare that this dissertation has not been submitted for the award of any degree, diploma, associateship, fellowship or other title. I hereby confirm the originality of the work and that there is no plagiarism in any part of the dissertation. Place: Bengaluru Date: ………………… Namitha Merin Thomas Reg No. 1730025 Department of English CHRIST(Deemed to be University), Bengaluru iii CERTIFICATE This is to certify that the dissertation submitted by Namitha Merin Thomas (Reg.No.1730025) titled ‘Reading Multiculturalism: Interrogating the Ironies in Andrea Levy’s The Small Island and Fruit of the Lemon’ is a record of research work done by him/her during the academic year 2017-2018 under my supervision in partial fulfillment for the award of Master of Philosophy in English Studies. This dissertation has not been submitted for the award of any degree, diploma, associateship, fellowship or other title. I hereby confirm the originality of the work and that there is no plagiarism in any part of the dissertation. Place: Bengaluru Date: ………………… Dr. Abhaya N. B. Associate Professor Department of English CHRIST (Deemed to be University), Bengaluru Head of the Department Department of English CHRIST (Deemed to be University), Bengaluru iv Acknowledgement I bow before my Lord Almighty with a grateful heart for being with me at every moment of my life. The dissertation would not have been possible without the help and support of many people around me. I wish to express my gratitude to the Department of English, Christ University, for providing me with the wonderful opportunity to pursue this degree. With humble gratitude I would like to thank Dr, Abhaya N. B., my guide, for her constructive comments and her encouragement throughout my dissertation work. I am immensely thankful for the learning I received under her guidance. I wish to thank my internal examiner Prof. Sreelatha R. for her valuable suggestions and insightful feedback that greatly aided my dissertation. I would like to thank Dr. Arijitha Pradhan, for her guidance and support throughout. I would also like to express my gratitude to the present and former MPhil course co- rdinators Dr. Kishore Selva Babu, Dr. Sweta Mukherjee, and Mr. Joseph Edward Felix for the organization of presentations and submissions. Much love and thanks to my dearest mother for the emotional and prayerful support she provided me with. I thank my family and friends for their support and encouragement that gave me strength for the successful completion of this dissertation. v Abstract Andrea Levy, a Black British author of Jamaican descent, interestingly narrates the lived experiences of the Black Britons throughout her works. Her novels reflect her life as an immigrant and her Jamaican ancestry and heritage. Her works stand proof to her concern in binding the British history and the Caribbean history. Levy, in her novels The Small Island and Fruit of the Lemon, explores the immigrant lives of the Caribbean community in Britain. The two novels set in two different eras, The Small Island set in post World War II and Fruit of the Lemon set in 1970s England, the Thatcher Era, demonstrates a critique of multicultural Britain where the immigrants suffer racism and alienation in spite of the ‘egalitarian’ society of Britain. The thesis works to prove that Andrea Levy in The Small Island and Fruit of the Lemon subtly and tactically examines the faultlines of multiculturalism in the multicultural Britain. The thesis argues that the racial attitudes and discrimination in the ‘mother country’ forces the diaspora community to integrate into the mainstream British culture and inhabit the liminal space of Caribbean –British. The thesis therefore questions the issues of identity and belonging in the novels in the context of multiculturalism. The thesis identifies that the immigrants evolve themselves to acquire a hyphenated identity of Caribbean – British, where they retain their Caribbean Black identity within the British society. Keywords: Multiculturalism, Hyphenated Identity, Liminality, Caribbean immigrants in Britain, Second-generation Caribbean immigrants vi Contents Approval of Dissertation ii Declaration iii Certificate iv Acknowledgement v Abstract vi Contents vii 1. Introduction 1 1.1 Andrea Levy – Authorial Voice 1 1.1.1 Defining Diaspora and a Brief Exploration of the Caribbean Diaspora 4 1.1.2 History of the Caribbean Nation and Migration 6 1.1.3 Multiculturalism in Britain 9 1.2 Thesis Statement 12 1.3 Research Question 13 1.4 Objectives of the Study 13 1.5 Review of Literature 13 1.5.1 Author’s Perspective 13 1.5.2 Scholarship on the Primary Texts 14 1.5.3 Understanding Multiculturalism 17 1.5.4. The Hyphenated Identity 18 1.5 Theoretical Framework 19 vii 1.6 Significance of the Study 22 1.7 Limitation of the study 23 1.8 Methodology 24 1.9 Organization of the Study 23 Works Cited 24 2. “My Eyes No Longer Believed What They Saw”: Examining the Ironies of Multiculturalism in The Small Island 28 2.1 The Windrush Generation of post WW II Britain 29 2.2 Immigrant as the ‘other’: Racial Attitudes and Discrimination 38 2.3 Narrating Fragmented Identities in Multicultural Space 46 2.4 Shaping of the Immigrant Identity 49 Works Cited 53 3. Multicultural Dilemma in Fruit of the Lemon 56 3.1 Multicultural tensions: Racism, Discrimination, and Othering 61 3.2 Generational Differences: Identity and Belonging 69 3.3 Questioning Identity and Culture: In search of roots 75 3.4 Negotiation of Identity 82 Works Cited 85 4. Conclusion 88 Works Cited 97 Bibliography 98 viii Chapter 1 Introduction 1.1 Andrea Levy – The Authorial Voice Andrea Levy is an acclaimed British author of Afro-Jamaican descent who writes about the Black British experiences in Britain. Her parents belong to the windrush generation during which multitudes of immigrants from Caribbean nation reached the shore of Britain soon after World War II. Her Jamaican heritage is what triggers her writing. She wanted to write the stories she wanted to hear the most – stories of people like her, the black Britons. She wanted to write stories that bind British history and Caribbean history together. She wanted to show that Caribbean history is a part of British history, which was long neglected. Her novels closely look at the nation of Britain, its varying population, and the close connection between British history and the Caribbean. Her flair for humour relaxes the grim topics that are dealt with in her fiction. Levy’s major works include Every Light in the House Burnin’ (1994), her first novel, in which she explores the life of a Jamaican immigrant family in London, their physical and emotional struggles in the diaspora. The novel is said to be semi-autobiographical. Her following novel Never Far from Nowhere (1996) is a tale of two sisters Olive and Vivien, second generation Caribbean immigrants, born to Jamaican immigrant parents living in Britain. Olive, a shade darker than Vivien encounters racism, which makes her question her own identity. In her Fruit of the Lemon (1999), Levy narrates the life of a second generation immigrant, Faith, in Britain whose conflict in identity and the struggles related to it leads to her visit to Jamaica to find her roots. The story explores the struggles of racism in Britain. Thomas 2 The Orange Prize winning Small Island (2004) is another work of Levy where the black- white interaction in the post-war Britain is evidently dealt with. The novel narrates the lived experiences of the first generation Caribbean immigrants and the natives. This novel also bagged her Whitbread Book of the Year and Commonwealth Writers Prize. The Long Song (2010), which was awarded the Walter Scott Prize and also shortlisted for Man Booker Prize is written as a neo slave narrative and a historical fiction where the emancipation of slavery in the Caribbean Islands serves as the backdrop of the work. It is set in Jamaica and recounts the life of July, a slave girl living in the plantation. Slavery, in the novel, is dealt with in detail through the eyes of July. In Six Stories and an Essay (2014), her most recent work, Levy provides the short stories with the historical background of each one. Levy’s works constantly proves her journey back to the past and her eagerness to connect the Caribbean history and the British history. Levy has always been keen on bringing back the Caribbean to its mother country, Britain. The fact that most people of the mother country was unaware of its history and relation to Britain was unacceptable to Levy.
Recommended publications
  • Course Information and Lecture Programme
    School of English, Film, Theatre, and Media Studies ENGL 330: Modern Fiction: Colonial and Postcolonial Literature First trimester, 2008 Course information and lecture programme Course co­ordinator James Meffan (email [email protected], room VZ903, phone 463 6807) Lecturers James Meffan Anna Jackson Tim Garlick Lecture times Monday and Tuesday, 11.00 – 11.50 am, New Kirk LT 301 Workshops Weekly workshops will be held in place of tutorials. These will begin in the second week of term. They will be on Fridays, in the regular lecture theatre at the regular lecture time (i.e. 11.00 – 11.50 am, New Kirk LT 301). Attendance at 70% of workshops is a mandatory course requirement. Texts ENGL 330 Class Notes (Student Notes); Joseph Conrad, “Heart of Darkness” (in Fictions of Empire); Chinua Achebe, Things Fall Apart; Jean Rhys, Wide Sargasso Sea; Robert Louis Stevenson, “The Beach of Falesa” (in Fictions of Empire); Andrea Levy, Small Island; David Malouf, Remembering Babylon; J.M. Coetzee, Foe; Hanif Kureishi, The Buddha of Suburbia. Prerequisites Modern Fiction: Colonial and Postcolonial Literature is a 24­point paper at ENGL 300 level, and will be of particular relevance to students with interests in 20 th century fiction. Students interested in colonial history and postcolonial politics will also find this paper valuable. The prerequisites for enrolment in ENGL 330 are 44 points from ENGL 201­299. Applications from other students will be considered, and should be referred to either the co­ ordinator, or Associate Professor Peter Whiteford (Head of School). Course Aims and Objectives This course covers a range of twentieth century novels, reading them in relation to the historical events of modern colonialism through which European nations extended their imperial control over much of the world.
    [Show full text]
  • Cultural Production in Andrea Levy's Small Island Author: Alicia E
    ENTERTEXT Identity as Cultural Production in Andrea Levy's Small Island Author: Alicia E. Ellis Source: EnterText, “Special Issue on Andrea Levy 9,” (2012): 69-83. Abstract Andrea Levy's Small Island (2004) presents a counter-history of the period before and after World War II (1939-1945) when men and women from the Caribbean volunteered for all branches of the British armed services and many eventually immigrated to London after the war officially ended in 1945. Her historical novel moves back and forth between 1924 and 1948 as well as across national borders and cultures. Levy’s novel, written more than fifty years after the first Windrush arrival, creates a common narrative of nation and identity in order to understand the experiences of Black people in Britain. Small Island—structured around four competing voices whose claims of textual, personal and historical truth must be acknowledged—refuses to establish a singular articulation of the experience of migration and empire. In this essay, I focus on discrete moments in the “Prologue” in Levy’s Small Island in order to think through the formation of discursive identity through the encounter with others and the necessity of accommodating difference. Small Island forecloses the possibility of addressing modern multiculturalism as a purported ‘happy ending’ in light of Levy’s formulation of the Windrush moment as disruptive, violent, and overwhelmed by flawed characters. Yet, through the space of writing, she also invites the reader to experience moments of encounter and negotiate the often competing claims on nationhood, citizenship, and culture. Identity as Cultural Production in Andrea Levy's Small Island Alicia E.
    [Show full text]
  • Hilary Mantel Papers
    http://oac.cdlib.org/findaid/ark:/13030/c8gm8d1h No online items Hilary Mantel Papers Finding aid prepared by Natalie Russell, October 12, 2007 and Gayle Richardson, January 10, 2018. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © October 2007 The Huntington Library. All rights reserved. Hilary Mantel Papers mssMN 1-3264 1 Overview of the Collection Title: Hilary Mantel Papers Dates (inclusive): 1980-2016 Collection Number: mssMN 1-3264 Creator: Mantel, Hilary, 1952-. Extent: 11,305 pieces; 132 boxes. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: The collection is comprised primarily of the manuscripts and correspondence of British novelist Hilary Mantel (1952-). Manuscripts include short stories, lectures, interviews, scripts, radio plays, articles and reviews, as well as various drafts and notes for Mantel's novels; also included: photographs, audio materials and ephemera. Language: English. Access Hilary Mantel’s diaries are sealed for her lifetime. The collection is open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher.
    [Show full text]
  • Redalyc. Pós-Colonialismo E Representação Feminina Na
    Acta Scientiarum. Human and Social Sciences ISSN: 1679-7361 [email protected] Universidade Estadual de Maringá Brasil Bonnici, Thomas Pós-colonialismo e representação feminina na literatura pós - colonial em inglês Acta Scientiarum. Human and Social Sciences, vol. 28, núm. 1, 2006, pp. 13-25 Universidade Estadual de Maringá Maringá, Brasil Available in: http://www.redalyc.org/articulo.oa?id=307324792003 Abstract Feminine characters in recent post -colonial novels Crossing the River (1993) by Caryl Phillips; Fruit of the Lemon (1999) and Small Island (2004) by Andrea Levy; Disgrace (1999) by J.M. Coetzee; The Pickup (2001) by Nadine Gordimer; and Purple Hibiscus (2003) by Chimamanda Adichie are analyzed. Research verifies whether w ithin contemporary feminism common clues and significant differences exist in the representation of females by authors writing in English from several post -colonial societies. Methodology is based on theoretical texts on power, voice, agency, alterity and resistance, which have been developed by Ashcroft, Bhabha, Said, Spivak, Todorov and others. Results show that the above - mentioned novels still maintain a patriarchal framework to describe women¿s condition even though a constant struggle exists so that sh e may be or become an agent in the society in which she lives. All novelists reveal that a broad -notion resistance is already achieved, even though it may be paradoxically characterized as positive and ambiguous. In spite of great advances in female agency, residues of colonial inheritance, endemic patriarchy in African and Caribbean societies, contemporary diasporas and conditions originating from globalization and attempts at suppressing multiculturalism still exist and must be resisted.
    [Show full text]
  • 9 Shades of Fiction Good Reads Authors
    Classics Prizewinner Your Choice Be adventurous and delve into 19th Century Man Booker books from other genres Jane Austen Pat Barker Chimamanda Adichie Listed are a selection of authors in each genre. 1775 - 1817 1995 Kate Atkinson The Ghost Road Use in the Author search to browse their titles Alexandre Dumas Margaret Atwood www.whangarei-libraries.com 1802 - 1870 Julian Barnes in the Library Catalogue Elizabeth Gaskell 2011 William Boyd 1810 - 1865 The Sense of an Ending T C Boyle New Zealand Crime or William Makepeace Kiran Desai Geraldine Brooks Fiction Romance Mystery Sci Fi Horror Sea Story Thackeray 2006 1811 - 1863 The Inheritance of Loss A S Byatt Peter Carey Alix Bosco Mary Balogh Nicholas Blake Douglas Adams L A Banks Broos Campbell Charles Dickens Thomas Keneally 1812 - 1870 1982 Justin Cartwright Deborah Challinor Suzanne Brockmann James Lee Burke Catherine Asaro Chaz Brenchley Clive Cussler Anthony Trollope Schindler’s Ark Louis De Bernières Barry Crump Christine Feehan Lee Child Isaac Asimov Poppy Z Brite David Donachie 1815 - 1882 Hilary Mantel Emma Donoghue Robyn Donald Julie Garwood Agatha Christie Ben Bova Clive Barker C S Forester Charlotte Bronte 2009 Jeffrey Eugenides Fiona Farrell Georgette Heyer Harlan Coben Ray Bradbury Ramsey Campbell Alexander Fullerton 1816 -1855 Wolf Hall Fyodor Dostoevsky Margaret Forster Laurence Fearnley Sherrilyn Kenyon Michael Connelly Orson Scott Card Francis Cottam Seth Hunter Yann Martel 1821 - 1881 2002 Amitav Ghosh Janet Frame Lisa Kleypas Colin Cotterill C J Cherryh Justin Cronin
    [Show full text]
  • Filling the Void of History in Andrea Levyâ•Žs Fruit of the Lemon
    Anthurium: A Caribbean Studies Journal Volume 4 | Issue 1 Article 5 June 2006 Bittersweet (Be)Longing: Filling the Void of History in Andrea Levy’s Fruit of the Lemon Elena Machado Sáez [email protected] Follow this and additional works at: http://scholarlyrepository.miami.edu/anthurium Recommended Citation Sáez, Elena Machado (2006) "Bittersweet (Be)Longing: Filling the Void of History in Andrea Levy’s Fruit of the Lemon," Anthurium: A Caribbean Studies Journal: Vol. 4 : Iss. 1 , Article 5. Available at: http://scholarlyrepository.miami.edu/anthurium/vol4/iss1/5 This Essay is brought to you for free and open access by Scholarly Repository. It has been accepted for inclusion in Anthurium: A Caribbean Studies Journal by an authorized editor of Scholarly Repository. For more information, please contact [email protected]. Sáez: Bittersweet (Be)Longing: Filling the Void of History in Andrea Levy’s... Andrea Levy’s Fruit of the Lemon is an unusual historical novel in terms of its relationship to the emplotment of history. On the one hand, Levy’s novel takes as its subject the historically specific dilemma of belonging faced by the Afro-Caribbean diaspora in Britain during the 1980’s. On the other hand, the narrative itself provides no explicit sense of this historical timeframe. The nuclear family tree that opens the novel does not provide birth dates and, consequently, the Jackson family is not overtly associated with the Windrush generation of immigrants to Britain. This lack of explicit historical contextualization is perhaps what has led one critic to remark that “the novel is primarily concerned with coming to terms with [Faith’s] individual sense of identity rather than the wider social and political contexts of racism and gender discrimination.”1 However, the novel does connect the development of its main character, Faith, to an identifiable historical context via markers of popular culture, such as the movies and TV shows that the characters watch or the music that they listen to.
    [Show full text]
  • Storytellers, Dreamers, Rebels: the Concept of Agency in Selected Novels by Peter Carey
    Faculty of Linguistics, Literature and Cultural Studies Institute of English and American Studies Chair of English Literary Studies Dissertation Storytellers, Dreamers, Rebels: The Concept of Agency in Selected Novels by Peter Carey by Sebastian Jansen A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy Supervisors: Prof. Dr. Stefan Horlacher, Prof. Dr. Thomas Kühn, Prof. Dr. Bill Ashcroft Technische Universität Dresden, Faculty of Linguistics, Literature and Cultural Studies 29 July 2016 Table of Contents 1. Introduction ......................................................................................................................................... 4 2. Literary Overview of Carey’s Writing ................................................................................................ 18 3. Agency in Carey’s Writing: Three ‘Carey Themes’ ............................................................................ 29 4. Agency ............................................................................................................................................... 49 4.1. Important Terminology .............................................................................................................. 49 4.2. Agency: A New Phenomenon? .................................................................................................... 53 4.3. The Ancient Sources of Agency ................................................................................................... 62 4.4.
    [Show full text]
  • Andrea-Levy-Special-Issue-FINAL.Pdf
    ENTERTEXT Special Issue on Andrea Levy Issue 9, 2012 Guest Editor: Wendy Knepper In memory of Cosmo (1993-2010) A cat who lived happily in Toronto, Berlin, and London ‘I’ve never seen him so upset. He really loves that cat. He’s going to miss her. He said he’d never have another one because you just get attached to them and they die. I think she’s dead, Ange–went somewhere to die. But I didn’t say that to yer dad. He’s too upset. He loves that cat. I hope he finds her.’ —Andrea Levy, Never Far from Nowhere Table of Contents Introduction: Andrea Levy’s Dislocating Narratives 1 Wendy Knepper The Familiar Made Strange: The Relationship between the Home and Identity in 14 Andrea Levy’s Fiction Jo Pready Crossing Over: Postmemory and the Postcolonial Imaginary in Andrea Levy’s 31 Small Island and Fruit of the Lemon Claudia Marquis “Telling Her a Story”: Remembering Trauma in Andrea Levy’s Writing 53 Ole Laursen Identity as Cultural Production in Andrea Levy’s Small Island 69 Alicia E. Ellis Women Writers and the Windrush Generation: A Contextual Reading of Beryl 84 Gilroy’s In Praise of Love and Children and Andrea Levy’s Small Island Sandra Courtman Representations of Ageing and Black British Identity in Andrea Levy’s Every Light 105 in the House Burnin’ and Joan Riley’s Waiting in the Twilight Charlotte Beyer Stranger in the Empire: Language and Identity in the ‘Mother Country’ 122 Ann Murphy A Written Song: Andrea Levy’s Neo-Slave Narrative 135 Maria Helena Lima Coloured 154 Mohanalakshmi Rajakumar Letter to Motherwell 162 Rhona Hammond Contributors 169 Andrea Levy’s Dislocating Narratives1 Wendy Knepper This special issue on Andrea Levy (1956- ), the first of its kind, considers the author’s contribution to contemporary literature by exploring how her narratives represent the politics of place2 as well as the dislocations associated with empire, migration, and social transformation.
    [Show full text]
  • Watford UTC Summer Reading Recommendations * Asterisked Titles Are Critically Acclaimed (Booker/Orange Prize Winners Etc…)
    Watford UTC Summer Reading Recommendations * Asterisked titles are critically acclaimed (Booker/Orange Prize winners etc…) Autobiography: The Diving Bell and The Butterfly – Jean-Dominique Bauby My Left Foot – Christy Brown Wild Swans - Jung Chang Moab is my Washpot – Stephen Fry When Hitler Stole Pink Rabbit – Judith Kerr Cider with Rosie – Laurie Lee Angela’s Ashes* – Frank McCourt Classics: Emma - Jane Austen Pride and Prejudice - Jane Austen Persuasion - Jane Austen Sense and Sensibility - Jane Austen Northanger Abbey - Jane Austen Jane Eyre - Charlotte Bronte Wuthering Heights - Emily Bronte The Woman in White - Wilkie Collins The Moonstone - Wilkie Collins Heart of Darkness – Joseph Conrad Great Expectations, Oliver Twist, A Christmas Carol – Charles Dickens Sherlock Holmes Series - Arthur Conan Doyle The Mill on The Floss, Silas Marner, Middlemarch - George Eliot Tess of the D’Urbervilles, Mayor of Casterbridge - Thomas Hardy The Turn of the Screw, What Maisie Knew – Henry James Portrait of the Artist as a Young Man – James Joyce The Narnia series – C S Lewis The Fall of the House of Usher and other stories – Edgar Allan Poe Anna Karenina – Leo Tolstoy Comedy: Solar – Ian McEwan The Graveyard Book* – Neil Gaiman Flush – Carl Hiaasen Chomp – Carl Hiaasen The Skulduggery Pleasant series* – Derek Landy There is No Dog – Meg Rosoff Adrian Mole (series)* – Sue Townsend Cold Comfort Farm – Stella Gibbons Watford UTC Summer Reading Recommendations Fantasy: The Looking Glass Wars – Frank Beddor The Hunger
    [Show full text]
  • Part III a Guide to Fiction by Caribbean Women Writers a to Z of Authors and Works by Country of Origin
    Part III A Guide to Fiction by Caribbean Women Writers A to Z of Authors and Works by Country of Origin Antigua Jamaica Kincaid Annie John (1983) At the Bottom of the River (stories) (1983) A Small Place (essay) (1988) Lucy (1990) The Autobiography of My Mother (1996) Barbados June Henfrey Coming home and other stories (1994) Paule Marshall Brown Girl, Brownstones (1959) The Chosen Place, The Timeless People (1968) Merle: a novella and other stories (1983) Praisesong for the Widow (1983) Daughters (1991) Hazelle Palmer Tales from the Gardens and Beyond (1995) Belize Zee Edgell Beka Lamb (1982) In Times Like These (1991) The Festival of San joaquin (1997) Carriacou Audre Lorde Zami: A New Spelling of My Name (1982) Cuba Cristina Garcia Dreaming in Cuban (1992) Dominica Phyllis Shand Allfrey The Orchid House (1953) 219 220 Caribbean Women Writers Jean Rhys The Left Bank and Other Stories (1927) Quartet (1928) (first published as Postures) After Leaving Mr Mackenzie (1930) Voyage in the Dark (1934) Good Morning, Midnight (1939) Wide Sargasso Sea (1966) Tigers Are Better-Looking (1968) Sleep It Off Lady (1976) Tales of the Wide Caribbean: a New Collection of Short Stories (1985) Grenada Jean Buffong Under the Silk Cotton Tree (1992) Snowflakes in the Sun (1996) Merle Collins Angel (1987) Rain Darling (stories) (1990) The Colour of Forgetting (1995) Nellie Payne and Jean Buffong Jump-Up-and-Kiss-Me: Two stories from Grenada (1990) Guyana Joan Cambridge Clarise Cumberbatch Want to Go Home (1987) Norma De Haarte Guyana Betrayal (1991) Beryl
    [Show full text]
  • Leeds Thesis Template
    Between the black Atlantic and Europe: Emerging paradigms in contemporary black British writing Samantha Elizabeth Reive Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of English September 2015 - ii - The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Samantha Elizabeth Reive to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. © 2015 The University of Leeds and Samantha Elizabeth Reive. - iii - Acknowledgements My biggest intellectual debt is to my stalwart supervisor, Professor John McLeod. I could not have asked for a mentor who would guide my work with more enthusiasm, clarity, and intellectual rigour (even if I sometimes struggled to decipher your handwriting!) This thesis would not be what it is today without your ever-expanding range of metaphors, and I would not be the scholar I am today without your mentorship. Thank you for always encouraging me to think harder, and reminding me to push the boundaries. I would like to thank Professor Bénédicte Ledent for very generously sharing her time, expertise, and most of all a pre-publication copy of her most recent article on Caryl Phillips’s work. Her input has been invaluable to the progression of Chapter One of the thesis.
    [Show full text]
  • Rohinton Mistry
    Chronology i 1 Rohinton Mistry Mistrey_00_prelims1 9/6/04, 4:05 pm ii Chronology CCONTEMPORARY WWORLD WWRITERS series editor john thieme already published in the series Peter Carey bruce woodcock Kazuo Ishiguro barry lewis Hanif Kureishi bart moore-gilbert Timothy Mo elaine yee lin ho Toni Morrison jill matus Alice Munro coral ann howells Les Murray steven matthews Caryl Phillips bénédicte ledent Ngugi wa Thiong’o patrick williams Derek Walcott john thieme forthcoming Anita Desai shirley chew Hanif Kureishi bart moore-gilbert Les Murray steven matthews R. K. Narayan john thieme Caryl Phillips benedicte ledent Wole Soyinka abdulrazak gurnah CWW Mistrey_00_prelims2 9/6/04, 4:05 pm Chronology iii Rohinton Mistry PETER MOREY Manchester University Press Manchester and New York distributed exclusively in the USA by Palgrave Mistrey_00_prelims3 9/6/04, 4:05 pm iv Chronology Copyright © Peter Morey 2004 The right of Peter Morey to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Published by Manchester University Press Oxford Road, Manchester m13 9nr, uk and Room 400, 175 Fifth Avenue, New York, ny 10010, usa www.manchesteruniversitypress.co.uk Distributed exclusively in the USA by Palgrave, 175 Fifth Avenue, New York, ny 10010, usa Distributed exclusively in Canada by ubc Press, University of British Columbia, 2029 West Mall, Vancouver, bc, Canada v6t 1z2 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British
    [Show full text]