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ილიას სახელმწიფო უნივერსიტეტი UNIVERSITÉ D’ÉTAT ILIA ILIA STATE UNIVERSITY საერთაშორისო კონფერენცია Colloque international International Conference შავი ზღვა როგორც ლიტერატურული და კულტურული სივრცე LA MER NOIRE COMME ESPACE LITTÉRAIRE ET CULTUREL BLACK SEA LITTORAL AS LITERARY AND CULTURAL SPACE Ukraine Russia Roumania Mareaea NeaNeagr MerMMeeerr NoireNoNoiooiririrere Bulgaria BlackBlBlalaacckck SeaSSeeaea Georgia KaradenizKKaaraararadadedenenizninizz Turkey თბილისი/Tbilissi/Tbilisi 25.10.2018 – 27.10.2018 მოხსენებების თეზისები RÉSUMÉS DES COMMUNICATIONS ABSTRACTS OF COMMUNICATIONS ილიას სახელმწიფო უნივერსიტეტის კვლევითი პლენარული სესიები / SESSIONS PLÉNIÈRES / PLENARY SESSIONS ცენტრი რომანული ურთიერთგაგება. ინტერტექსტუალური დიალოგი, შედარებითი ლიტერატურის ინსტიტუტი Professor, Ilia State University, Tbilisi, Georgia, Research fellow ბერლინის ლიტერატურისა და კულტურის Zaal ANDRONIKASHVILI, კვლევების ცენტრი at the Center for Literary and Cultural Studies in Berlin, Allemagne ექსი-მარსელის უნივერსიტეტის ლიტერატურების The Black Sea in Georgian Cultural Spatial Perception ინტერდისციპლინური კვლევის ცენტრი Abstract: The Black Sea was not playing any significant role in Georgian cultural spatial perception before the 19th century. In high culture (Rustaveli) in was regarded as a distant Centre de recherche Intercompréhension romane. space. In the more archaic layers of the Georgian folk culture the sea was regarded as a Dialogue intertextuel, Institut de Littérature comparée hostile space, opposed to the sacred coded earth. In the 19th century Georgian cultural spatial de l’Université d’État Ilia perception was shaped according to the political developments: Georgia lost its sovereignty to Centre d’études littéraires et culturelles de Berlin the Russian empire. Georgian Culture developed an idea of Autochthony (genetically belonging to the land of origin) as a cultural reaction to the political failure. In the autochthonous cultural Centre d’études interdisciplinaires des littératures de spatial structure the sea (the Black Sea) had a negative connotation of a hostile space (Akakai l’Université Aix-Marseille Tsereteli, “Medea”, Egnate Ninoshvili, “Paliastomi-Lake”, Titsian Tabidze “The new Colkhida”, Otar Chiladze “A Man Went Down the Road”), while the Caucasus (the mountain ridge) was connoted positively as the reservoir of true Georgianness. The spatial model, which remained Research Center Romance intercomprehension. unchanged for about 150 years was recently criticized and challenged by the Georgian Author Intertextual dialogue, Institute of Comparative Aka Morchiladze (“Santa Esperanza”). Literature of Ilia State University Berlin Center for Literary and Cultural Studies Center for Interdisciplinary Studies of Literatures at Aix-Marseille University Metin EKİCİ, Professor, Ege University Institute of Turkish World Studies, Izmir, Turkey The Köroğlu Epic in The Turkish World and Georgia Abstract: Köroğlu epic is in the tradition of epic poetry which is one of the ancient traditions of the Turkish World. Köroğlu is also important for being told and being alive as a tradition in almost all Turkish Worlds except Siberia. The narratives which are belong to the cycle of Köroğlu epic and the tradition of epic teller of Turkish World have also become widespread in neighboring countries such as Armenia and Georgia. Due to the centuries-old social, cultural and economic ties between Georgia and the Turkish world, both societies have been affected from each other and many cultural values have been shared. These relations have left a mark on the social and economic life of both cultures and especially are reflected in folk literature. Therefore, perhaps the most important of the folkloric creation shared by Turks and Georgians is Köroğlu epic. In this paper; first of all, the effect and the importance of the Köroğlu in the Turkish World will be emphasized and then the oral tradition in the Georgian about Köroğlu will be evaluated. It SHOTA RUSTAVELI NATIONAL SCIENCE will give information about the existence and spread of Köroğlu in Georgia and will discuss the FOUNDATION OF GEORGIA reasons for the recognition and adoption of this epic in the Caucasus geography. 3 პლენარული სესიები / SESSIONS PLÉNIÈRES / PLENARY SESSIONS პლენარული სესიები / SESSIONS PLÉNIÈRES / PLENARY SESSIONS Gelina HARLAFTIS, Professor, Institute for Mediterranean Studies & Ionian University, Athens, des délimitations nationales, elle ne l’a assumé qu’au terme d’un long parcours. Dans une Greece première phase, elle comparait tout en respectant les ensembles constitués par les traditions littéraires nationales et découpés par les langues. Ce n’est que dans une deuxième phase, The Rise of Batoum as a Major Black Sea Port, 1880s-1910s récente, qu’elle s’est affranchie de ces limitations pour s’intéresser plutôt au transfert des formes et des idées. Une perspective transnationale qui peut aller encore plus loin en adoptant, Abstract: By the beginning of the 20th century Batoum had become the second most important au croisement de la géographie et de l’histoire, une visée post-transnationale, appuyée sur port of the Black Sea and the main oil exporting gateway of the Black Sea, the main oil producing une nouvelle conceptualité autour de la notion d’espace littéraire, inspirée par la pensée de la area of the world. This was an incredible achievement of a combination of a production and déterritorialisation ainsi que par divers courants récents en critique littéraire et en traductologie. transport system that that connected it to the global markets. This area was a frontier zone and market of an expanding Russian Empire. The aim of the paper is to examine the growth Abstract: Significant globalization processes call for hermeneutical positions based on issues of Batoum as a major Black Sea port in a comparative perspective with the other competing of movement and circulation while maintaining a seemingly needed carving perception of ports of the area like Trebizond and of the whole region, like those of Odessa, Taganrog or space. With regard to this tension, literary theory has often answered by using comparative Constantza. Batoum during the time under examination is little known to the wider public mind literature methods but this has to be redefined. If comparative literature aims to free itself from and is perceived as peripheral not only in relation to the Mediterranean but even in relation to national boundaries, such an awareness came after a long way. In a first period, comparing the Black Sea region. was respecting national literary traditions as cut up though languages. Only in a second period, comparative literature has accepted to distant itself from this typology in order to rather observe For maritime history port-cities are the places where the heart of the world beats. They are transfers of forms and ideas. This transnational perspective could still go further by fostering, where ships and cargoes go; they are the end and the beginning of the voyage; they are at the crossroad of history and geography, a post-transnational methodology inspired by the the point of distribution of goods and ideas; it is where the geopolitical power of the worlds’ notion of ‘literary space’, suggested by recent trends in literary criticism and in translation leading nations begins. Through port history one can interpret the unprecedented changes studies as well as by theories of deterritorialization. wrought by the industrial revolution and technological change in maritime transport. There is a substantial and expanding bibliography on the ports of northern Europe and the Americas, Asia and Australia. There is a very limited one for the Black Sea port cities, almost all of which, apart from Odessa and Istanbul, are not in the mainstream historiographical discourse. Τhe unit of research has been traditionally the nation-state, and this means intraversion, looking inside, in Yaşar Eyüp ÖZVEREN, Professor, Middle East Technical University, Ankara, Turkey the Empire, in the state and not outward, to the sea, to the maritime linkages and beyond. Our approach is that of the history of the sea, an approach beyond political borders. Black Sea: A Sea of Literary and Cultural Distinction The paper will be based on the archival research that took place for the research project “The Abstract: Black Sea has a distinct place in literature in general, and this attribute is also traceable Black Sea and its port-cities, 1774-1914. Development, convergence and linkages with the to a specific culture as represented in, and constructed through, literature in particular. The issue global economy”, (http://blacksea.gr/). of how the Black Sea relates to the Mediterranean has always been contentious. Historians as disparate as Fernand Braudel, Predrag Matvajevic, Peregrine Horden and Nicholas Purcell tend to treat the Black Sea as a mere extension of the Mediterranean. Natural sciences as well as literature itself along with literary and cultural studies provide ample piecemeal evidence that could be deployed to argue otherwise. Taking up this challenge would help elaborate a Alexis NUSELOVICI, Professeur, Université Aix-Marseille, Aix-en-Provence / Collège ‘trans-disciplinary’ vision and conception of the Black Sea as distinct from, and in parity with, the d’études mondiales, Paris, France Mediterranean. This is what this paper purports to do. We will proceed with a focus on ‘fiction’ as constructive of the Black Sea littoral as found in Jules Verne’s Kéraban le têtu, no equivalent Du transnational