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On the Threshold of the Holocaust: Anti-Jewish Riots and Pogroms In
Geschichte - Erinnerung – Politik 11 11 Geschichte - Erinnerung – Politik 11 Tomasz Szarota Tomasz Szarota Tomasz Szarota Szarota Tomasz On the Threshold of the Holocaust In the early months of the German occu- volume describes various characters On the Threshold pation during WWII, many of Europe’s and their stories, revealing some striking major cities witnessed anti-Jewish riots, similarities and telling differences, while anti-Semitic incidents, and even pogroms raising tantalising questions. of the Holocaust carried out by the local population. Who took part in these excesses, and what was their attitude towards the Germans? The Author Anti-Jewish Riots and Pogroms Were they guided or spontaneous? What Tomasz Szarota is Professor at the Insti- part did the Germans play in these events tute of History of the Polish Academy in Occupied Europe and how did they manipulate them for of Sciences and serves on the Advisory their own benefit? Delving into the source Board of the Museum of the Second Warsaw – Paris – The Hague – material for Warsaw, Paris, The Hague, World War in Gda´nsk. His special interest Amsterdam, Antwerp, and Kaunas, this comprises WWII, Nazi-occupied Poland, Amsterdam – Antwerp – Kaunas study is the first to take a comparative the resistance movement, and life in look at these questions. Looking closely Warsaw and other European cities under at events many would like to forget, the the German occupation. On the the Threshold of Holocaust ISBN 978-3-631-64048-7 GEP 11_264048_Szarota_AK_A5HC PLE edition new.indd 1 31.08.15 10:52 Geschichte - Erinnerung – Politik 11 11 Geschichte - Erinnerung – Politik 11 Tomasz Szarota Tomasz Szarota Tomasz Szarota Szarota Tomasz On the Threshold of the Holocaust In the early months of the German occu- volume describes various characters On the Threshold pation during WWII, many of Europe’s and their stories, revealing some striking major cities witnessed anti-Jewish riots, similarities and telling differences, while anti-Semitic incidents, and even pogroms raising tantalising questions. -
Holocaust Archaeology: Archaeological Approaches to Landscapes of Nazi Genocide and Persecution
HOLOCAUST ARCHAEOLOGY: ARCHAEOLOGICAL APPROACHES TO LANDSCAPES OF NAZI GENOCIDE AND PERSECUTION BY CAROLINE STURDY COLLS A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Institute of Archaeology and Antiquity College of Arts and Law University of Birmingham September 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The landscapes and material remains of the Holocaust survive in various forms as physical reminders of the suffering and persecution of this period in European history. However, whilst clearly defined historical narratives exist, many of the archaeological remnants of these sites remain ill-defined, unrecorded and even, in some cases, unlocated. Such a situation has arisen as a result of a number of political, social, ethical and religious factors which, coupled with the scale of the crimes, has often inhibited systematic search. This thesis will outline how a non- invasive archaeological methodology has been implemented at two case study sites, with such issues at its core, thus allowing them to be addressed in terms of their scientific and historical value, whilst acknowledging their commemorative and religious significance. -
September / October
AMERICAN SOCIETY FOR YAD VASHEM Vol. 46-No. 1 ISSN 0892-1571 September/October 2019-Tishri/Cheshvan 5780 “TWO ARE BETTER THAN ONE… AND A THREEFOLD CORD CANNOT QUICKLY BE BROKEN” n Sunday, November 17, 2019, the are leaders of numerous organizations, including membrance for their grandparents, and to rein- American Society for Yad Vashem AIPAC, WIZO, UJA, and American Friends of force their commitment to Yad Vashem so that will be honoring three generations of Rambam Hospital. the world will never forget. Oone family at our Annual Tribute Din- Jonathan and Sam Friedman have been ll three generations, including ner in New York City. The Gora-Sterling-Fried- deeply influenced by Mona, David and their ex- David’s three children — Ian and his man family reflects the theme of this year’s traordinary grandparents, Jack and Paula. Grow- wife Laura, Jeremy and his wife Tribute Dinner, which comes from Kohelet. “Two ing up, they both heard Jack tell his story of AMorgan, and Melissa — live in the are better than one… and a threefold cord can- survival and resilience at the Yom HaShoah pro- greater New York City area. They gather often, not quickly be broken” (4:9-12). All three gener- ations are proud supporters of Yad Vashem and are deeply committed to the mission of Holo- caust remembrance and education. Paula and Jack Gora will receive the ASYV Remembrance Award, Mona and David Sterling will receive the ASYV Achievement Award, and Samantha and Jonathan Friedman and Paz and Sam Friedman will receive the ASYV Young Leadership Award. -
Peter Black Odilo Globocnik, Nazi Eastern Policy, and the Implementation of the Final Solution
www.doew.at – Dokumentationsarchiv des österreichischen Widerstandes (Hrsg.), Forschungen zum Natio- nalsozialismus und dessen Nachwirkungen in Österreich. Festschrift für Brigitte Bailer, Wien 2012 91 Peter Black Odilo Globocnik, Nazi Eastern Policy, and the Implementation of the Final Solution During the spring of 1943, while on an inspection tour of occupied Poland that included a briefing on the annihilation of the Polish Jews, SS Personnel Main Office chief Maximilian von Herff characterized Lublin District SS and Police Leader and SS-Gruppenführer Odilo Globocnik, in the following way: “A man fully charged with all possible light and dark sides. Little concerned with ap- pearances, fanatically obsessed with the task, [he] engages himself to the limit without concern for health or superficial recognition. His energy drives him of- ten to breach existing boundaries and to forget the boundaries established for him within the [SS-] Order – not out of personal ambition, but much more for the sake of his obsession with the matter at hand. His success speaks unconditionally for him.”1 Von Herff’s analysis of Globocnik’s reflected a consistent pattern in the ca- reer of the Nazi Party organizer and SS officer, who characteristically atoned for his transgressions of the National Socialist code of behavior by fanatical pursuit and implementation of core Nazi goals.2 Globocnik was born to Austro-Croat parents on April 21, 1904 in multina- tional Trieste, then the principal seaport of the Habsburg Monarchy. His father’s family had come from Neumarkt (Tržič), in Slovenia. Franz Globocnik served as a Habsburg cavalry lieutenant and later a senior postal official; he died of pneumonia on December 1, 1919. -
Interpreting Race and Difference in the Operas of Richard Strauss By
Interpreting Race and Difference in the Operas of Richard Strauss by Patricia Josette Prokert A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in the University of Michigan 2020 Doctoral Committee: Professor Jane F. Fulcher, Co-Chair Professor Jason D. Geary, Co-Chair, University of Maryland School of Music Professor Charles H. Garrett Professor Patricia Hall Assistant Professor Kira Thurman Patricia Josette Prokert [email protected] ORCID iD: 0000-0002-4891-5459 © Patricia Josette Prokert 2020 Dedication For my family, three down and done. ii Acknowledgements I would like to thank my family― my mother, Dev Jeet Kaur Moss, my aunt, Josette Collins, my sister, Lura Feeney, and the kiddos, Aria, Kendrick, Elijah, and Wyatt―for their unwavering support and encouragement throughout my educational journey. Without their love and assistance, I would not have come so far. I am equally indebted to my husband, Martin Prokert, for his emotional and technical support, advice, and his invaluable help with translations. I would also like to thank my doctorial committee, especially Drs. Jane Fulcher and Jason Geary, for their guidance throughout this project. Beyond my committee, I have received guidance and support from many of my colleagues at the University of Michigan School of Music, Theater, and Dance. Without assistance from Sarah Suhadolnik, Elizabeth Scruggs, and Joy Johnson, I would not be here to complete this dissertation. In the course of completing this degree and finishing this dissertation, I have benefitted from the advice and valuable perspective of several colleagues including Sarah Suhadolnik, Anne Heminger, Meredith Juergens, and Andrew Kohler. -
Grace in Auschwitz: a Glimpse of Light in Utter Darkness
Grace in Auschwitz: A Glimpse of Light in Utter Darkness By Jean-Pierre Fortin A Thesis submitted to the Faculty of Theology of the University of St. Michael‟s College and the Department of Theology of the Toronto School of Theology in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Theology Awarded by the University of St. Michael‟s College © Copyright by Jean-Pierre Fortin 2014 Grace in Auschwitz: A Glimpse of Light in Utter Darkness Jean-Pierre Fortin Doctor of Philosophy in Theology University of St. Michael‟s College 2014 Abstract Since the postmodern human condition and relationship to God were forged directly in the crucible of or in response to Auschwitz (the Shoah), the Christian theology of grace cannot elude the challenge of radical evil it paradigmatically embodies and symbolizes. The present dissertation attempts to provide a theology of grace that would enable twenty-first century postmoderns to meaningfully relate to the Christian tradition. A theological interface accomplishing the transposition of the theology and categories of the traditional account of grace into ones accessible to twenty-first century westerners is therefore constructed. By means of the study of landmark literary, philosophical and theological works on Auschwitz produced by individuals who directly suffered it, an attempt at monitoring the human (and ultimately postmodern) condition, experience and evolution (in themselves and in relation to the transcendent) through time from before, through the event and up to the experience of renewed freedom is made. This is followed by the consideration of the reality of grace as it has been experienced, reflected upon and understood by western Christianity. -
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Institute of National Remembrance https://ipn.gov.pl/en/news/7052,The-pendulum-of-memory-The-lack-of-knowledge-about-German-war- crimes.html 2021-10-04, 06:20 09.02.2021 The pendulum of memory. The (lack of) knowledge about German war crimes. A lot was written and spoken about the crimes of the Third Reich during the Communist era – although in accordance with the official narration. After 1989, the memory about them gradually withered and a generation gap was created among its researchers. It’s dangerous, especially in light of the aggressive historical policy of Germany. -What did your father do during the war? - He was lucky enough not to had been sent to the front. He served in a reserve Wermacht company at Hannover. In the kitchens. - Like everyone – commented Boznański. - It was an especially large kitchen with especially huge number of people. - Yes, I’ve been travelling across Germany for so many years and never have I met any relatives of the officers of the SS who served in Warsaw, first slaughtered 200 thousand people in a few weeks, then burned the entire city down, and finally took Wyczółkowski as a souvenir so their grandchildren could erase the signatures a few decades later and, with the help of some experts, earn a proper coin for holidays in Thailand. Such dialogue between a Polish and German art dealer can be found in the latest thriller by Zygmunt Miłoszewski, entitled Priceless. The novel tells the story of a search for the Portrait of a Young Man by Raphael, the number one on the list of Polish war losses1. -
Hannah Arendt Und Die Frankfurter Schule
Einsicht 03 Bulletin des Fritz Bauer Instituts Hannah Arendt Fritz Bauer Institut und die Frankfurter Schule Geschichte und MMitit BeiträgenBeiträgen vonvon LLilianeiliane WWeissberg,eissberg, Wirkung des Holocaust MMonikaonika BBolloll uundnd Ann-KathrinAnn-Kathrin PollmannPollmann Editorial haben wir uns in einer Ringvorlesung den zentralen Exponenten die- ser Auseinandersetzung zugewandt: Peter Szondi, Karl Löwith, Jacob Taubes, Ernst Bloch und anderen. Unsere Gastprofessorin, Prof. Dr. Liliane Weissberg, hat in einem Seminar Hannah Arendts umstrittene These von der »Banalität des Bösen« neu beleuchtet, während das Jüdische Museum sich mit den Rückkehrern der »Frankfurter Schu- le« (Horkheimer, Adorno, Pollock u.a.) beschäftigte. Im Rahmen ei- ner internationalen Tagung führte Liliane Weissberg die beiden The- men »Hannah Arendt« und »Frankfurter Schule« zusammen. Zwei der dort gehaltenen Vorträge drucken wir in diesem Heft ab. Sie werden ergänzt durch einen Artikel zu Günther Anders, dessen Überlegungen zu »Auschwitz« und »Hiroshima« einen deutlich anderen Denkansatz in dieser deutsch-jüdischen Nachkriegsgeschichte darstellen. Liebe Leserinnen und Leser, Die vom Fritz Bauer Institut gemeinsam mit dem Jüdischen Mu- seum Frankfurt, dem Deutschen Filminstitut – DIF und CineGraph die Herbstausgabe unseres Bulletins, – Hamburgisches Centrum für Filmforschung e.V. organisierte Jah- Einsicht 02, war dem Prozess gegen John restagung der Arbeitsgruppe »Cinematographie des Holocaust« fand Demjanjuk gewidmet. Die Gerichts- dieses Jahr im Jüdischen Museum statt und hatte Benjamin Murmel- verhandlung in München hat erst nach stein (1905–1989) zum Thema. Der Rabbiner, Althistoriker, Gelehr- dem Erscheinen unseres Heftes begon- te und umstrittene letzte »Judenälteste« von Theresienstadt gewährte nen, sodass wir uns darin vor allem auf Claude Lanzmann 1975 in Rom – zur Vorbereitung seines Shoah- die Vorgänge, die zum Schwurgerichts- Films – ein 11-stündiges Interview. -
Lessons from the Treblinka Archive: Transnational Collections and Their Implications for Historical Research Chad S.A
Journal of Contemporary Archival Studies Volume 5 Article 14 2018 Lessons from the Treblinka Archive: Transnational Collections and their Implications for Historical Research Chad S.A. Gibbs University of Wisconsin-Madison, [email protected] Follow this and additional works at: https://elischolar.library.yale.edu/jcas Part of the Archival Science Commons, European History Commons, and the Jewish Studies Commons Recommended Citation Gibbs, Chad S.A. (2018) "Lessons from the Treblinka Archive: Transnational Collections and their Implications for Historical Research," Journal of Contemporary Archival Studies: Vol. 5 , Article 14. Available at: https://elischolar.library.yale.edu/jcas/vol5/iss1/14 This Case Study is brought to you for free and open access by EliScholar – A Digital Platform for Scholarly Publishing at Yale. It has been accepted for inclusion in Journal of Contemporary Archival Studies by an authorized editor of EliScholar – A Digital Platform for Scholarly Publishing at Yale. For more information, please contact [email protected]. Lessons from the Treblinka Archive: Transnational Collections and their Implications for Historical Research Cover Page Footnote No one works alone. True to this statement, I owe thanks to many for their assistance in the completion of this work. This article began as a seminar paper in Professor Kathryn Ciancia's course "Transnational Histories of Modern Europe." I thank her and my classmates for many enlightening discussions and the opportunity to challenge my ongoing research in new ways. As always, I thank my advisor at the University of Wisconsin- Madison, Professor Amos Bitzan. His guidance and example are always greatly appreciated. In completing this work, I also had the support of my colleague Brian North and Professors Christopher Simer of the University of Wisconsin-River Falls and Connie Harris of Dickinson State University. -
Intimacy Imprisoned: Intimate Human Relations in The
INTIMACY IMPRISONED: INTIMATE HUMAN RELATIONS IN THE HOLOCAUST CAMPS In fulfillment of EUH 6990 Dr. Daniel E. Miller 1 December 2000 Donna R. Fluharty 2 Each person surviving the Holocaust has their own personal narrative. A great number of these narratives have been written; many have been published. It is important for personal accounts to be told by each survivor, as each narrative brings a different perspective to the combined history. Knowing this, I dedicate my research to the narratives I was unable to read, whether they were simply unavailable or, unfortunately, unwritten. More importantly, this research is dedicated to those whose stories will never be told. 3 In his book Man’s Search for Meaning, Viktor Frankl states that a human being is able to withstand any condition if there is sufficient meaning to his existence, a theme which permeates the entire work. 1 For a significant number of people, the right to this search for meaning was denied by a Holocaust which took the lives of an undetermined number of European Jews, war criminals, homosexuals, Gypsies, children, and mentally or physically handicapped persons. This denial of humanness was an essential component of Adolph Hitler’s plan to elevate the Aryan nation and rid the world of undesirables. In spite of laws which dictated human associations, through the triumph of the human spirit, certain prisoners of the Nazi ghettos, labor camps, and death camps were able to survive. Many of these survivors have graced the academic and public world with a written account of their experiences as prisoners of the Nazis. -
Analyzing Processes of Knowledge Production
Beyond the Memory: the Era of Witnessing – Analyzing Processes of Knowledge Production and Memorialization of the Holocaust through the Concepts of Translocal Assemblage and Witness Creation by Myriam Bettina Gerber B.A., University of Victoria, 2008 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in Interdisciplinary Studies © Myriam Bettina Gerber, 2016 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. Beyond the Memory: the Era of Witnessing – Analyzing Processes of Knowledge Production and Memorialization of the Holocaust through the Concepts of Translocal Assemblage and Witness Creation by Myriam Bettina Gerber B.A., University of Victoria, 2008 Supervisory Committee Dr. Alexandrine Boudreault-Fournier, Supervisor (Department of Anthropology) Dr. Charlotte Schallie, Co-Supervisor (Department of Germanic Studies) i | P a g e Supervisory Committee Dr. Alexandrine Boudreault-Fournier, Supervisor (Department of Anthropology) Dr. Charlotte Schallie, Co-Supervisor (Department of Germanic Studies) Abstract This paper considers the symbiotic relationship between iconic visual representations of the Holocaust – specifically film and Holocaust sites – and processes of Holocaust memorialization. In conjunction, specific sites and objects related to the Holocaust have become icons. I suggest that specific Holocaust sites as well as Holocaust films can be perceived as elements of one and/or multiple translocal assemblage/s. My focus in this analysis is on the role of knowledge production and witness creation in Holocaust memorialization. It is not my intention to diminish the role of Holocaust memorialization; rather, I seek to look beyond representational aspects, and consider the processual relationships involved in the commemoration of the Holocaust in institutions, such as memorial sites and museums, as well as through elements of popular culture, such as films. -
Eu Sou O Último Judeu
Chil Rajchman Eu sou o último judeu Treblinka (1942-1943) Prefácio Annette Wieviorka Diretora de Pesquisas do Centre National de la Recherche Scientifique Tradução André Telles A todos a quem não foi possível contar. Andrés, Daniel, José Rajchman. “Mesmo quando terrível, o escritor deve dizer a verdade, e o leitor, conhecê-la. Esquivar-se, fechar os olhos, passar adiante é insultar a memória dos que pereceram.” VASSILI GROSSMAN “Terminara a época em que os dias se sucediam vivos, preciosos, únicos: o futuro erguia-se à nossa frente, cinza e sem contornos, como uma invencível barreira. Para nós, a história tinha parado.” PRIMO LEVI Mapa da Polônia em 1943 Sumário Prefácio, por Annette Wieviorka 1. Em vagões chumbados rumo a um destino desconhecido 2. Entramos num bosque. Uma imagem da morte. Os homens à direita, as mulheres à esquerda! 3. Descrição do campo 4. Viro tonsurador 5. A primeira noite no galpão. Moyshe Etinger conta que sobreviveu e que não se perdoa por isso. Outros fazem a prece do fim do dia e recitam o kaddish 6. Trabalho como tonsurador. O vestido da minha irmã. A última vontade de uma velha senhora. As gargalhadas de uma adolescente. Cantamos 7. Novos comboios. O shema-Israel nas câmaras de gás. Nossa primeira decisão de fugir. Meus últimos dias no campo nº 1 8. Treblinka – campo nº 2. Viro carregador de cadáveres. Arrancamos os dentes de ouro da boca dos mortos. A técnica de carregar cadáveres 9. O companheiro Yankel me escolhe como parceiro. Sonho com minha mãe morta. O corredor dos judeus enforcados 10.