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Kelsale-Cum-Carlton Parish Council 31 Kings Road, Leiston, Suffolk, IP16 4DA Tel: 07733 355657, E-Mail: [email protected]
Kelsale-cum-Carlton Parish Council 31 Kings Road, Leiston, Suffolk, IP16 4DA Tel: 07733 355657, E-mail: [email protected] www.kelsalecarltonpc.org.uk MINUTES OF THE ANNUAL PARISH MEETING HELD ON WEDNESDAY 17th April 2019 IN KELSALE VILLAGE HALL AT 7:00PM __________________________________________________________________________ Present: Cllr Alan Revell (Chairman) & Elizabeth Flight – Parish Clerk. Cllr Alan Revell (Chairman) welcomed members of the public and representatives and formally opened the meeting. Public Forum 1. To receive Apologies for Absence. Apologies were accepted from – Cllr Burslem (away), Cllr Martin Lumb, Jenni Aird, Auriol and Michael Marson 2. Approval of the draft minutes of the Annual Parish Meeting held on 18th April 2018. The Chairman made a note that last year’s minutes had been available recently on the website and village noticeboards to read before approval. The minutes were taken as read and proposed by Cllr Galloway for approval by seconded by Cllr Buttle. A vote was taken where they were agreed, and they were duly signed by the Chairman as a true record of the meeting. 3. Matters Arising from the Annual Parish Meeting held on 18th April 2018. There were none. The Chairman thanked Cllr Roberts for organising tonight’s presentation. Cllr Roberts announced that a film called Town Settlement would be shown. Cllr Roberts who had source the film gave a brief introduction and explanation of the film before it was shown. Cllr Roberts also announced that there is a competition – if anyone can recognise 10 things in the film to let them know after the meeting. INTERVAL (15 Minutes) – Very enjoyable light refreshments were served – thank you to all those who assisted in organising these. -
The Meaning of Katrina Amy Jenkins on This Life Now Judi Dench
Poor Prince Charles, he’s such a 12.09.05 Section:GDN TW PaGe:1 Edition Date:050912 Edition:01 Zone: Sent at 11/9/2005 17:09 troubled man. This time it’s the Back page modern world. It’s all so frenetic. Sam Wollaston on TV. Page 32 John Crace’s digested read Quick Crossword no 11,030 Title Stories We Could Tell triumphal night of Terry’s life, but 1 2 3 4 5 6 7 Author Tony Parsons instead he was being humiliated as Dag and Misty made up to each other. 8 Publisher HarperCollins “I’m going off to the hotel with 9 10 Price £17.99 Dag,” squeaked Misty. “How can you do this to me?” Terry It was 1977 and Terry squealed. couldn’t stop pinching “I am a woman in my own right,” 11 12 himself. His dad used to she squeaked again. do seven jobs at once to Ray tramped through the London keep the family out of night in a daze of existential 13 14 15 council housing, and here navel-gazing. What did it mean that he was working on The Elvis had died that night? What was 16 17 Paper. He knew he had only been wrong with peace and love? He wound brought in because he was part of the up at The Speakeasy where he met 18 19 20 21 new music scene, but he didn’t care; the wife of a well-known band’s tour his piece on Dag Wood, who uncannily manager. “Come back to my place,” resembled Iggy Pop, was on the cover she said, “and I’ll help you find John 22 23 and Misty was by his side. -
Encounters with the Neighbour in 1970S' British Multicultural Comedy
Postcolonial Interventions, Vol. IV, Issue 1 Encounters with the Neighbour in 1970s’ British Multicultural Comedy Sarah Ilott “If you don’t shut up, I’ll come and move in next door to you!” Such was the frequent response to audience heckles made by Britain’s first well-known black come- dian, Charlie Williams (Leigh 2006). Williams’s response appropriated racist rhetoric of the time, in which the black neighbour was frequently mobilised as an object of fear, threatening the imagined homogeneity of for- merly white communities. Having frequently been on the receiving end of racist taunts such as “Get back to Af- rica” as a professional footballer for Doncaster Rovers in the 1940s and ’50s, Williams was able to claim some 14 Postcolonial Interventions, Vol. IV, Issue 1 of the power of the Teller of the joke through such put-downs, rather than solely occupying the position of the Butt of racist jokes and slurs. However, the fact was that Williams was forced to rely on self-deprecation and the reiteration of racial stereotype gestures to his need to find favour with the predominantly white audiences of the northern working men’s clubs that he toured and the mainstream audiences of ITV’s prime time hit, The Comedians (ITV, 1971-93), on which he was showcased alongside notable racists such as Bernard Manning. De- spite lamenting the “very stupid and very immature” tone of Williams’s self-mocking jokes, comedian Lenny Henry – who lived with the unfortunate legacy of what was expected of black comedians, particularly in the North – acknowledged that Williams did “what you’ve got to do if it’s a predominantly white audience – you’ve got to put yourself, and other people, down” (qtd. -
SMA 1991.Pdf
C 614 5. ,(-7-1.4" SOUTH MIDLANDS ARCHAEOLOGY The Newsletter of the Council for British Archaeology, South Midlands Group (Bedfordshire, Buckinghamshire, Northamptonshire, Oxfordshire) NUMBER 21, 1991 CONTENTS Page Spring Conference 1991 1 Bedfordshire Buckinghamshire 39 Northamptonshire 58 Ox-fordshire 79 Index 124 EDITOR: Andrew Pike CHAIRMAN: Dr Richard Ivens Bucks County Museum Milton Keynes Archaeology Unit Technical Centre, Tring Road, 16 Erica Road Halton, Aylesbury, HP22 5PJ Stacey Bushes Milton Keynes MX12 6PA HON SEC: Stephen Coleman TREASURER: Barry Home County Planning Dept, 'Beaumont', Bedfordshire County Council Church End, County Hall, Edlesborough, Bedford. Dunstable, Beds. MX42 9AP LU6 2EP Typeset by Barry Home Printed by Central Printing Section, Bucks County Council ISSN 0960-7552 CBA South Midlands The two major events of CBA IX's year were the AGM and Spring Conference, both of which were very successful. CHAIRMAN'S LETTER Last year's A.G.M. hosted the Beatrice de Cardi lecture and the speaker, Derek Riley, gave a lucid account of his Turning back through past issues of our journal I find a pioneering work in the field of aerial archaeology. CBA's recurrent editorial theme is the parlous financial state of President, Professor Rosemary Cramp, and Director, Henry CBA IX and the likelihood that SMA would have to cease Cleere also attended. As many of you will know Henry publication. Previous corrunittees battled on and continued Cleere retires this year so I would like to take this to produce this valuable series. It is therefore gratifying to opportunity of wishing him well for the future and to thank note that SMA has been singled out as a model example in him for his many years of service. -
Don Warrington W1D 6LD
www.cam.co.uk Email [email protected] Address Don 55-59 Shaftesbury Avenue London Warrington W1D 6LD Telephone +44 (0) 20 7292 0600 Television Title Role Director Production THE WORLD ACCORDING TO GRANDPA Grandpa Alexander James Jacob Milkshake! DEATH IN PARADISE- All series produced Selwyn Patterson Various BBC THE FIVE Ray Kenwood Mark Tonderai Sky THE ARK Paul Red Productions BBC CHASING SHADOWS CS Drayton Jim O'Hanlon ITV LAW AND ORDER Callaghan Andy Goddard ITV LEWIS Prof Woolf David O'Neill ITV THIS IS JINSY Chief Thinker Matt Lipsey BBC WAKING THE DEAD Adam Barclay Tim Fywell BBC GOING POSTAL Priest Jon Jones SKY CASUALTY Trevor- Semi Regular Various BBC LAW & ORDER Chief Commissioner Andy Goddard ITV COMET Futureshock Keith Boak Channel 5/ Darlow Smithson NEW STREET LAW Judge Ken Winyard Various BBC/Red Productions DIAMOND GEEZER Hector Paul Harrision YTV ALL STAR COMEDY SHOW - David Evans ITV THE CROUCHES Bailey Nick Wood BBC TO PLAY THE KING Graham Gaunt Paul Seed BBC ARABIAN KNIGHTS Hari Ben Karim Steve Barron Hallmark Productions CATS EYES Nigel Beaumont Various TVS MAN CHILD Patrick Various BBC THE ARMAND IANNUCCI Ivy Diner Channel 4 Talkback TRAIL & TRIBUTION Willard Pembroke Various ITV RISING DAMP Philip Smith Various ITV Theatre Title Role Director Production DEATH OF A SALESMAN Willy Loman Sarah Frankcom Royal Exchange GLENGARRY GLEN ROSS George Aaronow Sam Yates Playhouse Theatre KING LEAR King Lear Michael Buffong Talawa Theatre Company ALL MY SONS Joe Keller Michael Buffong Manchester Royal Exchange DRIVING MISS -
Disabling Comedy: “Only When We Laugh!”
Disabling Comedy: “Only When We Laugh!” Dr. Laurence Clark, North West Disability Arts Forum (Paper presented at the ‘Finding the Spotlight’ Conference, Liverpool Institute for the Performing Arts, 30th May 2003) Abstract Traditionally comedy involving disabled people has extracted humour from people’s impairments – i.e. a “functional limitation”. Examples range from Shakespeare’s ‘fool’ character and Elizabethan joke books to characters in modern TV sitcoms. Common arguments for the use of such disempowering portrayals are that “nothing is meant by them” and that “people should be able to laugh at themselves”. This paper looks at the effects of such ‘disabling comedy’. These include the damage done to the general public’s perceptions of disabled people, the contribution to the erosion of a disabled people’s ‘identity’ and how accepting disablist comedy as the ‘norm’ has served to exclude disabled writers / comedians / performers from the profession. 1. Introduction Society has been deriving humour from disabled people for centuries. Elizabethan joke books were full of jokes about disabled people with a variety of impairments. During the 17th and 18th centuries, keeping 'idiots' as objects of humour was common among those who had the money to do so, and visits to Bedlam and other 'mental' institutions were a typical form of entertainment (Barnes, 1992, page 14). Bilken and Bogdana (1977) identified “the disabled person as an object of ridicule” as one of the ten media stereotypes of disabled people. Apart from ridicule, disabled people have been largely excluded from the world of comedy in the past. For example, in the eighties American stand-up comedian George Carlin was arrested whilst doing his act for swearing in front of young disabled people. -
1 © 2013 Yougov Ltd. All Rights Reserved Yougov.Co.Uk Liberal
Liberal Democrat rank Have I Got News for You 1 Mock the Week 2 QI 3 Black Books 4 The IT Crowd 5 Brass Eye 6 Doctor Who 7 Red Dwarf 8 Futurama 9 Newswipe with Charlie Brooker 10 Family Guy 11 Russell Howard's Good News 12 Pride and Prejudice 13 Sherlock 14 The Thick of It 15 Being Human 16 Wallace and Gromit 17 Grand Designs 18 Elementary 19 Bremner, Bird and Fortune 20 8 Out of 10 Cats 21 Just a Minute 22 Blackadder 23 The Big Bang Theory 24 Fry's Planet Word 25 Jeeves and Wooster 26 Spaced 27 Dexter 28 Castle 29 The Armando Iannucci Shows 30 House of Cards 31 Green Wing 32 Firefly 33 That Mitchell And Webb Look 34 Buffy the Vampire Slayer 35 Parks and Recreation 36 Brainiac 37 Whose Line Is It Anyway? 38 Time Team 39 Tomorrow's World 40 Scrubs 41 Peep Show 42 Knowing Me, Knowing You... with Alan Partridge 43 BBC News 44 Campus 45 The Golden Age of Canals 46 That Was The Week That Was 47 Charlie Brooker's Screenwipe 48 1 © 2013 YouGov Ltd. All Rights Reserved yougov.co.uk Liberal Democrat rank Look Around You 49 Stand Up for the Week 50 Arrested Development 51 Dirk Gently 52 Stingray 53 The Sunday Night Project 54 Would I Lie To You? 55 Psychoville 56 The Big Fat Quiz of the Year 57 Wonders of the Universe 58 South Park 59 Vicious 60 Watson & Oliver 61 Dead Ringers 62 Absolutely Fabulous 63 Extreme Makeover 64 True Blood 65 Jack Dee Live at the Apollo 66 Nigella Bites 67 Planet Earth 68 Hancock's Half Hour 69 Friends 70 Putin, Russia and the West 71 How the Earth Was Made 72 Kath & Kim 73 Changing Rooms 74 My So-Called Life 75 Click 76 Ask Rhod Gilbert 77 Vic Reeves Big Night Out 78 Batman 79 How Clean is Your House? 80 Goodness Gracious Me 81 Supernatural 82 Walking with Dinosaurs 83 American Dad! 84 The Hitchhiker's Guide to the Galaxy 85 The Day Today 86 Not the Nine O'Clock News 87 Argumental 88 Is It Bill Bailey? 89 Russell Howard Live 90 Acorn Antiques 91 The Impressions Show with Culshaw and Stephenson 92 My Hero 93 The Office 94 House 95 New Girl 96 The Returned 97 Big Train 98 Due South 99 Destination Titan 100 2 © 2013 YouGov Ltd. -
Onthefrontline
★ Paul Flynn ★ Seán Moncrieff ★ Roe McDermott ★ 7-day TV &Radio Saturday, April 25, 2020 MES TI SH IRI MATHE GAZINE On the front line Aday inside St Vincent’s Hospital Ticket INSIDE nthe last few weeks, the peopleof rear-viewmirror, there was nothing samey Ireland could feasibly be brokeninto or oppressivelyboring or pedestrian about Inside two factions:the haves and the suburban Dublinatall. Come to think of it, have-nots.Nope, nothing to do with the whys and wherefores of the estate I Ichildren, or holiday homes, or even grew up on were absolutely bewitching.As employment.Instead, I’m talking gardens. kids, we’d duck in and out of each other’s How I’ve enviedmysocialmediafriends houses: ahuge,boisterous,fluid tribe. with their lush, landscaped gardens, or Friends would stay for dinner if there were COLUMNISTS their functionalpatio furniture, or even enough Findus Crispy Pancakes to go 4 SeánMoncrieff their small paddling pools.AnInstagram round.Sometimes –and Idon’tknow how 6 Ross photo of someone enjoying sundownersin or why we ever did this –myfriends and I O’Carroll-Kelly their own back gardenisenough to tip me would swap bedrooms for the night,sothat 17 RoeMcDermott over the edge. Honestly, Icould never have they would be sleeping in my house and Iin 20 LauraKennedy foreseen ascenario in whichI’d look at theirs. Perhaps we fancied ourselvesas someone’smodest back garden and feel characters in our own high-concept, COVERSTORY genuine envy (and, as an interesting body-swap story.Yet no one’s parents 8 chaser, guilt for worrying aboutgardens seemed to mind. -
Paper Tiger Steven Spielberg: Why My Film About the Power of the Press Is So Timely
January 7, 2018 THEATRE BOOKS HOT TICKETS INTERVIEW: THE STARS FRANCE’S NEW FROM PINTER TO PICASSO: OF MARY STUART LITERARY SENSATION WE PICK THE MUST-SEES OF 2018 PAPER TIGER STEVEN SPIELBERG: WHY MY FILM ABOUT THE POWER OF THE PRESS IS SO TIMELY CONTENTS 07.01.2018 ARTS ‘In Frankenstein, Mary Shelley 4 invented two kinds Cover story of being — an Steven Spielberg’s new film is about the press-led intelligent robot revolt against the Nixon administration. Yes, he tells and a scientist Bryan Appleyard, he is well who plays God’ aware of the modern parallels Books, page 30 6 Pop ALAMY Which of today’s hits will be tomorrow’s classics? Dan Cairns offers a guide BOOKS 34 The Sunday Times 14 30 Bestsellers Film Lead review Ridley Scott’s movie about the John Carey hails an DIGITAL EXTRAS Getty kidnapping is richly outstanding look at the rewarding, says Tom Shone creation of Frankenstein NICK DELANEY Bulletins 16 32 For the arts week ahead, and Television Fiction recent highlights, sign up for James Norton as a Russian A Freddie Mercury 20 Leila Slimani’s thriller has our Culture Bulletin. For a Jew? Louis Wise is still to be biopic, above, is just Critical list turned her into a French weekly digest of literary news, convinced by McMafia’s hero Our pick of the arts this week celebrity courted by reviews and opinion, there’s one of the year’s President Macron the Books Bulletin. Both can hot prospects. be found at thesundaytimes. 18 24 co.uk/bulletins Theatre We choose the On record 36 The two leads of Mary Stuart The latest essential releases -
Dive Into the Best Summer Reading Our Top 100 Books to Take Away
June 25, 2017 THEATRE INTERVIEW MUSIC WHERE DOES YOUR TICKET ROMOLA GARAI ON POLITICS FROM SIBERIA TO SENEGAL: MONEY GO? AND POWER 30 WORLD ALBUMS TO LOVE DIVE INTO THE BEST SUMMER READING OUR TOP 100 BOOKS TO TAKE AWAY CONTENTS 25.06.2017 ARTS ‘This was an era of bodies in 4 libraries, poisoned Theatre chocolates and Romola Garai isn’t one for compromise. As she prepares inspectors with to play the indomitable Sarah Churchill, Louis Wise pipes and hears how the actress became moustaches’ a firebrand herself Books, page 38 8 REX FEATURES Art Tate Liverpool’s German art show packs a punch, says BOOKS 34 Waldemar Januszczak The Sunday Times 30 Bestsellers 10 Summer reading special Report History, biography, fiction... DIGITAL EXTRAS Why does the West End cost You can’t pack your bags so much? As ticket prices without our top 100 holiday spiral, Stephen Armstrong book choices tracks where the money goes DANZIGER SARAH Bulletins For the arts week ahead, and 36 recent highlights, sign up for 12 The singer and 20 Children our Culture Bulletin. For a Film cellist Leyla Critical list Books to keep younger weekly digest of literary news, The latest Transformers is Our pick of the arts this week readers interested all summer, reviews and opinion, there’s an unwieldy monster, says McCalla flies the chosen by Nicolette Jones the Books Bulletin. Both can Jonathan Dean flag for her Haitian be found at thesundaytimes. 24 co.uk/bulletins heritage; plus, On record 38 14 The latest essential releases Literature Television we give you our How the library -
Representing British Working Class at the Turn of the New Millennium: a Study of the Royle Family
Representing British Working Class at the Turn of the New Millennium: A Study of The Royle Family University of Tampere Department of English Pro Gradu Thesis Autumn 2005 Henna Ala-Kutsi 1 Tampereen yliopisto Englantilainen filologia Kieli- ja käännöstieteiden laitos Henna Ala-Kutsi: ”Representing British Working Class at the Turn of the New Millennium: A Study of The Royle Family” Pro Gradu –tutkielma, 102 sivua. Elokuu 2005 ______________________________________________________________________ Tässä Pro Gradu –tutkielmassani tutkin työväenluokan representaatioita brittiläisessä komediasarjassa The Royle Family (suom. Sohvanvaltaajat, 1998–2000), joka nimensä mukaisesti kertoo manchesterilaisesta Roylen perheestä. Sarjan suomenkielinen nimi juontunee siitä, että Roylen perhe todellakin suurimmaksi osaksi istuu olohuoneensa sohvalla, kommentoiden televisio-ohjelmien lomassa sekä itse ohjelmia että elämänmenoa. Aluksi selvitän mitä tarkoitan käsitteillä työväenluokka sekä representaatio. Sen jälkeen tarkastelen yleisesti representaatioita, joita työväenluokasta on esitetty. Esimerkkini ovat lähinnä television komediasarjoista, kuuluuhan The Royle Familykin samaan genreen. Työväenluokka on usein esitetty hyvin negatiivisten kuvien kautta: heidät on representoitu mm. lihavina, likaisina, tyylittöminä, räävittöminä, tyhminä, vanhanaikaisina sekä passiivisina. Kolmannessa luvussa tarkastelen tilannekomedioiden historiaa Britanniassa. Keskityn erityisesti komediasarjoihin joissa on työväenluokkaisia hahmoja selvittääkseni kontekstin, johon -
Equity Annual Report 2018
ANNUAL REPORT 2018 Outside cover 2018.indd 1 30/04/2019 15:41:16 Outside cover 2018.indd 2 30/04/2019 15:41:16 EQUITY ANNUAL REPORT 2018 THE EIGHTY EIGHTH ANNUAL REPORT Adopted by the Council at its meeting held on 29 April, 2019 for submission to the Annual Representative Conference 18-20 May, 2019 Equity Incorporating the Variety Artistes’ Federation Guild House Upper St Martin’s Lane London WC2H 9EG Tel: 020 7379 6000 Fax: 020 7379 7001 E-mail: [email protected] Website: www.equity.org.uk Annual report 2018 cover_contents.indd 5 30/04/2019 15:30:42 Annual report 2018 cover_contents.indd 6 30/04/2019 15:30:42 CHAPTERCONTENTS 1: GENERAL A. ANNUAL REPRESENTATIVE CONFERENCE ...............................................................................................................7 B. ELECTIONS & REFERENDUMS ..................................................................................................................................7 C. LOBBYING ACTIVITY ..................................................................................................................................................7 D. MARKETING AND COMMUNICATION .......................................................................................................................9 E. RECRUITMENT & RETENTION ................................................................................................................................11 F. CLARENCE DERWENT AWARDS ..............................................................................................................................11