Dive Into the Best Summer Reading Our Top 100 Books to Take Away

Total Page:16

File Type:pdf, Size:1020Kb

Dive Into the Best Summer Reading Our Top 100 Books to Take Away June 25, 2017 THEATRE INTERVIEW MUSIC WHERE DOES YOUR TICKET ROMOLA GARAI ON POLITICS FROM SIBERIA TO SENEGAL: MONEY GO? AND POWER 30 WORLD ALBUMS TO LOVE DIVE INTO THE BEST SUMMER READING OUR TOP 100 BOOKS TO TAKE AWAY CONTENTS 25.06.2017 ARTS ‘This was an era of bodies in 4 libraries, poisoned Theatre chocolates and Romola Garai isn’t one for compromise. As she prepares inspectors with to play the indomitable Sarah Churchill, Louis Wise pipes and hears how the actress became moustaches’ a firebrand herself Books, page 38 8 REX FEATURES Art Tate Liverpool’s German art show packs a punch, says BOOKS 34 Waldemar Januszczak The Sunday Times 30 Bestsellers 10 Summer reading special Report History, biography, fiction... DIGITAL EXTRAS Why does the West End cost You can’t pack your bags so much? As ticket prices without our top 100 holiday spiral, Stephen Armstrong book choices tracks where the money goes DANZIGER SARAH Bulletins For the arts week ahead, and 36 recent highlights, sign up for 12 The singer and 20 Children our Culture Bulletin. For a Film cellist Leyla Critical list Books to keep younger weekly digest of literary news, The latest Transformers is Our pick of the arts this week readers interested all summer, reviews and opinion, there’s an unwieldy monster, says McCalla flies the chosen by Nicolette Jones the Books Bulletin. Both can Jonathan Dean flag for her Haitian be found at thesundaytimes. 24 co.uk/bulletins heritage; plus, On record 38 14 The latest essential releases Literature Television we give you our How the library became a The Secrets of Sleep are not 30 world music murder scene: the story of Instagram restful, finds Louis Wise TV & RADIO the golden age of crime Follow us for the best visuals albums to love from the world of the arts — 22 Music, page 16 41 40 @sundaytimesculture Theatre TV & Radio Fiction Terror in Hammersmith — The best guide to the week’s Our roundup of the best new Cover Illustration by Vector does it faze Christopher Hart? programmes short-story collections That Fox 25 June 2017 3 THEATRE Romola Garai, a campaigning feminist and straight talker, is starring as Sarah Churchill in the play Queen Anne. She reveals what we can SOFT all learn from the unbiddable duchess POWER “‘I’m not in the ‘Let’s move to an Oxfordshire home, originally a gift from LOUIS island and weave our own clothes’ Anne. “It’s like Mugabe built a house .” camp,” she says — and that would be She plays Sarah (Emma Cunniff e is WISE diffi cult, what with her being married Anne). Why? “I suppose my gut instinct to a man (the actor Sam Hoare) and was just that I knew that person,” she having two small children with him. says. Sarah was many things at once, t’s a testament to how blind, or But you definitely feel she would Garai adds: “A narcissist... meaty, and maybe how greedy, I am that I peruse the island’s brochure and con- complicated and funny... a monster... cannot for the life of me fathom sider the odd weekend break. just brilliant and witty and extra- Romola Garai’s necklace. Why on Today we meet to discuss a project ordinary... a bully.” A role like this is Iearth does it say “F* ** the Tortes”? that blends Garai’s mainstream appeal rare for women. “Maybe it’s the way Does she really have such an issue with her radical sensibilities. Queen men feel about playing Richard III. with cake? It’s only at the end, when I Anne is a play written by a woman, You’re a horrible person in lots of ways, ask, that she explains. “Oh, F*** the Helen Edmundson , directed by a but it’s fun to be you as well.” Tories!” she says blithely, fi ngering the woman, Natalie Abrahami, and with Not that Sarah was as subtle or as gold pendant written in a thick, looping peaches of parts for two actresses, who Machiavellian as Richard, she con- script. “My friend gave it to me, and it’s get to enact the real-life friendship cedes. “I think a lot of those ‘soft’ very hard to read,” she sighs. between Anne, last of the Stuarts , and qualities that are linked to women, like In retrospect, it was obvious. We her BFF Sarah Churchill, Duchess of diplomacy, she just doesn’t have any of have just spent an hour discussing Marlborough . To call the relationship those — and I think that’s something I Garai’s radical politics, and she’s an “intense” would be like calling Garai “a responded to.” She gives a knowing actress, so it was hardly going to say bit of a left ie”: it is very much all in. laugh. “She can’t help but be herself, “Team May”. But with a fi rebrand fem- “They do love each other, but they you know?” inist like Garai, it’s a given. The 34-year- cannot survive each other,” is how she Garai isn’t brusque or rude, but she old has, after nearly two decades in neatly puts it. does emit a direct intensity, a polite but the business, managed to morph from To summarise, Anne was the diffi - stubborn commitment to her cause. what could seem like another period- dent, dowdy princess under the sway Today, there is even something pained drama heroine by numbers (she made of Sarah, her bright and vivacious older about her, wide-eyed and anxious; her mark in 2002 ’s Daniel Deronda) to friend — but then Anne became queen she very much wants to say the right the star of more subversive or innova- and grew into her role, much to Sarah’s thing, but doesn’t want to sound a tive fare such as The Crimson Petal and fury and dismay. The relationship total prat. “This is the most pretentious the White, The Hour and Suff ragette. determined our history, aff ecting how interview I’ve ever given,” she says Then there are her campaigns — against Britain waged its wars, who was in at one point, appalled at her pro- lads’ mags , against the airbrushing of its government, and leaving us one of nouncements. “My husband is gonna her photos, and for better rights for our most ridiculous stately piles. “Blen- be, like, ‘This is hilarious — you’re working parents in her industry... heim Palace!” Garai exclaims of Sarah’s such a dick!’” BELL DARREN 4 25 June 2017 Certainly she is not very “chill”. I ask what is the best piece of advice anyone has given her. “I suppose it’s just important to try to have fun.” Do you need to remember that sometimes? “Yeah, I do . I think I’m the kind of person who can forget to have fun. It’s nice for me to work with people, socialise with people and be married to people who remember that you’re supposed to be having a good time.” In sum , she is beautifully unbidd- able. “I was never on-topic — I was never good at that,” she says simply. Where does that come from? She makes a face. “I think I’m just like that. It’s in my genes. What I like about Sarah is, some people are just not good at holding back, or being diff erent things to diff erent people. They’re just always the same. Sometimes that means you’re a bitch, or you’re thoughtless — but other times I think you can rely on people who are just themselves. Because you know what they’re gonna do , how they’re gonna react.” Unsurprisingly for someone who has excelled on stage as Shakespeare’s exacting nun, Isabella , in Measure for Measure at the Young Vic, Garai isn’t keen on half-measures. We live in a decade when feminism has returned with full force, but also felt a virulent backlash . Does she feel progress is slow? “I suppose that what frustrates me is not that the progress is slow, it’s that the reach of the debate is still limited. I think it’s a shame that we’re still talking about feminism and not talking enough about misogyny. People say, ‘ Well, is it a feminist play?’ But what they’re not saying is ‘ that is a misogynist play’. People are loath to call things out that they think are damaging, rather than celebrating.” She says that if a theatre runs mostly plays by men, directed by men and starring men, what else can it be but misogyny? I understand her point, but I wonder aloud whether misogyny isn’t a strong, divisive term. “I use it a lot ,” she says brightly . “I do think feminism has been diluted in an eff ort to make it Being widely available, and it has lost some of its momentum. And I think there are Sarah is ways you can just throw a stink bomb in the middle of things, and I think maybe like misogyny does that.” the way From the hints she gives, it sounds as if her husband brings out her lighter men feel side. But Garai doesn’t like talking about about Hoare, or her children, and we only know the basic details about her playing background. Her father was a banker, and they lived briefl y in Singapore Richard III. before settling in Wiltshire; she went to You’re the prestigious City of London School for Girls . She has three siblings, and horrible all their names begin with the letter R : in lots of she is Romola not because of the George Eliot novel, but because it’s the ways, but feminine of Romulus.
Recommended publications
  • Director of Finance and Resources Recruitment Pack September 2019
    Director of Finance and Resources Recruitment pack September 2019 Housing Solutions August 2019 1 Director of Finance and Resources Your application Thank you very much for your interest in this post. On the following pages, you will find details of the role and the selection process to assist you in completing and tailoring your application. In order to apply you should submit: • An up-to-date CV which shows your full career history – we recommend that this is no longer than three pages; • A supporting statement explaining why you are interested in this role, detailing how you are a good candidate for this post and how you fulfil the person specification – we recommend that this is no longer than three pages; • The declaration form (completion of the equalities section is not mandatory, but is requested for monitoring purposes in line with our commitment to equality and diversity); and • Indicate on the declaration form if you cannot attend any of the interview dates. Please note that applications can only be considered if all the documentation is complete. Please submit your application documents using the online form, accessible via our jobs page: https://www.campbelltickell.com/jobs/ Applications must be received by Friday 11th October 2019 at 12 noon. Please ensure we receive your application in good time. If you do not see a confirmation message after submitting your application using the online form, please call us on 020 3434 0990. Do call me if you wish to have an informal discussion about the role and organisation, or if you have any other questions to help you decide whether to apply.
    [Show full text]
  • Smartglass International “Tunes In” to ITV Daybreak…
    Project Case Study No. 19 SmartGlass International “tunes in” to ITV Daybreak… Client: ITV Daybreak Operator: GMTV Limited Daybreak is the weekday breakfast television programme Contract Size: £135k broadcast from 6:00am to 8:30am for the British commercial ITV Date: August 2010 network anchored by Adrian Chiles and Christine Bleakley. The ability to instantly switch the glass to maximize daylight when Daybreak took to the air on Monday 6 th September as the much- it’s really needed and to provide controllable solar shading during heralded replacement for breakfast TV show GMTV. More than peak light conditions is valuable and unique. This feature is one million people tuned in to see the launch of ITV's new especially useful for application in a television studio as it allows breakfast show - an improvement over its predecessor, GMTV. for maximum daylight to enter without compromising recording ITV said the show, which featured an interview with former Prime quality and controls room temperature which is also critical in this Minister Tony Blair, peaked at 1.5m viewers. ITV are one of the particular environment. UK’s largest broadcasting stations and reach approximately 13 million viewers a week with Daybreak regularly accounting for a Daybreak is broadcast from dawn meaning the levels of sunlight large proportion of this. entering the studio vary throughout the morning. When the sun is just rising over London the backdrop is in darkness, at this stage The Daybreak studio is located in the heart of London at South the glass is at its clearest state where it will allow for maximum Bank studios.
    [Show full text]
  • October 2020 Message from the Chair Dear
    October 2020 Message from the Chair Dear Colleague RTS PROGRAMME AWARDS 2021 I am delighted to be the new Chair of the RTS Programme Awards. These are one of the gold standard awards in our industry and are an important showcase of the extraordinary talent evident across all genres in British television. We have taken on board feedback from the industry following last year’s awards. Our aim, as ever, is to reflect the changing television landscape and to make sure the categories recognise the kinds of programmes and talent that make up today's schedules and the best content in Britain. Following discussions with judges and entering companies we have implemented the following changes: • Updated eligibility period: The eligibility period will now follow the calendar year. For this changeover year entries will be accepted from programmes broadcast between 1 November 2019 and 31 December 2020. Please refer to the Conditions of Entry for further details. Please be aware that in order to accommodate this change we will not be able to allow extensions to the entry deadlines. • Minimum duration: We have introduced a minimum duration of 10 minutes (with the maximum duration still 15 minutes) for all performance categories • Comedy Entertainment: We have introduced a new Comedy Entertainment category alongside the existing Entertainment category. • Allocation of entries: in the genre and writing categories we will now limit the number of entries per category by broadcaster rather than by channel. Details of the new limit can be found within the description of each category. Entries in the performance categories remain at 5 per channel.
    [Show full text]
  • Young Muslim Writers Awards Anthology 2020.Pdf
    ANTHOLOGY 2020 Charity Reg. No. 1105056 Charity Reg. The B le s s e d Bakeries Our bread factories in Aden and £50 Ma’rib in Yemen are providing provides 700 people with bread in Syria thousands of people with bread and Yemen every day, alleviating hunger and providing a sense of stability to vulnerable families. YEMEN Ma’rib Aden DONATE TODAY 4 muslimhands.org.uk | 0115 911 7222 YMWA 2020_Anthology_A5_01.indd 4 16/12/2020 14:21 SALAAM Charity Reg. No. 1105056 Charity Reg. We are delighted to present to you this year’s anthology of the shortlisted entries for the Young Muslim Writers Awards! This year’s entries were diverse and engaging, discussing everything from the challenges of lockdown and space adventures, to detective stories and the marvels of spiders. We hope you enjoy reading these extracts as much as we did, and that they inspire your writing and imagination. This year marks a milestone for us, as we celebrate our 10th Young Muslim Writers The Awards competition. To celebrate our anniversary, we held a series of events in the lead-up to the ceremony as part of the Young Muslim Writers Awards Festival. During one of the sessions, we caught up with past winners to learn more about their writing journey. We were heartened to hear about how they had gained confidence B le s s e d from having their voices praised and amplified through the competition – developing confidence is one of the primary goals we set out to achieve. We hope we can continue to inspire young wordsmiths to explore creative writing and to provide a Bakeries platform from which they can showcase their work.
    [Show full text]
  • Drama Drama Documentary
    1 Springvale Terrace, W14 0AE Graeme Hayes 37-38 Newman Street, W1T 1QA SENIOR COLOURIST 44-48 Bloomsbury Street WC1B 3QJ Tel: 0207 605 1700 [email protected] Drama The People Next Door 1 x 60’ Raw TV for Channel 4 Enge UKIP the First 100 Days 1 x 60’ Raw TV for Channel 4 COLOURIST Cyberbully 1 x 76’ Raw TV for Channel 4 BAFTA & RTS Nominations Playhouse Presents: Foxtrot 1 x 30’ Sprout Pictures for Sky Arts American Blackout 1 x 90’ Raw TV for NGC US Blackout 1 x 90’ Raw TV for Channel 4 Inspector Morse 6 x 120’ ITV Studios for ITV 3 Poirot’s Christmas 1 x 100’ ITV Studios for ITV 3 The Railway Children 1 x 100’ ITV Studios for ITV 3 Taking the Flak 6 x 60’ BBC Drama for BBC Two My Life as a Popat 14 x 30’ Feelgood Fiction for ITV 1 Suburban Shootout 4 x & 60’ Feelgood Fiction for Channel 5 Slap – Comedy Lab 8 x 30’ World’s End for Channel 4 The Worst Journey in the World 1 x 60’ Tiger Aspect for BBC Four In Deep – Series 3 4 x 60’ Valentine Productions for BBC1 Drama Documentary Nazi Megaweapons Series III 1 x 60’ Darlow Smithson for NGCi Metropolis 1 x 60’ Nutopia for Travel Channel Million Dollar Idea 2 x 60’ Nutopia Hostages 1 x 60’ Al Jazeera Cellblock Sisterhood 3 x 60’ Raw TV Planes That Changed the World 3 x 60’ Arrow Media Nazi Megaweapons Series II 1 x 60’ Darlow Smithson for NGCi Dangerous Persuasions Series II 6 x 60’ Raw TV Love The Way You Lie 6 x 60’ Raw TV Mafia Rules 1 x 60’ Nerd Nazi Megaweapons 5 x 60’ Darlow Smithson for NGCi Breakout Series 2 10 x 60’ Raw TV for NGC Paranormal Witness Series 2 12 x 60’ Raw TV
    [Show full text]
  • British Street Food • Working for the Street Food Revolution 2 Selection of Coverage
    2019 Review British Street Food • Working For The Street Food Revolution 2 Selection Of Coverage C4’s Sunday Brunch ITV News MediaMedia CoverageCoverage ReportReport 20192019 British Street Food • Working For The Street Food Revolution 3 About Us ■ Formed in 2009 ■ For young street food traders to showcase their talent ■ To make good food accessible to everyone ■ And to celebrate the grass roots street food movement British Street Food • Working For The Street Food Revolution 4 Founder – Richard Johnson ■ One of the 1,000 most influential people in London for four years running according to the Evening Standard ■ Award-winning food journalist and consultant ■ Writer / presenter of The Food Programme on BBC Radio 4 ■ Author of the best-selling book Street Food Revolution ■ Johnson has been the host of Full on Food for BBC2, Kill It, Cook It, Eat It for BBC3, as well as supertaster for ITV’s Taste The Nation and judge on Channel 4’s Iron Chef and Cookery School British Street Food • Working For The Street Food Revolution 5 About Us – Our Vision “ To share street food with the world. Michelin has just awarded its first stars to street food chefs. With the British Street Food Awards - and now the European Street Food Awards - we will find the Michelin stars of tomorrow.” British Street Food • Working For The Street Food Revolution 6 “ Traders compete in five regional heats, from May to August, with a big national final in September. 2019 attendance? Over 45,000 people.” British Street Food • Working For The Street Food Revolution 7 The Judges
    [Show full text]
  • TV Programmes
    TV programmes 1. Panorama: The Secret Letters of Pope John Paul II TX: 15/02/2016 Dur: 29'00" Broadcaster: BBC 1 Production Company: Blakeway This film – for the BBC, Arte and PBS - made headlines in newspapers around the world. It was the result of a 4-year investigation by journalist Edward Stourton. He discovered hundreds of letters and photographs that revealed an intense emotional relationship between Pope John Paul 11 and a married woman, Polish born American philosopher, Anna Teresa Tymieniecka, which spanned 30 years (from his time as a Cardinal until his death as Pope). The letters had been acquired for a six figure sum by the Polish National Library, and were then hidden away while the process of securing sainthood for John Paul was in progress. The revelations turned what might have been a history programme into a current affairs investigation. It would seem there was a cover-up. Following a tip-off that the letters existed, it took two years to track them down and another year to gain access to them. It was clear Anna Teresa had fallen in love with John Paul and had declared that love. There is no evidence that the relationship was physical, but the prudent course would have been to end it. John Paul was determined it should continue, and even tried to justify it in religious terms. The letters had been sold to the Polish Library by Anna Teresa after the death of her husband, and Stourton assumed that the archive consisted simply of John Paul’s letters to her.
    [Show full text]
  • A Sheffield Hallam University Thesis
    Reflections on UK Comedy’s Glass Ceiling: Stand-Up Comedy and Contemporary Feminisms TOMSETT, Eleanor Louise Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/26442/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/26442/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Reflections on UK Comedy’s Glass Ceiling: Stand-up Comedy and Contemporary Feminisms Eleanor Louise Tomsett A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy October 2019 Candidate declaration: I hereby declare that: 1. I have not been enrolled for another award of the University, or other academic or professional organisation, whilst undertaking my research degree. 2. None of the material contained in the thesis has been used in any other submission for an academic award. 3. I am aware of and understand the University's policy on plagiarism and certify that this thesis is my own work. The use of all published or other sources of material consulted have been properly and fully acKnowledged. 4. The worK undertaKen towards the thesis has been conducted in accordance with the SHU Principles of Integrity in Research and the SHU Research Ethics Policy.
    [Show full text]
  • Radio 4 Extra Listings for 2 – 8 June 2018 Page 1 of 10 SATURDAY 02 JUNE 2018 Mary Braddon
    Radio 4 Extra Listings for 2 – 8 June 2018 Page 1 of 10 SATURDAY 02 JUNE 2018 Mary Braddon ...... Hattie Morahan Kenneth Williams continues his autobiography. Lucy, Lady Audley ...... Charlotte Emmerson Abridged in ten-parts by David H Godfrey SAT 00:00 William Gibson - Burning Chrome (b007jqv3) Robert Audley ...... Alex Wyndham Producer: Pamela Howe Episode 2 Sir Michael Audley ...... Sam Dale First broadcast on BBC Radio 4 in September 1985. Bobby Quine and Automatic Jack set up the cyberspace burn on George Talboys ...... Joseph Kloska SAT 07:50 Leonard Rossiter - In a Nutshell (b00sj9yy) the House of Blue Lights - their last big score. Read by Adam Luke Marks ...... Benjamin Askew New York, New York Sims. Directed by Julie Beckett and Fiona Kelcher. "I got myself wedged on a train, and immediately it left the When not jacking into the matrix to hack corporate mainframes SAT 02:45 Book of the Week (b02x5qpx) station a knife-fight began, apparently to the death..." for shady clients, Bobby Quine and Automatic Jack are hanging Charles Timoney - An Englishman Aboard, Episode 5 A snapshot from the 1980s of the unique American city out in the Gentleman Loser trying to figure out a way of pulling Charles Timoney is an English writer, with a French wife, living recalled by Leonard Rossiter. off that one big score to make them rich. But industrial in France. Written by Barry Pilton. espionage is a dangerous business, especially after deciding to After showing a group of friends the rowing boat he has spent Producer: Louise Purslow rip off Chrome, the most ruthless figure in the local mob the last six months building, Charles - possibly unwisely - First broadcast on BBC Radio 3 in February 1981.
    [Show full text]
  • Performing Arts Success Rock Challenge Maths Competition
    The Monthly News Magazine of Buttershaw Business & Enterprise College Performing Arts Success Year 11 student Cody Ryan will be appearing as Hayley Booth in a channel 4 drama called Ackley Bridge. The drama will be on screen at 8pm on 7 June and will Following on from last year’s successful production of run for six weeks. As well as Cody, you will see several of ‘Annie’, the performing arts department is proud to our performing arts sixth form students in the back- announce this year’s production: ‘The Sound Of Music.’ ground as extras, so it is definitely worth a watch. The show will be held on 11, 12 and 13 July at 7pm in the main school hall. Tickets are £3.50 and can be purchased from student reception or by emailing Dragon Boat Race [email protected]. Over 15 BBEC students recently took part in the first ever youth championship Dragon Boat festival at Roberts Park in Saltaire. The students were invited to Maths Competition the competition after winning an event at Doe Park last year. BBEC recently entered 120 top performing Year 7 and 8 The students performed exceptionally and won the students in an individual national mathematics youth category, overcoming competition from six other competition. youth teams. They performed so well they placed second overall finishing only three seconds behind the Students had to answer 25 multiple questions which leading senior team. incorporated problem solving and mathematical knowledge. The top scoring students across the country will win awards and certificates. We look forward to seeing the results and hopefully handing out a few prizes! On Thursday 4 May in true ‘Star Wars’ spirit, 100 Year 7 and 8 students were taken to Laserzone in Bradford.
    [Show full text]
  • 2008 Programme Review
    CHANNEL 4 REVIEW OF 2008 Major Themes in 2008 2008 was a year of dramatic creative renewal for Channel 4. In March, the organisation published Next on 4, a policy document laying out its public service vision for the future. Creative renewal in the schedule was evident even before then, with a raft of new programming in January occupying the space occupied in previous years by Celebrity Big Brother, which was rested. Over the course of the year, a range of authored series and campaigning programmes exemplified Channel 4’s renewed commitment to high-impact programming capable of engaging mass-market audiences, stimulating debate and generating interest in important social, political and cultural issues. However, Channel 4’s ability to fulfil its public service ambitions were curtailed by the downturn in the advertising market towards the end of the year, leading to significant reductions in the programming budget for both 2008 and 2009. In an increasingly competitive environment, Channel 4’s portfolio of channels and services maintained its viewing share at 11.9 per cent. The core channel share fell from 8.7 per cent in 2007 to 8.2 per cent in 2008. Next on 4 Dramatic changes are reshaping the UK broadcasting ecology, as it moves towards a fully digital world. Viewers will have access to dozens, if not hundreds of channels, as well as the rapidly growing variety of video services delivered online. In this context, Channel 4 reaffirmed its commitment in Next on 4 to remain a publicly-owned public service broadcaster whose primary purpose is the fulfilment of its legislative remit.
    [Show full text]
  • The Meaning of Katrina Amy Jenkins on This Life Now Judi Dench
    Poor Prince Charles, he’s such a 12.09.05 Section:GDN TW PaGe:1 Edition Date:050912 Edition:01 Zone: Sent at 11/9/2005 17:09 troubled man. This time it’s the Back page modern world. It’s all so frenetic. Sam Wollaston on TV. Page 32 John Crace’s digested read Quick Crossword no 11,030 Title Stories We Could Tell triumphal night of Terry’s life, but 1 2 3 4 5 6 7 Author Tony Parsons instead he was being humiliated as Dag and Misty made up to each other. 8 Publisher HarperCollins “I’m going off to the hotel with 9 10 Price £17.99 Dag,” squeaked Misty. “How can you do this to me?” Terry It was 1977 and Terry squealed. couldn’t stop pinching “I am a woman in my own right,” 11 12 himself. His dad used to she squeaked again. do seven jobs at once to Ray tramped through the London keep the family out of night in a daze of existential 13 14 15 council housing, and here navel-gazing. What did it mean that he was working on The Elvis had died that night? What was 16 17 Paper. He knew he had only been wrong with peace and love? He wound brought in because he was part of the up at The Speakeasy where he met 18 19 20 21 new music scene, but he didn’t care; the wife of a well-known band’s tour his piece on Dag Wood, who uncannily manager. “Come back to my place,” resembled Iggy Pop, was on the cover she said, “and I’ll help you find John 22 23 and Misty was by his side.
    [Show full text]