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Gérard De Nerval Et Charles Nodier: Le Rêve Et La Folie
ABSTRACT GÉRARD DE NERVAL ET CHARLES NODIER: LE RÊVE ET LA FOLIE par Laetitia Gouhier Charles Nodier et Gérard de Nerval entreprennent dans La Fée aux miettes et Aurélia une exploration du moi et de la destinée de ce moi à la recherche d’une vérité transcendante qui est la quête du bonheur à travers une femme aimée irrémédiablement perdue. Pour cela ils développent un mode d’expression en marge des modes littéraires de l’époque en ayant recours au mode fantastique. En effet, l’exploration du moi est liée à la perception surnaturaliste intervenant dans les rêves des protagonistes de ces deux contes. Il s’agit dans cette étude de voir comment l’irruption de l’irréel chez Nodier et Nerval creuse un espace dans lequel instaurer le moi et pourquoi l’irréel et le fantastique provoquent l’interrogation du « moi » en littérature jetant un doute sur sa santé mentale. GÉRARD DE NERVAL ET CHARLES NODIER : LE RÊVE ET LA FOLIE A thesis Submitted to the Faculty of Miami University In partial fulfilment of The requirements of the degree of Masters of Arts Department of French and Italian By Laetitia Gouhier Miami University Oxford, Ohio 2003 Advisor: Jonathan Strauss Reader: Elisabeth Hodges Reader: Anna Roberts TABLE DES MATIÈRES Introduction: Gérard de Nerval le poète fou et Charles Nodier le conteur mélancolique................................................................................................................1 Petite histoire de la folie...........................................................................................2 Nerval -
George Sand À L'assemblée Nationale
er) - DR. ent Ungerr GEORGE SAND À L’ASSEMBLÉE NATIONALE LECTURE – SPECTACLE CONCEPTION ET RÉALISATION Jeanne Champagne Le 3 février 2004 à 19 h www.assemblee-nationale.fr www.culture.fr ARIS B337 863 005 - Illustration : C-Album (Anna Radecka, Laur RC P à l’Assemblée nationale – Salle des Fêtes – 128, rue de l’Université – 75007 Paris eorge Sand ne fut pas seulement la « bonne dame de Nohant » dont les clichés de Nadar nous ont laissé une image un peu austère, l’auteur de ces romans « champêtres » qu’on faisait lire autrefois aux écoliers Gen blouse grise. Elle fut avant tout une femme libre qui sut briser tous les carcans que son époque imposait aux femmes, aux artistes, aux esprits libres. Elle fut une femme engagée dans les combats politiques et sociaux de son temps : républicaine passionnée, défenseur de ces ouvriers précipités dans les villes par la révolution industrielle dont elle fit, la première, des héros de romans. Elle fut surtout une pionnière du combat des femmes pour l’égalité, la dignité, l’indépendance. Il était donc naturel qu’à l’aube de l’année marquant le bicentenaire de sa naissance, George Sand entre à l’Assemblée nationale. Ses combats et ses amours successives qui ne l’empêchèrent jamais d’être une mère accomplie, aimant passionnément ses enfants et ses petits-enfants, ne pouvaient trouver meilleurs interprètes que les jeunes lycéens qui, ce soir, liront quelques-uns de ses textes. Nous l’aurons, va, la République, en dépit de tout. Les extraits de l’œuvre de George Sand que Michelle Perrot a choisis pour nous, ne sont peut-être pas aussi connus du public que ses romans. -
THE THREE MUSKETEERS by Alexandre Dumas
THE THREE MUSKETEERS by Alexandre Dumas THE AUTHOR Alexandre Dumas (1802-1870) was born in a small French village northeast of Paris. His father had been a general under Napoleon, and his paternal grandfather had lived in Haiti and had married a former slave woman there, thus making Dumas what was called a quadroon. Napoleon and his father had parted on bad terms, with Dumas’ father being owed a large sum of money; the failure to pay this debt left the family poor and struggling, though the younger Dumas remained an admirer of the French emperor. Young Dumas moved to Paris in 1823 and took a job as a clerk to the Duke of Orleans (later to become King Louis Philippe), but soon began writing plays. Though his plays were successful and he made quite a handsome living from them, his profligate lifestyle (both financially and sexually) kept him constantly on the edge of bankruptcy. He played an active role in the revolution of 1830, and then turned to writing novels. As was the case with Dickens in England, his books were published in cheap newspapers in serial form. Dumas proved able to crank out popular stories at an amazing rate, and soon became the most famous writer in France. Among his works are The Three Musketeers (1844), The Count of Monte Cristo (1845), and The Man in the Iron Mask (1850). Dumas’ novels tend to be long and full of flowery description (some cynics suggest that this is because he was paid by the word), and for this reason often appear today in the form of abridged translations (if you ever doubt the value of such an approach, take a look at the unabridged version of Victor Hugo’s Les Miserables sometime). -
Géraldine Crahay a Thesis Submitted in Fulfilments of the Requirements For
‘ON AURAIT PENSÉ QUE LA NATURE S’ÉTAIT TROMPÉE EN LEUR DONNANT LEURS SEXES’: MASCULINE MALAISE, GENDER INDETERMINACY AND SEXUAL AMBIGUITY IN JULY MONARCHY NARRATIVES Géraldine Crahay A thesis submitted in fulfilments of the requirements for the degree of Doctor in Philosophy in French Studies Bangor University, School of Modern Languages and Cultures June 2015 i TABLE OF CONTENTS Abstract .................................................................................................................................... vii Acknowledgements ................................................................................................................... ix Declaration and Consent ........................................................................................................... xi Introduction: Masculine Ambiguities during the July Monarchy (1830‒48) ............................ 1 Introduction ..................................................................................................................................... 1 Theoretical Framework: Masculinities Studies and the ‘Crisis’ of Masculinity ............................. 4 Literature Overview: Masculinity in the Nineteenth Century ......................................................... 9 Differences between Masculinité and Virilité ............................................................................... 13 Masculinity during the July Monarchy ......................................................................................... 16 A Model of Masculinity: -
Horace by George Sand Discussion Questions Used at SPL June 2008
Southfield Public Library Horace by George Sand Discussion questions used at SPL June 2008 1. This book was written in 1841 - does anything in it still seem relevant? 2. Though it was translated, it seemed as though the translator was trying very hard to keep it from being modernized - how do you think he did in keeping the flavor of the 19th century? 3. Did you find it difficult to read? The writing is very formal, very detailed, with long, long sentences – is that different from things you usually read? 4. In general, how were the women portrayed? Were you surprised by any of them? 5. In general, how were the men portrayed? Again, were you surprised by any of them? 6. What did you think of Horace - was Theophile’s introduction of him in the first chapter intriguing? Did you think you would like him? 7. Did he have any endearing traits? What about annoying ones? What was it about him that made some people care for him? Was he crazy? Just young? Shallow? Manipulative? Did he have any deep relationships? 8. What did you think of Theophile? What did you think of his relationship with Eugenie? Was it a satisfying one for both of them? Why do you think he stayed in the neighborhood instead of being a doctor in a richer area? 9. What about Eugenie - what sort of woman was she? What do you think she thought of her relationship with Theophile? 10. And then there is Marthe - how would you describe her? 11. What did you think of Paul Arsene? 12. -
Zukas on Hazan, 'A History of the Barricade'
H-Socialisms Zukas on Hazan, 'A History of the Barricade' Review published on Thursday, October 20, 2016 Eric Hazan. A History of the Barricade. London: Verso, 2015. 144 pp. $17.95 (cloth), ISBN 978-1-78478-125-5. Reviewed by Alex Zukas (College of Letters and Sciences, National University)Published on H- Socialisms (October, 2016) Commissioned by Gary Roth Barricades In his book, Eric Hazan presents a brief and readable historical survey of a long-standing symbol of insurrectionary urban politics, the barricade. While there are moments of serious analysis, he takes a narrative approach to the historical phenomenon of the barricade in short, breezy chapters (ten to fifteen pages on average) and embeds his analysis in stories about the barricades from protagonists and antagonists. Besides some key secondary sources and documentary collections, the major source for his stories is the memoirs and writings of French public figures and authors such as Cardinal de Retz, François-René de Chateaubriand, Louis Blanc, Alexandre Dumas, Victor Hugo, Alexis de Tocqueville, Mikhail Bakunin, and Auguste Blanqui. The verve of Hazan’s writing and that of his sources contribute to the feeling of being an eyewitness to unfolding events. This is his intent: “it is these heroes and heroines that I have tried to being back to life from the anonymity into which official history has cast them” and to make this history “a source of inspiration for those unresigned to the perpetuation of the existing order” (p. x). It is a partisan but not an uncritical history in which the author spends a large part of each chapter on the battle tactics of the barricade builders and the armies that assailed them. -
Cognoscenti of Cannabis I: Jacques-Joseph Moreau (1804-1884)
Cognoscenti of Cannabis I: Jacques-Joseph Moreau (1804-1884) Ethan Russo Portrait of Moreau in 1845, by N.E. Maurin, Library of the Academy of Medi- cine, Paris, France. Ethan Russo, MD, is a neurologist with Montana Neurobehavioral Specialists in Missoula. In addition, Dr. Russo is Clinical Assistant Professor, Department of Medicine, Univeristy of Washington and Adjunct Associate Professor, Univeristy of Montana. Journal of Cannabis Therapeutics, Vol. 1(1) 2001 E 2001 by The Haworth Press, Inc. All rights reserved. 85 86 JOURNAL OF CANNABIS THERAPEUTICS Jacques-Joseph Moreau (de Tours) was one of the earliest pioneers of modern psychopharmacology. Born in 1804 in Montrésor, France, Moreau pursued medical studies in Tours and Paris, subsequently studying psychiatry under the tutelage of Jean Étienne Dominique Esquirol, whose eclectic approach to healing of the mind included the prescription of therapeutic travel. As part of his duties, Moreau ac- companied patients to the Orient, where he was able to observe the effects of, and partake himself of hashish, the resinous by-product of cannabis (Holmstedt 1973). Upon his return to France, Moreau investigated the therapeutic possibilities of this substance. He likely is the character known as ‘‘Dr. X’’ who provided hashish in the form of an electuary called dawamesk to literary illuminati such as Théophile Gautier, Charles Baudelaire, Alexandre Dumas and Honoré de Balzac of Le Club des Hachichins at the Hôtel Pimodan in Paris. Moreau was among the first to apply herbal pharmacology system- atically to the treatment of mental illness, using the dissociative hallu- cinogen, Datura stramonium L. Solonaceae (Moreau 1841). -
Correspondance, 1812-1876 — Tome 1
Project Gutenberg's Correspondance, Vol. 1, 1812-1876, by George Sand This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Correspondance, Vol. 1, 1812-1876 Author: George Sand Release Date: October 5, 2004 [EBook #13629] Language: French *** START OF THIS PROJECT GUTENBERG EBOOK CORRESPONDANCE, VOL. 1, 1812-1876 *** Produced by Carlo Traverso, Frank van Drongen and the PG Online Distributed Proofreading Team. This file was produced from images generously made available by the Bibliotheque nationale de France (BnF/Gallica) at http://gallica.bnf.fr GEORGE SAND CORRESPONDANCE 1812-1876 I QUATRIÈME ÉDITION PARIS CALMANN LÉVY, ÉDITEUR. ANCIENNE MAISON MICHEL LÉVY FRÈRES 3, RUE AUBER, 3 1883 CORRESPONDANCE DE GEORGE SAND I A MADAME MAURICE DUPIN[1] QUI ALLAIT QUITTER NOHANT[2] 1812. Que j'ai de regret de ne pouvoir te dire adieu! Tu vois combien j'ai de chagrin de te quitter. Adieu pense à moi, et sois sûre que je ne t'oublierai point. Ta fille. Tu mettras la réponse derrière le portrait du vieux Dupin[3]. [1] Mademoiselle Aurore Dupin avait alors huit ans. [2] Propriété de madame Dupin de Francueil, puis de George Sand, près la Châtre (Indre). [3] Portrait au pastel de M. Dupin de Francueil, qui se trouve dans le salon de Nohant. II A LA MÊME, A PARIS Nohant, 24 février 1815 Oh! oui, chère maman, je t'embrasse; je t'attends, je te désire et je meurs d'impatience de te voir ici. -
The Southern Cross
Fiction and faith converge 9 September 2011 | by Michael Shackleton THE ISLE OF MONTE CRISTO: Finding the Inner Treasure, by ST Georgiou. Novalis, San Francisco. 2010. 299pp. Reviewed by Michael Shackleton A Californian in his thirties, Steve Georgiou, has a sense of disillusion. Being of Greek ancestry, he roams to the Greek island of Patmos, where St John traditionally wrote the book of Revelation, hoping to find some inner peace. The year is 1993. By chance he meets Robert Lax, a white-bearded octogenarian, a convert to Catholicism from Judaism, who has a name for being the island’s hermit, poet and holy man. The unexpected encounter is a revelation, a jolt to Georgiou’s listlessness, setting him on a new course of spiritual adventure and satisfaction. Lax tells this Californian surfer to go with the flow of creation, that going with the flow means he can see the whole sea and not just each rolling wave he may briefly focus on. He can lose his sense of self and become open to what happens around him and experience the sense of God’s presence in everything. The two men become good friends and Georgiou often pays return visits to Patmos until Lax’s death in 2000. Georgiou, a doctor of theology, published the fruit of that experience in his book The Way of the Dreamcatcher, which I favourably reviewed in this newspaper in 2004. I was impressed by the insights he drew from Lax’s simplicity, and how the same spiritual path is open to anybody. I recommended the book and described it as a powerful piece of spiritual writing. -
Alexandre Dumas Biography Name ______Period _____ Score ______/30
Alexandre Dumas Biography Name ____________________ Period _____ Score ______/30 Early life Alexandre Dumas was born on July 24, 1802 in France. He was the son of a general of the French Revolutionary armies, while his grandfather was from a noble family. Dumas's father died when he was four years old, leaving the family with very little money. Dumas was not a very good student; but, his handwriting was noticeably beautiful so he studied to work as a notary (a public officer who witnesses the signing of important documents and makes them official). As a teen, he discovered his talent for writing. He began with musical comedies and then historical plays in collaboration (working together with others) with a poet friend named Adolphe de Leuven. Historical subjects, as well as his ability to collaborate, were to be permanent elements of Dumas's work during his career. Dumas then found work as a secretary to the Duke of Orléans (later King Louis Philippe, 1773–1850) in Paris, France. He read and attended the theater as much as he could during his time off. He was greatly influenced by the works of William Shakespeare (1564–1616) and wrote his first plays in 1825 and 1826. Others followed, with Henri III (1829) bringing him great success and popularity. The French Revolution of 1830 slowed down Dumas's writing, and he became a strong supporter of the Marquis de Lafayette. His political activities were viewed unfavorably by the new king, his former boss, and he was forced to leave France for a time. -
Romanticism, Realism, Symbolism
SUNY Cortland Department of International Communications and Culture FRE 417/423 Romanticism, Realism, Symbolism Spring 2018 Bob Ponterio 3 cr. hrs Tel: 2027 home: 756-4813 MWF 12:40-1:30 Office: Main 225D Main 224 Office hrs: MWF 8:00-9:00, [email protected] MW 1:30-2:30 & by appointment Textes : Baudelaire – Les Fleurs du mal; ISBN 9781511511532426 (cheap edition). Mérimée – Carmen; Folio classique. (It’s ok to use a different edition of either.) We will use photocopied or electronic texts for most works. Each student will also be choosing one novel to read and present that can either be borrowed from the library or bought online at Amazon.com. Resources utiles: Free online versions: http://gallica.bnf.fr/classique/ Styles de peinture: http://discipline.free.fr/lesstyles.htm La musique française au XIXe siècle : Romantisme, réalisme et symbolisme: https://www.acim.asso.fr/spip.php?article37 Course Description: Themes as basis for study of several works or authors, e.g., women, love, society, revolution. For students with knowledge of French, although subject may be comparative in nature if indicated by subtitle. May be repeated as subtitle changes. Prerequisite: FRE 311, 315 or 316. (3 cr hrs) Fulfills: LASR, WI. Romanticism, Realism, Symbolism subtopic: We will explore how changing ideas about the nature of the world and of mankind led through three major approaches to writing literature in the 19th century: Romanticism, Realism, and Symbolism. An examination of a few major works of poetry, drama, and prose will help us see how these related concepts evolved and were reflected in other art forms of the period such as painting and music. -
Fichier PDF Permettant La Recherche De Texte
LES AMIS DE GEORGE SAND Association déclarée (J.O. 16 - 17 Juin 1975) Placée sous le patronage de la Société des Gens de Lettres Siège social : Musée de la Vie Romantique, 16, rue Chaptal - 75009 Paris Courrier : 12, rue George Sand, B.P. 83 - 91123 PALAISEAU Cedex Répondeur & Fax : 01 60 14 89 91 e-mail : [email protected] Internet : http://www.amisdegeorgesand.info Afin de mieux faire connaître la vie et l’œuvre de George Sand, l’association Les Amis de George Sand a numérisé et mis en ligne le présent numéro de sa revue, sous la forme d’un fichier PDF permettant la recherche de texte. Toute reproduction, même partielle, de textes, d’articles, ou d’illustrations, doit faire l’objet d’une autorisation préalable. Copyright © 1980 Les Amis de George Sand LES AMIS DE GEORGE SAND Association placée sous le patronage de la Société des Gens de Lettres “Guillery, maisonnette ressemblant assez â une guinguette des environs de Paris” 1980 N°1 SOMMAIRE Aline ALQUIER - Editorial....................................... Page 1 Christian ABBADIE - George Sand et Guillery..................... Page 2 Bernadette CHOVELON - George Sand à la Comédie Française...... Page 6 - Une soirée autour de Consuelo............ .Page 10 Georges LUBIN - George Sand descendante d’un roi de Bohéme ..................... .................. Page 12 ACTIVITES SANDISTES - Inauguration d’une plaque au 19 quai Malaquais ............... ......Page 14 Discours prononcé par Georges Lubin) - Les marionnettes de Maurice à Paris........................... ............Page 18 COMPTES RENDUS: G. Sand. Correspondance, tome XIV (J.-P. Lacassagne). - P. Leroux. La Grève de Samarez (G. Lubin). - H. Bourdet-Guillerault. George Sand. Ce qu’elle croyait (Ch.