Zukas on Hazan, 'A History of the Barricade'
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Gérard De Nerval Et Charles Nodier: Le Rêve Et La Folie
ABSTRACT GÉRARD DE NERVAL ET CHARLES NODIER: LE RÊVE ET LA FOLIE par Laetitia Gouhier Charles Nodier et Gérard de Nerval entreprennent dans La Fée aux miettes et Aurélia une exploration du moi et de la destinée de ce moi à la recherche d’une vérité transcendante qui est la quête du bonheur à travers une femme aimée irrémédiablement perdue. Pour cela ils développent un mode d’expression en marge des modes littéraires de l’époque en ayant recours au mode fantastique. En effet, l’exploration du moi est liée à la perception surnaturaliste intervenant dans les rêves des protagonistes de ces deux contes. Il s’agit dans cette étude de voir comment l’irruption de l’irréel chez Nodier et Nerval creuse un espace dans lequel instaurer le moi et pourquoi l’irréel et le fantastique provoquent l’interrogation du « moi » en littérature jetant un doute sur sa santé mentale. GÉRARD DE NERVAL ET CHARLES NODIER : LE RÊVE ET LA FOLIE A thesis Submitted to the Faculty of Miami University In partial fulfilment of The requirements of the degree of Masters of Arts Department of French and Italian By Laetitia Gouhier Miami University Oxford, Ohio 2003 Advisor: Jonathan Strauss Reader: Elisabeth Hodges Reader: Anna Roberts TABLE DES MATIÈRES Introduction: Gérard de Nerval le poète fou et Charles Nodier le conteur mélancolique................................................................................................................1 Petite histoire de la folie...........................................................................................2 Nerval -
THE THREE MUSKETEERS by Alexandre Dumas
THE THREE MUSKETEERS by Alexandre Dumas THE AUTHOR Alexandre Dumas (1802-1870) was born in a small French village northeast of Paris. His father had been a general under Napoleon, and his paternal grandfather had lived in Haiti and had married a former slave woman there, thus making Dumas what was called a quadroon. Napoleon and his father had parted on bad terms, with Dumas’ father being owed a large sum of money; the failure to pay this debt left the family poor and struggling, though the younger Dumas remained an admirer of the French emperor. Young Dumas moved to Paris in 1823 and took a job as a clerk to the Duke of Orleans (later to become King Louis Philippe), but soon began writing plays. Though his plays were successful and he made quite a handsome living from them, his profligate lifestyle (both financially and sexually) kept him constantly on the edge of bankruptcy. He played an active role in the revolution of 1830, and then turned to writing novels. As was the case with Dickens in England, his books were published in cheap newspapers in serial form. Dumas proved able to crank out popular stories at an amazing rate, and soon became the most famous writer in France. Among his works are The Three Musketeers (1844), The Count of Monte Cristo (1845), and The Man in the Iron Mask (1850). Dumas’ novels tend to be long and full of flowery description (some cynics suggest that this is because he was paid by the word), and for this reason often appear today in the form of abridged translations (if you ever doubt the value of such an approach, take a look at the unabridged version of Victor Hugo’s Les Miserables sometime). -
Religion in the Works of Heinrich Heine
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 1946 Religion in the works of Heinrich Heine Ellen Frances DeRuchie University of the Pacific Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Religion Commons Recommended Citation DeRuchie, Ellen Frances. (1946). Religion in the works of Heinrich Heine. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/1040 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. RELIGION IN THE WORKS OF R- ---- II .,; - --- stoclcton ~·- 1946 =------- :-;---- A Thesis submitted to the Department of Modern Lanugages Col~ege of ·the Pacific :~ - In partial fulfillment of the Requirements for the Degree ot Master of Arts DEPOSITED IN THE C01.LEGE LIBRARY: DA'l'ED: Librarian CONTENTS co---- Chapter Page Introduction ••••••••••••• ·• ........... ., .......... • !v I Heine 1 a Jewish Background •••••••••• , ••• , •• l II Some Aspects of Judaism in Heine •••••••••• 12 III Heine t s Baptism ~ ........ * •- .................. , "' 21 IV Some Reflections on Christianity ••••·••••• 26 V Some Re:Clec t:l.ons on Protestantism ••••••••• 31 VI State Religion • •• •- •• • .... • •••••.• ._ •• •-• .•• -•• 38 VII Some Reflections on Catholicism ••••••.••••• 42 VIII Catholicism and Art •••••••••••••••••••••••• 54 IX A Pantheistic Interlude •••••••••••••••••••·61 X Sa~nt Simonism -• • .... •• .••• • • •- .·-· ............. 67 XI The .Religion of Freedom .................... '72 XII Heine's Last Days ••••••••••••••••••••••••• 7S Bib 11 ogr aphy ••• _•.••• ·• ••••••• -• .- • -·· • .., ••• -• • -• • • • 85 lv INTRODUCTION A Word about Heinrich Heine The life of Heinrich Heine presents many eontradictl.ons. -
French Romantic Socialism and the Critique of Liberal Slave Emancipation Naomi J
Santa Clara University Scholar Commons History College of Arts & Sciences 9-2013 Breaking the Ties: French Romantic Socialism and the Critique of Liberal Slave Emancipation Naomi J. Andrews Santa Clara University, [email protected] Follow this and additional works at: http://scholarcommons.scu.edu/history Part of the European History Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Andrews, Naomi J. (2013). Breaking the Ties: French Romantic Socialism and the Critique of Liberal Slave Emancipation. The ourJ nal of Modern History, Vol. 85, No. 3 (September 2013) , pp. 489-527. Published by: The nivU ersity of Chicago Press. Article DOI: 10.1086/668500. Article Stable URL: http://www.jstor.org/stable/10.1086/668500 This Article is brought to you for free and open access by the College of Arts & Sciences at Scholar Commons. It has been accepted for inclusion in History by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Breaking the Ties: French Romantic Socialism and the Critique of Liberal Slave Emancipation* Naomi J. Andrews Santa Clara University What we especially call slavery is only the culminating and pivotal point where all of the suffering of society comes together. (Charles Dain, 1836) The principle of abolition is incontestable, but its application is difficult. (Louis Blanc, 1840) In 1846, the romantic socialist Désiré Laverdant observed that although Great Britain had rightly broken the ties binding masters and slaves, “in delivering the slave from the yoke, it has thrown him, poor brute, into isolation and abandonment. Liberal Europe thinks it has finished its work because it has divided everyone.”1 Freeing the slaves, he thus suggested, was only the beginning of emancipation. -
A Civic Profession of Faith: Rousseau's and Nationalism
4 A civic profession of faith: Rousseau’s and nationalism When Heinrich Heine, the German poet, visited Italy in 1828 he noted in his diary: It is as if World History is seeking to become spiritual … she has a great task. What it is? It is emancipation. Not just the emancipation of the Irish, the Greeks, the Jews and the Blacks of the West Indies. No, the emancipation of the whole world, especially in Europe, where the peoples have reached maturity. (Heine quoted in Gell 1998: 13) In seeking national self-determination Heine was preaching a new doctrine, one which had been unknown a couple of centuries before. Elie Kedouri observed – perhaps not entirely accurately – that ‘Nationalism is a political doctrine invented in Europe at the beginning of the Nineteenth Century’ (Kedouri 1960: 1). This might have been an exaggeration but Kedouri had a point. Nationalism is not only regarded as a relatively recently established ideology, it is also regarded as a fatherless doctrine, without the illustrious intellectual ancestry which characterises socialism, liberalism, and even conservatism. Nationalism, it is asserted, lacks a coherent philosophical basis and does not have an intellectual founding father. In Benedict Anderson’s words: ‘unlike most other isms, nationalism has never produced its great thinkers; no Hobbeses, Tocquevilles, Marxes or Webers’ (Anderson 1981: 5).1 This view seemingly ignores the theory of nationalism developed by Rousseau before the nineteenth century.2 Rousseau is rarely given full credit for his contribution to the development of the doctrine of nationalism. Unmentioned by Gellner (1983; 1996) and Miller (1995), Rousseau is only mentioned in passing by Anderson (1983) and Hobsbawm (1991). -
1. the Heritage of Modern Socialist Ideas
Section XVI: Developments in Socialism, Contemporary Civilization (Ideas and Institutions 1848-1914 of Western Man) 1958 1. The eH ritage of Modern Socialist Ideas Robert L. Bloom Gettysburg College Basil L. Crapster Gettysburg College Harold L. Dunkelberger Gettysburg College See next page for additional authors Follow this and additional works at: https://cupola.gettysburg.edu/contemporary_sec16 Part of the Models and Methods Commons, and the Sociology Commons Share feedback about the accessibility of this item. Bloom, Robert L. et al. "1. The eH ritage of Modern Socialist Ideas. Pt. XVI: Developments in Socialism, (1848-1914)." Ideas and Institutions of Western Man (Gettysburg College, 1958), 2-6. This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/ contemporary_sec16/2 This open access book chapter is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. 1. The eH ritage of Modern Socialist Ideas Abstract Of the total heritage which gave birth to modern socialism, brief attention may be given to certain of the predecessors of Karl Marx. Although some now are saved from obscurity only by the diligence of interested historians, others generated powerful ideas still not extinguished today. Together they created an amorphous body of thought from which Marx freelv drew. Consequently, an understanding of the varieties of later socialism, and specifically of Marx, requires a brief survey of these men. -
MLP Increasing Conflicts on National Identities
Increasing conflicts on national identities in Culture The Louvre’s exhibition ‘De l’Allemagne 1800 à 939 - de Friedrich à Beckmann’ fromApril to July 2013 Speech and debate held by Dr. Marie-Louise von Plessen on behalf of the ECP’s annual meeting in Edinburgh, 27.9.2013 In European affairs, morality has become a political concern. Especially in France of the Fifth Republic, the priority is on transparency within all government branches. Yet, French extremist parties both left and right tend to mobilize their voters’ against international cooperation. Thus, the idea of Europe is treated as an external enemy coming from within to inflict and destroy identity based on national values. Already, the effect of this political climate overshadows cultural activities. An example is the international media debate on last summer’s Parisian cultural event, co-financed on equal terms by France and Germany, to celebrate the 50th anniversary of the Elysée Treaty. Signed by President De Gaulle and Chancellor Adenauer, the French-German alliance affirmed reconciliation between two former arch enemies who had made war against each other for centuries. Flanking the highest ranking French and German Ministers, the magnificent ceremony smoothed the way for Europe’s postwar integration. So much for the noble intentions. The ‘Cultural Scandal” concerned the finalized concept of the exhibition ‘De l’Allemagne’ held in the Louvre from April to June 2013. The highest ranking French and German ministers attended the grand opening. The show was named both after Germaine de Stael’s famous book ‘De l’Allemagne’, initially banned by Napoleon’s censors in 1810 and published in 1813, and after Heinrich Heine’s reply to Mme de Stael from his Paris exile in 1833. -
GERMAN LITERARY FAIRY TALES, 1795-1848 by CLAUDIA MAREIKE
ROMANTICISM, ORIENTALISM, AND NATIONAL IDENTITY: GERMAN LITERARY FAIRY TALES, 1795-1848 By CLAUDIA MAREIKE KATRIN SCHWABE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2012 1 © 2012 Claudia Mareike Katrin Schwabe 2 To my beloved parents Dr. Roman and Cornelia Schwabe 3 ACKNOWLEDGMENTS First and foremost, I would like to thank my supervisory committee chair, Dr. Barbara Mennel, who supported this project with great encouragement, enthusiasm, guidance, solidarity, and outstanding academic scholarship. I am particularly grateful for her dedication and tireless efforts in editing my chapters during the various phases of this dissertation. I could not have asked for a better, more genuine mentor. I also want to express my gratitude to the other committee members, Dr. Will Hasty, Dr. Franz Futterknecht, and Dr. John Cech, for their thoughtful comments and suggestions, invaluable feedback, and for offering me new perspectives. Furthermore, I would like to acknowledge the abundant support and inspiration of my friends and colleagues Anna Rutz, Tim Fangmeyer, and Dr. Keith Bullivant. My heartfelt gratitude goes to my family, particularly my parents, Dr. Roman and Cornelia Schwabe, as well as to my brother Marius and his wife Marina Schwabe. Many thanks also to my dear friends for all their love and their emotional support throughout the years: Silke Noll, Alice Mantey, Lea Hüllen, and Tina Dolge. In addition, Paul and Deborah Watford deserve special mentioning who so graciously and welcomingly invited me into their home and family. Final thanks go to Stephen Geist and his parents who believed in me from the very start. -
The Origin of Socialist Reformism in France*
CARL LANDAUER THE ORIGIN OF SOCIALIST REFORMISM IN FRANCE* PRELUDE: THE OPPOSITION TO MARX IN THE INTERNATIONAL Although the International Workingmen's Association is often called the Marxian International, it was at no time safely under the control of Karl Marx. The spirit of Marx, however, was the strongest single influence in the organization from its beginning, and from 1868, when the Proudhonians had suffered defeat at the Brussels Congress, to 1872, when Bakunin's opposition proved too strong to be overcome, Marx possessed more power in the organization than anyone else. Yet this power collapsed in 1872: Although formally Marx was the victor at the Hague Congress, actually in the conflict with Bakunin it became evident that Marx's position was disintegrating. What were the reasons? "Marx accused his opponent of the intention to introduce into the Association ideological disorder, the spirit of [political] abstentionism and of federalism, in the Utopian desire to create a communal organi- zation without government. Bakunin, in his turn, criticized Marx for wanting to impose on the International a unified dogma and a party discipline in order to create a regime of authoritarian communism first in the Association and then in the state (dans les gouvernements)."1 Unfortunately for Marx and for the unity of the workers' movement, many members of the International who by no means believed in a "communal organization without a government" and perhaps were not * The author wishes to express his gratitude to the Institute of International Studies at the University of California at Berkeley for financial support in meeting expenses incurred in the collection of material; also to Monsieur Couta- rel, librarian of the Prefecture de police in Paris, for permission to use the files of the Prefecture; and to the staff of the Internationaal Instituut voor Sociale Geschiedenis in Amsterdam, especially to Mr T. -
About Jan Wagner Jan Wagner Was Born 1971 in Hamburg and Has
About Jan Wagner Jan Wagner was born 1971 in Hamburg and has been living in Berlin since 1995. He is a poet, a translator of Anglo-American poetry (Charles Simic, James Tate, Simon Armitage, Matthew Sweeney, Jo Shapcott, Robin Robertson, Michael Hamburger, Dan Chiasson and many others), a literary critic (Frankfurter Rundschau, Der Tagesspiegel and others) and has been, until 2003, a co-publisher of the international literature box Die Aussenseite des Elementes („The Outside of the Element“). Apart from numerous appearances in anthologies and magazines, he has published the poetry collections Probebohrung im Himmel („A Trial Drill in the Sky“; Berlin Verlag, Berlin 2001), Guerickes Sperling („Guericke’s Sparrow“, Berlin Verlag, Berlin 2004), Achtzehn Pasteten (“Eighteen Pies”, Berlin Verlag, Berlin 2007) and Australien (“Australia”, Berlin Verlag, Berlin 2010) and, as translator and editor, collections of selected poems by James Tate, Der falsche Weg nach Hause (“The Wrong Way Home”, Berlin Verlag, Berlin 2004), Matthew Sweeney, Rosa Milch (“Pink Milk”, Berlin Verlag, Berlin 2008) and Simon Armitage („Zoom!“, 2011). With the poet Björn Kuhligk he edited the comprehensive anthologies of young German language poetry Lyrik von Jetzt. 74 Stimmen („Poetry of Now. 74 voices“, Dumont Verlag, Cologne 2003) and its sequel Lyrik von Jetzt zwei. 50 Stimmen (Berlin Verlag, Berlin 2008) and co-operated on the book Der Wald im Zimmer. Eine Harzreise (“A Forest Inside the Room. A Journey Across the Harz Mountains”, Berliner Taschenbuch Verlag, Berlin 2007), an hommage to Heinrich Heine. A selection of his essays, Die Sandale des Propheten. Beiläufige Prosa (“The Prophet’s Sandal. Incidental Prose”), was published 2011 by Berlin Verlag. -
Cognoscenti of Cannabis I: Jacques-Joseph Moreau (1804-1884)
Cognoscenti of Cannabis I: Jacques-Joseph Moreau (1804-1884) Ethan Russo Portrait of Moreau in 1845, by N.E. Maurin, Library of the Academy of Medi- cine, Paris, France. Ethan Russo, MD, is a neurologist with Montana Neurobehavioral Specialists in Missoula. In addition, Dr. Russo is Clinical Assistant Professor, Department of Medicine, Univeristy of Washington and Adjunct Associate Professor, Univeristy of Montana. Journal of Cannabis Therapeutics, Vol. 1(1) 2001 E 2001 by The Haworth Press, Inc. All rights reserved. 85 86 JOURNAL OF CANNABIS THERAPEUTICS Jacques-Joseph Moreau (de Tours) was one of the earliest pioneers of modern psychopharmacology. Born in 1804 in Montrésor, France, Moreau pursued medical studies in Tours and Paris, subsequently studying psychiatry under the tutelage of Jean Étienne Dominique Esquirol, whose eclectic approach to healing of the mind included the prescription of therapeutic travel. As part of his duties, Moreau ac- companied patients to the Orient, where he was able to observe the effects of, and partake himself of hashish, the resinous by-product of cannabis (Holmstedt 1973). Upon his return to France, Moreau investigated the therapeutic possibilities of this substance. He likely is the character known as ‘‘Dr. X’’ who provided hashish in the form of an electuary called dawamesk to literary illuminati such as Théophile Gautier, Charles Baudelaire, Alexandre Dumas and Honoré de Balzac of Le Club des Hachichins at the Hôtel Pimodan in Paris. Moreau was among the first to apply herbal pharmacology system- atically to the treatment of mental illness, using the dissociative hallu- cinogen, Datura stramonium L. Solonaceae (Moreau 1841). -
Pericles S. Vallianos I. Romanticisms
ROMANTICISM AND POLITICS: FROM HEINRICH HEINE TO CARL SCHMITT – AND BACK AGAIN Pericles S. Vallianos Abstract: After a reference to the debate concerning the concept of Romanticism (Lovejoy vs Wellek), the article briefly evokes certain key stances of English and French literary Romanticism. It then points to the distinguishing features of German Romanticism, namely the enlargement of the doctrine into an integral metaphysics with the concept of the “organic state” at its core (A. Müller). The critique of political Romanticism by two revolutionary democrats (H. Heine and A. Ruge) is then presented. The article closes with a critique of C. Schmitt’s interpretation of political Romanticism. I. Romanticisms Romanticism was a cultural movement which put European civilization on new tracks. It is, however, notoriously difficult to define – so ramified are its particular forms and branches. The term “Romantic” as a marker of a new age of “progressive universal poetry” superseding the anti-poetic Classicism of the Enlightenment was invented by Friedrich Schlegel1 and elaborated further by his brother, August Wilhelm. In France it emerged after the Bourbon restoration and established itself towards the end of the 1820s and especially in the wake of the notorious “Hernani battle” of 1830.2 Capitalizing on this continuing difficulty a whole century and more after Romanticism’s first stirrings, Arthur O. Lovejoy argued, in a landmark article published in 1924, that we must give up striving for a general definition. In his view, there is no one internally cohering Romanticism. The concept must not be “hypostatized” as if it referred to a single real entity “existing in nature”.3 What we have instead is a variety of local and specific cultural and literary phenomena to which, for the purposes of brevity and broad-stroke classification, a common name is appended.