Alexandre Dumas His Life and Works
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Le Comte De Monte-Cristo
vmv. OF TORONTO LIBKARY ŒUVRES COMPLÈTES D'ALEXANDRE DUMAS LE COMTE DE MONTE-CRISTO III ŒUVRES COMPF.ÈTES D'ALEXANOUE DUMAS PUBLIÉES DANS LA COLLECTION MICHEL LBVr Ac'é 1 La Femme an collier La Maison de glace, f An)aary 1 (le velours. , . Le Maître d'armes., l Ange l'itoo 3 Fernande Les Mariages du père Ascaiiio 2 Une Fille du réf;eni Olifu< I Une A>eniure d'a- Filles, Loreiies ei Les Médicis. , . t nioiir 1 Courtisanes. Mes Monoires. lO GarilMliii Aveiiiures de Jolin Le Fils du lorçat . Mémoires de i Davys 2 Les Frères corses. Mcm. d'une aveugle. 3 Sal.riel iiic- le? baleiniers. 2 Lauibert. Mémoiies d'un LeBâiarddeiMiiuléon 3 Les Garilialiliens . (leciii : Basa no, . 5 Blark < Gaule ei France. • . Le Meneur de loups, i LesBIanrsetlesUleus 3 Georj;es Les Mille et un Fan- (In Gil Blas Ga- (ôiiies 1 La Bouillied ' lacuiit- en lirtiniie Les Moliicausde Paris 4 tessc De ri lie . < Les Grands Hommes Les Morts vont vile. * La Boule <ie neige . 1 cliauibre: Napoléon 1 Bric-à-llrac .... 1 enroiede Une Nuit à Florence. < X}u Cadet lie famille. 3 César — Henri IV, Louis Olympe (le Clèves. 3 Le('ai>ii»inel';4ni|<tiile -I Xlll, Uiclielieu. Le l'ai<e du duc de LeCapituiiie i aul. 1 La Guerre des femmes Savoie 2 Le C;i|iilaiiie lUiino. { Hisi. (le iiies i êtes. Parisiens et Prov'm* Le Caiiiuiiie Kicliard 1 Histiiiie d'un casse- ciaux Catiitrine 1 luin. 1 Lel'asteunl'Astiliouro Gauseii.s 2 noiseite L'Hi>nime auxconies. -
Gérard De Nerval Et Charles Nodier: Le Rêve Et La Folie
ABSTRACT GÉRARD DE NERVAL ET CHARLES NODIER: LE RÊVE ET LA FOLIE par Laetitia Gouhier Charles Nodier et Gérard de Nerval entreprennent dans La Fée aux miettes et Aurélia une exploration du moi et de la destinée de ce moi à la recherche d’une vérité transcendante qui est la quête du bonheur à travers une femme aimée irrémédiablement perdue. Pour cela ils développent un mode d’expression en marge des modes littéraires de l’époque en ayant recours au mode fantastique. En effet, l’exploration du moi est liée à la perception surnaturaliste intervenant dans les rêves des protagonistes de ces deux contes. Il s’agit dans cette étude de voir comment l’irruption de l’irréel chez Nodier et Nerval creuse un espace dans lequel instaurer le moi et pourquoi l’irréel et le fantastique provoquent l’interrogation du « moi » en littérature jetant un doute sur sa santé mentale. GÉRARD DE NERVAL ET CHARLES NODIER : LE RÊVE ET LA FOLIE A thesis Submitted to the Faculty of Miami University In partial fulfilment of The requirements of the degree of Masters of Arts Department of French and Italian By Laetitia Gouhier Miami University Oxford, Ohio 2003 Advisor: Jonathan Strauss Reader: Elisabeth Hodges Reader: Anna Roberts TABLE DES MATIÈRES Introduction: Gérard de Nerval le poète fou et Charles Nodier le conteur mélancolique................................................................................................................1 Petite histoire de la folie...........................................................................................2 Nerval -
La Favorite Opéra De Gaetano Donizetti
La Favorite opéra de Gaetano Donizetti NOUVELLE PRODUCTION 7, 9, 12, 14, 19 février 2013 19h30 17 février 2013 17h Paolo Arrivabeni direction Valérie Nègre mise en scène Andrea Blum scénographie Guillaume Poix dramaturgie Aurore Popineau costumes Alejandro Leroux lumières Sophie Tellier choréraphie Théâtre des Champs-Elysées Alice Coote, Celso Albelo, Ludovic Tézier, Service de presse Carlo Colombara, Loïc Félix, Judith Gauthier tél. 01 49 52 50 70 [email protected] Orchestre National de France Chœur de Radio France theatrechampselysees.fr Chœur du Théâtre des Champs-Elysées Coproduction Théâtre des Champs-Elysées / Radio France La Caisse des Dépôts soutient l’ensemble de la Réservations programmation du Théâtre des Champs-Elysées T. 01 49 52 50 50 theatrechampselysees.fr 5 Depuis quelques saisons, le bel canto La Favorite et tout particulièrement Donizetti ont naturellement trouvé leur place au Gaetano Donizetti Théâtre puisque pas moins de quatre des opéras du compositeur originaire Opéra en quatre actes (1840, version française) de Bergame ont été récemment Livret d’Alphonse Royer et Gustave Vaëz, d’après Les Amours malheureuses présentés : la trilogie qu’il a consacré ou Le Comte de Comminges de François-Thomas-Marie de Baculard d’Arnaud aux Reines de la cour Tudor (Maria Stuarda, Roberto Devereux et Anna Bolena) donnée en version de direction musicale Paolo Arrivabeni concert et, la saison dernière, Don Valérie Nègre mise en scène Pasquale dans une mise en scène de Andrea Blum scénographie Denis Podalydès. Guillaume Poix dramaturgie Aurore Popineau costumes Compositeur prolifique, héritier de Rossini et précurseur de Verdi, Alejandro Le Roux lumières Donizetti appartient à cette lignée de chorégraphie Sophie Tellier musiciens italiens qui triomphèrent dans leur pays avant de conquérir Paris. -
THE THREE MUSKETEERS by Alexandre Dumas
THE THREE MUSKETEERS by Alexandre Dumas THE AUTHOR Alexandre Dumas (1802-1870) was born in a small French village northeast of Paris. His father had been a general under Napoleon, and his paternal grandfather had lived in Haiti and had married a former slave woman there, thus making Dumas what was called a quadroon. Napoleon and his father had parted on bad terms, with Dumas’ father being owed a large sum of money; the failure to pay this debt left the family poor and struggling, though the younger Dumas remained an admirer of the French emperor. Young Dumas moved to Paris in 1823 and took a job as a clerk to the Duke of Orleans (later to become King Louis Philippe), but soon began writing plays. Though his plays were successful and he made quite a handsome living from them, his profligate lifestyle (both financially and sexually) kept him constantly on the edge of bankruptcy. He played an active role in the revolution of 1830, and then turned to writing novels. As was the case with Dickens in England, his books were published in cheap newspapers in serial form. Dumas proved able to crank out popular stories at an amazing rate, and soon became the most famous writer in France. Among his works are The Three Musketeers (1844), The Count of Monte Cristo (1845), and The Man in the Iron Mask (1850). Dumas’ novels tend to be long and full of flowery description (some cynics suggest that this is because he was paid by the word), and for this reason often appear today in the form of abridged translations (if you ever doubt the value of such an approach, take a look at the unabridged version of Victor Hugo’s Les Miserables sometime). -
Alexandre Dumas
Alexandre Dumas COMPLETE CLASSICS UNABRIDGED THE THREE MUSKETEERS Read by Bill Homewood CD 1 1 Chapter 1 7:00 2 ‘Your mother will add to them a recipe for a certain balsam...’ 7:13 3 Now, as at the moment in which... 6:49 4 As to the gentleman... 5:30 5 His interlocutor, whose head appeared... 5:49 6 Unfortunately, there was one circumstance... 6:24 7 Chapter 2 6:37 8 M. de Treville employed this powerful weapon for the king... 6:29 9 On the landing they were no longer fighting... 6:47 10 ‘What do you think of the story Chalais’s esquire relates?’ 5:44 11 Chapter 3 7:09 12 ‘Well, my Captain,’ said Porthos... 7:30 Total time on CD 1: 79:05 2 CD 2 1 D’Artagnan bowed without replying... 6:21 2 ‘My friend,’ said he, slowly... 5:53 3 Chapter 4 6:54 4 The outlook was sad. 5:28 5 This time d’Artagnan was not hasty. 6:02 6 Chapter 5 4:39 7 ‘You confuse me,’ replied Athos... 6:20 8 It was a quarter past midday. 6:42 9 This contest at length exhausted Jussac’s patience. 6:04 10 Chapter 6 6:05 11 ‘Yes, sire; as complete as that of the Bridge of Ce.’ 6:00 12 ‘And as since that which you have said...’ 5:47 13 D’Artagnan and his companions remembered their audience... 6:40 Total Time on CD 2: 79:01 3 CD 3 1 Toward six o’clock M. -
Baudelaire and the Rival of Nature: the Conflict Between Art and Nature in French Landscape Painting
BAUDELAIRE AND THE RIVAL OF NATURE: THE CONFLICT BETWEEN ART AND NATURE IN FRENCH LANDSCAPE PAINTING _______________________________________________________________ A Thesis Submitted to the Temple University Graduate Board _______________________________________________________________ In Partial Fulfillment Of the Requirements for the Degree MASTER OF ARTS _______________________________________________________________ By Juliette Pegram January 2012 _______________________ Dr. Therese Dolan, Thesis Advisor, Department of Art History Tyler School of Art, Temple University ABSTRACT The rise of landscape painting as a dominant genre in nineteenth century France was closely tied to the ongoing debate between Art and Nature. This conflict permeates the writings of poet and art critic Charles Baudelaire. While Baudelaire scholarship has maintained the idea of the poet as a strict anti-naturalist and proponent of the artificial, this paper offers a revision of Baudelaire‟s relation to nature through a close reading across his critical and poetic texts. The Salon reviews of 1845, 1846 and 1859, as well as Baudelaire‟s Journaux Intimes, Les Paradis Artificiels and two poems that deal directly with the subject of landscape, are examined. The aim of this essay is to provoke new insights into the poet‟s complex attitudes toward nature and the art of landscape painting in France during the middle years of the nineteenth century. i ACKNOWLEDGEMENTS I am indebted to Dr. Therese Dolan for guiding me back to the subject and writings of Charles Baudelaire. Her patience and words of encouragement about the writing process were invaluable, and I am fortunate to have had the opportunity for such a wonderful writer to edit and review my work. I would like to thank Dr. -
Henri Beyle (Stendhal): a Capsule Biography
Henri Beyle (Stendhal): a capsule biography When the rotund Henri Beyle dropped dead contemporaries). Long before Flaubert and Civitavecchia and visiting his own country in in a Paris street in 1842 — ‘of apoplexy’ — Proust, he was aware of the fitfulness and 1837 and 1838, he dashed off a book called only three mourners accompanied the coffin ambiguity of memory, its elusiveness when Memoirs of a Tourist .3 Here is a snapshot to its resting place in the Cimetière de we try to snare it. Hence his famous from Lyons, on May 19: Montmartre: one of them was the younger digressive style, the comic zigzag he took ‘Three days ago Mr Smith, an English writer Prosper Mérimée. Incensed by the from Sterne. puritan who had been living here for fact that no words had been spoken at the Stendhal had his mnemonic devices too. 10 years, decided it was time to leave this grave at this ‘pagan funeral’, Mérimée wrote As a young boy in Grenoble he had been life. He swallowed the contents of an a short memoir of their friendship. In fact, he made to take drawing lessons by his father: ounce bottle of Prussic acid. Two hours didn’t know much about his friend other than this got him out of the house, which he found later after being very sick he was anywhere that he had served in the Napoleonic stifling. The 175 sketches which can be but on the point of dying, and to pass the campaign and been a mostly indifferent found scattered through the text of his time was rolled about on the floor. -
1978-05-22 P MACHO MAN Village People RCA 7" Vinyl Single 103106 1978-05-22 P MORE LIKE in the MOVIES Dr
1978-05-22 P MACHO MAN Village People RCA 7" vinyl single 103106 1978-05-22 P MORE LIKE IN THE MOVIES Dr. Hook EMI 7" vinyl single CP 11706 1978-05-22 P COUNT ON ME Jefferson Starship RCA 7" vinyl single 103070 1978-05-22 P THE STRANGER Billy Joel CBS 7" vinyl single BA 222406 1978-05-22 P YANKEE DOODLE DANDY Paul Jabara AST 7" vinyl single NB 005 1978-05-22 P BABY HOLD ON Eddie Money CBS 7" vinyl single BA 222383 1978-05-22 P RIVERS OF BABYLON Boney M WEA 7" vinyl single 45-1872 1978-05-22 P WEREWOLVES OF LONDON Warren Zevon WEA 7" vinyl single E 45472 1978-05-22 P BAT OUT OF HELL Meat Loaf CBS 7" vinyl single ES 280 1978-05-22 P THIS TIME I'M IN IT FOR LOVE Player POL 7" vinyl single 6078 902 1978-05-22 P TWO DOORS DOWN Dolly Parton RCA 7" vinyl single 103100 1978-05-22 P MR. BLUE SKY Electric Light Orchestra (ELO) FES 7" vinyl single K 7039 1978-05-22 P HEY LORD, DON'T ASK ME QUESTIONS Graham Parker & the Rumour POL 7" vinyl single 6059 199 1978-05-22 P DUST IN THE WIND Kansas CBS 7" vinyl single ES 278 1978-05-22 P SORRY, I'M A LADY Baccara RCA 7" vinyl single 102991 1978-05-22 P WORDS ARE NOT ENOUGH Jon English POL 7" vinyl single 2079 121 1978-05-22 P I WAS ONLY JOKING Rod Stewart WEA 7" vinyl single WB 6865 1978-05-22 P MATCHSTALK MEN AND MATCHTALK CATS AND DOGS Brian and Michael AST 7" vinyl single AP 1961 1978-05-22 P IT'S SO EASY Linda Ronstadt WEA 7" vinyl single EF 90042 1978-05-22 P HERE AM I Bonnie Tyler RCA 7" vinyl single 1031126 1978-05-22 P IMAGINATION Marcia Hines POL 7" vinyl single MS 513 1978-05-29 P BBBBBBBBBBBBBOOGIE -
PDF) ISBN 978-0-9931996-4-6 (Epub)
POST-CINEMA: THEORIZING 21ST-CENTURY FILM, edited by Shane Denson and Julia Leyda, is published online and in e-book formats by REFRAME Books (a REFRAME imprint): http://reframe.sussex.ac.uk/post- cinema. ISBN 978-0-9931996-2-2 (online) ISBN 978-0-9931996-3-9 (PDF) ISBN 978-0-9931996-4-6 (ePUB) Copyright chapters © 2016 Individual Authors and/or Original Publishers. Copyright collection © 2016 The Editors. Copyright e-formats, layouts & graphic design © 2016 REFRAME Books. The book is shared under a Creative Commons license: Attribution / Noncommercial / No Derivatives, International 4.0 (http://creativecommons.org/licenses/by-nc-nd/4.0/). Suggested citation: Shane Denson & Julia Leyda (eds), Post-Cinema: Theorizing 21st-Century Film (Falmer: REFRAME Books, 2016). REFRAME Books Credits: Managing Editor, editorial work and online book design/production: Catherine Grant Book cover, book design, website header and publicity banner design: Tanya Kant (based on original artwork by Karin and Shane Denson) CONTACT: [email protected] REFRAME is an open access academic digital platform for the online practice, publication and curation of internationally produced research and scholarship. It is supported by the School of Media, Film and Music, University of Sussex, UK. Table of Contents Acknowledgements.......................................................................................vi Notes On Contributors.................................................................................xi Artwork…....................................................................................................xxii -
Zukas on Hazan, 'A History of the Barricade'
H-Socialisms Zukas on Hazan, 'A History of the Barricade' Review published on Thursday, October 20, 2016 Eric Hazan. A History of the Barricade. London: Verso, 2015. 144 pp. $17.95 (cloth), ISBN 978-1-78478-125-5. Reviewed by Alex Zukas (College of Letters and Sciences, National University)Published on H- Socialisms (October, 2016) Commissioned by Gary Roth Barricades In his book, Eric Hazan presents a brief and readable historical survey of a long-standing symbol of insurrectionary urban politics, the barricade. While there are moments of serious analysis, he takes a narrative approach to the historical phenomenon of the barricade in short, breezy chapters (ten to fifteen pages on average) and embeds his analysis in stories about the barricades from protagonists and antagonists. Besides some key secondary sources and documentary collections, the major source for his stories is the memoirs and writings of French public figures and authors such as Cardinal de Retz, François-René de Chateaubriand, Louis Blanc, Alexandre Dumas, Victor Hugo, Alexis de Tocqueville, Mikhail Bakunin, and Auguste Blanqui. The verve of Hazan’s writing and that of his sources contribute to the feeling of being an eyewitness to unfolding events. This is his intent: “it is these heroes and heroines that I have tried to being back to life from the anonymity into which official history has cast them” and to make this history “a source of inspiration for those unresigned to the perpetuation of the existing order” (p. x). It is a partisan but not an uncritical history in which the author spends a large part of each chapter on the battle tactics of the barricade builders and the armies that assailed them. -
Rockland Gazette, Being a Paper Printed at Rockland, 7Th
PUBLISHED EVERY FRIDAY MORNING BY VOSE & POR TER .Havingevery facility,In Fre«je«, Type and other muterlal, and tho experience oi many years In the At No. 5 Custom-House Block. business, we are prepared to execute, l x su fe b io b s t y l e , and with d e s f a t c h , every deoerlptton of Job Work, such as TERMS: Il paid strictly in advance—per annum, 1 Catalogues, By-Laws, Town Beports, Il payment is delayed 6 months il not paid till the close ol the year, Oironlars, BiU-Heada, Blanks, New subscribers are expected to make the first payment in udvance. CARD8, PROGRAMMES, LABELS O ’ Ko paper will be discontinued until ALL a e BEa k a g es are paid, unless at the option ol the pub Hasd Bills, Shap Bills, Posters, ke. lishers. XT* Single copies five cents—lor sale a t th e office V O L . 2 7 . Particular attention paid to H I and at the bookstores. ROCKLAND, MAINE, FRIDAY, JANUARY 19, 1872. Z. POPE VOSE. J- B. POKTEE. N O . 6 PRIN TIN G IN COLORS B R O N Z IN G , he. three or four minutes, during which the understand that it would be better for within his gift—the hand of his daugh with a string—their feet encased in YVhat followed we know net, but, a few the work with a few texts of Scripture, princess remained in a kneeling attitude him not to return. He turned to one A Druggist Sued.—A suit was recent waiting for the address of her father, ter. -
Serge Diaghilev/Serge Lifar Collection [Finding Aid]. Library of Congress
Serge Diaghilev/Serge Lifar Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2006 Revised 2012 November Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu003011 LC Online Catalog record: http://lccn.loc.gov/2006568220 Processed by the Music Division of the Library of Congress Collection Summary Title: Serge Diaghilev/Serge Lifar Collection Span Dates: 1750-1950 Bulk Dates: (bulk 1890-1929) Call No.: ML31.D53 Creator: Diaghilev, Serge, 1872-1929 Extent: around 1,350 items ; 81 boxes ; 91 linear feet Language: Collection material in English, French, and Russian Location: Music Division, Library of Congress, Washington, D.C. Summary: This collection is comprised in large part of printed music, widely representing 18th century Italian and 19th century Russian operatic music. Includes rare pre-revolutionary editions of Russian folk songs, annotated performance scores of Stravinsky, Mussorgsky, Rimsky-Korsakov, Gounod, Cimarosa. Non-musical materials include three letters from S. Prokofiev to S. Diaghilev, rare edition of books on music, literature and theater, libretti and synopses, souvenir books and programs and photographs. Several of the programs and photographs show Léon Bakst's set and costume designs. Non- musical materials also include Diaghilev’s personal notebook, containing entries in French, Russian, and English made in 1926-1929. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.