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Romanov News Новости Романовых
Romanov News Новости Романовых By Ludmila & Paul Kulikovsky №114 September 2017 Emperor Nicholas I. Watercolour by Alexander I. Klünder Monument to Emperor Nicholas I unveiled in Czech Republic September 19.TASS - A monument to Emperor Nicholas I (1825-1855) was opened in the spa town of Teplice in the north of the Czech Republic. This was announced by Consul-General of the Consulate General of the Russian Federation in Karlovy Vary (West Bohemia) Igor Melnik. "The monument to Nicholas I was erected in the very centre of Teplice next to the monuments of Peter the Great and Alexander I," he stressed. "This idea supported by local authorities, was conceived long ago, but was postponed, primarily because of the lack of necessary funds." Monuments to Russian autocrats in Teplice were created by People's Artist of Russia Vladimir Surovtsev. The patrons of the project are the organization of Russian compatriots in the Czech Republic "The Ark-Arch" and the General Consulate of the Russian Federation in Karlovy Vary. Sovereigns from the Romanov dynasty, actively implementing the idea of uniting the Slavs under the sceptre of mighty Russia on the international arena, have forever entered the history of Teplice. The Grand Duke and the future Emperor of Russia Nicholas I twice visited this city: in 1815 at the age of 19, and in 1818, when he turned 22. He took part in laying the foundation and then opening a monument to Russian soldiers who died for Europe's freedom in the struggle against Napoleon. The elder brother of Nicholas I, Emperor Alexander I, arrived in Teplice during the foreign campaigns of the Russian Imperial Army during the Napoleonic wars in 1813. -
1978-05-22 P MACHO MAN Village People RCA 7" Vinyl Single 103106 1978-05-22 P MORE LIKE in the MOVIES Dr
1978-05-22 P MACHO MAN Village People RCA 7" vinyl single 103106 1978-05-22 P MORE LIKE IN THE MOVIES Dr. Hook EMI 7" vinyl single CP 11706 1978-05-22 P COUNT ON ME Jefferson Starship RCA 7" vinyl single 103070 1978-05-22 P THE STRANGER Billy Joel CBS 7" vinyl single BA 222406 1978-05-22 P YANKEE DOODLE DANDY Paul Jabara AST 7" vinyl single NB 005 1978-05-22 P BABY HOLD ON Eddie Money CBS 7" vinyl single BA 222383 1978-05-22 P RIVERS OF BABYLON Boney M WEA 7" vinyl single 45-1872 1978-05-22 P WEREWOLVES OF LONDON Warren Zevon WEA 7" vinyl single E 45472 1978-05-22 P BAT OUT OF HELL Meat Loaf CBS 7" vinyl single ES 280 1978-05-22 P THIS TIME I'M IN IT FOR LOVE Player POL 7" vinyl single 6078 902 1978-05-22 P TWO DOORS DOWN Dolly Parton RCA 7" vinyl single 103100 1978-05-22 P MR. BLUE SKY Electric Light Orchestra (ELO) FES 7" vinyl single K 7039 1978-05-22 P HEY LORD, DON'T ASK ME QUESTIONS Graham Parker & the Rumour POL 7" vinyl single 6059 199 1978-05-22 P DUST IN THE WIND Kansas CBS 7" vinyl single ES 278 1978-05-22 P SORRY, I'M A LADY Baccara RCA 7" vinyl single 102991 1978-05-22 P WORDS ARE NOT ENOUGH Jon English POL 7" vinyl single 2079 121 1978-05-22 P I WAS ONLY JOKING Rod Stewart WEA 7" vinyl single WB 6865 1978-05-22 P MATCHSTALK MEN AND MATCHTALK CATS AND DOGS Brian and Michael AST 7" vinyl single AP 1961 1978-05-22 P IT'S SO EASY Linda Ronstadt WEA 7" vinyl single EF 90042 1978-05-22 P HERE AM I Bonnie Tyler RCA 7" vinyl single 1031126 1978-05-22 P IMAGINATION Marcia Hines POL 7" vinyl single MS 513 1978-05-29 P BBBBBBBBBBBBBOOGIE -
PDF) ISBN 978-0-9931996-4-6 (Epub)
POST-CINEMA: THEORIZING 21ST-CENTURY FILM, edited by Shane Denson and Julia Leyda, is published online and in e-book formats by REFRAME Books (a REFRAME imprint): http://reframe.sussex.ac.uk/post- cinema. ISBN 978-0-9931996-2-2 (online) ISBN 978-0-9931996-3-9 (PDF) ISBN 978-0-9931996-4-6 (ePUB) Copyright chapters © 2016 Individual Authors and/or Original Publishers. Copyright collection © 2016 The Editors. Copyright e-formats, layouts & graphic design © 2016 REFRAME Books. The book is shared under a Creative Commons license: Attribution / Noncommercial / No Derivatives, International 4.0 (http://creativecommons.org/licenses/by-nc-nd/4.0/). Suggested citation: Shane Denson & Julia Leyda (eds), Post-Cinema: Theorizing 21st-Century Film (Falmer: REFRAME Books, 2016). REFRAME Books Credits: Managing Editor, editorial work and online book design/production: Catherine Grant Book cover, book design, website header and publicity banner design: Tanya Kant (based on original artwork by Karin and Shane Denson) CONTACT: [email protected] REFRAME is an open access academic digital platform for the online practice, publication and curation of internationally produced research and scholarship. It is supported by the School of Media, Film and Music, University of Sussex, UK. Table of Contents Acknowledgements.......................................................................................vi Notes On Contributors.................................................................................xi Artwork…....................................................................................................xxii -
The House of Coburg and Queen Victoria: a Study of Duty and Affection
University of Nebraska at Omaha DigitalCommons@UNO Student Work 6-1-1971 The House of Coburg and Queen Victoria: A study of duty and affection Terrence Shellard University of Nebraska at Omaha Follow this and additional works at: https://digitalcommons.unomaha.edu/studentwork Recommended Citation Shellard, Terrence, "The House of Coburg and Queen Victoria: A study of duty and affection" (1971). Student Work. 413. https://digitalcommons.unomaha.edu/studentwork/413 This Thesis is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Student Work by an authorized administrator of DigitalCommons@UNO. For more information, please contact [email protected]. THE HOUSE OF COBURG AND QUEEN VICTORIA A STORY OF DUTY AND AFFECTION A Thesis Presented to the Department of History and the Faculty of the Graduate College University of Nebraska at Omaha In Partial Fulfillment of the Requirements for the Degree Master of Arts by Terrance She Ha r d June Ip71 UMI Number: EP73051 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Diss««4afor. R_bJ .stung UMI EP73051 Published by ProQuest LLC (2015). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProQuest LLC. -
Queen Margrethe II of Denmark
Pedigree for Queen Margrethe II to Denmark 64. Christian IX, King of Denmark 32. Wilhelm, Duke of Schleswig Holstein Sonderburg Glücksburg Friedrich, Duke of Schleswig Holstein Sond. Beck (1757-1816) 16. * 8 April 1818 at Gottorp, Schleswig, Germany *1785 at Lindenau, Königsberg †1831 at Gottorp, Germany 65. Friederike, Countess of Schlieben (1757-1827) † 29 January 1906 at Amalienborg, Denmark 66. Knot-individuals Frederik VIII, King of Denmark 33. Louise, Princess of Hesse-Cassel Carl, Landgrave of Hesse-Cassel (1744-1836) for relationship to 8. * 3 June 1843 in Copenhagen, Denmark married 26 May 1842 at Amalienborg, Denmark *1789 at Gottorp, Germany †1867 at Ballenstedt, Germany 67. Louise, Princess of Denmark (1750-1831) † 14 May 1912 in Hamburg, Germany 68. Marie Cécili, 34. Wilhelm, Prince of Hesse-Cassel Friedrich, Prince of Hesse-Cassel (1747-1837) Princess of Prussia married 28 July 1869 in Stockholm, Sweden Louise, Queen of Denmark *1787 in Biebrich, Germany †1867 in Copenhagen, Denmark 69. Caroline, Princess of Nassau-Usingen (1762-1823) * 7 September 1817 in Cassel, Germany 17. 70. Christian X, King of Denmark † 29 September 1898 at Bernstorff, Denmark 35. Charlotte, Princess of Denmark Frederik, Hereditary Prince of Denmark (1753-1805) 4. * 26 September 1870 in Charlottenlund, Denmark *1789 at Christiansborg †1864 in Copenhagen, Denmark 71. Frederikke, Duchess of Mecklenburg-Schwerin (1758-1794) † 20 April 1947 at Amalienborg, Denmark 72. Carl XV, King of Sweden & Norway 36. Oskar I, King of Sweden & Norway Carl XIV Johan, King of Sweden & Norway (1763-1844) married 26 April 1898 in Cannes, France 18. * 3 May 1826 in Stockholm, Sweden *1799 in Paris, France †1859 in Stockholm, Sweden 73. -
Alexandre Dumas His Life and Works
f, t ''m^t •1:1^1 CORNELL UNIVERSITY LIBRARY UNDERGRADUATE LIBRARY tu U X'^S>^V ^ ^>tL^^ IfO' The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/cletails/cu31924014256972 ALEXANDRE DUMAS HIS LIFE AND WORKS ALEXANDRE DUMAS (pere) HIS LIFE AND WORKS By ARTHUR F. DAVIDSON, M.A (Formerly Scholar of Keble College, Oxford) "Vastus animus immoderata, incredibilia, Nimis alta semper cupiebat." (Sallust, Catilina V) PHILADELPHIA J. B. LIPPINCOTT COMPANY Ltd Westminster : ARCHIBALD CONSTABLE & CO 1902 Butler & Tanner, The Selwood Printing Works, Frome, and London. ^l&'il^li — Preface IT may be—to be exact, it is—a somewhat presumptuous thing to write a book and call it Alexandre Dumas. There is no question here of introducing an unknown man or discovering an unrecognized genius. Dumas is, and has been for the better part of a century, the property of all the world : there can be little new to say about one of whom so much has already been said. Remembering also, as I do, a dictum by one of our best known men of letters to the effect that the adequate biographer of Dumas neither is nor is likely to be, I accept the saying at this moment with all the imfeigned humility which experience entitles me to claim. My own behef on this point is that, if we could conceive a writer who combined in himself the anecdotal facility of Suetonius or Saint Simon, with the loaded brevity of Tacitus and the judicial irony of Gibbon, such an one might essay the task with a reasonable prospect of success—though, after all, the probability is that he would be quite out of S5nnpathy with Dumas. -
WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS. -
Robert Schumann a Youth Pilgrimage to Munich 1828
Robert Schumann Youth Pilgrimage Robert Schumann A Youth Pilgrimage to Munich 1828 Robert Schumann Youth Pilgrimage Introduction The young Schumann’s original sheets titled “Jünglings-Wallfarthen [Youth Pilgrimages]”, which he wrote down as a student in Heidelberg in 1830, are held at the Robert Schumann House in Zwickau. The nine journeys made between 1826 and 1830 took him to the following places: 1. Journey to Gotha, Eisenach, Weimar, Jena, 1826 2. Journey to Prague, 1827 3. Journey to Munich through Bavaria, 1828 4. Journey on the Rhine up to Heidelberg, 1829 5. Journey through Switzerland up to Venice, 1829 6. Journey through Baden to Strasbourg, 1830 7. Journey through Hesse to Frankfurt, 1830 8. Schwetzingen, Speyer, Worms and Rhenish Bavaria (Palatinate), 1830 9. Journey on the Rhine to Wesel and through Westphalia to Leipzig, 1830 The subsequent seven pages of prose text were titled “Erstes Gemählde. Reise nach Prag [First Picture. Journey to Prague]” but broke off in the middle of a sentence describing Colditz Castle. Unfortunately, Schumann never again got around to writing out his diary, kept in the form of keywords, as a continuous travel report. The slightly abridged version of Pilgrimage No. 3 below only covers the period between his departure from Zwickau and his stay in Munich. Legal notice Concept: Walter Müller, CH-8320 Fehraltorf Design/ prepress/print: Bucherer Druck AG, 8620 Wetzikon Photographs: Walter Müller Issue: July 2015 Robert Schumann Youth Pilgrimage Zwickau–Bayreuth Diary of Robert Schumann [Thursday, 24th April: Zwickau (departure early 01:00) – Plauen – Hof – reunion with Rosen1 – arrival Bayreuth evening 19:30 (Goldene Sonne Inn mediocre) Travel time: Zwickau–Hof 12 hours, Hof–Bayreuth 15 hours Friday, 25th April: Jean Paul’s tomb2 – deep pain – Rollwenzel Inn3 – Jean Paul’s study4 and chair – Hermitage5 – fond memory of Jean Paul – stroll to Fantasie Palace6 – monuments] 1 Gisbert Rosen, youth friend of Schumann, who started to study law together with him at the University of Leipzig. -
Men of the Diocese Challenged to Handle the Truth
50¢ February 27, 2011 Think Green Volume 85, No. 8 Recycle this paper Go Green todayscatholicnews.org Serving the Diocese of Fort Wayne-South Bend Go Digital TTODAYODAY’’SS CCATHOLICATHOLIC Seniors Seniors in love and seniors offer works of charity Men of the diocese challenged Page 10-13 to handle the truth Upcoming Marriage Conference BY TIM JOHNSON Alexanders to share story FORT WAYNE — “You and I are called to be men of the Gospel of Jesus Christ. We are called to be men of Page 4 the Eucharist. We are called to live the truth in charity. In a word, we are called to be saints.” These words of Bishop Kevin C. Rhoades during his homily at the Mass that concluded the first Diocesan Men’s Conference on Saturday, Feb. 19, summed up the mes- School Choice sage that was heard by 1,300 men gathered from across Endorsement from state the diocese and beyond. The first Diocesan Men’s Conference with the superintendent theme, “Can You Handle the Truth,” was sponsored by the Diocese of Fort Wayne-South Bend and Rekindle Page 5 the Fire men’s ministry, prominent at St. Vincent de Paul Parish in Fort Wayne, which was active in the promotion and presentation of the conference, includ- ing a display of stage fireworks at the opening of the Permanent deacon event. Throughout the day, W. Keith Moore, a Catholic candidates singer-songwriter from Nashville, Tenn., and Oxford, Miss., shared his music and told his story of conver- Meet the Byrnes sion from being an Evangelical Protestant and Methodist to finding the Catholic faith. -
Yes, Virginia, Another Ballo Tragico: the National Library of Portugal’S Ballet D’Action Libretti from the First Half of the Nineteenth Century
YES, VIRGINIA, ANOTHER BALLO TRAGICO: THE NATIONAL LIBRARY OF PORTUGAL’S BALLET D’ACTION LIBRETTI FROM THE FIRST HALF OF THE NINETEENTH CENTURY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Ligia Ravenna Pinheiro, M.F.A., M.A., B.F.A. Graduate Program in Dance Studies The Ohio State University 2015 Dissertation Committee: Karen Eliot, Adviser Nena Couch Susan Petry Angelika Gerbes Copyright by Ligia Ravenna Pinheiro 2015 ABSTRACT The Real Theatro de São Carlos de Lisboa employed Italian choreographers from its inauguration in 1793 to the middle of the nineteenth century. Many libretti for the ballets produced for the S. Carlos Theater have survived and are now housed in the National Library of Portugal. This dissertation focuses on the narratives of the libretti in this collection, and their importance as documentation of ballets of the late eighteenth and early nineteenth centuries, from the inauguration of the S. Carlos Theater in 1793 to 1850. This period of dance history, which has not received much attention by dance scholars, links the earlier baroque dance era of the eighteenth century with the style of ballet of the 1830s to the 1850s. Portugal had been associated with Italian art and artists since the beginning of the eighteenth century. This artistic relationship continued through the final decades of the eighteenth and the first half of the nineteenth century. The majority of the choreographers working in Lisbon were Italian, and the works they created for the S. Carlos Theater followed the Italian style of ballet d’action. -
The Religiosity of the Book of Song of Songs in Context
THE RELIGIOSITY OF THE BOOK OF SONG OF SONGS IN CONTEXT by PIETER VAN DER ZWAN submitted in accordance with the requirements for the degree DOCTOR OF THEOLOGY in the subject OLD TESTAMENT at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROF E H SCHEFFLER MARCH 2012 in loving memory of YVONNE VAN JAARSVELD (22 July 1957 – 11 August 1999) who taught me ִּכי- ַע ָּזה ַכ ָּמוֶת ַא ֲה ָּבה ABSTRACT Despite its chequered interpretational history, the book of Shîr ha-Shîrîm (Song of Songs) in the Hebrew Bible and Christian Old Testament has still not come to its fullest religious potential. The reason is that it has mainly served relatively closed religious traditions defined by the exclusion of those that have reacted against it. As the text of Song of Songs itself does not explicitly testify to any religiosity, these communities have understood it religiously by projecting their own predetermined needs and beliefs onto it. The text does, however, suggest several layers in the history of its formation, representing different levels of consciousness and stages of religiosity. In the postmodern globalising context where the importance of interfaith understanding is increasingly realised and the nature of human religiosity is constantly redefined in terms of ever-broadening horizons, the religiosity of the book has been stretched as wide as possible by also taking into consideration the ancient contextual influences which could have left their traces on the unconscious mind of its author(s) and redactor(s). To this end, the transpersonal psychological theory of Kenneth Wilber as interpreted by Michael Washburn has been used. -
Mineral Masterpieces of Mexico
MINERAL MASTERPIECES OF MEXICO г Amethyst , 12.7 cm. La Sopressa Mine, Amatitlan, Guerrero, Mexico. б Wulfenite with Cerussite , 5.7 cm. Los Lamentos, Chihuahua, Mexico. Я Cumengeite , 2.5 cm. Amelia Mine, Santa Rosalia, Boleo District, Baja California Sur, Mexico. в Manganoadamite , 7.6 cm. Ojuela Mine, Mapimi, Durango, Mexico. б Smithsonite with Hemimorphite , 7.6 cm. The San Antonio Mine, Santa Eulalia, Chihuahua, Mexico. г Acanthite (paramorph after argentite) on Calcite , 10.2 cm. La Sirena Mine, Guanajuato, Mexico. Collection and photo: Stuart Wilensky. Я Mimetite , 11.4 cm. Congreso-Leon Mine, San Pedro Corralitos, Chihuahua, Mexico. THE DUKE LEUCHTENBERG COLLECTION IN THE MINERALOGICAL STATE COLLECTION, MUNICH Dr. Rupert Hochleitner Mineralogische Staatssammlung, M ünchen , [email protected] The Mineralogical State Collection (Mineralogische Staats - sammlung M ünchen) is a research institution that forms part of the МBavarian Natural History Collections. Its scientific tasks include the collection, storage and study of the minerals forming our planet earth and the other planets of our solar system. One focus is, of course, on Bavarian minerals. Other main research topics are meteorites (especially those of martian origin), CSH phases, phos - phate minerals, archeometry and biomineralisation. The Mineralogical State Collec - tion is also engaged in public education. This is done through the Museum " Kingdom of Crystals " (Museum Reich der Kristalle), located in Munich. It presents a didactically structured exhibition and gives a highly aesthetic insight into the world of minerals, crystals and gemstones. Special exhibitions show additional themes such as diamonds, stones from Mars, and jewels. Numerous lectures and guided tours through the museum, as well as the advanced training opportunities for teachers, pupils and students, are designed to make the visitors aware of the mineralogical treasures of our planet.