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Celtic-Colours-Guide-2019-1
11-19 October 2019 • Cape Breton Island Festival Guide e l ù t h a s a n ò l l g r a t e i i d i r h . a g L s i i s k l e i t a h h e t ò o e c b e , a n n i a t h h a m t o s d u o r e r s o u ’ a n d n s n a o u r r a t I l . s u y l c a g n r a d e h , n t c e , u l n l u t i f u e r h l e t i u h E o e y r r e h a t i i s w d h e e e d v i p l , a a v d i b n r a a t n h c a e t r i a u c ’ a a h t a n a u h c ’ a s i r h c a t l o C WELCOME Message from the Atlantic Canada Message de l’Agence de promotion A Message from the Honourable Opportunities Agency économique du Canada atlantique Stephen McNeil, M.L.A. Premier Welcome to the 2019 Celtic Colours Bienvenue au Celtic Colours On behalf of the Province of Nova International Festival International Festival 2019 Scotia, I am delighted to welcome you to the 2019 Celtic Colours International Tourism is a vital part of the Atlantic Le tourisme est une composante Festival. -
Round Dances Scot Byars Started Dancing in 1965 in the San Francisco Bay Area
Syllabus of Dance Descriptions STOCKTON FOLK DANCE CAMP – 2016 – FINAL 7/31/2016 In Memoriam Floyd Davis 1927 – 2016 Floyd Davis was born and raised in Modesto. He started dancing in the Modesto/Turlock area in 1947, became one of the teachers for the Modesto Folk Dancers in 1955, and was eventually awarded the Lifetime Achievement Award for dance by the Stanislaus Arts Council. Floyd loved to bake and was famous for his Chocolate Kahlua cake, which he made every year to auction off at the Stockton Folk Dance Camp Wednesday auction. Floyd was tireless in promoting folk dancing and usually danced three times a week – with the Del Valle Folk Dancers in Livermore, the Modesto Folk Dancers and the Village Dancers. In his last years, Alzheimer’s disease robbed him of his extensive knowledge and memory of hundreds, if not thousands, of folk dances. A celebration for his 89th birthday was held at the Carnegie Arts Center in Turlock on January 29 and was attended by many of his well-wishers from all over northern California. Although Floyd could not attend, a DVD was made of the event and he was able to view it and he enjoyed seeing familiar faces from his dancing days. He died less than a month later. Floyd missed attending Stockton Folk Dance Camp only once between 1970 and 2013. Sidney Messer 1926 – 2015 Sidney Messer died in November, 2015, at the age of 89. Many California folk dancers will remember his name because theny sent checks for their Federation membership to him for nine years. -
Be Square Caller’S Handbook
TAble of Contents Introduction p. 3 Caller’s Workshops and Weekends p. 4 Resources: Articles, Videos, etc p. 5 Bill Martin’s Teaching Tips p. 6 How to Start a Scene p. 8 American Set Dance Timeline of Trends p. 10 What to Call It p. 12 Where People Dance(d) p. 12 A Way to Begin an Evening p. 13 How to Choreograph an Evening (Programming) p. 14 Politics of Square Dance p. 15 Non-White Past, Present, Future p. 17 Squeer Danz p. 19 Patriarchy p. 20 Debby’s Downers p. 21 City Dance p. 22 Traveling, Money, & Venues p. 23 Old Time Music and Working with Bands p. 25 Square Dance Types and Terminology p. 26 Small Sets p. 27 Break Figures p. 42 Introduction Welcome to the Dare To Be Square Caller’s handbook. You may be curious about starting or resuscitating social music and dance culture in your area. Read this to gain some context about different types of square dancing, bits of history, and some ideas for it’s future. The main purpose of the book is to show basic figures, calling techniques, and dance event organizing tips to begin or further your journey as a caller. You may not be particularly interested in calling, you might just want to play dance music or dance more regularly. The hard truth is that if you want trad squares in your area, with few ex- ceptions, someone will have to learn to call. There are few active callers and even fewer surviving or revival square dances out there. -
201202 Feb IMDA
February1 Irish Music & 2012 Dance Association Feabhra 30th Year, Issue No. 2 The mission of the Irish Music and Dance Association is to support, coordinate, encourage and promote high quality activities and programs in Irish music, dance, and other cultural traditions within the community and to insure the continuation of those traditions. St. Patrick ’s Day Inside this issue: Tune of the Month 2 is on Saturday This Year Gaelic Corner 3 st IMDA is hoping that you’ve already marked your calendars for our 31 Annual February Calendar 8-9 St. Patrick’s Day Irish Celebration – on Saturday, March 17, 2012. And (big change) our 10 th Day of Irish Dance – on Sunday, March 18 ! We’re looking An Leabhragán 12 forward to two wonderful days of Irish music, dance, culture – fun for the whole Cu Ceoil 13 family. The Ceili Calendar 14 Smidirini 15 What’s new for St. Patrick’s Day 2012? ♣ New bands – The Langer’s Ball, Highland Paddy, The Gibbons’ Band, and Glengariff (these last three were top selections in the Irish Got Talent contest at Irish Fair ) What about the good stuff from the past? ♣ Music from Clairseach , Dunquin , the Eddies , the Giggin’ Síles , Handful of Fun , Legacy, Locklin Road , Black Rose Roisin Dubh , Tara Hill , Two Tap Trio, and the Wild Colonial Bhoys. And student ensembles (young and not so young) from the Center for Irish Music . ♣ Irish dance by Corda Mor Irish Dancers, O’Shea Irish Dance , Rince na Chroi , and St. Paul Irish Dancers , as well as Biddies Galore and Emerald Isle , Green Fire Irish Dancers , Knocknagow Irish Dancers , and Mooncoin Ceili Dancers . -
American Square Dance Vol. 39, No. 3 (Mar. 1984)
MARCH 1984 AMERICAN ro Single Copy $1.00 SQURRE ORNCE Annual $9.00 A VERY SPECIAL VACATION OPPORTUNITY! After attending the 1984 National Square Dance Convention in Baltimore....Fly with us to Bermuda ENJOY 5 DAYS AND 4 NIGHTS IN "VERY BRITISH" BERMUDA We, with Richards World of Travel, 1201A Potomac Avenue, Hagerstown, Maryland 'WM,* #4 x 21740, have arranged a very special Bermuda vacation trip for July 1-5, to immediately follow our National Square Dance Convention in Baltimore, June 28-30, 1984. Bermuda' is just a 2-hour flight from BWI Airport, and we have made complete arrangements for you every step of the way. LOEWS BERMUDA BEACH HOTEL 5699 +10% tax & service Includes breakfast, dinner daily. Price is per-person, based on double occupancy. Make your reservation now by making 550 deposit, and taking advantage (if you wish) of our 550-a-month "Save now to travel later"' Plan. SEND POST-CONVENTION INFORMATION Name Send coupon at right to: Iry and Betty Easterday Address Route 2, Box 100 Boonsboro, MD 21713 Betty & lry Phone Phone (301) 733-0960 1 AMERICAN f%) 51,JURRE DRNCE VOLUME 39, No. 3 MARCH 1984 THE NATIONAL MAGAZINE WITH THE SWINGING LINES T11111 TIT TrilrTPACITIT T TT TIT T I ASD FEATURES FOR ALL SQUARE DANCE SCENE 4 Co-editorial 35 Speaking of Singles 47 33rd National Convention 5 By-Line 57 Challenge Chatter 7 Meanderings 72 International News 11 Square Dance March 13 When The Rails Went Down. 102 Date-Line 15 Ohio Youth Camp 17 Communication OUR READERS SPEAK 19 Hello Dolly 6 Grand Zip 21 Starting A Singles Club 27 Rave 23 Linelight 31 Feedback 25 State Line 76 Straight Talk 29 Hem-Line 33 Encore ROUNDS 34 Top 0' the Line 39 Best Club Trick 53 Cue Tips 41 Plumb Line 67 Facing the L.O.D. -
Boston Symphony Orchestra Concert Programs, Season 115, 1995-1996
BOSTON • s, •<».^: SYMPHONY ORCHESTRA v SEIJIOZAWA MUSIC DIRECTOR 9 6 S E O N The security of a trust, Fidelity investment expertise. A Classic Composition '****? \*&T~~ Fidelity Just as a Beethoven score is at its JdfeJ^-best when performed by a world- ** Pergonal \* class symphony — so, too, should your trust assets be managed by Tru<tt *g£ a financial company recognized Servicer globally for its investment expertise. Fidelity Investments. Xhat's why Fidelity now offers a managed trust or personalized >»^~~i»vestment management account 5*foryour portfolio of $400,000 or more. For more "information, visit , a Fidelity Investor Center or call Fidelity Pergonal Triut Service** at ' 1-800-854-2829. Visit a Fidelity Investor Center Near You: Boston - Back Bay • Boston - Financial District Braintree, MA • Burlington, MA Fidelity investments" SERVICES OFFERED ONLY THROUGH AUTHORIZED TRUST COMPANIES. TRUST SERVICES VARY BY STATE. FIDELITY BROKERAGE SERVICES, INC., MEMBER NYSE, SIPC. Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Fifteenth Season, 1995-96 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice- Chairman Harvey Chet Krentzman, Vice-Chairman Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. Robert B. Newman James F. Cleary Deborah B. Davis Allen Z. Kluchman Robert P. O'Block John E. Cogan, Jr. Nina L. Doggett George Krupp Peter C. Read Julian Cohen Avram J. Goldberg R. Willis Leith, Jr. -
Vallelyn Phd2018.Pdf
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Beyond the tune: new Irish music Author(s) Vallely, Niall Publication date 2018 Original citation Vallely, N. 2018. Beyond the tune: new Irish music. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2018, Niall Vallely. http://creativecommons.org/licenses/by-nc-nd/3.0/ Embargo information Not applicable Item downloaded http://hdl.handle.net/10468/7021 from Downloaded on 2021-10-10T08:36:19Z Ollscoil na hÉireann, Corcaigh National University of Ireland, Cork Beyond the Tune: New Irish Music Thesis presented by Niall Vallely For the degree of Doctor of Philosophy University College Cork School of Music and Theatre Head of School: Prof. Jools Gilson Supervisor: John Godfrey 2018 2 Table of Contents Declaration 4 List of accompanying musical scores and CD 5 Acknowledgements 6 Preface 7 Chapter 1 Introduction and Background 8 Education 9 Performance 12 Impact of cross-cultural music 14 Chapter 2 Context and Influences 17 Seán Ó Riada 17 Shaun Davey 18 Mícheál Ó Súilleabháin 19 Other Composers 21 Beyond Genre 23 Chapter 3 Artistic Statement 26 Compositions 27 The Red Tree 28 Sondas 35 Ó Riada Room 37 Time Flying 38 throughother 42 Nothing Else 44 Connolly’s Chair 46 Concertina Concerto 47 Conclusion 50 Appendix 1 List of compositions used in PhD 51 Appendix 2 Complete list of compositions to date 54 Discography 75 3 Bibliography 79 4 Declaration I, Niall Vallely, declare that this dissertation is the result of my own work, except as acknowledged by appropriate reference in the text. -
Martin Carthy Shearwater Mp3, Flac, Wma
Martin Carthy Shearwater mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Shearwater Country: UK Released: 1972 Style: Folk MP3 version RAR size: 1865 mb FLAC version RAR size: 1296 mb WMA version RAR size: 1745 mb Rating: 4.6 Votes: 267 Other Formats: MP4 MMF MP1 APE MP2 AIFF VOX Tracklist A1 I Was A Young Man A2 Banks Of Green Willow A3 Handsome Polly-O A4 Outlandish Knight A5 He Called For A Candle A6 John Blunt B1 Lord Randall B2 William Taylor B3 Famous Flower Of Serving Men B4 Betsy Bell And Mary Gray Companies, etc. Printed By – E.J. Day Group Credits Arranged By, Vocals, Acoustic Guitar – Martin Carthy Art Direction, Design – David Berney Wade, Farrell Engineer – Jerry Boys Photography By – Keith Morris Producer – Terry Brown Vocals – Maddy Prior (tracks: B4) Written-By – Traditional Notes The LP includes a one-sided printed sheet with notes on all songs (probably written by Martin Carthy) and a contact print with a sequence of 14 photographs of Carthy in a studio. Other versions Category Artist Title (Format) Label Category Country Year Martin Shearwater (LP, CREST 008 Mooncrest CREST 008 UK 1991 Carthy Album, RE) Martin Shearwater (CD, CAS 36210-2 Castle Music CAS 36210-2 US 2005 Carthy Album) Martin Shearwater (CD, Mooncrest, TWA CRESTCD 008 CRESTCD 008 UK 1991 Carthy Album, RE) Records Martin Shearwater (CD, CMQCD1096 Castle Music CMQCD1096 UK 2005 Carthy Album, RE) Martin Shearwater (8-Trk, Y8PEG 12 PEG Y8PEG 12 UK 1972 Carthy Album) Related Music albums to Shearwater by Martin Carthy Roy Bailey - Roy Bailey Martin Carthy And Dave Swarbrick - Both Ears And The Tail Various - Classic Folk Guitar Martin Carthy - Signs Of Life Brass Monkey - The Complete Brass Monkey Spiers & Boden - The Works Ray Fisher - Traditional Songs Of Scotland Eliza Carthy - Anglicana Various - English Originals Eliza Carthy, Hannah James, Hannah Read, Hazel Askew, Jenn Butterworth, Jenny Hill , Karine Polwart, Kate Young , Mary Macmaster, Rowan Rheingans - Songs Of Separation. -
Beyond the St Marylebone Workhouse: Songs of London Life Gone By
Beyond the St Marylebone Workhouse: songs of London life gone by A music resource for schools and SEN settings by Hazel Askew Created with support from The National Lottery Heritage Fund as part of the St Marylebone Changing Lives project. The English Folk Dance and Song Society The English Folk Dance and Song Society (EFDSS) is the national development organisation for folk music, dance and related arts, based at Cecil Sharp House, a dedicated folk arts centre and music venue, in Camden, North London. EFDSS creates and delivers creative learning projects for children, young people, adults and families at Cecil Sharp House, across London and around the country; often in partnership with other organisations. Learning programmes draw on the diverse and vibrant traditional folk arts of Britain and beyond, focusing on song, music, dance and related art forms such as storytelling, drama, and arts and crafts. www.efdss.org/education Vaughan Williams Memorial Library Cecil Sharp House is also home to EFDSS’s Vaughan Williams Memorial Library (VWML), England’s national folk music and dance archive, which provides free online access to over 200,000 searchable folk manuscripts and other materials. www.vwml.org/ This resource was made in collaboration with St Marylebone Parish Church with support from The National Lottery Heritage Fund as part of the St Marylebone Changing Lives project. Produced by the English Folk Dance and Song Society (EFDSS), 2021 Written by Hazel Askew Songs compiled/arranged by Hazel Askew Recordings by Hazel Askew Edited by Esbjorn Wettermark Photos and illustrations in common domain or used with permission Photo of Hazel Askew by Elly Lucas Copyright © English Folk Dance and Song Society This resource, with the accompanying audio tracks, is freely downloadable from the EFDSS Resource Bank: www.efdss.org/resourcebank Permission is granted to make copies of this material for non-commercial educational purposes. -
Annual Report Glasgow Fiddle Workshop 2013
Annual Report 2013-2014 ANNUAL REPORT GLASGOW FIDDLE WORKSHOP 2013– 2014 CHARITY NUMBER: SCO29502 1 Annual Report 2013-2014 CONTACT DETAILS Web page http://www.glasgowfiddle.org.uk Email [email protected] Telephone 0141 564 7399 Address Glasgow Fiddle Workshop Stow College 43 Shamrock Street Glasgow G4 9LD 0141 564 7399 2 Annual Report 2013-2014 AIMS Our formal statement of objectives, as per our Memorandum and Articles of Association, is as follows: The advancement of education and of the arts, heritage and culture, and in furtherance thereof the company will undertake:- (a) To promote an understanding and appreciation of Scottish traditional music. (b) To provide opportunities for learning to play and sing Scottish traditional music, with an emphasis on learning to play by ear. (c) To create a community of people with a common interest in Scottish traditional music (d) To forge links with other organisations who have similar interests. GOVERNANCE In January 1994 the Glasgow Fiddle Workshop (GFW) was formed as a voluntary organisation with a core group of eight, and in November 1999, Glasgow Fiddle Workshop was reconstituted as a Charity. In May 2008 GFW was reconstituted as a Company Limited by Guarantee. BOARD The Board is responsible for managing Glasgow Fiddle Workshop. The Boardholds monthly formal meetings throughout the year and also holds ad-hoc meetings as required. Office bearers are nominated and voted in at Annual General Meeting. The committee has the power to engage volunteers and nominate Directors throughout the year. MEMBERSHIP 2013-2014 Chair: Virginia Anderson/John Newman. Treasurer: Ann Pidgeon. Company Secretary:Cliff Uney. -
Fine Arts Center Playbill; Full Page; Full Color; 4.875 X 7.75 Specs: Electronic Files Should Be in a PDF Format
University of Massachusetts Amherst FINE ARTS CENTER Center Series/Asian Arts & Culture Program March 5 through March 27 PLAYBILL Company Coca-Cola The of trademarks are Symbols Sustainability the and Bottle Contour the POSITIVELY, LIVE Coca-Cola, 2009 © BRAVO. we're in your fridge. and in your corner. proud to support the Fine Arts Center. Coca-Cola Bottling Co of Greenfield 180 Silvio O. Conte Drive Greenfield, MA 01301 (800) 525-3788 please visit www.coca-cola.com 2 We’ve Mastered the Fine Art of Health Care Whether your family is large or small and your medical needs are simple or complex, when your doctor is a member of Baystate Medical Practices, you’re connected to: • A region-wide network of family physicians, internists, pediatricians, and obstetrician/gynecologists • A vast array of physician specialists, from cardiologists and oncologists to pediatric surgeons and gastroenterologists • Hospital-based physician services, with a staff of doctors specially trained to care for hospital patients • All the resources of Baystate Health, with its academic 4.875 x 7.75 medical center, children’s hospital, and cancer center For a referral to a Baystate doctor, call 800-377-4325. baystatehealth.org/bmp 3 Symphony Springfield 093572_BMP_FineArt_UMASS.indd 1 8/13/09 3:02:23 PM Your Choice for the Arts Subscribe today 586.1925 4 Perfecting the art of financial planning and putting the spotlight on your future. HB Financial Group LLC 28 Amity Street, 1C | Amherst 413-256-0677 | www.hbfinancialgroup.com Securities and Advisory Services offered through Commonwealth Financial Network®, Member FINRA/SIPC, a Registered Investment Adviser. -
Download Programme Brochure
rcs.ac.uk TRADITIONAL MUSIC Our curriculum recognises that the innovative nature of Scottish traditional music today must be embraced, and that for traditional music to flourish from one generation to another, the creative LIKE development of the individual must go hand-in-hand with an understanding of its roots. You can expect to learn in a busy department where your musical roots NOWHERE ELSE: and creative artistry will be nurtured and developed through one-to-one tuition, academic context, performance opportunities, masterclasses and lots of ensemble work, all aimed at helping OUR MUSIC IS you fulfil your potential. SCOTTISH, BUT OUR DEPARTMENT IS GLOBAL BMus: Four years, full-time “RCS is a world leader in traditional music education with 25 Traditional Music years’ experience in guiding the next generation of artists. rcs.ac.uk/tradmusic We believe that the creative development of the individual is the key to a thriving traditional music scene.” Delivered in partnership with MMus: Two years, full-time MA: One year, full-time rcs.ac.uk/pgtradmusic Head of Traditional Music: Professor Joshua Dickson Within this department, you will explore Scotland’s Why choose us? Your studies Master of Music/Master of Arts unique and dynamic musical traditions as a | RCS is recognised as one of the world’s top three Bachelor of Music with Honours We also offer an MA (one calendar year) or MMus conceptual, critical and creative framework to destinations to study the performing arts (Traditional Music) (two academic years) degree in Traditional Music achieve your distinctively personal voice. which nurtures your existing artistic personality.