Martin Carthy Shearwater Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Martin Carthy Shearwater Mp3, Flac, Wma Martin Carthy Shearwater mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Shearwater Country: UK Released: 1972 Style: Folk MP3 version RAR size: 1865 mb FLAC version RAR size: 1296 mb WMA version RAR size: 1745 mb Rating: 4.6 Votes: 267 Other Formats: MP4 MMF MP1 APE MP2 AIFF VOX Tracklist A1 I Was A Young Man A2 Banks Of Green Willow A3 Handsome Polly-O A4 Outlandish Knight A5 He Called For A Candle A6 John Blunt B1 Lord Randall B2 William Taylor B3 Famous Flower Of Serving Men B4 Betsy Bell And Mary Gray Companies, etc. Printed By – E.J. Day Group Credits Arranged By, Vocals, Acoustic Guitar – Martin Carthy Art Direction, Design – David Berney Wade, Farrell Engineer – Jerry Boys Photography By – Keith Morris Producer – Terry Brown Vocals – Maddy Prior (tracks: B4) Written-By – Traditional Notes The LP includes a one-sided printed sheet with notes on all songs (probably written by Martin Carthy) and a contact print with a sequence of 14 photographs of Carthy in a studio. Other versions Category Artist Title (Format) Label Category Country Year Martin Shearwater (LP, CREST 008 Mooncrest CREST 008 UK 1991 Carthy Album, RE) Martin Shearwater (CD, CAS 36210-2 Castle Music CAS 36210-2 US 2005 Carthy Album) Martin Shearwater (CD, Mooncrest, TWA CRESTCD 008 CRESTCD 008 UK 1991 Carthy Album, RE) Records Martin Shearwater (CD, CMQCD1096 Castle Music CMQCD1096 UK 2005 Carthy Album, RE) Martin Shearwater (8-Trk, Y8PEG 12 PEG Y8PEG 12 UK 1972 Carthy Album) Related Music albums to Shearwater by Martin Carthy Roy Bailey - Roy Bailey Martin Carthy And Dave Swarbrick - Both Ears And The Tail Various - Classic Folk Guitar Martin Carthy - Signs Of Life Brass Monkey - The Complete Brass Monkey Spiers & Boden - The Works Ray Fisher - Traditional Songs Of Scotland Eliza Carthy - Anglicana Various - English Originals Eliza Carthy, Hannah James, Hannah Read, Hazel Askew, Jenn Butterworth, Jenny Hill , Karine Polwart, Kate Young , Mary Macmaster, Rowan Rheingans - Songs Of Separation.
Recommended publications
  • Celtic-Colours-Guide-2019-1
    11-19 October 2019 • Cape Breton Island Festival Guide e l ù t h a s a n ò l l g r a t e i i d i r h . a g L s i i s k l e i t a h h e t ò o e c b e , a n n i a t h h a m t o s d u o r e r s o u ’ a n d n s n a o u r r a t I l . s u y l c a g n r a d e h , n t c e , u l n l u t i f u e r h l e t i u h E o e y r r e h a t i i s w d h e e e d v i p l , a a v d i b n r a a t n h c a e t r i a u c ’ a a h t a n a u h c ’ a s i r h c a t l o C WELCOME Message from the Atlantic Canada Message de l’Agence de promotion A Message from the Honourable Opportunities Agency économique du Canada atlantique Stephen McNeil, M.L.A. Premier Welcome to the 2019 Celtic Colours Bienvenue au Celtic Colours On behalf of the Province of Nova International Festival International Festival 2019 Scotia, I am delighted to welcome you to the 2019 Celtic Colours International Tourism is a vital part of the Atlantic Le tourisme est une composante Festival.
    [Show full text]
  • The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
    L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic.
    [Show full text]
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
    [Show full text]
  • BOSTON IRISH Reporter Bostonirish.Com
    March 2016 Boston’s hometown VOL. 27 #3 journal of Irish culture. $2.00 Worldwide at All contents copyright © 2016 Boston Neighborhood News, Inc. bostonirish.com THE SEISÚN Painting by Vincent Crotty A RISING TIDE OF REBELLION Parade, breakfast In March 1916, Boston’s Irish were divided over the move toward armed revolt in Dublin set for March 20 By JennIFer SmIth By Peter F. StevenS House, and everywhere else the local rePorter StaFF BIr StaFF Irish gathered. Many members of The South Boston St. Patrick’s Day Parade will likely Third in a four-part series. the A.O.H. (Ancient Order of Hiber- march along its normal route on March 20th, organizers In Boston and other Irish-Amer- nians) and especially Clan-na-Gael said, returning to the longer trek after snow clogged ican centers in March 1916, few urged insurrection against Britain. the city and shortened the parade last year. knew how close to armed rebellion More conservative organizations According to the website of the South Boston Allied the Irish Republican Brotherhood such as the United Irish League of War Veterans Council, which puts on the parade, and an array of other Irish men and America and the Charitable Irish the route will work east from West Broadway near women in Ireland stood. National- Society – the oldest Irish group in Broadway Station deep into Southie. After moving ists, socialists, workers, intellectu- America – cautioned that blood- along East Broadway, it will turn south on P Street als, and proponents of women’s shed would lead only to disaster and reverse course, heading past Thomas Park and on rights – all had their own agendas, for Ireland, as it had in 1798 – “the down Dorchester Street to end near Andrew Station.
    [Show full text]
  • 14302 76969 1 1>
    11> 0514302 76969 establishment,” he hastened to clarify. “I wish it were called the Legion of Honour, but it’s not.” Still in all, he thinks it’s good for govern- M artin C arthy ments to give cultural awards and is suitably honored by this one, which has previously gone to such outstanding folk performers as Jeannie Robertson. To decline under such circum- stances, he said, would have been “snotty.” Don’t More importantly, he conceives of his MBE as recognition he shares with the whole Call Me folk scene. “I’ve been put at the front of a very, very long queue of people who work hard to make a folk revival and a folk scene,” he said. Sir! “All those people who organized clubs for nothing and paid you out of their own pocket, and fed you and put you on the train the next morning, and put you to bed when you were drunk! What [the government is] doing, is taking notice of the fact that something’s going on for the last more than 40 years. It’s called the folk revival. They’ve ignored it for that long. And someone has suddenly taken notice, and that’s okay. A bit of profile isn’t gonna hurt us — and I say us, the plural, for the folk scene — isn’t gonna hurt us at all.” In the same year as Carthy’s moment of recognition, something happened that did hurt the folk scene. Lal Waterson, Carthy’s sister-in- law, bandmate, near neighbor and close friend, died of cancer.
    [Show full text]
  • Topic Records 80Th Anniversary Start Time: 8Pm Running Time: 2 Hours 40 Minutes with Interval
    Topic Records 80th Anniversary Start time: 8pm Running time: 2 hours 40 minutes with interval Please note all timings are approximate and subject to change Martin Aston discusses the history behind the world’s oldest independent label ahead of this collaborative performance. When Topic Records made its debut in 1939 with Paddy Ryan’s ‘The Man That Waters The Workers’ Beer’, an accordion-backed diatribe against capitalist businessmen who underpay their employees, it’s unlikely that anyone involved was thinking of the future – certainly not to 2019, when the label celebrates its 80th birthday. In any case, the future would have seemed very precarious in 1939, given the outbreak of World War II, during which Topic ceased most activity (shellac was particularly hard to source). But post-1945, the label made good on its original brief: ‘To use popular music to educate and inform and improve the lot of the working man,’ explains David Suff, the current spearhead of the world’s oldest independent label – and the undisputed home of British folk music. Tonight at the Barbican (where Topic held their 60th birthday concerts), musical director Eliza Carthy – part of the Topic recording family since 1997, though her parents Norma Waterson and Martin Carthy have been members since the sixties and seventies respectively - has marshalled a line-up to reflect the passing decades, which hasn’t been without its problems. ‘We have far too much material, given it’s meant to be a two-hour show!’ she says. ‘It’s impossible to represent 80 years – you’re talking about the left-wing leg, the archival leg, the many different facets of society - not just communists but farmers and factory workers - and the folk scene in the Fifties, the Sixties, the Seventies..
    [Show full text]
  • Summer 2013 and Music Club Snape and Potiphar’S Apprentices
    NNootteess The Newsletter of Readifolk Issue 18 Reading's folk song Summer 2013 and music club Snape and Potiphar’s Apprentices. You can read all about these me two acts, as well as all the other artists who are appearing at Welco the club during the coming quarter, in the preview section on pages 4 and 5. to another Readifolk Do make a special note of our Grand Charity Concert on 14 newsletter July which features our very own band Rye Wolf. Rye Wolf play a mix of traditional and self­penned songs in true folk style and Rumblings from the Roots are rapidly making a name for themselves in the local area and further afield. The concert is in support of the local community Welcome to the Summer edition of Notes. radio station, Reading4U, which is of course where many of the band performers and others from Readifolk broadcast the Once again our editor has managed to put together a weekly Readifolk Radio Show (Friday evenings 6 ­ 8 pm on newsletter packed with interesting articles and information www.reading4u.co.uk). Reading Community Radio is run which we hope you will enjoy reading. We thank all of the entirely by volunteers ­ there are no paid employees, and it contributors to this issue of Notes for their considerable efforts. relies on donations, sponsorship etc. for its funding. We hope that with your help this concert will be able to make a sizeable As usual you will find on the back page the full programme of contribution to those funds. events at Readifolk during the next three months.
    [Show full text]
  • Track Artist Album Format Ref # Titirangi Folk Music Club
    Titirangi Folk Music Club - Library Tracks List Track Artist Album Format Ref # 12 Bar Blues Bron Ault-Connell Bron Ault-Connell CD B-CD00126 12 Gates Bruce Hall Sounds Of Titirangi 1982 - 1995 CD V-CD00031 The 12th Day of July Various Artists Loyalist Prisoners Aid - UDA Vinyl LP V-VB00090 1-800-799-7233 [Live] Saffire - the Uppity Blues Women Live & Uppity CD S-CD00074 1891 Bushwackers Faces in the Street Vinyl LP B-VN00057 1913 Massacre Ramblin' Jack Elliot The Essential Ramblin' Jack Elliot Vinyl LP R-VA00014 1913 Massacre Ramblin' Jack Elliot The Greatest Songs of Woodie Guthrie Vinyl LP X W-VA00018 The 23rd of June Danny Spooner & Gordon McIntyre Revived & Relieved! Vinyl LP D-VN00020 The 23rd Of June the Clancy Brothers & Tommy Makem Hearty And Hellish Vinyl LP C-VB00020 3 Morris Tunes - Wheatley Processional / Twenty-ninth of May George Deacon & Marion Ross Sweet William's Ghost Vinyl LP G-VB00033 3/4 and 6/8 Time Pete Seeger How to play the Old Time Banjo Vinyl LP P-VA00009 30 Years Ago Various Artists & Lindsey Baker Hamilton Acoustic Music Club CD H-CD00067 35 Below Lorina Harding Lucky Damn Woman CD L-CD00004 4th July James RAy James RAy - Live At TFMC - October 2003 CD - TFMC J-CN00197 500 Miles Peter Paul & Mary In Concert Vinyl LP X P-VA00145 500 Miles Peter Paul & Mary Best of Peter, Paul & Mary: Ten Years Together Vinyl LP P-VA00101 500 Miles The Kingston Trio Greatest Hits Vinyl LP K-VA00124 70 Miles Pete Seeger God Bless the Grass Vinyl LP S-VA00042 900 Miles Cisco Houston The Greatest Songs of Woodie Guthrie Vinyl LP
    [Show full text]
  • A Folkrocker's Guide
    A FOLKROCKER’S GUIDE – FOLKROCKENS FRAMVEKST 1965–1975 «The eletricifcation of all this stuf was A FOLKROCKER’S GUIDE some thing that was waiting to happen» TO THE UNIVERSE •1965–1975 – Martin Carthy «Folkrock» ble først brukt i 1965 som betegnelse på på Framveksten av folkrock i USA I Storbritania, i motsetning til i USA, kom «folkrock» til amerikanske musikere som The Byrds, den elektrifserte Bob og UK i tiåret 65–75 skapte Dylan, Simon & Garfunkel og – pussig nok – Sonny & Cher. mye av inspirasjonen for den å betegne elektrisk musikk basert på tradisjonell folke- Likevel er det i større grad møtet mellom rock og folkemusikk moderne visebølgen i Norden. musikk. i Storbritannia ca 1969–70 som ble bestemmende for hva vi Vi har bedt Morten Bing om å skrive om dette. Han er kon- på 1970-tallet kom til å legge i begrepet her hjemme. servator ved Norsk Folkemu- som hadde bakgrunn i folkrevivalen, en sanger og en felespiller – Sandy seum og var initiativtaker til men som allerede hadde forlatt Denny og Dave Swarbrick – som MORTEN BING Norges første folkrock gruppe tradisjonell folkemusikk til fordel for begge hadde bakgrunn i den Folque i 1973. egenskrevne låter. britiske folkrevivalen. Det var denne rdet «folke-rock» kombinasjonen, og resultatet, LP’n ble brukt første gang Dylan og Byrds Gruppa har sin kanskje siste På mange måter kan en si at den konsert på Rockefeller i Oslo Liege & Lief (1969), som var begyn- i Billboard 12.06.1965, engelske utviklingen gikk mot- nelsen på den britiske folkrocken. i en artikkel om Bob En viktig katalysator for framveksten 18.
    [Show full text]
  • The Watersons the Definitive Collection Mp3, Flac, Wma
    The Watersons The Definitive Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: The Definitive Collection Country: UK Released: 2003 Style: Folk MP3 version RAR size: 1203 mb FLAC version RAR size: 1609 mb WMA version RAR size: 1410 mb Rating: 4.5 Votes: 881 Other Formats: AHX AUD MP4 AU MP1 MMF DTS Tracklist 1 God Bless The Master 3:05 2 Dido Bendigo 2:53 3 The Welcome Sailor 3:12 4 Emmanuel 2:48 5 Idumea 1:48 6 The Still And Silent Ocean 4:25 7 Fathom The Bowl 2:52 8 Fare Thee Well Cold Winter 2:32 9 The Holmfirth Anthem 1:58 10 Stormy Winds 3:10 11 Rosebuds In June 3:15 12 Bellman 3:55 13 Sleep On Beloved 3:03 14 Swansea Town 4:18 15 The Beggar Man 3:26 16 Amazing Grace 4:38 17 The Old Churchyard 3:23 18 Adieu Sweet Lovely Nancy 3:38 19 Malpas Wassail 4:11 Companies, etc. Phonographic Copyright (p) – Topic Records Ltd. Copyright (c) – Topic Records Ltd. Licensed From – Topic Records Ltd. Published By – Concorde International Management Consultants Ltd. Published By – Gwyneth Music Ltd. Published By – Topic Records Ltd. Published By – MCS Music Limited Published By – Free Reed Music Published By – April Music Ltd. Published By – Mole Music Ltd Credits Accompanied By – Gabriel's Horns (tracks: 4) Concertina [Anglo-concertina] – Tony Engle (tracks: 15) Fiddle – Peta Webb (tracks: 15) Guitar – Martin Carthy Melodeon – Rod Stradling (tracks: 15) Performer – Anthea Bellamy (tracks: 16), Barry Coope (tracks: 18), Blue Murder (tracks: 18), Eliza Carthy (tracks: 13, 17, 18), Jim Boyes (tracks: 18), Jim
    [Show full text]
  • Morris Matters Vol 19 Issue 1
    Volume19. Number 1. M0RRiS MAJTERS Vol UME l 9 UMbrn l JANUARY 2000 r/l/.l/l/l/.l/l/l/l/.l/.l/l/.l/l/l/l/l/.ll/l'/l/.l/.l/l/l/l/l/l/,l/l/l/l/l/l/l/l/l/l/l/.1111'/I/I/I/I/I/IW/I/I/.IY,l//t,W/I/I/.I/.I/.IY.I/I/.IYI/I/.I/I/I/.IY.IYI/.I/.IY.IY-'/""'/l/l/2'-/-l'YI/.IY~ i ~ ~ ~ j, Contents I ~ ,, l p ~ ~ age I I j Editorial ~I 2 ~I i ~ i ! I The End of Morris? 3 I i ~ i by Roy Dommett f l ~ i ! ~ ~ I Where Appalachian meets Morris 6 I i ~ i By AnthonyJohn Allen ~ ~ ~ ~ l = f~ "The Straw Bear and others " - 9 I I being an index of performers participating in Cambridgeshire 's I j Molly Dance and Straw Bear customs up till 1939 I ¾ ~ I by George Frampton i ~ ~ i ~ i l I Noticeboard 21 I ~ , i l ~ ~ I Flashback - a Celebration of English Dance 23 I I by Shirley Dixon I ~ ~ ~ ~ ~ ~ I Book Reviews 28 I l ~ ~ by Fiz Markham I ~ ~ ~ ~ 'J'l/l/l/i/T/,IIIVl/.ill/T/l/l/.l/l/l/l/#/l/l/l/l/#/l/.l/l/l/l/l'/I/.IT/l/l/l/l/l/l/l/,llr/l/l/.llT/l/.l/l/l/l/l/l/l/l'/l/#/I/.I/I/I/I/I/I/I/IYl/l/l/l/l/l/l/l/l/i/T/l/l/l/l/l/l/1'/I/I/~ l"/.l/l/l/l/l/l/l/l/.l/l/l/l'/l/l/l/l/l/l/l/l/l/#/l/l/l/#/l/l/l/l/l/l/l/l/l/l/.l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/211'/I/I/I/I/I/I/I/I/I/I/I/I/I/I/I/I/I/I~ l l i I j Morris Matters is published twice a year by Beth Neill I I 27 Nortoft Road , Chalfont St Peter , Bucks SL9 OLA; phone 01494 871465 I ,,I Ii l ~ I Subscriptions are £5 for two issues (EU countries; or £7 outside these areas) published in j i ,, i January and July .
    [Show full text]
  • Ashley Hutchings Son of Morris on Mp3, Flac, Wma
    Ashley Hutchings Son Of Morris On mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Son Of Morris On Country: Netherlands Released: 1977 Style: Folk Rock, Folk MP3 version RAR size: 1328 mb FLAC version RAR size: 1960 mb WMA version RAR size: 1858 mb Rating: 4.1 Votes: 940 Other Formats: DMF AA APE VQF MP2 RA MP3 Tracklist Hide Credits Winster Processional A1 Arranged By – Morris*, A. Hutchings*, J. Watcham*Bass – Ashley HutchingsConcertina – John WatchamDrums – Michael Gregory Featuring – Albion Morris MenGuitar – Simon Nicol Monck's March Arranged By – Morris*, A. Hutchings*, J. Watcham*Bagpipes – Phil Pickett*Bass – Ashley A2 HutchingsConcertina – John WatchamDrums – Michael Gregory Featuring – Albion Morris MenGuitar – Simon Nicol Old Hog Or None A3 Arranged By – A. Hutchings*, M. Carthy*Guitar – Martin Carthy As I Was Going To Banbury A4 Arranged By – J. Tams*Bass – Ashley HutchingsBassoon [Curtal] – Phil Pickett*Guitar – Simon NicolPercussion – Michael Gregory Vocals, Concertina – John Tams The Happy Man A5 Arranged By – A. Hutchings*Bassoon [Curtal] – Phil Pickett*Featuring – Adderbury Village Morris MenFiddle – James PlesterMelodeon – John TamsPercussion [Tabor] – Michael Gregory Fieldtown Processional / Glorishears A6 Arranged By – A. Hutchings*, J. Watcham*Bass – Ashley HutchingsBassoon [Curtal] – Phil Pickett*Concertina – John WatchamDrums – Michael Gregory Guitar – Simon Nicol Bob & Joan A7 Arranged By – A. Hutchings*, J. Tams*Featuring – John Tams Ladies Of Pleasure A8 Arranged By – A. Hutchings*, M. Carthy*Bass – Ashley HutchingsConcertina – John Rodd Drums – Dave MattacksGuitar – Martin Carthy Bring Your Fiddle A9 Arranged By – A. Hutchings*, J. Tams*, S. Collins*Recorder – Phil Pickett*Voice [Dialogue] – John Tams, Shirley Collins Jockey To The Fair / Room For The Cuckolds A10 Arranged By – A.
    [Show full text]