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Here Is No Doubt 2020 Has Been One of the Most Challenging Years for People on This Planet
26-28 november 2020 I S L E O F S K Y E www.seall.co.uk seall festival of small halls 2020 | Page 2 Page 3 | wwww.seall.co.uk/small-halls/tickets WE ARE the SEALL Festival of Small Halls, a premier winter festival celebrating community, culture and traditional music on Skye WE BRING big music to small halls and some of the most iconic places on the Isles of Skye and Raasay WE WON the 2019 MG Alba Scottish Traditional Music Award for best community project for our 2018 inaugural festival WE CELEBRATE our unique Island culture around Scotland’s National Day with concerts and a St Andrew’s Night Big Cèilidh WE SHOWCASE Scotland’s best traditional musicians in some of the most remote and beautiful rural locations in the UK WE DELIVER an amazing programme of concerts, workshops and sessions to communities and visitors WE ARE SEALL One of Scotland’s leading rural performing arts promoters WE LOOK FORWARD TO WELCOMING YOU seall festival of small halls 2020 | Page 4 A FEW WORDS ABOUT 2020 By engaging some of Scotland’s most remote rural On Saturday 28 November, the highly popular Small Halls Big communities in a winter celebration of the traditional music Cèilidh will take place live-streamed from the Sligachan Hotel in and heritage of the Highlands and Islands, the SEALL Festival of honour of Scotland’s national day. This year’s event is also part of Small Halls focuses on the importance of the community hall as a the philanthropic St Andrew’s Fair Saturday Festival and will raise space in which to gather and unite. -
View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
Celtic-Colours-Guide-2019-1
11-19 October 2019 • Cape Breton Island Festival Guide e l ù t h a s a n ò l l g r a t e i i d i r h . a g L s i i s k l e i t a h h e t ò o e c b e , a n n i a t h h a m t o s d u o r e r s o u ’ a n d n s n a o u r r a t I l . s u y l c a g n r a d e h , n t c e , u l n l u t i f u e r h l e t i u h E o e y r r e h a t i i s w d h e e e d v i p l , a a v d i b n r a a t n h c a e t r i a u c ’ a a h t a n a u h c ’ a s i r h c a t l o C WELCOME Message from the Atlantic Canada Message de l’Agence de promotion A Message from the Honourable Opportunities Agency économique du Canada atlantique Stephen McNeil, M.L.A. Premier Welcome to the 2019 Celtic Colours Bienvenue au Celtic Colours On behalf of the Province of Nova International Festival International Festival 2019 Scotia, I am delighted to welcome you to the 2019 Celtic Colours International Tourism is a vital part of the Atlantic Le tourisme est une composante Festival. -
Fall Folk Music Weekend October 17-19 -- See Flyer in Centerfold Table of Contents Society Events Details
Folk Music Society of New York, Inc. September 2008 vol 43, No.8 September 3 Wed Folk Open Sing, 7pm in Brooklyn 8 Mon FMSNY Exec. Board Meeting; 7:15pm location tba 13 Sat Chantey Sing at Seamen’s Church Institute, 8pm. 19 Fri Jeff Warner, 8pm, in Forest Hills, Queens 21 Sun Sacred Harp Singing at St.Bartholomew’s in Manhattan 21 Sun Jeff Warner house concert, 2pm in Sparrowbush, NY October 1 Wed Folk Open Sing 7 pm in Brooklyn 2 Thur Newsletter Mailing, 7pm in Jackson Heights (Queens). 5 Sun Sea Music: tba + NY Packet; 3pm,South St 10 Fri Bob Malenky house concert, 8pm upper west side 11 Sat Chantey Sing at Seamen’s Church Institute, 8pm. 13 Mon FMSNY Exec. Board Meeting; 7:15pm location tba 17-19 Fall Folk Muisc Weekend in Ellenville, NY-- see centerfold 19 Sun Sacred Harp Singing at St.Bartholomew’s in Manhattan 24 Fri Svitanya, vocal workshop 6:30pm; concert 8pm at OSA J; A Daniel Pearl World Music Days Concert Details next pages -- Table of Contents below Fall Folk Music Weekend October 17-19 -- see flyer in Centerfold Table of Contents Society Events details ............2-3 Repeating Events ...................13 Folk Music Society Info ........... 4 Calendar Location Info ...........16 Topical Listing of Events .......... 5 Perples’ Voice Ad ..................18 Weekend Help Wanted ............ 6 FSSGB Weekend Ad ..............18 From The Editor .................... 6 30 Years Ago ......................18 Jeff Warner Concerts ............... 7 Pinewoods Hot Line ..............19 Eisteddfod-NY ....................8-9 Membership Form .................20 Film Festival ........................10 Folk Process ....................... 11 Weekend Flyer ........... centerfold Calendar Listings ................ -
Download PDF 8.01 MB
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Imagining Scotland in Music: Place, Audience, and Attraction Paul F. Moulton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC IMAGINING SCOTLAND IN MUSIC: PLACE, AUDIENCE, AND ATTRACTION By Paul F. Moulton A Dissertation submitted to the College of Music in partial fulfillment of the requirements of the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2008 The members of the Committee approve the Dissertation of Paul F. Moulton defended on 15 September, 2008. _____________________________ Douglass Seaton Professor Directing Dissertation _____________________________ Eric C. Walker Outside Committee Member _____________________________ Denise Von Glahn Committee Member _____________________________ Michael B. Bakan Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii To Alison iii ACKNOWLEDGMENTS In working on this project I have greatly benefitted from the valuable criticisms, suggestions, and encouragement of my dissertation committee. Douglass Seaton has served as an amazing advisor, spending many hours thoroughly reading and editing in a way that has shown his genuine desire to improve my skills as a scholar and to improve the final document. Denise Von Glahn, Michael Bakan, and Eric Walker have also asked pointed questions and made comments that have helped shape my thoughts and writing. Less visible in this document has been the constant support of my wife Alison. She has patiently supported me in my work that has taken us across the country. She has also been my best motivator, encouraging me to finish this work in a timely manner, and has been my devoted editor, whose sound judgement I have come to rely on. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
BOSTON IRISH Reporter Bostonirish.Com
March 2016 Boston’s hometown VOL. 27 #3 journal of Irish culture. $2.00 Worldwide at All contents copyright © 2016 Boston Neighborhood News, Inc. bostonirish.com THE SEISÚN Painting by Vincent Crotty A RISING TIDE OF REBELLION Parade, breakfast In March 1916, Boston’s Irish were divided over the move toward armed revolt in Dublin set for March 20 By JennIFer SmIth By Peter F. StevenS House, and everywhere else the local rePorter StaFF BIr StaFF Irish gathered. Many members of The South Boston St. Patrick’s Day Parade will likely Third in a four-part series. the A.O.H. (Ancient Order of Hiber- march along its normal route on March 20th, organizers In Boston and other Irish-Amer- nians) and especially Clan-na-Gael said, returning to the longer trek after snow clogged ican centers in March 1916, few urged insurrection against Britain. the city and shortened the parade last year. knew how close to armed rebellion More conservative organizations According to the website of the South Boston Allied the Irish Republican Brotherhood such as the United Irish League of War Veterans Council, which puts on the parade, and an array of other Irish men and America and the Charitable Irish the route will work east from West Broadway near women in Ireland stood. National- Society – the oldest Irish group in Broadway Station deep into Southie. After moving ists, socialists, workers, intellectu- America – cautioned that blood- along East Broadway, it will turn south on P Street als, and proponents of women’s shed would lead only to disaster and reverse course, heading past Thomas Park and on rights – all had their own agendas, for Ireland, as it had in 1798 – “the down Dorchester Street to end near Andrew Station. -
A Study of Microtones in Pop Music
University of Huddersfield Repository Chadwin, Daniel James Applying microtonality to pop songwriting: A study of microtones in pop music Original Citation Chadwin, Daniel James (2019) Applying microtonality to pop songwriting: A study of microtones in pop music. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34977/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Applying microtonality to pop songwriting A study of microtones in pop music Daniel James Chadwin Student number: 1568815 A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts University of Huddersfield May 2019 1 Abstract While temperament and expanded tunings have not been widely adopted by pop and rock musicians historically speaking, there has recently been an increased interest in microtones from modern artists and in online discussion. -
Boston Symphony Orchestra Concert Programs, Season 115, 1995-1996
BOSTON • s, •<».^: SYMPHONY ORCHESTRA v SEIJIOZAWA MUSIC DIRECTOR 9 6 S E O N The security of a trust, Fidelity investment expertise. A Classic Composition '****? \*&T~~ Fidelity Just as a Beethoven score is at its JdfeJ^-best when performed by a world- ** Pergonal \* class symphony — so, too, should your trust assets be managed by Tru<tt *g£ a financial company recognized Servicer globally for its investment expertise. Fidelity Investments. Xhat's why Fidelity now offers a managed trust or personalized >»^~~i»vestment management account 5*foryour portfolio of $400,000 or more. For more "information, visit , a Fidelity Investor Center or call Fidelity Pergonal Triut Service** at ' 1-800-854-2829. Visit a Fidelity Investor Center Near You: Boston - Back Bay • Boston - Financial District Braintree, MA • Burlington, MA Fidelity investments" SERVICES OFFERED ONLY THROUGH AUTHORIZED TRUST COMPANIES. TRUST SERVICES VARY BY STATE. FIDELITY BROKERAGE SERVICES, INC., MEMBER NYSE, SIPC. Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Fifteenth Season, 1995-96 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice- Chairman Harvey Chet Krentzman, Vice-Chairman Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. Robert B. Newman James F. Cleary Deborah B. Davis Allen Z. Kluchman Robert P. O'Block John E. Cogan, Jr. Nina L. Doggett George Krupp Peter C. Read Julian Cohen Avram J. Goldberg R. Willis Leith, Jr. -
Nostalgia in the Media Representations of Female Folk Singers
Rellstab, D. & N. Siponkoski (toim.) 2015. Rajojen dynamiikkaa, Gränsernas dynamik, Borders under Negotiation, Grenzen und ihre Dynamik. VAKKI-symposiumi XXXV 12.–13.2.2015. VAKKI Publications 4. Vaasa, (25–34). Nostalgia in the Media Representations of Female Folk Singers Noora Karjalainen English Studies University of Vaasa Tämä artikkeli tarkastelee naisfolklaulajien nostalgisia mediarepresentaatioita. Artikkelissa kiinnitetään erityistä huomiota siihen, kuinka laulajien esityskieli vaikuttaa heidän representaatioidensa muodostumi- seen. Artikkelin teoreettisena pohjana on käytetty Astrid Erllin kulttuurisen muistin tutkimusta ja mää- ritelmiä ja Svetlana Boymin nostalgia-analyysiä. Analysoimalla laulajien kuvauksia eri tekstilähteissä artikkelissa pyritään selvittämään mitä yhteyksiä folklaulajien representaatioilla on nostalgiaan ja kult- tuurisen muistin eri tasoihin. Keywords: cultural memory, folk music, folk singers, media representations, nostalgia 1 Introduction Nostalgia has a central part in the construction of a folk singer representation, as well as with the imagery connected to folk singers. The artist types for different genres of music are constructed through and preserved on the collective level of cultural memory; in folk music these types are particularly persistent, even though the artists may not ac- tively perform the stereotypical folk singer image. Thus, because of collective memory, if an artist is referred to as a folk singer it might bring to mind a long haired young woman, often alone on the stage playing the guitar and singing sad songs about lost love and heartbreak. This representation, constructed mostly during the 1960s folk revival by and for Joan Baez, Judy Collins and others, is still the prevalent public representation reserved for female folk singers. This article discusses nostalgic representations of female folk singers in different media sources such as digital publications of magazine articles, interviews, and concert and album reviews. -
Diego Laverde
Diego Laverde Course: This is an invitation to explore and expand your repertoire of Latin American music, focused in the Colombian and Venezuelan harp playing. Play individual melodies, learn the main rhythmical struc- tures, supported by another instrument, “el Cuatro”, played by the tutor. Teaching will be delivered by ear but at the end of the course, he will be given written notation of the melodies as well some audio files. Biography: From Bogotá, Colombia , Diego has been playing the "Lla- nera"(low land) harp since 1982 nad has played in several Colombian and Latin American groups. This partivcular harp design is the product of the European influence and has been adopted in a beautifl area between Colombia and Venezuala called "Los Llanos (the plains). In Colombia, he taught in various music academies and was director of the Folkloric group of the Central University of Bogotá. He has toured the world as a musician with the Ballet Fol- klorico Colombiano. Since coming to the united Kingdom, he has been involved in different festivals as a perfor- mer and teacher around England, Scotland, Wales and some countries on the Continent: Edinburgh Harp Festival, Scotland (2003, 2006), Stamford Harp Festival, England (2003, 2004, 2005, 2010), Carnaval del Pueblo, England (2003 and 2004), Mosenberg and Lauterbach Harp Festivals, Germany (2005,2006,2010), Clarsach Society, London Branch Harp Weekend Sept. 2006, Spring String Weekend, Knighton North Wales March 2007, Seduced By Harps, Lommel, Belgium 2009, Royal Albert Hall and Queen Elizabeth Hall, mit seiner Band: “Ensamble Criollo”, Sup- porting Buena Vista Social Club and Salsa Celtica (2009,2010), Glastombury Festival, als Teil der Georgy Pope Band (2010). -
The Musicians______
The musicians_______________________________________________________________________ Ross Ainslie Bagpipes & Whistle Ross hails from Bridge of Earn in Perthshire. He began playing chanter at the age of 8 and like Ali Hutton studied under the watchful eye of the late great Gordon Duncan and was a member of the Vale of Atholl pipe band. Ross also plays with Salsa Celtica, Dougie Maclean's band, India Alba, Tunebook, Charlie Mckerron's trio and in a duo with Irish piper Jarlath Henderson. He released his début solo album "Wide Open" in 2013 which was voted 9th out of 50 in the Sunday Herald "The Scottish albums of 2013". He was nominated for "musician of the year" at the Radio 2 folk awards 2013 and also for "Best Instrumentalist" at the Scots Trad Music Awards in 2010 and 2012. Ali Hutton Bagpipes & Whistle Ali, from Methven in Perthshire, was inspired at the age of 7 to take up the bagpipes and came up through the ranks at the Vale of Atholl pipe band. He was taught alongside Ross Ainslie by the late, great Gordon Duncan and has gone on to become a successful multi‐instrumentalist on the Scottish music scene. He has produced and co‐produced several albums such as Treacherous Orchestra’s “Origins”, Maeve Mackinnon's “Don't sing love songs”, The Long Notes’ “In the Shadow of Stromboli” and Old Blind Dogs’ “Wherever Yet May Be”. Ali is also currently a member of Old Blind Dogs and the Ross Ainslie band but has played with Capercaillie, Deaf Shepherd, Emily Smith Band, Dougie Maclean, Back of the Moon and Brolum amongst many others.