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Here Is No Doubt 2020 Has Been One of the Most Challenging Years for People on This Planet
26-28 november 2020 I S L E O F S K Y E www.seall.co.uk seall festival of small halls 2020 | Page 2 Page 3 | wwww.seall.co.uk/small-halls/tickets WE ARE the SEALL Festival of Small Halls, a premier winter festival celebrating community, culture and traditional music on Skye WE BRING big music to small halls and some of the most iconic places on the Isles of Skye and Raasay WE WON the 2019 MG Alba Scottish Traditional Music Award for best community project for our 2018 inaugural festival WE CELEBRATE our unique Island culture around Scotland’s National Day with concerts and a St Andrew’s Night Big Cèilidh WE SHOWCASE Scotland’s best traditional musicians in some of the most remote and beautiful rural locations in the UK WE DELIVER an amazing programme of concerts, workshops and sessions to communities and visitors WE ARE SEALL One of Scotland’s leading rural performing arts promoters WE LOOK FORWARD TO WELCOMING YOU seall festival of small halls 2020 | Page 4 A FEW WORDS ABOUT 2020 By engaging some of Scotland’s most remote rural On Saturday 28 November, the highly popular Small Halls Big communities in a winter celebration of the traditional music Cèilidh will take place live-streamed from the Sligachan Hotel in and heritage of the Highlands and Islands, the SEALL Festival of honour of Scotland’s national day. This year’s event is also part of Small Halls focuses on the importance of the community hall as a the philanthropic St Andrew’s Fair Saturday Festival and will raise space in which to gather and unite. -
View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
Bartlett, T. (2020) Time, the Deer, Is in the Wood: Chronotopic Identities, Trajectories of Texts and Community Self-Management
Bartlett, T. (2020) Time, the deer, is in the wood: chronotopic identities, trajectories of texts and community self-management. Applied Linguistics Review, (doi: 10.1515/applirev-2019-0134). This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/201608/ Deposited on: 24 October 2019 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Tom Bartlett Time, the deer, is in the wood: Chronotopic identities, trajectories of texts and community self-management Abstract: This paper opens with a problematisation of the notion of real-time in discourse analysis – dissected, as it is, as if time unfolded in a linear and regular procession at the speed of speech. To illustrate this point, the author combines Hasan’s concept of “relevant context” with Bakhtin’s notion of the chronotope to provide an analysis of Sorley MacLean’s poem Hallaig, with its deep-rootedness in space and its dissolution of time. The remainder of the paper is dedicated to following the poem’s metamorphoses and trajectory as it intertwines with Bartlett’s own life and family history, creating a layered simultaneity of meanings orienting to multiple semio-historic centres. In this way the author (pers. comm.) “sets out to illustrate in theory, text analysis and (self-)history the trajectories taken by texts as they cross through time and space; their interconnectedness -
Here He Studied Jazz Piano and Composition
M U S I C L E S S O N S A UNIQUE OPPORTUNITY FOR INDIVIDUAL LESSONS IN GRANTOWN-ON-SPEY WITH LEADING SCOTTISH FOLK MUSICIAN HAMISH NAPIER BA, BSc Berklee College of Music Alumnus +44 (0) 7971561693 [email protected] www.hamishnapier.com 1 of 4 Hello, I'm Hamish. I'm a professional musician, composer and music tutor. I'm delighted to announce that I will now be giving individual music lessons for one day a month in my home at Cherrygrove, Grantown- on-Spey. I have had enquiries from musicians from all over Scotland, as well as from the local area. My mother, Marie-Lousie Napier, taught piano and clàrsach pupils regularly at Cherrygrove for over 25 years. It's a special thing for me to continue this family tradition. If you are interested, or know somebody who might be, please get in touch. Please see below for more details. Many thanks, INSTRUMENTS Wooden flute Tin Whistle Piano Step-dancing (Scottish Cape Breton) I also teach students that play other instruments, focus on the student's general music skills. trad music accompaniment chords & harmony chart-writing improvisation music theory ear training music notation software keyboard skills ensemble skills tunesmithery & composition FEES & DETAILS 1 hr = £34 1.5 hrs = £48 2 hrs = £60 I am a member of the Musician’s Union and use MU rates. I have full public liability insurance. Students who are travelling greater distances have tended to opt for 2-hour lessons. Please note for a refund of lessons fees, cancellation must be made within 48 hours of lesson time. -
Kevin Burke and Cal Scott
WWhhaatt TThheeyy’’rree SSaayyiinngg aabboouutt KKeevviinn BBuurrkkee THE NEW YORK TIMES THE WASHINGTON POST A Big Wide World KEVIN BURKE & CAL SCOTT of Music "Across the Black River" Loftus Friday, May 11, 2007; Page WE09 By JON PARELES Published: June 29, KEVIN BURKE IS ONE of the greatest Irish 2007 fiddlers of the past half-century, but he has lived in Jack Vartoogian/ FrontRowPhotos Ireland for only five of his 57 years. He was raised in London by parents from County Sligo, and he has What follows is a lived in Portland, Ore., since 1979. He is thus a selection of some of the perfect exemplar for the far-flung Irish diaspora and most notable world weaves the multinational strands of today's "Irish" music CDs released over music into his impressive new album, "Across the the last year. Black River," a collaboration with Portland film composer Cal Scott. KEVIN BURKE AND CAL SCOTT "Across the Black River" (Loftus) Scott composed three of the instrumental album's tunes, including the spellbinding "The Lighthouse Born in England to Irish parents and now living in Keeper's Waltz," and plays graceful guitar, mandolin Portland, Ore., Kevin Burke is one of the great and bouzouki throughout. But the dominant voice is living Celtic fiddlers. His first album on his own that of Burke's violin, which never wavers in pitch or label is a collaboration with the self-effacing guitarist timbre but sings out with a confidence that allows the Cal Scott and various guests that's cozy and mature, listener to relax. -
Fall Folk Music Weekend October 17-19 -- See Flyer in Centerfold Table of Contents Society Events Details
Folk Music Society of New York, Inc. September 2008 vol 43, No.8 September 3 Wed Folk Open Sing, 7pm in Brooklyn 8 Mon FMSNY Exec. Board Meeting; 7:15pm location tba 13 Sat Chantey Sing at Seamen’s Church Institute, 8pm. 19 Fri Jeff Warner, 8pm, in Forest Hills, Queens 21 Sun Sacred Harp Singing at St.Bartholomew’s in Manhattan 21 Sun Jeff Warner house concert, 2pm in Sparrowbush, NY October 1 Wed Folk Open Sing 7 pm in Brooklyn 2 Thur Newsletter Mailing, 7pm in Jackson Heights (Queens). 5 Sun Sea Music: tba + NY Packet; 3pm,South St 10 Fri Bob Malenky house concert, 8pm upper west side 11 Sat Chantey Sing at Seamen’s Church Institute, 8pm. 13 Mon FMSNY Exec. Board Meeting; 7:15pm location tba 17-19 Fall Folk Muisc Weekend in Ellenville, NY-- see centerfold 19 Sun Sacred Harp Singing at St.Bartholomew’s in Manhattan 24 Fri Svitanya, vocal workshop 6:30pm; concert 8pm at OSA J; A Daniel Pearl World Music Days Concert Details next pages -- Table of Contents below Fall Folk Music Weekend October 17-19 -- see flyer in Centerfold Table of Contents Society Events details ............2-3 Repeating Events ...................13 Folk Music Society Info ........... 4 Calendar Location Info ...........16 Topical Listing of Events .......... 5 Perples’ Voice Ad ..................18 Weekend Help Wanted ............ 6 FSSGB Weekend Ad ..............18 From The Editor .................... 6 30 Years Ago ......................18 Jeff Warner Concerts ............... 7 Pinewoods Hot Line ..............19 Eisteddfod-NY ....................8-9 Membership Form .................20 Film Festival ........................10 Folk Process ....................... 11 Weekend Flyer ........... centerfold Calendar Listings ................ -
January / February
CELTIC MUSIC • KENNY HALL • WORLD MUSIC • KIDS MUSIC • MEXICAN PAPER MAKING • CD REVIEWS FREE Volume 3 Number 1 January-February 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY A Little“Don’t you know that Folk Music Ukulele is illegal in Los Angeles?” — WARREN C ASEYof theWicket Tinkers is A Lot of Fun – a Beginner’s Tale BY MARY PAT COONEY t all started three workshop at UKE-topia hosted by Jim Beloff at years ago when I McCabe’s Guitar Shop in Santa Monica. I was met Joel Eckhaus over my head in about 15 minutes, but I did at the Augusta learn stuff during the rest of the hour – I Heritage Festival just couldn’t execute any of it! But in Elkins, West my fear of chords in any key but I Virginia. The C was conquered. Augusta Heritage The concert that Festival is has been in existence evening was a for over 25 years, and produces delight with an annual 5-week festival of traditional music almost every uke and dance. Each week of the Festival specialist in the explores different styles, including Cajun, SoCal area on the bill. Irish, Old-Time, Blues, Bluegrass. The pro- The theme was old gram also features folk arts and crafts, espe- time gospel, in line with cially those of West Virginia. Fourteen years the subject of Jim’s latest ago Swing Week was instigated by Western book, and the performers that evening had Swing performers Liz Masterson and Sean quite a romp – some playing respectful Blackburn of Denver, CO as a program of gospel, and others playing whatever they music. -
26-29 May 2016
26-29 MAY 2016 /orkneyfolkfestival @OrkneyFolkFest Stromness Birsay Deerness Finstown Harray Kirkwall Orphir Quoyloo Sanday Shapinsay St Margaret’s Hope Supported by the National Lottery through Creative Scotland Stenness Westray PROGRAMME orkneyfolkfestival.com WELCOME ANNIVERSARIES AND BIRTHDAYS So here it is, the 34th Orkney Folk The Northern Isles Festival Tattoo Festival. Unbelievably we’re still going. Just a few days before Orkney plays host to a series of national Despite economic turmoil, climate events commemorating the one hundredth anniversary of the change and Stromness roadworks we Battle of Jutland, the festival will stage its own ‘Military Tattoo’-style are still here. We’ve got a shiny new event, celebrating Orkney and Shetland’s maritime history. office at the Northlink Terminal building A first of its kind for the Orkney Folk Festival, the Northern Isles Bob Gibbon and word has it we will even have new Festival Tattoo will host a choreographed, massed performance walkie-talkies come May. It’s all go. of fiddles, pipes, drums, song and community spirit in Kirkwall’s Pickaquoy Centre on Saturday night – and no raincoats required! Indeed the line-up has taken some Taking centre stage will be putting together this year. A bit of this Shetland’s county fiddle group, and a bit of that, some new faces Hjaltibonhoga – fresh from two and some familiar old ones all thrown consecutive Edinburgh Military together to play in Stromness and Tattoos, as well as stadium other parishes of Orkney, including performances in Australia and New Zealand – the Kirkwall City Pipe three islands this year (Westray, Band, Maggie Adamson and Brian Sanday and Shapinsay) doing our Nicholson, Ivan Drever, as well as best to bring us all together on Festival many more special guests. -
Download PDF 8.01 MB
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Imagining Scotland in Music: Place, Audience, and Attraction Paul F. Moulton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC IMAGINING SCOTLAND IN MUSIC: PLACE, AUDIENCE, AND ATTRACTION By Paul F. Moulton A Dissertation submitted to the College of Music in partial fulfillment of the requirements of the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2008 The members of the Committee approve the Dissertation of Paul F. Moulton defended on 15 September, 2008. _____________________________ Douglass Seaton Professor Directing Dissertation _____________________________ Eric C. Walker Outside Committee Member _____________________________ Denise Von Glahn Committee Member _____________________________ Michael B. Bakan Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii To Alison iii ACKNOWLEDGMENTS In working on this project I have greatly benefitted from the valuable criticisms, suggestions, and encouragement of my dissertation committee. Douglass Seaton has served as an amazing advisor, spending many hours thoroughly reading and editing in a way that has shown his genuine desire to improve my skills as a scholar and to improve the final document. Denise Von Glahn, Michael Bakan, and Eric Walker have also asked pointed questions and made comments that have helped shape my thoughts and writing. Less visible in this document has been the constant support of my wife Alison. She has patiently supported me in my work that has taken us across the country. She has also been my best motivator, encouraging me to finish this work in a timely manner, and has been my devoted editor, whose sound judgement I have come to rely on. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Celtic Thunder Legacy on Tour Across the US
ISSUE 25 VOLUME 5 Proudly Serving Celts in North America Since 1991 SEPTEMBER/OCTOBER 2016 THE BIGGEST Gaelic Games event in North America took place in Seattle on the weekend of September 2-4, 2016 with over 1,500 players and 85 teams from across the USA, Canada and the Caribbean competing. [Pictured above] Seattle Mayor Ed Murray [second from right] presents the Championship Trophy to Donie Breathnach, captain of the San Francisco Naomh Padraig hurling team after they won the North American Sen- ior Hurling Championship final. Pictured on the left is Seattle BREAKING GROUND by Norfolk, England artist, Rob Barnes. Police Chief Kathleen O’Toole and Irish Consul General Philip [Read more about the artist inside on page 2] Grant on the right. [Read more on pages 20, 21 & 23] Walking the Path at Samhain Into the Twilight of the Year OME would At Samhain, that path rises, careens, By CYNTHIA WALLENTINE motivates, tears down, and drives us on. argue that a Order is lost, but structure remains – it path that can- At Samhain, whose bonfires burn will push, drag, or pull even the ridicu- brightly at dusk on October 31, the year lously stubborn to their fate. not be seen descends to its finish. S Those not gripped entirely by the expe- does not ex- In the ashes of that same fire, on No- rience may instead find destiny, the con- ist. But vision is only one vember 1, the Celtic New Year is born, scious transformation of the cultivated IRELAND’S O’Donovan brothers are the latest Olympic Internet along with the winter season. -
Edinburgh Eh8
EDINBURGH EH8 9JG BOOKING TICKETS ONLiNE www.thequeenshall.net OvER THE PHONE +44 (0)131 668 2019 Mon –Sat 10am –5pm or until one hour before start on show nights iN PERSON 85 –89 Clerk Street, Edinburgh EH8 9JG Mo n–Sat 10a m–5pm or until 15 mins after start on show nights Booking charge A £1 fee is charged on all bookings made online and over the phone. This is per booking, not per ticket and helps support the running of our Box Office. Booking fees The ticket price shown is the price you will pay. if you would like to know which tickets include a £2 booking fee, please ask the Box Office. Postage Tickets can be posted out to you second class up to seven days before the event for a cost of £1.00 per transaction. Alternatively you can collect tickets free of charge from the Box Office during opening hours. Concessions Concessionary priced tickets are available where indicated. if you book online, please bring proof of eligibility with you to the event. Doors open /start times For most events, the time shown is when the artist will begin their performance. Where we don’t have this information in advance, a ‘doors open’ time is given, with more precise details available on our social media channels, website and via the Box Office on the day of the event. Accessibility Our venue is fully accessible for wheelchair users and we welcome assistance animals. Wheelchair spaces can currently be booked over the phone and in person only.