Morris Matters Vol 19 Issue 1
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Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Download PDF Booklet
“I am one of the last of a small tribe of troubadours who still believe that life is a beautiful and exciting journey with a purpose and grace well worth singing about.” E Y Harburg Purpose + Grace started as a list of songs and a list of possible guests. It is a wide mixture of material, from a traditional song I first heard 50 years ago, other songs that have been with me for decades, waiting to be arranged, to new original songs. You stand in a long line when you perform songs like this, you honour the ancestors, but hopefully the songs become, if only briefly your own, or a part of you. To call on my friends and peers to make this recording has been a great pleasure. Turning the two lists into a coherent whole was joyous. On previous recordings I’ve invited guest musicians to play their instruments, here, I asked singers for their unique contributions to these songs. Accompanying song has always been my favourite occupation, so it made perfect sense to have vocal and instrumental collaborations. In 1976 I had just released my first album and had been picked up by a heavy, old school music business manager whose avowed intent was to make me a star. I was not averse to the concept, and went straight from small folk clubs to opening shows for Steeleye Span at the biggest halls in the country. Early the next year June Tabor asked me if I would accompany her on tour. I was ecstatic and duly reported to my manager, who told me I was a star and didn’t play for other people. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
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11> 0514302 76969 establishment,” he hastened to clarify. “I wish it were called the Legion of Honour, but it’s not.” Still in all, he thinks it’s good for govern- M artin C arthy ments to give cultural awards and is suitably honored by this one, which has previously gone to such outstanding folk performers as Jeannie Robertson. To decline under such circum- stances, he said, would have been “snotty.” Don’t More importantly, he conceives of his MBE as recognition he shares with the whole Call Me folk scene. “I’ve been put at the front of a very, very long queue of people who work hard to make a folk revival and a folk scene,” he said. Sir! “All those people who organized clubs for nothing and paid you out of their own pocket, and fed you and put you on the train the next morning, and put you to bed when you were drunk! What [the government is] doing, is taking notice of the fact that something’s going on for the last more than 40 years. It’s called the folk revival. They’ve ignored it for that long. And someone has suddenly taken notice, and that’s okay. A bit of profile isn’t gonna hurt us — and I say us, the plural, for the folk scene — isn’t gonna hurt us at all.” In the same year as Carthy’s moment of recognition, something happened that did hurt the folk scene. Lal Waterson, Carthy’s sister-in- law, bandmate, near neighbor and close friend, died of cancer. -
Topic Records 80Th Anniversary Start Time: 8Pm Running Time: 2 Hours 40 Minutes with Interval
Topic Records 80th Anniversary Start time: 8pm Running time: 2 hours 40 minutes with interval Please note all timings are approximate and subject to change Martin Aston discusses the history behind the world’s oldest independent label ahead of this collaborative performance. When Topic Records made its debut in 1939 with Paddy Ryan’s ‘The Man That Waters The Workers’ Beer’, an accordion-backed diatribe against capitalist businessmen who underpay their employees, it’s unlikely that anyone involved was thinking of the future – certainly not to 2019, when the label celebrates its 80th birthday. In any case, the future would have seemed very precarious in 1939, given the outbreak of World War II, during which Topic ceased most activity (shellac was particularly hard to source). But post-1945, the label made good on its original brief: ‘To use popular music to educate and inform and improve the lot of the working man,’ explains David Suff, the current spearhead of the world’s oldest independent label – and the undisputed home of British folk music. Tonight at the Barbican (where Topic held their 60th birthday concerts), musical director Eliza Carthy – part of the Topic recording family since 1997, though her parents Norma Waterson and Martin Carthy have been members since the sixties and seventies respectively - has marshalled a line-up to reflect the passing decades, which hasn’t been without its problems. ‘We have far too much material, given it’s meant to be a two-hour show!’ she says. ‘It’s impossible to represent 80 years – you’re talking about the left-wing leg, the archival leg, the many different facets of society - not just communists but farmers and factory workers - and the folk scene in the Fifties, the Sixties, the Seventies.. -
Track Artist Album Format Ref # Titirangi Folk Music Club
Titirangi Folk Music Club - Library Tracks List Track Artist Album Format Ref # 12 Bar Blues Bron Ault-Connell Bron Ault-Connell CD B-CD00126 12 Gates Bruce Hall Sounds Of Titirangi 1982 - 1995 CD V-CD00031 The 12th Day of July Various Artists Loyalist Prisoners Aid - UDA Vinyl LP V-VB00090 1-800-799-7233 [Live] Saffire - the Uppity Blues Women Live & Uppity CD S-CD00074 1891 Bushwackers Faces in the Street Vinyl LP B-VN00057 1913 Massacre Ramblin' Jack Elliot The Essential Ramblin' Jack Elliot Vinyl LP R-VA00014 1913 Massacre Ramblin' Jack Elliot The Greatest Songs of Woodie Guthrie Vinyl LP X W-VA00018 The 23rd of June Danny Spooner & Gordon McIntyre Revived & Relieved! Vinyl LP D-VN00020 The 23rd Of June the Clancy Brothers & Tommy Makem Hearty And Hellish Vinyl LP C-VB00020 3 Morris Tunes - Wheatley Processional / Twenty-ninth of May George Deacon & Marion Ross Sweet William's Ghost Vinyl LP G-VB00033 3/4 and 6/8 Time Pete Seeger How to play the Old Time Banjo Vinyl LP P-VA00009 30 Years Ago Various Artists & Lindsey Baker Hamilton Acoustic Music Club CD H-CD00067 35 Below Lorina Harding Lucky Damn Woman CD L-CD00004 4th July James RAy James RAy - Live At TFMC - October 2003 CD - TFMC J-CN00197 500 Miles Peter Paul & Mary In Concert Vinyl LP X P-VA00145 500 Miles Peter Paul & Mary Best of Peter, Paul & Mary: Ten Years Together Vinyl LP P-VA00101 500 Miles The Kingston Trio Greatest Hits Vinyl LP K-VA00124 70 Miles Pete Seeger God Bless the Grass Vinyl LP S-VA00042 900 Miles Cisco Houston The Greatest Songs of Woodie Guthrie Vinyl LP -
A Folkrocker's Guide
A FOLKROCKER’S GUIDE – FOLKROCKENS FRAMVEKST 1965–1975 «The eletricifcation of all this stuf was A FOLKROCKER’S GUIDE some thing that was waiting to happen» TO THE UNIVERSE •1965–1975 – Martin Carthy «Folkrock» ble først brukt i 1965 som betegnelse på på Framveksten av folkrock i USA I Storbritania, i motsetning til i USA, kom «folkrock» til amerikanske musikere som The Byrds, den elektrifserte Bob og UK i tiåret 65–75 skapte Dylan, Simon & Garfunkel og – pussig nok – Sonny & Cher. mye av inspirasjonen for den å betegne elektrisk musikk basert på tradisjonell folke- Likevel er det i større grad møtet mellom rock og folkemusikk moderne visebølgen i Norden. musikk. i Storbritannia ca 1969–70 som ble bestemmende for hva vi Vi har bedt Morten Bing om å skrive om dette. Han er kon- på 1970-tallet kom til å legge i begrepet her hjemme. servator ved Norsk Folkemu- som hadde bakgrunn i folkrevivalen, en sanger og en felespiller – Sandy seum og var initiativtaker til men som allerede hadde forlatt Denny og Dave Swarbrick – som MORTEN BING Norges første folkrock gruppe tradisjonell folkemusikk til fordel for begge hadde bakgrunn i den Folque i 1973. egenskrevne låter. britiske folkrevivalen. Det var denne rdet «folke-rock» kombinasjonen, og resultatet, LP’n ble brukt første gang Dylan og Byrds Gruppa har sin kanskje siste På mange måter kan en si at den konsert på Rockefeller i Oslo Liege & Lief (1969), som var begyn- i Billboard 12.06.1965, engelske utviklingen gikk mot- nelsen på den britiske folkrocken. i en artikkel om Bob En viktig katalysator for framveksten 18. -
The Watersons the Definitive Collection Mp3, Flac, Wma
The Watersons The Definitive Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: The Definitive Collection Country: UK Released: 2003 Style: Folk MP3 version RAR size: 1203 mb FLAC version RAR size: 1609 mb WMA version RAR size: 1410 mb Rating: 4.5 Votes: 881 Other Formats: AHX AUD MP4 AU MP1 MMF DTS Tracklist 1 God Bless The Master 3:05 2 Dido Bendigo 2:53 3 The Welcome Sailor 3:12 4 Emmanuel 2:48 5 Idumea 1:48 6 The Still And Silent Ocean 4:25 7 Fathom The Bowl 2:52 8 Fare Thee Well Cold Winter 2:32 9 The Holmfirth Anthem 1:58 10 Stormy Winds 3:10 11 Rosebuds In June 3:15 12 Bellman 3:55 13 Sleep On Beloved 3:03 14 Swansea Town 4:18 15 The Beggar Man 3:26 16 Amazing Grace 4:38 17 The Old Churchyard 3:23 18 Adieu Sweet Lovely Nancy 3:38 19 Malpas Wassail 4:11 Companies, etc. Phonographic Copyright (p) – Topic Records Ltd. Copyright (c) – Topic Records Ltd. Licensed From – Topic Records Ltd. Published By – Concorde International Management Consultants Ltd. Published By – Gwyneth Music Ltd. Published By – Topic Records Ltd. Published By – MCS Music Limited Published By – Free Reed Music Published By – April Music Ltd. Published By – Mole Music Ltd Credits Accompanied By – Gabriel's Horns (tracks: 4) Concertina [Anglo-concertina] – Tony Engle (tracks: 15) Fiddle – Peta Webb (tracks: 15) Guitar – Martin Carthy Melodeon – Rod Stradling (tracks: 15) Performer – Anthea Bellamy (tracks: 16), Barry Coope (tracks: 18), Blue Murder (tracks: 18), Eliza Carthy (tracks: 13, 17, 18), Jim Boyes (tracks: 18), Jim -
Martin Carthy Shearwater Mp3, Flac, Wma
Martin Carthy Shearwater mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Shearwater Country: UK Released: 1972 Style: Folk MP3 version RAR size: 1865 mb FLAC version RAR size: 1296 mb WMA version RAR size: 1745 mb Rating: 4.6 Votes: 267 Other Formats: MP4 MMF MP1 APE MP2 AIFF VOX Tracklist A1 I Was A Young Man A2 Banks Of Green Willow A3 Handsome Polly-O A4 Outlandish Knight A5 He Called For A Candle A6 John Blunt B1 Lord Randall B2 William Taylor B3 Famous Flower Of Serving Men B4 Betsy Bell And Mary Gray Companies, etc. Printed By – E.J. Day Group Credits Arranged By, Vocals, Acoustic Guitar – Martin Carthy Art Direction, Design – David Berney Wade, Farrell Engineer – Jerry Boys Photography By – Keith Morris Producer – Terry Brown Vocals – Maddy Prior (tracks: B4) Written-By – Traditional Notes The LP includes a one-sided printed sheet with notes on all songs (probably written by Martin Carthy) and a contact print with a sequence of 14 photographs of Carthy in a studio. Other versions Category Artist Title (Format) Label Category Country Year Martin Shearwater (LP, CREST 008 Mooncrest CREST 008 UK 1991 Carthy Album, RE) Martin Shearwater (CD, CAS 36210-2 Castle Music CAS 36210-2 US 2005 Carthy Album) Martin Shearwater (CD, Mooncrest, TWA CRESTCD 008 CRESTCD 008 UK 1991 Carthy Album, RE) Records Martin Shearwater (CD, CMQCD1096 Castle Music CMQCD1096 UK 2005 Carthy Album, RE) Martin Shearwater (8-Trk, Y8PEG 12 PEG Y8PEG 12 UK 1972 Carthy Album) Related Music albums to Shearwater by Martin Carthy Roy Bailey - Roy Bailey Martin Carthy And Dave Swarbrick - Both Ears And The Tail Various - Classic Folk Guitar Martin Carthy - Signs Of Life Brass Monkey - The Complete Brass Monkey Spiers & Boden - The Works Ray Fisher - Traditional Songs Of Scotland Eliza Carthy - Anglicana Various - English Originals Eliza Carthy, Hannah James, Hannah Read, Hazel Askew, Jenn Butterworth, Jenny Hill , Karine Polwart, Kate Young , Mary Macmaster, Rowan Rheingans - Songs Of Separation. -
Boo-Hooray Catalog #8: Music Boo-Hooray Catalog #8
Boo-Hooray Catalog #8: Music Boo-Hooray Catalog #8 Music Boo-Hooray is proud to present our eighth antiquarian catalog, dedicated to music artifacts and ephemera. Included in the catalog is unique artwork by Tomata Du Plenty of The Screamers, several incredible items documenting music fan culture including handmade sleeves for jazz 45s, and rare paste-ups from reggae’s entrance into North America. Readers will also find the handmade press kit for the early Björk band, KUKL, several incredible hip-hop posters, and much more. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections and look forward to inviting you back to our gallery in Manhattan’s Chinatown. Catalog prepared by Evan Neuhausen, Archivist & Rare Book Cataloger and Daylon Orr, Executive Director & Rare Book Specialist; with Beth Rudig, Director of Archives. Photography by Ben Papaleo, Evan, and Daylon. Layout by Evan. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Table of Contents 31. [Patti Smith] Hey Joe (Version) b/w Piss Factory .................. -
Ashley Hutchings Son of Morris on Mp3, Flac, Wma
Ashley Hutchings Son Of Morris On mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Son Of Morris On Country: Netherlands Released: 1977 Style: Folk Rock, Folk MP3 version RAR size: 1328 mb FLAC version RAR size: 1960 mb WMA version RAR size: 1858 mb Rating: 4.1 Votes: 940 Other Formats: DMF AA APE VQF MP2 RA MP3 Tracklist Hide Credits Winster Processional A1 Arranged By – Morris*, A. Hutchings*, J. Watcham*Bass – Ashley HutchingsConcertina – John WatchamDrums – Michael Gregory Featuring – Albion Morris MenGuitar – Simon Nicol Monck's March Arranged By – Morris*, A. Hutchings*, J. Watcham*Bagpipes – Phil Pickett*Bass – Ashley A2 HutchingsConcertina – John WatchamDrums – Michael Gregory Featuring – Albion Morris MenGuitar – Simon Nicol Old Hog Or None A3 Arranged By – A. Hutchings*, M. Carthy*Guitar – Martin Carthy As I Was Going To Banbury A4 Arranged By – J. Tams*Bass – Ashley HutchingsBassoon [Curtal] – Phil Pickett*Guitar – Simon NicolPercussion – Michael Gregory Vocals, Concertina – John Tams The Happy Man A5 Arranged By – A. Hutchings*Bassoon [Curtal] – Phil Pickett*Featuring – Adderbury Village Morris MenFiddle – James PlesterMelodeon – John TamsPercussion [Tabor] – Michael Gregory Fieldtown Processional / Glorishears A6 Arranged By – A. Hutchings*, J. Watcham*Bass – Ashley HutchingsBassoon [Curtal] – Phil Pickett*Concertina – John WatchamDrums – Michael Gregory Guitar – Simon Nicol Bob & Joan A7 Arranged By – A. Hutchings*, J. Tams*Featuring – John Tams Ladies Of Pleasure A8 Arranged By – A. Hutchings*, M. Carthy*Bass – Ashley HutchingsConcertina – John Rodd Drums – Dave MattacksGuitar – Martin Carthy Bring Your Fiddle A9 Arranged By – A. Hutchings*, J. Tams*, S. Collins*Recorder – Phil Pickett*Voice [Dialogue] – John Tams, Shirley Collins Jockey To The Fair / Room For The Cuckolds A10 Arranged By – A.