DOCSLIB.ORG

New Arabian Nights Online

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
New Arabian Nights Online g59YM [Download free ebook] New Arabian Nights Online [g59YM.ebook] New Arabian Nights Pdf Free Robert Louis Stevenson DOC | *audiobook | ebooks | Download PDF | ePub Download Now Free Download Here Download eBook #7131353 in Books Robert Louis Stevenson 2016-08-01Original language:English 9.00 x .41 x 6.00l, .54 #File Name: 1536856495162 pagesNew Arabian Nights | File size: 50.Mb Robert Louis Stevenson : New Arabian Nights before purchasing it in order to gage whether or not it would be worth my time, and all praised New Arabian Nights: 1 of 1 people found the following review helpful. When It Was Alright for Literature to Be EntertainingBy Don QuixoteBefore I picked up this book, I had read only two works by Robert Louis Stevenson. One was _The Strange Case of Dr. Jekyll and Mr. Hyde_, which, like the vast majority of its readers, I was not able to read "innocently." This story has become so popular that virtually everyone knows "what's up" with Dr. Jekyll and Mr. Hyde, which takes away part of the thrill of reading it, though it does not diminish this immortal masterpiece in any way. (If you don't know what I'm talking about, you are truly blessed and I envy you; please get a copy of the book immediately and read it before someone spoils the whole thing for you.) As a child, I had also read the short story "The Bottle Imp," in Spanish, in what was probably a simplified version. I thought it was, like Poe's "The Gold Bug," one of the most wonderful things ever written. Those two stories would have sufficed to make me want to be a writer. It is strange, then, that so many years have passed before I read Stevenson again. I still haven't read _Treasure Island_ or _Kidnapped_, but I plan to change that soon. Stevenson had a tremendous influence on two of my favorite authors: Jorge Luis Borges and G. K. Chesterton. Borges even included _New Arabian Nights_ (plus the short story "Markheim") in his "biblioteca personal," the list of the 100 most significant books he had read.The title of _New Arabian Nights_ (1882) is misleading. In a way, Stevenson was capitalizing on the tremendous success of the _One Thousand and One Nights_. The "Arabian" stories in Stevenson's collection take place in London, though this is a highly personal view of the English capital. Stevenson creates a haunting, perilous atmosphere, and as Borges points out, this depiction of London greatly influenced Chesterton (see _The Man Who Was Thursday_, for example; another story, by the way, that one should read before someone spoils it). Like Cervantes in _Don Quixote_, Stevenson pretends to retell stories that have been penned by an unnamed Arabian author. _New Arabian Nights_ consists of two story cycles ("The Suicide Club" and "The Rajah's Diamond", the actual "Arabian" tales) and four stories. All of these tales may be described as tales of "adventure" and/or "mystery." I will comment briefly on each story.* The Suicide Club: this cycle includes the "Story of the Young Man with the Cream Tarts," the "Story of the Physician and the Saratoga Trunk," and "The Adventure of the Hansom Cabs." The premise is fabulous: someone has created a club to aid those people who are sick and tired of life and wish to put an end to their own. Cards are drawn from a pack each night: one determines who will die, and another who will "assist" him. These stories are tightly related and unified by the character of Prince Florizel of Bohemia; they could almost be considered a novella. One of my favorite pieces in the collection.* The Rajah's Diamond: a cycle that comprises the "Story of the Bandbox," the "Story of the Young Man in Holy Orders," the "Story of the House with the Green Blinds," and "The Adventure of Prince Florizel and a Detective." As those in "The Suicide Club," these tales are connected, and even though each may stand alone, if the reader wants to see the plot developed he/she has to read them all. The story concerns a diamond that passes from one hand to another. The influence of Wilkie Collins is patent here. His novel _The Moonstone_ (according to T. S. Eliot "the first, the longest, and the best of modern English detective novels") appeared in 1868. Conan Doyle had not yet introduced Sherlock Holmes to the world. That would happen in 1887 with _A Study in Scarlet_.* The Pavilion on the Links: the story of two misanthropes who meet by chance in a secluded pavilion they used to visit as young men. Things have changed, of course. One of them is now accompanied by a beautiful woman and an older man. Add in financial trouble and a "difference of opinion" with a group of Italians, and you have a great story.* A Lodging for the Night: One of the most famous stories in the collection, it describes a night in the life of French poet Francis Villon (called Franccedil;ois in real life, he is the author of the famous line "mais ougrave; sont les neiges d'antan?" i.e., "where are the snows of yesteryear?"). An excellent piece, I was slightly disappointed in it, surely because all the praise led me to expect something different.* The Sire De Maleacute;troit's Door: A man hides behind a door, which then will not open. I can't say more without spoiling the tale. This was by far my favorite story in the collection.* Providence and the Guitar: A story of artists and the troubles they run into. It read as a light piece to me. This is, in my opinion, the weakest effort in _New Arabian Nights_, thought it still exhibits Stevenson's mastery of description and his keen observation.Stevenson is often dismissed as a writer of entertainment. I will not deny that the main purpose of his writings seems to be to please, to interest, to entertain his reader. My question is, "So what's the problem?" We tend to forget that to entertain is not only a valid aim in literature, it should be one of its requirements. We seem to have fallen into the idolatry of the obscure, the complicated, the artsy, even the illegible. How many modern and especially post-modern novels can you name that are "classics" simply because they are a pain to get through? Nobody will point out that the emperor is not wearing any clothes. Not to mention novels that are valued not because of their artistic merit, but because of their politics. In an age such as ours, it is not surprising that the appreciation of Stevenson has decreased. Personally, I find this type of reading quite refreshing. It allows me to go back to a time when it was alright for an author to keep the reader in suspense, a time when self-indulgence and pretentiousness had not yet become the norm. Stevenson is a master storyteller, which is why in Samoa, where he spent the last years of his life, he was known as Tusitala, "Teller of Tales."I plan to read all of Stevenson's short fiction, which consists of this book plus _The Merry Men_ (1887), _Island's Night Entertainment_ (1893), and a handful of uncollected stories, some of which appeared in the posthumous _Tales and Fantasies_ (1905). The Modern Library has published all of this material, plus _Dr. Jekyll and Mr. Hyde_ and the uncollected story "An Old Song," in one nice volume titled _The Complete Stories of Robert Louis Stevenson_. I will share my experience with these other books as I read them.Thanks for reading, and enjoy the book!1 of 1 people found the following review helpful. Held my interestBy tdav53I found these interlocking stories to hold my interest. Unlike most of the Stevenson works I'm familiar with it was set in his time period in England. There is intrigue and even some humor. It's not great literature but good enough to pass some time by with.0 of 0 people found the following review helpful. Five StarsBy StarmanJimGood old classic. New Arabian Nights by Robert Louis Stevenson, first published in 1882, is a collection of short stories previously published in magazines between 1877 and 1880. The collection contains Stevenson's first published fiction, and a few of the stories are considered by some critics to be his best work, as well as pioneering works in the English short story tradition. About the AuthorRobert Louis Balfour Stevenson (1850 - 1894) was a Scottish novelist, poet, essayist and travel writer. His most famous works are Treasure Island, Kidnapped, Strange Case of Dr Jekyll and Mr Hyde and A Child's Garden of Verses. A literary celebrity during his lifetime, Stevenson now ranks as the 26th most translated author in the world. His works have been admired by many other writers. --Wikipedia [g59YM.ebook] New Arabian Nights By Robert Louis Stevenson PDF [g59YM.ebook] New Arabian Nights By Robert Louis Stevenson Epub [g59YM.ebook] New Arabian Nights By Robert Louis Stevenson Ebook [g59YM.ebook] New Arabian Nights By Robert Louis Stevenson Rar [g59YM.ebook] New Arabian Nights By Robert Louis Stevenson Zip [g59YM.ebook] New Arabian Nights By Robert Louis Stevenson Read Online.
Load more

Recommended publications
  • New Arabian Nights
    1882 NEW ARABIAN NIGHTS Robert Louis Stevenson Stevenson, Robert Louis (1850-1894) - Scottish novelist, poet, and essayist, best known for his adventure stories. Stevenson was a sickly man (he died of tuberculosis) who nevertheless led an adventurous life. He spent his last five years on the island of Samoa as a planter and chief of the natives. The New Arabian Nights (1882) - A collection of tales including “The Suicide Club,” “The Rajah’s Diamond,” “The Pavilion on the Links,” and more. This was Stevenson’s first published collection of fiction. TABLE OF CONTENTS NEW ARABIAN NIGHTS . 2 CONTENTS . 2 STORY OF THE YOUNG MAN WITH THE CREAM TARTS . 3 STORY OF THE PHYSICIAN AND THE SARATOGA TRUNK . 16 THE ADVENTURE OF THE HANSOM CABS . 27 THE RAJAH’S DIAMOND, STORY OF THE BANDBOX . 36 STORY OF THE YOUNG MAN IN HOLY ORDERS . 47 STORY OF THE HOUSE WITH THE GREEN BLINDS . 53 THE ADVENTURE OF PRINCE FLORIZEL AND A DETECTIVE . 66 THE PAVILION ON THE LINKS TELLS HOW I CAMPED IN GRADEN SEA-WOOD, AND BEHELD A LIGHTIN THE PAVILION . 69 TELLS OF THE NOCTURNAL LANDING FROM THE YACHT . 73 TELLS HOW I BECAME ACQUAINTED WITH MY WIFE . 75 TELLS IN WHAT A STARTLING MANNER I LEARNED THAT I WAS NOT ALONE IN GRADEN SEA-WOOD . 79 TELLS OF AN INTERVIEW BETWEEN NORTHMOUR, CLARA, AND MYSELF83 TELLS OF MY INTRODUCTION TO THE TALL MAN . 85 TELLS HOW A WORD WAS CRIED THROUGH THE PAVILION WINDOW 88 TELLS THE LAST OF THE TALL MAN . 91 TELLS HOW NORTHMOUR CARRIED OUT HIS THREAT .
    [Show full text]
  • William Ernest Henley - Poems
    Classic Poetry Series William Ernest Henley - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive William Ernest Henley(1849 - 1902) William Ernest Henley (August 23, 1849 - July 11, 1903) was a British poet, critic and editor. Henley was born in Gloucester and educated at the Crypt Grammar School. The school was a poor relation of the Cathedral School, and Henley indicated its shortcomings in his article (Pall Mall Magazine, Nov. 1900) on T. E. Brown the poet, who was headmaster there for a brief period. Brown's appointment was a stroke of luck for Henley, for whom it represented a first acquaintance with a man of genius. "He was singularly kind to me at a moment when I needed kindness even more than I needed encouragement." Brown did him the essential service of lending him books. Henley was no classical scholar, but his knowledge and love of literature were vital. After suffering tuberculosis as a boy, he found himself, in 1874, aged twenty- five, an inmate of the hospital at Edinburgh. From there he sent to the Cornhill Magazine where he wrote poems in irregular rhythms, describing with poignant force his experiences in hospital. Leslie Stephen, then editor, visited his contributor in hospital and took Robert Louis Stevenson, another recruit of the Cornhill, with him. The meeting between Stevenson and Henley, and the friendship of which it was the beginning, form one of the best-known episodes in English literature (see Stevenson's letter to Mrs Sitwell, Jan. 1875, and Henley's poems "An Apparition" and "Envoy to Charles Baxter").
    [Show full text]
  • Sins and Follies
    Robert louis stevenson Sins and follies Robert louis stevenson ins S and Follies ASLS “A Lodging for the Night” was first published in Temple Bar 51, October 1877 “Markheim” was first published in Unwin’s Annual 1886 “The Body-Snatcher” was first published in the Pall Mall Gazette Christmas Extra, December 1884 This edition published 2016 by the Association for Scottish Literary Studies Preface © Alanna Knight 2016 Introduction © Barry Menikoff 2016 Notes © Duncan Milne 2016 Typeset in Minion and Recherche by ASLS This book has been created by Edinburgh Napier in association with Edinburgh UNESCO City of Literature Trust as part of the RLS Day 2016 campaign to celebrate the famous literary son of Edinburgh, Robert Louis Stevenson. We would like to thank everyone involved in the creation of this book and in particular Edinburgh Napier, ASLS, JUMP Marketing, City of Edinburgh Council and Creative Scotland. Our thanks to Duncan Milne, Linda Dryden, Duncan Jones, Esther Rutter and Mat Norbury. Contents Preface vii Introduction xiii A Lodging for the Night . 1 Markheim . 29 The Body-Snatcher . .53 Notes 79 Preface Alanna Knight MBE n 1877 “A Lodging for the Night”, the first of Stevenson’s Istories to be published, saw his fiction begin to supersede the essays with which his career began. The story, set in fifteenth-century Paris, concerns a dissolute evening’s drinking which ends with a murder; the poet (and rogue) Francis Villon flees the scene, finding shelter in the home of the Lord of Brisetout, who takes it upon himself to lecture Villon on his moral failings.
    [Show full text]
  • The Stevenson Circle
    The Stevenson Circle Archer, William (1856-1924), journalist and critic. He was dramatic critic for Figaro, and later for the World and the Star. An admirer of Ibsen's work, he was instrumental in introduc- ing Ibsen's plays to the British public. Archer and RLS fre- quently corresponded, and Archer wrote a perceptive obituary, 'In Memoriam R.L.S.' (New Review, January 1895). Balfour, Dr Lewis (1777-1860), grandfather of RLS. RLS took his middle name of Lewis (later Louis) from his grandfather. As a boy RLS delighted in visiting Colin ton Manse, the home of his grandfather from 1823 to 1860. In his essay 'The Manse', included in MP, he gives an affectionate tribute to his recol- lections of the house and of his grandfather. Balfour, Sir Thomas Graham (1858-1929). One of RLS's many cousins, Balfour made his home at Vailima during the last two and a half years of RLS's life. His biography, published in 1901, is an extremely readable, competent and well-researched account. It suffers, however, from having been prepared so soon after Stevenson's death and is insufficiently detached from the protective influence of his widow. It remains an in- dispensable account of RLS and his circle, though inevitably some of Balfour's judgements have been superseded by later scholarship. Barrie, Sir James Matthew (1860-1937), novelist and playright. His first novel The Little Minister (1891), was much admired by RLS. Barrie was also the author of A Window in Thrums, Margaret Ogilvy, and Sentimental Tommy. His plays include The Admirable Crichton, Peter Pan and What Every Woman Knows.
    [Show full text]
  • Scheherazade's Moral Matrix of the 1001 Nights a Dissertation Submitted
    UNIVERSITY OF CALIFORNIA, SAN DIEGO Bound Infinities: Scheherazade’s Moral Matrix of The 1001 Nights A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Michael James Lundell Committee in charge: Professor Alain J.-J. Cohen, Chair Professor Steven Cassedy Professor Lisa R. Lampert-Weissig Professor Michael Provence Professor Oumelbanine Zhiri 2012 Copyright Michael James Lundell, 2012 All rights reserved. The Dissertation of Michael James Lundell is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2012 iii DEDICATION This dissertation is dedicated to my father James H. Lundell iv TABLE OF CONTENTS Signature Page…………………………………………………………............... iii Dedication……………………………………………………………………….. iv Table of Contents………………………………………………………………... v Acknowledgements…………………………………………………………….... vi Vita………………………………………………………………………………. x Abstract………………………………………………………………………….. xi Introduction……………………………………………………………………… 1 Scheherazade the Jariya: Revisiting the Frame Story of The 1001 Nights……... 18 Dislocating Scheherazade: The 1001 Nights, Paratextuality, and the Illusion of a Static Orientalist Text…………………………………………………………….. 52 Pasolini’s Splendid Infidelities: Film Versions of The Thousand and One Nights and Their Unresolved Issues………………………………………………………….. 90 The Trouble with Burton: 20th Century Criticism and the Dismissal of History… 122 Irish Nights Entertainments: Ulysses and The 1001 Nights……………………... 170 Conclusion………………………………………………………………………... 198 Bibliography……………………………………………………………………… 206 v ACKNOWLEDGEMENTS Nothing in this dissertation would have been possible without the assistance, interaction and past scholarship of so many others. I would like to extend a special thank you to my chair, Alain J.-J. Cohen, who is an exemplary teacher, lecturer, mentor, scholar, professor and sharer of so much it is impossible to begin to pay back the debt of gratitude I owe to him.
    [Show full text]
  • The False Caliph ROBERT G
    The False Caliph ROBERT G. HAMPSON 1 heat or no heat, the windows have to be shut. nights like this, the wind winds down through the mountain passes and itches the skin on the backs of necks: anything can happen. 2 voices on the radio drop soundless as spring rain into the murmur of general conversation. his gloved hands tap lightly on the table-top as he whistles tunelessly to himself. his partner picks through a pack of cards, plucks out the jokers and lays down a mat face down in front of him. 285 286 The 'Arabian Nights' in English Literature the third hones his knife on the sole of his boot: tests its edge with his thumb. 3 Harry can't sleep. Mezz and the boys, night after night, have sought means to amuse him­ to cheat the time till dawn brings the tiredness that finally takes him. but tonight everything has failed. neither card-tricks nor knife-tricks - not even the prospect of nocturnal adventures down in the old town has lifted his gloom. they're completely at a loss. then the stranger enters: the same build the same face the same dress right down to the identical black leather gloves on the hands The False Caliph 287 which now tap contemptuously on the table while he whistles tunelessly as if to himself. Appendix W. F. Kirby's 'Comyarative Table of the Tales in the Principal Editions o the Thousand and One Nights' from fhe Burton Edition (1885). [List of editions] 1. Galland, 1704-7 2. Caussin de Perceval, 1806 3.
    [Show full text]
  • The Book of the Thousand Nights and a Night, Volume 10 by Richard F
    The Book of the Thousand Nights and a Night, Volume 10 by Richard F. Burton The Book of the Thousand Nights and a Night, Volume 10 by Richard F. Burton This etext was scanned by JC Byers (http://www.capitalnet.com/~jcbyers/index.htm) and proofread by JC Byers, Muhammad Hozien, K. C. McGuire, Renate Preuss, Robert Sinton, and Mats Wernersson. THE BOOK OF THE THOUSAND NIGHTS AND A NIGHT A Plain and Literal Translation of the Arabian Nights Entertainments Translated and Annotated by Richard F. Burton VOLUME TEN To His Excellency Yacoub Artin Pasha, page 1 / 673 Minister of Instruction, Etc. Etc. Etc. Cairo. My Dear Pasha, During the last dozen years, since we first met at Cairo, you have done much for Egyptian folk-lore and you can do much more. This volume is inscribed to you with a double purpose; first it is intended as a public expression of gratitude for your friendly assistance; and, secondly, as a memento that the samples which you have given us imply a promise of further gift. With this lively sense of favours to come I subscribe myself Ever yours friend and fellow worker, Richard F. Burton London, July 12, 1886. Contents of the Tenth Volume 169. Ma'aruf the Cobbler and His Wife Fatimah Conclusion Terminal Essay Appendix I.-- 1. Index to the Tales and Proper Names 2. Alphabetical Table of the Notes (Anthropological, &c.) page 2 / 673 3. Alphabetical Table of First lines-- a. English b. Arabic 4. Table of Contents of the Various Arabic Texts-- a. The Unfinished Calcutta Edition (1814-1818) b.
    [Show full text]
  • A Critical Study of Sir Richard F. Burton's Tales from 1001 Arabian Nights
    A CRITICAL STUDY OF SIR RICHARD F. BURTON'S TALES FROM 1001 ARABIAN NIGHTS THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF Bottor of $l)ilo£(Qp)ip I ^i£, IN - '-"* ^ ENGLISH^ ^ BY MAL A. I. MQHD. H%.^^^ Under the Supervision of PROF. A. R. KIDWAI DEPARTMENT OF ENGLISH ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 1999 p. I 2> 5 W T } 3HT 5 >M T5521 ^crfificufc This is to certify that Mr. Jamal A.I. Mohd did his Ph.D. on the topic ".A Critical Study of Sir Richard F. Burton's Tales from 1001 Arabian Nights", under my supervision. To the best of my knowledge, it is Mr. Jamal's original work which is suitable for submission for the award of Ph.D degree. Professor A.R. Kidwai ACKNOWLEDGEMENT I owe a deep debt of gratitude to my teacher, Prof. Abdur Raheem Kidwai, without whose supervision this work would not have seen the Ught of the day. I am indebted to him not only for being my vigilant supervisor of this thesis, but also owing to the fact that whenever I encroached upon his valuable time, he helped me with his scholarly criticism and constructive suggestions. Despite his engagements, he was kind enough to scrutinize the entire work. For an Arab student like me, who came from a place where English is used only as a foreign lagugage, it was quite a task for me to embark upon a doctoral research. 1 am fortunate enough to have completed my Ph.D. under his superb supervision. I express my gratitude to all my teachers in the Department of English, Aligarh Muslim University, Aligarh, and to the staff of the Maulana Azad Library for their cooperation and invaluable help.
    [Show full text]
  • UC San Diego UC San Diego Electronic Theses and Dissertations
    UC San Diego UC San Diego Electronic Theses and Dissertations Title Bound infinities : Scheherazade's moral matrix of the 1001 nights Permalink https://escholarship.org/uc/item/60h577d9 Author Lundell, Michael James Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Bound Infinities: Scheherazade’s Moral Matrix of The 1001 Nights A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Michael James Lundell Committee in charge: Professor Alain J.-J. Cohen, Chair Professor Steven Cassedy Professor Lisa R. Lampert-Weissig Professor Michael Provence Professor Oumelbanine Zhiri 2012 Copyright Michael James Lundell, 2012 All rights reserved. The Dissertation of Michael James Lundell is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2012 iii DEDICATION This dissertation is dedicated to my father James H. Lundell iv TABLE OF CONTENTS Signature Page…………………………………………………………............... iii Dedication……………………………………………………………………….. iv Table of Contents………………………………………………………………... v Acknowledgements…………………………………………………………….... vi Vita………………………………………………………………………………. x Abstract………………………………………………………………………….. xi Introduction……………………………………………………………………… 1 Scheherazade the Jariya: Revisiting the Frame Story of The 1001 Nights……... 18 Dislocating Scheherazade: The 1001 Nights,
    [Show full text]
  • Shahrazad in Cronulla: David Foster's Retelling of One Thousand and One Nights in Sons of the Rumour Farzaneh Mayabadi University of Wollongong, [email protected]
    University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Law, Humanities and the Arts 2018 Shahrazad in Cronulla: David Foster's Retelling of One Thousand and One Nights in Sons of the Rumour Farzaneh Mayabadi University of Wollongong, [email protected] Wenche Ommundsen University of Wollongong, [email protected] Publication Details Mayabadi, F. & Ommundsen, W. "Shahrazad in Cronulla: David Foster's Retelling of One Thousand and One Nights in Sons of the Rumour." Journal of Intercultural Studies 39 .5 (2018): 570-580. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Shahrazad in Cronulla: David Foster's Retelling of One Thousand and One Nights in Sons of the Rumour Abstract This reading of David Foster’s Sons of the Rumour focuses on its frame story, a reworking of the frame story of One Thousand and One Nights. It provides an overview of the impact of One Thousand and One Nights on world literature and goes on to analyse how Foster reimagines One Thousand and One Nights in order to illustrate humanity’s struggle between the spiritual and the material world. Foster constructs a parallel dilemma for Al Morrisey, a secular Australian Jew, and the Shah, a Persian Muslim. Differences between them favours Al’s secularism over the Shah’s Islamic faith, and tends to harden and exaggerate stereotypes, following a typical Orientalist pattern by recreating the structure of One Thousand and One Nights for a Western understanding of and taste for Orientalist material.
    [Show full text]
  • The Vogue of Robert Louis Stevenson in America, 1880-1900
    THE VOGUE OF ROBERT LOUIS STEVENSON IN AMERICA, 1880-1900 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University by Roy Albert Riggs, B.A., M-A The Ohio State University 1953 Approved by: Adviser TABLE OF CONTENTS Page I. STEVENSON'S APPRENTICE YEARS, 1873-1879..........1 II. STEVENSON'S RECEPTION IN AMERICA, 1879-1885* • * 49 III. STEVENSON' S RELATIONS WITH AMERICAN PUBLISHERS, 1886-1894......................... 106 IV. STEVELSoN's ChlPICAL RECEPTION IN AMERICA, 1886-189^ ..........................209 V. STEVENSON’S POSTHUMOUS VOGUE IN AMERICA, 1895-1900 260 ii PREFACE Within the broad outlines of this study, which traces the progress of Robert Louis Stevenson's literary career in America from 1879, when he first appeared on tne American publishing scene, to 1900, when the pos- tnumous vogue had Bomewhat run its course, I have en­ deavored specifically to do three things: (1 ) to tell in cetail the story of Stevenson's business relations wl tn American publishers; (2) to indicate the reactions of contemporary American critics to his work; (3) to recount the rise ana fall of his popularity with the general reading public. In dealing with Categories Two and Three, I have drawn heavily for source material on the literary period­ icals and the trade publications of the time. For the facts about Stevenson's business relations with American publishers I have consulted a large body of unpublished correspondence that tells the whole story. I have had free access to, and have permission to quote from, three sizeable collections of unpublished letters which shed considerable light on Stevenson's American business affairs.
    [Show full text]
  • The Thousand and One Nights in English
    tr -\r Identity in Diversity: The Thousand and One Nights in English E. K. Sallis Thesis presented for the degree of Doctor of Philosophy Department of English, University of Adelaide South Australia August 1996 Table of Contents Chapter 1: Introduction to the Nights 7 Clrapter 2: Arabic Textual History of the AIf layla walayla 24 Chapter 3: English Translation of the Thousnd and One Nights 57 Clrapter 4: Reading tll.e Arabian Nights 87 Chapter 5: SheherazadelShahrazãd:.a Commentary on the Frame Tale 115 Chapter 6: Readings of Selected Stories and Anecdotes 746 Hãrun al-I{ashid and the Arab Girl The Pious Black Slave 'Aziz and'Aziza 'Abdallah the Fisherman and "Abdallah the Merman Ma?üf the Cobbler Afterword 796 Appendix 198 Bibliography 799 Primary Texts 200 Secondary Texts: The Thousand and One Nights 201 Secondary Texts: General 227 List of Abbreviations EI(2) The Encydopaedia of Islam (second edition) lA Journal Asíatique IAL Journal oÍ Arabic Literature JNES Journal of Ne:.r Eastern Studies IAOS Journal of the Ameriæn Oriental Society IRAS Journal of the Royal Asiatíc hciety JSS Journal of Semitic Studies UMES International Journal of Middle Eastern Studies ZD}'IIG Zeitschrift d er Deut schen Mor genl an d i sch en G esell schaft ZER Zotenberg' s Egyptian Recension E. K. Sallis "Identity in Diversity: the Thousand and One Nights in English" Thesis Sumrnary The Thousand and One Nights is a very large family of texts which has rolled like a snowball through many centuries and several cultures. This thesis explores various levels of the diversity of the Nights, ranging from the vestiges of its lost past, through the extant and printed Arabic versions, and beyond to the European reception.
    [Show full text]