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31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Cha -Cha In. June
Cha -Cha London. Singer, Boston Opera, Metropolitan Opera Co.. Ince productions. Pictures include "The Loot Battalion." 1917-22; actor, such productions as Wild Duck. Beyond Double Alibi, Fugitive From Justice, others. the Horizon," "Mourning Becomes Electra," The Eternal Recent Pictures: Captain Tugboat Annie, Jungle Captive, Road, "Outward Bound." Director of short producs., Fox The October Man. Film; associate editor, Fox Movietone News; European pro- duction editor, Fox Movietone News; Editor, Pathe Topics. CHANDLER GEORGE: Actor. b. Waukegan, In. June March of Time Industrial Div. In 1940, collaborated on 40, 1902; e. Ill. U. In vaudeville as "George Chandler animation "World in Flames," Par. the Musical Nut. In 1929 en screen in Tenderfoot Thrillers; pictures include: Pretty Baby, This Woman Is Dangerous, CHAMBERS, GORDON A.: b. Rochester, N. Y., May Meet Me at the Fair. Ham Christian Andersen, Island la 30, 1905; e. St. Lawrence U., B.Sc. 1926. Employed in the Sky, Rails into Laramie, High and the Mighty, Steel Eastman Kodak Co. continuously since graduation, in Cage, Apache Ambush, Girl Rush. Research Laboratories (Rochester) 1926-9, in m.p. film dept. (Hollywood) 1929-42; on leave for duty In U.S.N.R. CHANDLER, LANE: Actor. r. n. Lane Oakes. b. Culbert- 1942-5, disch. 1952; m.p. film dept. Rochester 1945, chief son, Mont.. June 4, 1899. Without previous acting experience. mgr m,p, film dept., 1960. appeared in number of silent prod. Pictures Include: Follow the Boys, Men on Her Mind. CHAM IE, ALFRED P.: Attorney, e. U.C.L.A.-A.B.. Saratoga Trunk, Casanova Brown, Great Mike, Laura, The Harvard Law School, L.L.B.; U. -
Here's Looking at You
SCANDINAVIAN REVIEW | Denmark | Finland | Iceland | Norway | Sweden | Here’s Looking at You, Kid INGRID BERGMAN AT 100 Summer 2015 INGRID BERGMAN AT 100 Another look at the luminous Swede, one of the finest stage and screen Here’s actors of the mid-20th century. Looking By Donald Dewey ER G This is where Humphrey Bogart delivers the classic line to Ingrid Bergman in Casablanca (1942). at You, Kid GRAN 30 SCANDINAVIAN REVIEW SCANDINAVIAN REVIEW 31 Ingrid Bergman at 26 HAT IS THERE LEFT TO SAY ABOUT INGRID BERGMAN? Journalists and biographers and film historians have been dipping W into Bergman’s life (1915–1982) so relentlessly for so long that it is easy to forget that it wasn’t always in the public domain. The woman’s career, off and on screen, started being dissected so minutely so many decades ago that just about the only survivors from all those labors are her children and a hand- ful of actors from the already-41-year-old Murder on the Orient Express. In short, and though many of us are loath to admit it, the world of Ingrid Bergman seems to have warp-sped away from us to distances we might not have thought possible. It may not be as remote as Planet Garbo, but it is still out there, back in that century they used to call the 20th with an air of self-satisfaction making it sound like the tiniest of steps before infinity. (“My God, man, it’s the 20th century!”) There is, of course, the record of her many performances—filmed, kinescoped, taped, digitized, hologrammed, whatever technical development preserves them next. -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair, -
William Ernest Henley - Poems
Classic Poetry Series William Ernest Henley - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive William Ernest Henley(1849 - 1902) William Ernest Henley (August 23, 1849 - July 11, 1903) was a British poet, critic and editor. Henley was born in Gloucester and educated at the Crypt Grammar School. The school was a poor relation of the Cathedral School, and Henley indicated its shortcomings in his article (Pall Mall Magazine, Nov. 1900) on T. E. Brown the poet, who was headmaster there for a brief period. Brown's appointment was a stroke of luck for Henley, for whom it represented a first acquaintance with a man of genius. "He was singularly kind to me at a moment when I needed kindness even more than I needed encouragement." Brown did him the essential service of lending him books. Henley was no classical scholar, but his knowledge and love of literature were vital. After suffering tuberculosis as a boy, he found himself, in 1874, aged twenty- five, an inmate of the hospital at Edinburgh. From there he sent to the Cornhill Magazine where he wrote poems in irregular rhythms, describing with poignant force his experiences in hospital. Leslie Stephen, then editor, visited his contributor in hospital and took Robert Louis Stevenson, another recruit of the Cornhill, with him. The meeting between Stevenson and Henley, and the friendship of which it was the beginning, form one of the best-known episodes in English literature (see Stevenson's letter to Mrs Sitwell, Jan. 1875, and Henley's poems "An Apparition" and "Envoy to Charles Baxter"). -
Shaping the Inheritance of the Spanish Civil War on the British Left, 1939-1945 a Thesis Submitted to the University of Manches
Shaping the Inheritance of the Spanish Civil War on the British Left, 1939-1945 A thesis submitted to the University of Manchester for the degree of Master of Philosophy in the Faculty of Humanities 2017 David W. Mottram School of Arts, Languages and Cultures Table of contents Abstract p.4 Declaration p.5 Copyright statement p.5 Acknowledgements p.6 Introduction p.7 Terminology, sources and methods p.10 Structure of the thesis p.14 Chapter One The Lost War p.16 1.1 The place of ‘Spain’ in British politics p.17 1.2 Viewing ‘Spain’ through external perspectives p.21 1.3 The dispersal, 1939 p.26 Conclusion p.31 Chapter Two Adjustments to the Lost War p.33 2.1 The Communist Party and the International Brigaders: debt of honour p.34 2.2 Labour’s response: ‘The Spanish agitation had become history’ p.43 2.3 Decline in public and political discourse p.48 2.4 The political parties: three Spanish threads p.53 2.5 The personal price of the lost war p.59 Conclusion p.67 2 Chapter Three The lessons of ‘Spain’: Tom Wintringham, guerrilla fighting, and the British war effort p.69 3.1 Wintringham’s opportunity, 1937-1940 p.71 3.2 ‘The British Left’s best-known military expert’ p.75 3.3 Platform for influence p.79 3.4 Defending Britain, 1940-41 p.82 3.5 India, 1942 p.94 3.6 European liberation, 1941-1944 p.98 Conclusion p.104 Chapter Four The political and humanitarian response of Clement Attlee p.105 4.1 Attlee and policy on Spain p.107 4.2 Attlee and the Spanish Republican diaspora p.113 4.3 The signal was Greece p.119 Conclusion p.125 Conclusion p.127 Bibliography p.133 49,910 words 3 Abstract Complexities and divisions over British left-wing responses to the Spanish Civil War between 1936 and 1939 have been well-documented and much studied. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Sins and Follies
Robert louis stevenson Sins and follies Robert louis stevenson ins S and Follies ASLS “A Lodging for the Night” was first published in Temple Bar 51, October 1877 “Markheim” was first published in Unwin’s Annual 1886 “The Body-Snatcher” was first published in the Pall Mall Gazette Christmas Extra, December 1884 This edition published 2016 by the Association for Scottish Literary Studies Preface © Alanna Knight 2016 Introduction © Barry Menikoff 2016 Notes © Duncan Milne 2016 Typeset in Minion and Recherche by ASLS This book has been created by Edinburgh Napier in association with Edinburgh UNESCO City of Literature Trust as part of the RLS Day 2016 campaign to celebrate the famous literary son of Edinburgh, Robert Louis Stevenson. We would like to thank everyone involved in the creation of this book and in particular Edinburgh Napier, ASLS, JUMP Marketing, City of Edinburgh Council and Creative Scotland. Our thanks to Duncan Milne, Linda Dryden, Duncan Jones, Esther Rutter and Mat Norbury. Contents Preface vii Introduction xiii A Lodging for the Night . 1 Markheim . 29 The Body-Snatcher . .53 Notes 79 Preface Alanna Knight MBE n 1877 “A Lodging for the Night”, the first of Stevenson’s Istories to be published, saw his fiction begin to supersede the essays with which his career began. The story, set in fifteenth-century Paris, concerns a dissolute evening’s drinking which ends with a murder; the poet (and rogue) Francis Villon flees the scene, finding shelter in the home of the Lord of Brisetout, who takes it upon himself to lecture Villon on his moral failings. -
THE SANCTITY of CONTRACTS in ENGLISH LAW AUSTRALIA the Law Book Co
THE HAMLYN LECTURES TENTH SERIES THE SANCTITY OF CONTRACTS IN ENGLISH LAW AUSTRALIA The Law Book Co. of Australasia Pty Ltd. Sydney : Melbourne : Brisbane CANADA AND U.S.A. The Carswell Company Ltd. Toronto INDIA N. M. Tripathi Private Ltd. Bombay NEW ZEALAND S^veet & Maxwell (N.Z.) Ltd. Wellington PAKISTAN Pakistan Law House Karachi THE SANCTITY OF CONTRACTS IN ENGLISH LAW BY SIR DAVID HUGHES PARRY, Q.C., M.A., LL.D., D.C.L. An Honorary Bencher of the Inner Temple, Professor of English Law in the University of London Published under the auspices of THE HAMLYN TRUST LONDON STEVENS & SONS LIMITED 1959 First published in 1959 by Stevens & Sons Limited of 119 & 120 Chancery Lane London — Law Publishers and printed in Great Britain by the Eastern Press Ltd. of London and Reading Stevens A Sons, Limited 1959 CONTENTS The Hamlyn Trust ..... page vii 1. GROWTH OF SANCTITY OF CONTRACTS . 1 The Moral Basis of Contract—The Influence of the Ecclesiastical Courts—Contracts in the Court of Chancery—Enforceability of Contracts at Common Law—The Influence of Benthamism— Nineteenth Century Views of Contracts: The Historical School—The "Will Theory" of Con- tracts—Conclusion 2. ENCROACHMENTS ON SANCTITY OF CONTRACTS 19 Contracts which Equity Declined to Enforce— Curtailment of Freedom of Contract by the Legislature—Contracts entered into on Sunday— Wagering Contracts—Infants' Contracts—Truck Acts—Moneylenders Acts—Hire-Purchase Acts —Labour Legislation—Trade Union Legislation 3. CURTAILMENT OF FREEDOM OF CONTRACT BY THE COMMON LAW COURTS ... 39 Implied Terms—Impossibility of Performance— Contracts Contrary to Law or Morality—Con- tracts in Restraint of Trade—Monopolies and Restrictive Practices—Executive Arrangements 4. -
The Stevenson Circle
The Stevenson Circle Archer, William (1856-1924), journalist and critic. He was dramatic critic for Figaro, and later for the World and the Star. An admirer of Ibsen's work, he was instrumental in introduc- ing Ibsen's plays to the British public. Archer and RLS fre- quently corresponded, and Archer wrote a perceptive obituary, 'In Memoriam R.L.S.' (New Review, January 1895). Balfour, Dr Lewis (1777-1860), grandfather of RLS. RLS took his middle name of Lewis (later Louis) from his grandfather. As a boy RLS delighted in visiting Colin ton Manse, the home of his grandfather from 1823 to 1860. In his essay 'The Manse', included in MP, he gives an affectionate tribute to his recol- lections of the house and of his grandfather. Balfour, Sir Thomas Graham (1858-1929). One of RLS's many cousins, Balfour made his home at Vailima during the last two and a half years of RLS's life. His biography, published in 1901, is an extremely readable, competent and well-researched account. It suffers, however, from having been prepared so soon after Stevenson's death and is insufficiently detached from the protective influence of his widow. It remains an in- dispensable account of RLS and his circle, though inevitably some of Balfour's judgements have been superseded by later scholarship. Barrie, Sir James Matthew (1860-1937), novelist and playright. His first novel The Little Minister (1891), was much admired by RLS. Barrie was also the author of A Window in Thrums, Margaret Ogilvy, and Sentimental Tommy. His plays include The Admirable Crichton, Peter Pan and What Every Woman Knows. -
Mixdrop - Watch Bishonen.1998
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Soldiersf Humour Have Appeared Since World War Two
This manusui@ has ben mpduœâ from aie rnicmfilm master. UMI films the text directly from the original or copy suknitted. Thus, some thesis and dissertation copies are in typmhbr face, whik rnay be from any type of cornputer pnnter. The quality dthk irpFoductkn b d.p.nd.ntuponüm quaiity dths copy submitted. Brolten or indistinct *nt, cdomd or poar quality illustratioris and photognphs. pnnt bbdlhrough. substgndrd mwgins. and irnpqmr dignment can adversely affect reploductiori. In the unlikely event that the author did not send UMI a cornpiete manuscript and there are missing w,these Ml be noted. Also, if unaUttKHiZed copyright material had to be mrnovoâ, a note will indiie the âddion. Ovenue materials (e-g.. maps. d-ngs, charts) are mpdwdby secüoning the original, beginning at ttie upper lefthmâ corner and conb'nuing from left to tight in equal sections with small ovwiaps. Photographs induded in the original manuscript have been reprdd xerogaphically in this copy. Higkquality 6. x W bladr and Miphobgfaphi~ prints are avaiiabie for any photographs or illusüaüom -ring in mis wpy for an additional charge. Contact UMI diribdly to order. Ml&Hdl Infomiatiori and Leaming 300 North teeb Road, Ann Arbor, MI 41-1346 USA CANADIAN MILITARY HUMOUR A Perspective on Canadian Army Humour During World War Two and Korea by Major W.A. Leavey A thesis submitted to the Department of English, Royal Military College of Canada, Kingston, Ontario In partial fulfillrnent of the requirements for the degree of Master of Arts Kingston, Ontario May, 1998 Copyright by W.A. Leavey, 1998 This thesis may be used within the Department of National Defence but copyright for open publication remains the property of the author.