DOCSLIB.ORG

Soldiersf Humour Have Appeared Since World War Two

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Soldiersf Humour Have Appeared Since World War Two This manusui@ has ben mpduœâ from aie rnicmfilm master. UMI films the text directly from the original or copy suknitted. Thus, some thesis and dissertation copies are in typmhbr face, whik rnay be from any type of cornputer pnnter. The quality dthk irpFoductkn b d.p.nd.ntuponüm quaiity dths copy submitted. Brolten or indistinct *nt, cdomd or poar quality illustratioris and photognphs. pnnt bbdlhrough. substgndrd mwgins. and irnpqmr dignment can adversely affect reploductiori. In the unlikely event that the author did not send UMI a cornpiete manuscript and there are missing w,these Ml be noted. Also, if unaUttKHiZed copyright material had to be mrnovoâ, a note will indiie the âddion. Ovenue materials (e-g.. maps. d-ngs, charts) are mpdwdby secüoning the original, beginning at ttie upper lefthmâ corner and conb'nuing from left to tight in equal sections with small ovwiaps. Photographs induded in the original manuscript have been reprdd xerogaphically in this copy. Higkquality 6. x W bladr and Miphobgfaphi~ prints are avaiiabie for any photographs or illusüaüom -ring in mis wpy for an additional charge. Contact UMI diribdly to order. Ml&Hdl Infomiatiori and Leaming 300 North teeb Road, Ann Arbor, MI 41-1346 USA CANADIAN MILITARY HUMOUR A Perspective on Canadian Army Humour During World War Two and Korea by Major W.A. Leavey A thesis submitted to the Department of English, Royal Military College of Canada, Kingston, Ontario In partial fulfillrnent of the requirements for the degree of Master of Arts Kingston, Ontario May, 1998 Copyright by W.A. Leavey, 1998 This thesis may be used within the Department of National Defence but copyright for open publication remains the property of the author. National Library Biblioth4que nationâle du Canada Acquisitions and Acquisitions et Bibliographie Services seMces bibliographques 395 Wellington Street 395, nie Wellington OctawaON K1AW OüawaON KlAW Canada carda The author has granted a non- L'auteur a accordé une Licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fkom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent Pire imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. TABLB OF CONTENTS ABSTRACT .............................m........iii CHAPTER 1 INTRODUCTXON ........................ x Canadian ldilitary Bxperience and Humour ......................... xvi CHAPTER II TIIB SYSTgM .......................... 1 Joining Up .......................... 6 Diacipline .................m........ 20 Kurry and Wait ................... 37 Black Market ........................ 43 CHAPTER III THE HIERARCHY ....................... 49 Supariors ........................... 50 The Staff ........................... 58 Old Soldfer/New Soldier ............. 62 Allies .............................. 68 CHAPTER IV KARDSHIPS ........................... 71 Rations ............................. 74 Campe. Clothing and Equipment ........ 84 Stress and Fear ..................... 91 The En- ........................... 100 Wounds. Siclenees and Death ............ 104 Weather .............................. 111 CHAPTER V MORALE .....................m.......m114 Merry England ....................... 116 Alcohol ....................m........ 119 The Fairer Sex ...................... 126 CHAPTER VI TEE BIZARRE. THE RIDICULOUS. TIZE INEXPLICABLE ...................... APPENDIX B CARTOONS ~O,,O~.O,,,m,,e~.~OmOOOO~~~m175 zmszwwz 'Military Humour" has been described variously as everything from military mirth to fightersl folly. Warrior wags have normally reached their full stride during times of adversity. Scores of Canadian works depicting soldiersf humour have appeared since World War Two . The Opus Maj or is probably mfCanada' s "every manff citizen soldier by Sergeant Bing Coughlin and Captain J.D. MacFarlane. Other classic works include Earl Birneyfs Wev, two complementary works by Farley Mowat entitled -ent and No B- Sang, and H.F. Woodsr #- John Mimms along with Ray Stevens have also written two more recent but no less funny books called Meda Heroes and The Hms of Wax, respectively. Barry Broadfoot in his axWu Yeays 1939 - 94.5 and Joyce Hibbert in her Jof also added many humourous wartime oral histories from Canadians across the country. Even Pierre Berton got into the act in his witty Startipa Out. iii 1 have examined a number of lesser known. limited- edition and self-published works that have also yielded many nuggets. Cartoons and songs were a valuable weather vane of the soliders' version of solace during wartime. Anthony Hopkinsî Sonas from the Frantud Re= was the best source 1 found for harmonizing Herbies. Bing Coughlints cartoons from my perspective were by far the funniest and most representative, along with the work of John Mimms adEric Mansikka. The aim of this study is to examine humourous Canadian military literature and explore both its conceptual structure and how Canadian cultural history relates to that structure. The study is organized around the main subject focuses and attempts to reflect the dominant range of tone relating to each category. It is clear that humour was a valuable. if not essential, part of the wartime soldierrs equipment which deflected the fears and tensions of a brutal, unforgiving environment. Although 1 did not realize it at the time, 1 became interested in military humour back in 1968 when 1 joined my first unit, The Second ~attalion,The Black Watch, Royal Highland Regiment of Canada. My Company commander, a rigidly pedantic man with al1 of the regimentation and formality of Major Dad, (a character in a television sitcom of the late 1980s), had ordered me to give a presentation on riot control to our unit officers, provincial RCMP, and local civic and judicial authorities. Knowing absolutely nothing about interna1 security (unless having been involved in a few near- riots myself as an exuberant youth counted), 1 did not have the foggiest idea how to proceed. After not a little brain-wracking and scurrying about, my survival instincts impelled me to prepare a series of humorous skits and witticisms. Much to my surprise and the chagrin of my OC, it worked. The senior RCMP officer attending, after almost losing control of his bladder, remarked that 1 should go on Ed Sullivan (a popular TV variety show at the time). Even the local judge, a dour septuagenarian with a scowl reminiscent of Churchill, seemed to abandon his characteristic moroseness. Our normally stolid commanding officer, a chisled veteran of Korea, appeared to be grinning, although it was hard to be really sure. He might have just had gas. My boss, at last, was forced to admit that humour had saved the day - and me along with it. 1 thought nothing of it at the time, but now, with the benefit of almost three decades of experience and hopefully a little bit of maturity, it is clear that humour has a very important part to play in the well- being of people in general and of soldiers in particular. Even in the peace-time Army, a soldier's life is filled with stresses that his civilian countrymen never experience. By law, he is subject to an unlimited liability, which in laymanfs terms means that, when so ordered, he must salute smartly and put his life on the line with unquestioning obedience. Most of the soldiers 1 have been exposed to in my career, 1 am convinced, would do just that. It is the shared hardships of battle and training for battle, along with the artificially rigid system of military administration and discipline, and the unproven, sometimes inept, hierarchy, which adds to the challenge and the unadulterated humour of it all. Soldiers have found their particular wworldlffunny, even in the most grim and traumatic of situations. They have made fun of everything from their rations to their rifles, from the general staff to the stress of military life. It has been my good fortune and pleasure to have known a good number of superb soldiers in units such as the Black Watch, Royal Highland Regiment of Canada, The Royal Canadian Regirnent and the Canadian Airborne Regiment. With few exceptions, they al1 went about their daily business with dedication, professionalism, and, most obviously, an infectious sense of humour. 1 am most grateful for what these men have taught me. During the last several years, 1 have been employed with the Canada Remembers Prograrn with Veterans Affairs Canada. This opportunity has given me the chance to rub shoufders with Canada's WWII Veterans from al1 of the wartime services. Again, almost to a man, they remembered the humour and the laughter above all. To these men as well, 1 owe a great debt. 1 wish also to extend my gratitude to Lieutenant General (Ret'd) Jim Gervais who, as a Brigadier almost ten years ago, first allowed me to pursue my studies in English at RMC through the UTPO Programme. Col (Retrd) John Gardam, my immediate boss for the past two years and a critically acclaimed writer of Canadian rnilitary history, has been most helpful in encouragement and advice. The staff
Load more

Recommended publications
  • Origen De La Enfermería En El Cine: El Género Histórico-Documental Y Biográfico
    ORIGEN DE LA ENFERMERÍA EN EL CINE: EL GÉNERO HISTÓRICO- DOCUMENTAL Y BIOGRÁFICO José Siles González Universidad de Alicante INTRODUCCIÓN El cine y las películas constituyen una herramienta fundamental para transmitir los fe- nómenos humanos en toda su complejidad, sin renunciar a ninguna de las dimensiones que intervienen en los acontecimientos. Ya Terencio y Shakespeare formularon la famosa frase: «Nada de lo humano me es ajeno». La enfermedad, el dolor, la muerte forman parte de la na- turaleza humana y, más tarde o temprano, de una u otro forma, acaban arribando a la existen- cia de todos los seres humanos que experimentan sus vivencias de forma tan diversa como compleja; es decir, mediante un determinado tipo de estética experiencial. Al cine, nada de lo humano le es ajeno y, particularmente, aquellos fenómenos vinculados a situaciones que producen cambios notables en quienes las viven (enfermedades, dolencias, pérdidas, etc.). Carper (1999) incluyó la dimensión estética como la cuarta integrante de los cuatro niveles del conocimiento enfermero (empírico-científico, ético, personal y estético). Otros autores desarrollaron modelos basándose en estos diferentes patrones y reinterpretando el conoci- miento estético desde las necesidades tanto del paciente como de la práctica profesional de enfermería partiendo de la base de la pertinencia de la estética ante situaciones –como el sufrimiento ante la enfermedad– donde el pensamiento subjetivo adquiere una gran intensi- dad (Chinn, 1994). Debido a su potencial de configuración ideológica (Lebel, 1973), el cine ha desempeña- do un papel determinante en el desarrollo de clichés, estereotipos y en una amplia gama de modelado de todos aquellos asuntos que forman parte de la realidad histórica.
    [Show full text]
  • New Arabian Nights
    1882 NEW ARABIAN NIGHTS Robert Louis Stevenson Stevenson, Robert Louis (1850-1894) - Scottish novelist, poet, and essayist, best known for his adventure stories. Stevenson was a sickly man (he died of tuberculosis) who nevertheless led an adventurous life. He spent his last five years on the island of Samoa as a planter and chief of the natives. The New Arabian Nights (1882) - A collection of tales including “The Suicide Club,” “The Rajah’s Diamond,” “The Pavilion on the Links,” and more. This was Stevenson’s first published collection of fiction. TABLE OF CONTENTS NEW ARABIAN NIGHTS . 2 CONTENTS . 2 STORY OF THE YOUNG MAN WITH THE CREAM TARTS . 3 STORY OF THE PHYSICIAN AND THE SARATOGA TRUNK . 16 THE ADVENTURE OF THE HANSOM CABS . 27 THE RAJAH’S DIAMOND, STORY OF THE BANDBOX . 36 STORY OF THE YOUNG MAN IN HOLY ORDERS . 47 STORY OF THE HOUSE WITH THE GREEN BLINDS . 53 THE ADVENTURE OF PRINCE FLORIZEL AND A DETECTIVE . 66 THE PAVILION ON THE LINKS TELLS HOW I CAMPED IN GRADEN SEA-WOOD, AND BEHELD A LIGHTIN THE PAVILION . 69 TELLS OF THE NOCTURNAL LANDING FROM THE YACHT . 73 TELLS HOW I BECAME ACQUAINTED WITH MY WIFE . 75 TELLS IN WHAT A STARTLING MANNER I LEARNED THAT I WAS NOT ALONE IN GRADEN SEA-WOOD . 79 TELLS OF AN INTERVIEW BETWEEN NORTHMOUR, CLARA, AND MYSELF83 TELLS OF MY INTRODUCTION TO THE TALL MAN . 85 TELLS HOW A WORD WAS CRIED THROUGH THE PAVILION WINDOW 88 TELLS THE LAST OF THE TALL MAN . 91 TELLS HOW NORTHMOUR CARRIED OUT HIS THREAT .
    [Show full text]
  • Travels of a Country Woman
    Travels of a Country Woman By Lera Knox Travels of a Country Woman Travels of a Country Woman By Lera Knox Edited by Margaret Knox Morgan and Carol Knox Ball Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE iii Travels of a Country Woman © 2007 by Newfound Press, University of Tennessee Libraries All rights reserved. Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit <http://creativecommons.org/licenses/by-nc/3.0/us/>. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-1-8 ISBN-10: 0-9797292-1-1 Library of Congress Control Number: 2007934867 Knox, Lera, 1896- Travels of a country woman / by Lera Knox ; edited by Margaret Knox Morgan and Carol Knox Ball. xiv, 558 p. : ill ; 23 cm. 1. Knox, Lera, 1896- —Travel—Anecdotes. 2. Women journalists— Tennessee, Middle—Travel—Anecdotes. 3. Farmers’ spouses—Tennessee, Middle—Travel—Anecdotes. I. Morgan, Margaret Knox. II. Ball, Carol Knox. III. Title. PN4874 .K624 A25 2007 Book design by Martha Rudolph iv Dedicated to the Grandchildren Carol, Nancy, Susy, John Jr. v vi Contents Preface . ix A Note from the Newfound Press . xiii part I: The Chicago World’s Fair. 1 part II: Westward, Ho! . 89 part III: Country Woman Goes to Europe .
    [Show full text]
  • DEVELOPING a HAUNTOLOGY of the BLACK BODY Kashif Jerome
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository SPECTERS AND SPOOKS: DEVELOPING A HAUNTOLOGY OF THE BLACK BODY Kashif Jerome Powell, MA A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Department of Communication Studies. Chapel Hill 2014 Approved by: Renee Alexander-Craft Ashley Lucas Della Pollock Alvaro Reyes Eric King Watts © 2014 Kashif Jerome Powell ALL RIGHTS RESERVED ii ABSTRACT Kashif Jerome Powell: Specters and Spooks: Developing a Hauntology of The Black Body (Under the direction of Dr. Renee Alexander-Craft) This dissertation utilizes theories of embodiment and performance to develop a “hauntology of blackness,” which investigates imaginative sites of death constructed through the historical, social, and performative facets of institutional slavery in the United States to theorize notions of blackness and the black body. I argue that the relationship between the black body and death have conjured a death-driven specter that manifest historically, performatively, visually, and phenomenally as blackness. The rise and continual return of this “specter of blackness” positions the black body in the United States as a body “haunted” by its own biological and phenotypical disposition. Placing the theory of Jacques Derrida and Frantz Fanon in conversation with scholars such as Avery Gordon, Saidiya Hartman, Toni Morrison, and others, I evoke the language of haunting to consider the profound effect the relationship between the black body and death has had on ontological, psychoanalytic, and phenomenological understandings of blackness within post-modernity.
    [Show full text]
  • Shaping the Inheritance of the Spanish Civil War on the British Left, 1939-1945 a Thesis Submitted to the University of Manches
    Shaping the Inheritance of the Spanish Civil War on the British Left, 1939-1945 A thesis submitted to the University of Manchester for the degree of Master of Philosophy in the Faculty of Humanities 2017 David W. Mottram School of Arts, Languages and Cultures Table of contents Abstract p.4 Declaration p.5 Copyright statement p.5 Acknowledgements p.6 Introduction p.7 Terminology, sources and methods p.10 Structure of the thesis p.14 Chapter One The Lost War p.16 1.1 The place of ‘Spain’ in British politics p.17 1.2 Viewing ‘Spain’ through external perspectives p.21 1.3 The dispersal, 1939 p.26 Conclusion p.31 Chapter Two Adjustments to the Lost War p.33 2.1 The Communist Party and the International Brigaders: debt of honour p.34 2.2 Labour’s response: ‘The Spanish agitation had become history’ p.43 2.3 Decline in public and political discourse p.48 2.4 The political parties: three Spanish threads p.53 2.5 The personal price of the lost war p.59 Conclusion p.67 2 Chapter Three The lessons of ‘Spain’: Tom Wintringham, guerrilla fighting, and the British war effort p.69 3.1 Wintringham’s opportunity, 1937-1940 p.71 3.2 ‘The British Left’s best-known military expert’ p.75 3.3 Platform for influence p.79 3.4 Defending Britain, 1940-41 p.82 3.5 India, 1942 p.94 3.6 European liberation, 1941-1944 p.98 Conclusion p.104 Chapter Four The political and humanitarian response of Clement Attlee p.105 4.1 Attlee and policy on Spain p.107 4.2 Attlee and the Spanish Republican diaspora p.113 4.3 The signal was Greece p.119 Conclusion p.125 Conclusion p.127 Bibliography p.133 49,910 words 3 Abstract Complexities and divisions over British left-wing responses to the Spanish Civil War between 1936 and 1939 have been well-documented and much studied.
    [Show full text]
  • THE SANCTITY of CONTRACTS in ENGLISH LAW AUSTRALIA the Law Book Co
    THE HAMLYN LECTURES TENTH SERIES THE SANCTITY OF CONTRACTS IN ENGLISH LAW AUSTRALIA The Law Book Co. of Australasia Pty Ltd. Sydney : Melbourne : Brisbane CANADA AND U.S.A. The Carswell Company Ltd. Toronto INDIA N. M. Tripathi Private Ltd. Bombay NEW ZEALAND S^veet & Maxwell (N.Z.) Ltd. Wellington PAKISTAN Pakistan Law House Karachi THE SANCTITY OF CONTRACTS IN ENGLISH LAW BY SIR DAVID HUGHES PARRY, Q.C., M.A., LL.D., D.C.L. An Honorary Bencher of the Inner Temple, Professor of English Law in the University of London Published under the auspices of THE HAMLYN TRUST LONDON STEVENS & SONS LIMITED 1959 First published in 1959 by Stevens & Sons Limited of 119 & 120 Chancery Lane London — Law Publishers and printed in Great Britain by the Eastern Press Ltd. of London and Reading Stevens A Sons, Limited 1959 CONTENTS The Hamlyn Trust ..... page vii 1. GROWTH OF SANCTITY OF CONTRACTS . 1 The Moral Basis of Contract—The Influence of the Ecclesiastical Courts—Contracts in the Court of Chancery—Enforceability of Contracts at Common Law—The Influence of Benthamism— Nineteenth Century Views of Contracts: The Historical School—The "Will Theory" of Con- tracts—Conclusion 2. ENCROACHMENTS ON SANCTITY OF CONTRACTS 19 Contracts which Equity Declined to Enforce— Curtailment of Freedom of Contract by the Legislature—Contracts entered into on Sunday— Wagering Contracts—Infants' Contracts—Truck Acts—Moneylenders Acts—Hire-Purchase Acts —Labour Legislation—Trade Union Legislation 3. CURTAILMENT OF FREEDOM OF CONTRACT BY THE COMMON LAW COURTS ... 39 Implied Terms—Impossibility of Performance— Contracts Contrary to Law or Morality—Con- tracts in Restraint of Trade—Monopolies and Restrictive Practices—Executive Arrangements 4.
    [Show full text]
  • Chronological Table of Productions at the Theatre Royal
    1 CHRONOLOGICAL TABLE OF PRODUCTIONS AT THE THEATRE ROYAL 1884 17 - 20 December Richelieu 22 - 24 December Belphegor The Loan of a Lover 26 December-9 Jan Proof 1885 10 January The Lady of Lyons 12 - 17 January The Duke’s Motto 19 - 21 January East Lynne 22 - 23 January Leah 24 - 30 January Richard III 31 January The Stranger Robert Macaire 2 - 6 February Ambition (Catherine Howard) 7 February William Tell East Lynne 9 - 21 February Never Too Late to Mend 23 - 28 February Drink 2 - 4 March Macbeth 5-7 March Hamlet 9 - 14 March The Danites 16 - 20 March Streets of London 21 March Don Caezar de Bazan Black Eyed Susan 23 - 25 March The Octoroo 26 - 27 March The Merchant of Venice The Royalist and the Republican 28 March The Bells Black Eyed Susan 30 March - 1 April The Colleen Bawn 2 April Ingomar The Watermen 3 April CLOSED (GOOD FRIDAY) 4 April Othello 6 - 11 April Mazeppa The Little Pest 13 - 14 April Othello 15 - 16 April Belphegor 17 April Ingomar 18 April Pizarro Cartouche 20 - 22 April Ticket of Leave Man 23 April The Honeymoon Withered Leaves 24 April Ticket of Leave Man 25 April - 1 May Forsaken 2 May The Beggar’s Petition Forsaken (two acts) 4 - 5 May Rob Roy 2 6 May The Shaughraun 7 May Don Caesar de Bazan 8 May The Shaughraun 9 May The Devil in Paris Poor Joe 11 May Chevalier St George 12 May Richelieu 13 May Hamlet 14 May Romeo and Juliet 15 May Richard III 16 May Romeo and Juliet 18 - 20 May My Comrade 21 May Arra-na-pogue 22 May My Comrade 23 - 30 May Uncle Tom’s Cabin 1 - 13 June My Sweetheart 15 - 20 June Mardo 22 June -
    [Show full text]
  • Sidney, Shakespeare, and the Elizabethans in Caroline England
    Textual Ghosts: Sidney, Shakespeare, and the Elizabethans in Caroline England Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Rachel Ellen Clark, M.A. English Graduate Program The Ohio State University 2011 Dissertation Committee: Richard Dutton, Advisor Christopher Highley Alan Farmer Copyright by Rachel Ellen Clark 2011 Abstract This dissertation argues that during the reign of Charles I (1625-42), a powerful and long-lasting nationalist discourse emerged that embodied a conflicted nostalgia and located a primary source of English national identity in the Elizabethan era, rooted in the works of William Shakespeare, Sir Philip Sidney, John Lyly, and Ben Jonson. This Elizabethanism attempted to reconcile increasingly hostile conflicts between Catholics and Protestants, court and country, and elite and commoners. Remarkably, as I show by examining several Caroline texts in which Elizabethan ghosts appear, Caroline authors often resurrect long-dead Elizabethan figures to articulate not only Puritan views but also Arminian and Catholic ones. This tendency to complicate associations between the Elizabethan era and militant Protestantism also appears in Caroline plays by Thomas Heywood, Philip Massinger, and William Sampson that figure Queen Elizabeth as both ideally Protestant and dangerously ambiguous. Furthermore, Caroline Elizabethanism included reprintings and adaptations of Elizabethan literature that reshape the ideological significance of the Elizabethan era. The 1630s quarto editions of Shakespeare’s Elizabethan comedies The Merry Wives of Windsor, The Taming of the Shrew, and Love’s Labour’s Lost represent the Elizabethan era as the source of a native English wit that bridges social divides and negotiates the ii roles of powerful women (a renewed concern as Queen Henrietta Maria became more conspicuous at court).
    [Show full text]
  • The Enemy in Colorado: German Prisoners of War, 1943-46
    The Enemy in Colorado: German Prisoners of War, 1943-46 BY ALLEN W. PASCHAL On 7 December 1941 , the day that would "live in infamy," the United States became directly involved in World War II. Many events and deeds, heroic or not, have been preserved as historic reminders of that presence in the world conflict. The imprisonment of American sol­ diers captured in combat was a postwar curiosity to many Americans. Their survival, living conditions, and treatment by the Germans became major considerations in intensive and highly publicized investigations. However, the issue of German prisoners of war (POWs) interned within the United States has been consistently overlooked. The internment centers for the POWs were located throughout the United States, with different criteria determining the locations of the camps. The first camps were extensions of large military bases where security was more easily accomplished. When the German prisoners proved to be more docile than originally believed, the camps were moved to new locations . The need for laborers most specifically dic­ tated the locations of the camps. The manpower that was available for needs other than the armed forces and the war industries was insuffi­ cient, and Colorado, in particular, had a large agricultural industry that desperately needed workers. German prisoners filled this void. There were forty-eight POW camps in Colorado between 1943 and 1946.1 Three of these were major base camps, capable of handling large numbers of prisoners. The remaining forty-five were agricultural or other work-related camps . The major base camps in Colorado were at Colorado Springs, Trinidad, and Greeley.
    [Show full text]
  • A Lady's Life Among the Mormons
    Utah State University DigitalCommons@USU All USU Press Publications USU Press 2008 Exposé of Polygamy: A Lady's Life among the Mormons Fanny Stenhouse Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the History of Religion Commons Recommended Citation Stenhouse, T. B. H., & DeSimone, L. W. (2008). Expose ́ of polygamy: A lady's life among the Mormons. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Exposé of Polygamy A Lady’s Life among the Mormons Volume 10 Life Writings of Frontier Women Used by permission, Utah State Historical Society, all rights reserved. Fanny Stenhouse. Exposé of Polygamy: A Lady’s Life among the Mormons Fanny Stenhouse Edited by Linda Wilcox DeSimone Utah State University Press Logan, Utah 2008 Copyright © 2008 Utah State University Press All rights reserved Utah State University Press Logan, Utah 84322–7800 www.usu.edu/usupress Manufactured in the United States of America Printed on acid-free paper ISBN: 978–0–87421–713–1 (cloth) ISBN: 978–0–87421–714–8 (e-book) Library of Congress Cataloging-in-Publication Data Stenhouse, T. B. H., Mrs., b. 1829. Exposé of polygamy : a lady’s life among the Mormons / Fanny Stenhouse ; edited by Linda Wilcox DeSimone. p. cm. – (Life writings of frontier women ; v. 10) Originally published: New York : American News Co., 1872.
    [Show full text]
  • World War Ii and Us Cinema
    ABSTRACT Title of Document: WORLD WAR II AND U.S. CINEMA: RACE, NATION, AND REMEMBRANCE IN POSTWAR FILM, 1945-1978 Robert Keith Chester, Ph.D., 2011 Co-Directed By: Dr. Gary Gerstle, Professor of History, Vanderbilt University Dr. Nancy Struna, Professor of American Studies, University of Maryland, College Park This dissertation interrogates the meanings retrospectively imposed upon World War II in U.S. motion pictures released between 1945 and the mid-1970s. Focusing on combat films and images of veterans in postwar settings, I trace representations of World War II between war‘s end and the War in Vietnam, charting two distinct yet overlapping trajectories pivotal to the construction of U.S. identity in postwar cinema. The first is the connotations attached to U.S. ethnoracial relations – the presence and absence of a multiethnic, sometimes multiracial soldiery set against the hegemony of U.S. whiteness – in depictions of the war and its aftermath. The second is Hollywood‘s representation (and erasure) of the contributions of the wartime Allies and the ways in which such images engaged with and negotiated postwar international relations. Contrary to notions of a ―good war‖ untainted by ambiguity or dissent, I argue that World War II gave rise to a conflicted cluster of postwar meanings. At times, notably in the early postwar period, the war served as a progressive summons to racial reform. At other times, the war was inscribed as a historical moment in which U.S. racism was either nonexistent or was laid permanently to rest. In regard to the Allies, I locate a Hollywood dialectic between internationalist and unilateralist remembrances.
    [Show full text]
  • The Workingman's Paradise by John Miller
    The Workingman’s Paradise: An Australian Labour Novel by John Miller Workingman’s Paradise The Workingman’s Paradise: An Australian Labour Novel by ‘John Miller’ (William Lane) (1861-1917) The Project Gutenberg EBook of The Workingman’s Paradise, by John Miller This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Workingman’s Paradise An Australian Labour Novel Author: John Miller Release Date: July 27, 2005 [EBook #16366] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE WORKINGMAN’S PARADISE *** Produced by Col Choat 2 Workingman’s Paradise The Workingman’s Paradise: An Australian Labour Novel by ‘John Miller’ (William Lane – 1861-1917) In Two Parts. Part I. The Woman Tempted Him. Part II. He Knew Himself Naked. First published 1892 * * * * * PART I. THE WOMAN TEMPTED HIM. Preface Chapter I. Why Nellie Shows Ned Round. Chapter II. Sweating In The Sydney Slums. Chapter III. Shorn Like Sheep. Chapter IV. Saturday Night In Paddy’s Market. Chapter V. Were They Conspirators? Chapter VI. “We Have Seen The Dry Bones Become Men.” Chapter VII. A Medley of Conversation. Chapter VIII. The Poet And The Pressman. Chapter IX. “This Is Socialism!” Chapter X. Where The Evil Really Lies. Chapter XI. “It Only Needs Enough Faith.” Chapter XII. Love And Lust. PART II. HE KNEW HIMSELF NAKED. Chapter I.
    [Show full text]