Chronological Table of Productions at the Theatre Royal
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Joan Littlewood Education Pack in Association with Essentialdrama.Com Joan Littlewood Education Pack
in association with Essentialdrama.com Joan LittlEWOOD Education pack in association with Essentialdrama.com Joan Littlewood Education PAck Biography 2 Artistic INtentions 5 Key Collaborators 7 Influences 9 Context 11 Productions 14 Working Method 26 Text Phil Cleaves Nadine Holdsworth Theatre Recipe 29 Design Phil Cleaves Further Reading 30 Cover Image Credit PA Image Joan LIttlewood: Education pack 1 Biography Early Life of her life. Whilst at RADA she also had Joan Littlewood was born on 6th October continued success performing 1914 in South-West London. She was part Shakespeare. She won a prize for her of a working class family that were good at verse speaking and the judge of that school but they left at the age of twelve to competition, Archie Harding, cast her as get work. Joan was different, at twelve she Cleopatra in Scenes from Shakespeare received a scholarship to a local Catholic for BBC a overseas radio broadcast. That convent school. Her place at school meant proved to be one of the few successes that she didn't ft in with the rest of her during her time at RADA and after a term family, whilst her background left her as an she dropped out early in 1933. But the outsider at school. Despite being a misft, connection she made with Harding would Littlewood found her feet and discovered prove particularly infuential and life- her passion. She fell in love with the changing. theatre after a trip to see John Gielgud playing Hamlet at the Old Vic. Walking to Find Work Littlewood had enjoyed a summer in Paris It had me on the edge of my when she was sixteen and decided to seat all afternoon. -
Nechronica.Pdf
A world in which humanity has met its end. A world in which everyone has died. A world in which nothing more can die. In which naught stirs but walking corpses. The protagonists of Nechronica are the girls of this world unfortunate enough to possess hearts- the Dolls. To put it simply, it is a game in which the players become zombie girls and fight against other zombies. The one who caused the dead to wake- the ruler of this shattered world- is the Necromancer. The Necromancer serves as both the master of the game and the archenemy. For it could be none other than the Necromancer who gave hearts to the Dolls. For in a world filled with mindless puppets, the Dolls- they alone whom possess wills of their own- are no more than toys. For the tragic comedy wrought by the foes sent against them is a delightful spectacle. Since Dolls are already dead, they will find no rest when they are broken. The peace of death came to an end long ago, just as did the world itself. As we have a cup of tea, beneath these skies as gray as lead- let us tell the tale of this long, long epilogue. Nechronica -The Long Long Sequel- is a tabletop (pencil-and-paper, face-to-face, et al.) RPG published by Incog Labs/Tsugihagi Honbo/Patch Works and designed by Ryo Kamiya, previously the designer of Golden Sky Stories, Maid RPG, and Zettai Reido. Table of Contents World Section Lexicon 6 Setting Information 8 Timeline 15 ESP Timeline 17 About the Dolls 20 About the Necromancer 23 Sample Characters 25 Patchwork Alice 26 Corpse Sorority 27 Abandoned Automaton 28 Trigger-Happy -
American Square Dance Vol. 59, No. 3 (Mar. 2004)
dli, 141 '3400 ait. AMERICAN (1) IFSQUAREDANCE "The International Magazine of Square Dancing" A Square Dance beats a pot of gold any day! March 2004 mommagsrs TOPE Ei RECORD SERVICE THE "ORIGINAL" SUBSCRIPTION TAPE SERVICE Have you heard all 75-80 releases from the last 3 months? Get The Best For Less! ONLY $89* FOR A 3 YEAR SUBSCRIPTION! NEW OR RENEWALS! fo• LIMITED TIME OFFER Since 1971 (*USA/Canada; $131 Foreign Air Mail) (offer expires May 15, 2004) 110 minutes of music every month! Longest monthly tape in the industry! 99% SAME DAY Shipment 1-800-445-7398 (USA & Canada) Phone: 800-445-7398 or 603-876-3636; Fax: 800-346-4867 or 603-876-4001 Foreign Toll Free: AT&T USA Direct Service Access Number plus Phone: 877-445-7398 or Fax: 877-346-4867 E-mail: [email protected] Come visit the largest website for information on Square & Round Dance Music & Sound Systems! 100% Secure Shopping! Single ClickTM Convenience! FREE Online Music Previews Click...Listen...Buy! 100% Secure Online Shopping www.Dosado.com/Music 2 American Square Dance, March 2004 AMERICAN (f) SQUAREDANCE "The International Magazine of Square Dancing" Subscribe Today! 1Year 2 Years (12 Issues) (24 Issues) USA $27.50* $50.00* CANADA $35.00 FOREIGN $92.50** USPS First Class Mail $69.50** USPS Surface Mail *Florida Residents add 7% sales tax **Foreign subscription rate applies to most countries - price subject to change due to international postal rates. NAME ADDRESS # CITY, STATE, ZIP PHONE # CARD # EXPIRES: MM YR SIGNATURE Send to: American Square Dance, 34 E. -
Origen De La Enfermería En El Cine: El Género Histórico-Documental Y Biográfico
ORIGEN DE LA ENFERMERÍA EN EL CINE: EL GÉNERO HISTÓRICO- DOCUMENTAL Y BIOGRÁFICO José Siles González Universidad de Alicante INTRODUCCIÓN El cine y las películas constituyen una herramienta fundamental para transmitir los fe- nómenos humanos en toda su complejidad, sin renunciar a ninguna de las dimensiones que intervienen en los acontecimientos. Ya Terencio y Shakespeare formularon la famosa frase: «Nada de lo humano me es ajeno». La enfermedad, el dolor, la muerte forman parte de la na- turaleza humana y, más tarde o temprano, de una u otro forma, acaban arribando a la existen- cia de todos los seres humanos que experimentan sus vivencias de forma tan diversa como compleja; es decir, mediante un determinado tipo de estética experiencial. Al cine, nada de lo humano le es ajeno y, particularmente, aquellos fenómenos vinculados a situaciones que producen cambios notables en quienes las viven (enfermedades, dolencias, pérdidas, etc.). Carper (1999) incluyó la dimensión estética como la cuarta integrante de los cuatro niveles del conocimiento enfermero (empírico-científico, ético, personal y estético). Otros autores desarrollaron modelos basándose en estos diferentes patrones y reinterpretando el conoci- miento estético desde las necesidades tanto del paciente como de la práctica profesional de enfermería partiendo de la base de la pertinencia de la estética ante situaciones –como el sufrimiento ante la enfermedad– donde el pensamiento subjetivo adquiere una gran intensi- dad (Chinn, 1994). Debido a su potencial de configuración ideológica (Lebel, 1973), el cine ha desempeña- do un papel determinante en el desarrollo de clichés, estereotipos y en una amplia gama de modelado de todos aquellos asuntos que forman parte de la realidad histórica. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
League Chorus Forms Part of Quail School Music Program
VOL. XXIV AUSTIN, TEXAS, MARCH, 1941 No. 7 Club Keeps Citizenship Abilene Boy Ranks EXTEMP TOPICS LETTER League Chorus Forms Part of PUPIL DIRECTOR Ideals before Students High in Journalism 'AGE-RULE NEEDS (VOX and Quail School Music Program 'T-'HERE follows a list of all sub- PERSONAL JL jects suggested for study in RULE NOT GOOD (Miss Jerry Jackson) SOME DOCTORING1 ITEMS preparing for the Extemp Speak CITIZENSHIP Club ing contests. Topics under these held every Friday at will constitute the specific titles Choral Sponsor Wants This the English class period. The Writer Suggests Basis be Sports Day District found at the drawing just before Rule Changed Before Next Shifted from Scholastic the contests: entire class is required to be Planned for the Valley Season if Possible to Calendar Year The United States Census, 1940. a member of the club. There French governmental difficulties are no dues, but donations are pEARL BROOKS, girls and problems. (Vichy govern (By Mrs. Haile Daniel, Highland made when necessary. The (By Supt. J. G. Barry, Hondo) physical education direc ment.) School, Roscoe) purpose of the club is to instill HOUGH the following age- tor in the Mercedes school Nazi-Fascist-Jap treaty. AS DIRECTOR of choral in students fundamentals of semester regulation has system, writes that she is Professional baseball, 1940 sea ^^ singing in Nolan county, son. good citizenship. probably been submitted to planning the organization of Intercollegiate football, 1940 sea I would like to express my The club officers are: president, you for consideration, I would a Girls Sports Day District in son. -
University of Debrecen Doctoral Programme in British and American Studies
University of Debrecen Doctoral Programme in British and American Studies A TALE OF A PUB: READING THE “CYCLOPS” EPISODE OF JAMES JOYCE’S ULYSSES IN THE CONTEXT OF IRISH CULTURAL NATIONALISM Marianna Gula 1 Introduction The 1990s’ introduction of post-colonial theory into Joyce criticism has brought about a thorough reassessment of Joyce’s relationship to politics and history in general, and British imperialism and Irish nationalism in particular. In contrast to the New Critical vision of his work as the manifestation of an apolitical, cosmopolitan modernist aestheticism, his texts have come increasingly to be seen as complex − most often subversive − sites of ideological involvement. The “Cyclops” episode of Ulysses, which most explicitly engages with the issue of Irish nationalism, has been at the forefront in this process. The chapter’s engagement with Irish nationalism, noted by the first commentators, underwent a particularly vigorous reappraisal in the past decade. This process evinced a shift from associating nationalism exclusively with the xenophobic citizen’s nostalgia and violence against Bloom to problematising the issue by contextualised readings accommodating the discourses of imperialism and nationalism. My inquiry aims to further this ongoing critical enterprise by placing the episode in the discursive context of Irish cultural nationalism. Highlighting the text against the backdrop of Irish cultural nationalism in general, not only the 1890s Celtic Revival, which provided the most immediate cultural context for Joyce and which has hitherto been mostly targeted, I explore how the text ironically re-inscribes crucial discursive formations arising out of an organic conception of the nation, and how it subversively enlists the key cultural means of their dissemination. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female). -
DEVELOPING a HAUNTOLOGY of the BLACK BODY Kashif Jerome
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository SPECTERS AND SPOOKS: DEVELOPING A HAUNTOLOGY OF THE BLACK BODY Kashif Jerome Powell, MA A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Department of Communication Studies. Chapel Hill 2014 Approved by: Renee Alexander-Craft Ashley Lucas Della Pollock Alvaro Reyes Eric King Watts © 2014 Kashif Jerome Powell ALL RIGHTS RESERVED ii ABSTRACT Kashif Jerome Powell: Specters and Spooks: Developing a Hauntology of The Black Body (Under the direction of Dr. Renee Alexander-Craft) This dissertation utilizes theories of embodiment and performance to develop a “hauntology of blackness,” which investigates imaginative sites of death constructed through the historical, social, and performative facets of institutional slavery in the United States to theorize notions of blackness and the black body. I argue that the relationship between the black body and death have conjured a death-driven specter that manifest historically, performatively, visually, and phenomenally as blackness. The rise and continual return of this “specter of blackness” positions the black body in the United States as a body “haunted” by its own biological and phenotypical disposition. Placing the theory of Jacques Derrida and Frantz Fanon in conversation with scholars such as Avery Gordon, Saidiya Hartman, Toni Morrison, and others, I evoke the language of haunting to consider the profound effect the relationship between the black body and death has had on ontological, psychoanalytic, and phenomenological understandings of blackness within post-modernity. -
Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s -
WHAT the WOMEN DID Theatre Includes Lizzie Siddal (Arcola Theatre), Virgin (Watford Palace), Jack Off the Beanstalk (Above the Stag)
Southwark Playhouse Cafe/Bar FORGOTTEN VOICES FROM THE GREAT WAR: NOW OPEN ALL DAY WHAT THE Mon - Fri 9am - Midnight WOMEN DID Sat 12.30pm - Midnight A TRIPLE BILL OF PLAYS ABOUT THE FIRST WORLD WAR A fantastic menu of simple hot food A wide selection of Hot & Cold drinks Free Wi-Fi A friendly and welcoming atmosphere Experienced baristas Fairtrade, seasonal, locally sourced Great for meetings! For bookings call our Front of House Manager, Nathan, on 020 7407 0234 Enjoy a hot drink on us! Bring this voucher to the cafe between 9am-5pm Mon-Fri for a free hot drink of your choice.* * One voucher per person. Photocopies not accepted. Valid until Friday 14th March 2014 LINDA HAPGOOD | StageAs a protestManager against the US/ inShiverman 2005, which (Theatre503), showed Murder the incomradeship The Cathedral (Oxfordand Playhouse). Her next production is Trained at Royal CentralUK Schoolinvasion of Speech of Iraq and in Drama.2003, For Two’s Company: London Wall humour,Martine (Finborough fading to Theatre). disillusion, Emily of was a theplatoon winner of the Best Costume Designer award at the (Finborough and St James Theatres, and winner of the Stage Management Association Award 2011 OffWestEnd Awards. 2013). Other Theatre Two’sincludes Company Handbagged quickly (Tricycle Theatre), Khadija is 18 (Finborough Theatre), facing misery and death in the trenches. DUNCAN COOMBE | Lighting Designer Tosca (New Diorama),mounted Less Than a Kind production (Jermyn Streetof Miles and national tour), Play it Again Sam TheLighting last Designs rediscovery for Two’s was Company: Velona London Pilcher’s Wall (Finborough and St James Theatres), Ex (Soho (Upstairs at the Gatehouse), Bewitched, Bothered and Bewildered, The Art of Concealment, Mother Malleson’s Black ‘Ell at Soho Theatre), My Real War 1914-? (Trafalgar Studios and national tour).