Nechronica.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Nechronica.Pdf A world in which humanity has met its end. A world in which everyone has died. A world in which nothing more can die. In which naught stirs but walking corpses. The protagonists of Nechronica are the girls of this world unfortunate enough to possess hearts- the Dolls. To put it simply, it is a game in which the players become zombie girls and fight against other zombies. The one who caused the dead to wake- the ruler of this shattered world- is the Necromancer. The Necromancer serves as both the master of the game and the archenemy. For it could be none other than the Necromancer who gave hearts to the Dolls. For in a world filled with mindless puppets, the Dolls- they alone whom possess wills of their own- are no more than toys. For the tragic comedy wrought by the foes sent against them is a delightful spectacle. Since Dolls are already dead, they will find no rest when they are broken. The peace of death came to an end long ago, just as did the world itself. As we have a cup of tea, beneath these skies as gray as lead- let us tell the tale of this long, long epilogue. Nechronica -The Long Long Sequel- is a tabletop (pencil-and-paper, face-to-face, et al.) RPG published by Incog Labs/Tsugihagi Honbo/Patch Works and designed by Ryo Kamiya, previously the designer of Golden Sky Stories, Maid RPG, and Zettai Reido. Table of Contents World Section Lexicon 6 Setting Information 8 Timeline 15 ESP Timeline 17 About the Dolls 20 About the Necromancer 23 Sample Characters 25 Patchwork Alice 26 Corpse Sorority 27 Abandoned Automaton 28 Trigger-Happy Count 29 Outcast Holic 30 Utility-Class Junk 31 Doll Section Doll Creation 32 Fetters 40 Toward Savants (DoD) 41 Toward Neutral Parties (DoD) 42 Fragments of Memory 43 Positions 72 Alice 73 Automaton 75 Court 77 Holic 79 Junk 81 Sorority 83 Classes 85 Baroque 86 Gothic 88 Psychedelic (DoD) 90 Requiem 92 Romanesque 94 Stacy 96 Thanatos 98 Maneuvers 100 Basic Parts 102 Reinforcement Parts 103 Armaments 103 Mutations 109 Enhancements 115 Rule Section Session Flow 121 Checks 123 Madness 125 Combat, Karma, and Favor 129 Necromancer Section Group Management 139 Scripting 143 Styles of Play 150 The Necromancers Minions 152 Enemy Data 154 Creating Enemies 190 Enemy Exclusive Parts 194 Postmortem Experience (tGD) 206 Wake-Up Location (tGD) 218 Scenario Section Factory of the Dead 221 Welcome Party from Beth 229 Sheets Character Sheets 240 Battle Map 244 Icons 245 Unofficial Fan Translation, v1.0.0 (OCT/31/2019) This book contains rules from the main book, the supplements Garden of Stories, The Great Drama and Dance of Distortion, and official Errata All rules from Dance of Distortion are marked with (DoD) All rules from Garden of Stories are marked with (GoS) All rules from The Great Drama are marked with (tGD) A living version can be found at https://nechronica.miraheze.org/wiki/Main_Page Join us in discussing Nechronica! https://discord.gg/VzZ6wM Lexicon • Action Points: These are consumed in battle as Dolls and Pawns alike undertake maneuvers. • Basic Parts: All the Parts that Dolls start off with at the beginning. • Battle Phase: The Dolls and the Necromancer will often be locked in violent struggles. Often occurs when the Dolls encounter the Undead and Savants deployed by the Necromancer. • Campaign: A succession of scenarios that link into each other, with the players usually retaining the same Doll for multiple adventures. • Character Sheet: The character sheet at the back of the book. • Check: A dice roll to decide if an Action is successful or not. • Class: There are six categories that determine the Class of the Doll. They can pick two choices, combining the fighting style of the Doll and gaining special abilities. • Count: A unit of time during the Combat Phase. • Doll: The Undead, controlled by the players, that are loved and toyed with by the Necromancer. They have the mind and memory of human beings. For the story of Nechronica, they are the protagonists. • Favor: A value that shows the appreciation the Necromancer has for the Dolls. Players can spend this to empower their Doll. • Fetters: The emotional attachments of the Dolls. A Doll filled with madness will become uncontrollable. • Horror: A powerful and aggressive Undead. • Legion: Undead without thoughts or feelings. Weak alone, but whom pose a danger in the large groups they are often found in. • Madness Points: These are gained when the Dolls witness the horror of the world and battle the cruel reality under the control of the Necromancer. When all Fetters are filled with Madness Points, the Dolls will fall out of the Player's control. • Madness: The results of what happens when a Fetter is filled with Madness. A Doll in this state is distorted in body and mind and will start to erode the control of the player. • Maneuver: Refers to the Skills and Abilities that all Dolls use in Battle. Battle Actions will be covered in the Combat Section. • Marker: Pieces deployed upon the Stage Map. • Mutant: People who have been artificially modified or radiated to adapt to the changing world. • NC: Abbreviation for Necromancer. They have the power to manipulate all the Undead apart from the Dolls. • Nechronica: The name of the game. The shortened version of the full title "Nechronica: The Long, Long Sequel.” • Necromancy: The technical term for the process that converts the dead into the Undead. • PL: Abbreviation for Player. People who are the guiding force behind their chosen Doll. They may possibly be the ones to smash the Necromancer's ambition. • Parts: Bits that make up the body of a character. Many of these parts have special functions. If a Doll or enemy has all their Parts destroyed, they can no longer act. • Phase: Part of a Session of Nechronica. Each session is divided into three Phases: Adventure Phase. Battle Phase and Ending Phase. 6 • Position: The Personality of the Dolls are divided into six Positions. These indicate what type of personality is preferred. • Reinforcements: A value indicating how powerful a Doll's body has become. It includes weapons, biomechanical transplants, mechanization and more, giving the Doll far more power than it's normal body would. • Savant: Undead with personality, intelligence and madness. These differ from Dolls as Savants are indirectly or even directly manipulated Pawns of the Necromancer. • Scenario: A game session. The Necromancer has detailed a story and enemies to challenge the Dolls with. • Session: A game of Nechronica. • Sister: A fellow Doll. A group of Dolls are known as Sisters. • Skills: Special abilities granted by Class and Position. • Stage: This is the Battle Map. • Ten Sided Dice: The dice required for this game are ten sided. • Turn: The time unit in battle that usually consists of about 10 Counts. • Undead: After the extinction of humanity, the dead are still active and moving. 7 Setting Information Necromancy The world of "Nechronica" revolves around a central point- that technology allows "to make a living corpse, from that biological necromancy exists." In addition, the name of corpses that are affected by the activities of necromancy are "undead." ‘Necromancy’ and ‘undead’ might give an occult impression, but necromancy of this world is the product of science and technology. Necromancy is a technology that was established before human civilization collapsed. It is also the largest and longest lasting heritage that was left behind by human life. Necromancy is supported by nanotechnology. This technology directly allows the concept of a personality download. First, we will describe the development of the story’s nanotechnology. In the middle of the 21st century, explorers discovered a new species of slime mold with seemingly intelligent, rapid movement. Thereby nanomachines stemming from this mold’s ‘intelligence’ were realized. Most of the body of the undead created by necromancy is configured by slime mold-nanomachines. Slime mold-nanomachines generate a small force and the weak current individually. Countless amounts of these nanomachines are able to move the body of an undead. In addition, this slime mold has a property of forming a network of complex relationships within itself called a "slime mold community". By artificially forming a slime mold community, it is possible to build highly advanced computers and similar devices. The slime mold community works as both a single entity and a collective intelligence. This community is able to function as a modular brain. However, due to the complex nature of the slime mold, the mold can only function as a brain and nervous system without regard to the rest of the body. The zombie cliché of destroying the brain does not work in this universe. Each cell of the body contains the slime mold, and as such destroying parts of the body will not destroy the entire organism; the organism retains its functions albeit at reduced speed and power. If the slime mold community is unified or foreign tissue is integrated, the entire organism can be easily reconstructed; this is the alleged ‘undead’ of the Nechronica universe. Another pillar of Necromancy is personality downloading technology, perfected in the 22nd century. As its name suggests, this is the means and processes to copy and transfer one’s personality into another vessel (such as a machine or clone). Artificial intelligence augments this downloaded personality and as such the human ego is able to change in situ. The basis of this technology is what Japanese scientists termed the ‘Ego Dimension Theory’. A clause within the theory states "the human ‘Ego’ is in contact with an ‘ego dimension’, the personality is the connection between the brain and this dimension”.
Recommended publications
  • Chronological Table of Productions at the Theatre Royal
    1 CHRONOLOGICAL TABLE OF PRODUCTIONS AT THE THEATRE ROYAL 1884 17 - 20 December Richelieu 22 - 24 December Belphegor The Loan of a Lover 26 December-9 Jan Proof 1885 10 January The Lady of Lyons 12 - 17 January The Duke’s Motto 19 - 21 January East Lynne 22 - 23 January Leah 24 - 30 January Richard III 31 January The Stranger Robert Macaire 2 - 6 February Ambition (Catherine Howard) 7 February William Tell East Lynne 9 - 21 February Never Too Late to Mend 23 - 28 February Drink 2 - 4 March Macbeth 5-7 March Hamlet 9 - 14 March The Danites 16 - 20 March Streets of London 21 March Don Caezar de Bazan Black Eyed Susan 23 - 25 March The Octoroo 26 - 27 March The Merchant of Venice The Royalist and the Republican 28 March The Bells Black Eyed Susan 30 March - 1 April The Colleen Bawn 2 April Ingomar The Watermen 3 April CLOSED (GOOD FRIDAY) 4 April Othello 6 - 11 April Mazeppa The Little Pest 13 - 14 April Othello 15 - 16 April Belphegor 17 April Ingomar 18 April Pizarro Cartouche 20 - 22 April Ticket of Leave Man 23 April The Honeymoon Withered Leaves 24 April Ticket of Leave Man 25 April - 1 May Forsaken 2 May The Beggar’s Petition Forsaken (two acts) 4 - 5 May Rob Roy 2 6 May The Shaughraun 7 May Don Caesar de Bazan 8 May The Shaughraun 9 May The Devil in Paris Poor Joe 11 May Chevalier St George 12 May Richelieu 13 May Hamlet 14 May Romeo and Juliet 15 May Richard III 16 May Romeo and Juliet 18 - 20 May My Comrade 21 May Arra-na-pogue 22 May My Comrade 23 - 30 May Uncle Tom’s Cabin 1 - 13 June My Sweetheart 15 - 20 June Mardo 22 June -
    [Show full text]
  • Galatea's Daughters: Dolls, Female Identity and the Material Imagination
    Galatea‘s Daughters: Dolls, Female Identity and the Material Imagination in Victorian Literature and Culture Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Maria Eugenia Gonzalez-Posse, M.A. Graduate Program in English The Ohio State University 2012 Dissertation Committee: David G. Riede, Advisor Jill Galvan Clare A. Simmons Copyright by Maria Eugenia Gonzalez-Posse 2012 Abstract The doll, as we conceive of it today, is the product of a Victorian cultural phenomenon. It was not until the middle of the nineteenth century that a dedicated doll industry was developed and that dolls began to find their way into children‘s literature, the rhetoric of femininity, periodical publications and canonical texts. Surprisingly, the Victorian fascination with the doll has largely gone unexamined and critics and readers have tended to dismiss dolls as mere agents of female acculturation. Guided by the recent material turn in Victorian studies and drawing extensively from texts only recently made available through digitization projects and periodical databases, my dissertation seeks to provide a richer account of the way this most fraught and symbolic of objects figured in the lives and imaginations of the Victorians. By studying the treatment of dolls in canonical literature alongside hitherto neglected texts and genres and framing these readings in their larger cultural contexts, the doll emerges not as a symbol of female passivity but as an object celebrated for its remarkable imaginative potential. The doll, I argue, is therefore best understood as a descendant of Galatea – as a woman turned object, but also as an object that Victorians constantly and variously brought to life through the imagination.
    [Show full text]
  • Žižek's Jokes
    Žižek’s Jokes 9974.indb 1 11/14/13 10:01 AM The MIT Press Cambridge, Massachusetts London, England 9974.indb 2 11/14/13 10:01 AM Žižek’s Jokes Did you hear the one ( about Hegel and negation? ) Slavoj Žižek Edited by Audun Mortensen Afterword by Momus 9974.indb 3 11/14/13 10:01 AM © 2014 Massachusetts Institute of Technology This edition is based upon an earlier publication, The Collected Jokes of Slavoj Žižek, published by Flamme Forlag, © 2012 Audun Mortensen. All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. MIT Press books may be purchased at special quantity discounts for business or sales promotional use. For information, please email [email protected]. This book was set in Bembo by the MIT Press. Printed and bound in the United States of America. The image on page 135 was created by Sean Reilly. Library of Congress Cataloging-in-Publication Data Žižek, Slavoj. Žižek’s jokes : (did you hear the one about Hegel and negation?) / by Slavoj Žižek ; edited by Audun Mortensen ; afterword by Momus. p. cm. Includes bibliographical references. ISBN 978-0-262-02671-0 (hardcover : alk. paper) 1. Wit and humor— Philosophy. 2. Wit and humor—Psychological aspects. 3. Philosophy— Humor. 4. Joking—Psychological aspects. I. Mortensen, Audun. II. Title. PN6149.P5Z59 2013 808.87—dc23 2013019607 10 9 8 7 6 5 4 3 2 1 9974.indb 4 11/14/13 10:01 AM Contents
    [Show full text]
  • Quiz List—Reading Practice Page 1 Printed Thursday, May 19, 2016 9:46:04 AM School: Saint Thomas More High School
    Quiz List—Reading Practice Page 1 Printed Thursday, May 19, 2016 9:46:04 AM School: Saint Thomas More High School Reading Practice Quizzes Quiz Word Number Lang. Title Author IL ATOS BL Points Count F/NF 8458 EN Compost Critters Lavies, Bianca U 6.9 0.5 2,503 NF 14807 EN Dragon's Pearl, The Lawson, Julie LG 4.4 0.5 1,790 F 8469 EN Great Art Adventure, The Knox, Bob U 7.1 0.5 795 NF 7047 EN Judy Scuppernong Seabrooke, Brenda U 4.9 0.5 3,270 F 87332 EN Pendragon: The Guide to the MacHale, D.J. U 6.4 0.5 2,704 F Territories of Halla 8489 EN Shadows of Night Bash, Barbara UG 5.8 0.5 1,267 NF 66080 EN After the Death of Anna Gonzales Fields, Terri U 3.9 1.0 6,869 F 145213 EN Bad Island TenNapel, Doug U 2.3 1.0 5,624 F 127517 EN Blizzard! Nobleman, Mark Tyler U 3.1 1.0 4,942 F 59113 EN Carver: A Life in Poems Nelson, Marilyn U 5.9 1.0 9,377 NF 164617 EN Coaltown Jesus Koertge, Ron UG 3.1 1.0 10,394 F 8460 EN Digging up Tyrannosaurus Rex Horner, John U 6.1 1.0 3,753 NF 8465 EN Elephants Calling Payne, Katharine U 5.2 1.0 3,379 NF 32206 EN Frenchtown Summer Cormier, Robert U 6.4 1.0 8,031 F 62557 EN Girl Coming in for a Landing: A Wayland, April Halprin U 4.2 1.0 7,880 F Novel in Poems 104774 EN Hard Hit Turner, Ann U 5.1 1.0 4,885 F 127818 EN In Odd We Trust Chan, Queenie U 2.8 1.0 8,114 F 152673 EN Lies, Knives and Girls in Red Koertge, Ron UG 4.3 1.0 6,859 F Dresses 140486 EN Lightning Thief: The Graphic Venditti, Robert U 3.1 1.0 10,290 F Novel, The 8477 EN Monarchs Lasky, Kathryn U 6.8 1.0 6,558 NF 8483 EN On the Brink of Extinction Arnold,
    [Show full text]
  • The New Minnesotans: Stories of Immingrants and Refugees Aamot
    Title Author Category Cultural Group(s) The New Minnesotans: Stories of Immingrants and Refugees Aamot, Gregg Cultural Studies Multicultural Crazy Love Abrams, Amir Fiction African-American Spit Temple: The Selected Performances of Cecilia Vicuña [2] Acalá, Rosa (edited and translated) Poetry Chilean, Latino The Hudson Through the Years Adams, Arthur G. History Adam’s Ribs Adams, Beverly Poetry Baby Girl Adams, Lenora Fiction African-American Lebanese- General Non- American, Middle Journey to Mount Tamalpais Adams, Terry Fiction Eastern American Lebanonese, Lebanese- American, Middle Sitt Marie Rose: A Novel Adna, Etel Fiction Eastern American Lebanese- American, Middle From A to Z: Poetry Adnan, Etel Poetry Eastern American Lebanese- American, Middle Paris, When It’s Naked Adnan, Etel Fiction Eastern American Lebanese- American, Middle Seasons Adnan, Etel Poetry Eastern American Suspended Somewhere Between: A Pakistani, Middle Book of Verse Adnan, Etel Poetry Eastern Lebanese- American, Middle The Arab Apocalypse Adnan, Etel Poetry Eastern American Enduring Legacies: Ethnic Histories and Cultures of Colorado African Arts Cultural Studies Multicultural Body of Life Ahmed, Akbar Poetry African-American Common Sense vs. Wisdom: A Guide to Emotional Control and Rational Aldama, Arturo, Facio, Elisa, Maeda, General Non- Thinking Daryl & Rabaka, Reiland (edited) Fiction Nostalgia for a Trumpet: Poems of Memory & History Alexander, Elizabeth Poetry African-American An Anthology of Somali Poetry Ali, Layla Poetry Somali, African Afghan, Afghan- American, Middle Autobiography / Eastern, Middle West of Kabul, East of New York: An Biography / Eastern - Afghan American Story Allen, Bem P. Memoir American Saudi Arabian, Gilrs of Riyadh Alsanea, Rajaa Fiction Middle Eastern No One: A Novel Anderson, Susan D.
    [Show full text]
  • PDF.” Unlocked Pdfs Allow Users to Copy/Paste Text and Certain Images for Posting, Projecting on a Whiteboard, and More
    MIDDLE AND HIGH SCHOOL #1 FOR & THE LARGEST ASSORTMENT OF HI-LO BOOKSTM ANYWHERE The following pages are PAGES 2–5 TWEEN NEWCOMERS 1.5–1.8 PAGES 6–11 TWEEN EMERGENT READERS 0.0–1.0 PAGES 12–15 LEXILE COLLECTIONS PAGES 16–31 HI-LO FICTION & NONFICTION PAGES 32–104 TEEN AND YOUNG ADULT READING LEVEL 0.0 FOR MORE FUN AND INFORMATION sdlback.com pinterest.com/saddlebackeducational facebook.com/sdlback @sdlback @saddlebackeducational The following pages are WHO ARE TWEENS? 8–12 years old 0.5–5.6 upper elementary 1.0–4.5 middle school 0.0–6.0 age-respectful 6.0 topics BABY See pages 32–104 BOOKS for teen support FOR TWEENS 2 TWEEN NEWCOMERS Topic-Based Books to Help Tween Tween Immigrants Thrive WELCOME Supports Newcomers in ® Adjusting Socially, Emotionally, NEWCOMERS and Academically About GO! Welcome Newcomers® Key Product Features: The GO! Welcome Newcomers® library introduces life in the Accessible text with low readability and photographs on United States to immigrant tweens. As these students learn every page for comprehension support English and adapt to living in a new country, they must also Progress monitoring in the form of summative assessments learn to t in academically and socially. Developed around Teen and Young Adult Young and Teen for every topic and a program checklist 14 key topics, this program gives recent immigrants relevant information at an accessible reading level supported by full-color Mature, engaging content focused on topics critical to photographs. Featuring diverse characters in contemporary newcomers settings, the books resonate with newcomers in upper Nonction and ction elementary and middle school.
    [Show full text]
  • St. Ignatius Collegian, Vol. 6 (1906-1907)
    Loyola University Chicago Loyola eCommons Loyola University Chicago Archives & Special St. Ignatius Collegian Collections 1907 St. Ignatius Collegian, Vol. 6 (1906-1907) Students of St. Ignatius College Follow this and additional works at: https://ecommons.luc.edu/st_ignatius_collegian Part of the United States History Commons Recommended Citation Students of St. Ignatius College, "St. Ignatius Collegian, Vol. 6 (1906-1907)" (1907). St. Ignatius Collegian. 4. https://ecommons.luc.edu/st_ignatius_collegian/4 This Article is brought to you for free and open access by the Loyola University Chicago Archives & Special Collections at Loyola eCommons. It has been accepted for inclusion in St. Ignatius Collegian by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Volume VI. Number I. ""S} Chicago, November, 1906. CONTENTS J5he WANING OF THE YEAR. (Verse) She JESUITS IN CHICAGO SUPPOSING (Verse) CELT AND SAXON SAVED FROM THE WASTE REVERIES ^s^ T3he HALSTED STREET STRADIVARIUS EDITORIAL TShe Faculty Ovir Staff Silver Jubilee of Marquette College "She Need of a College Song ^s^ Raising College Entrance Requirements Jesuits as Weather Forecasters Obligatory Athletics Hazing New Courses at St. Ignatius Our Illustrations KINKS 1 COLLEGE NOTES ACADEMY NOTES SOCIETIES ATHLETICS MUSIC AND SONG ^^ ALUMNI NOTES PASSIM EXCHANGES ^s^ Kiitered as Second Class Matter at P. O. Chicago, 111. The Waning of the Year. tE^I)f &t. 3i5^^t^w2( Collegian Vol. VI. Chicago, III., November 1906. No. 1. %\)t Waning of t\)t |9ear. HE fair inheritance of mellow fruits.
    [Show full text]
  • Mary Baker Eddy: God's Great Scientist
    MARY BAKER EDDY - GOD’S GREAT SCIENTIST VOLUME I By Helen M. Wright BY THE SAME AUTHOR: Mary Baker Eddy: A New Look Mary Baker Eddy: Church Manual & Church Universal & Triumphant Mary Baker Eddy: God’s Great Scientist, Vol. I Mary Baker Eddy: God’s Great Scientist, Vol. II Mary Baker Eddy: God’s Great Scientist, Vol. III Mary Baker Eddy ‘s Church Manual & Church Universal & Triumphant If Mary Baker Eddy’s Manual Were Obeyed America: Cradle for the Second Coming of the Christ America: Cradle for the Second Coming of the Chris (second edition, paperback) Star of Boston Mary Baker Eddy Institute Letters Mary Baker Eddy Reveals Your Divinity Humanity’s Divinity Made Whole Through Our Marriage To God Mary Baker Eddy, Leader Forever (44 page pamphlet) FREE Mary Baker Eddy, Leader Forever (112 page booklet) FREE Second printing, 1995 ISBN 1-886505-01-2 Copyright 1984, ISBN 0-9604648-2-4 Copyright 1995 by Helen M. Wright All rights reserved Manufactured in the United States of America As Jesus called Lazarus to come forth from his tomb, so the writings of Mary Baker Eddy call the world to come forth from its tomb, and find that what we are so diligently striving to become, we have forever been and shall forever be. “The term ‘Mind and body’ literally means God and man, for man is the expression of Mind and the manifestation of Mind is the embodiment of Mind. Therefore, man is God’s body and there is but one God. Body is therefore the aggregation of spiritual ideas forever controlled and governed by the law of Life, harmonious and eternal.
    [Show full text]
  • Vintage Uke Music Oct 2013.Xlsx
    Song Folder/book 12 street 01 no covers 12 street rag no covers 12th Street Rag Pocketful Uke Songs 3 coins songs 0-9 42nd street songs 0-9 47 ginger headed sailors songs 0-9 7 and 11 songs 0-9 99 out of a hundred wanna be loved songs 0-9 A B C New Standard Ukulele Song Book A Boy And A Girl Were Dancing Albert's Dance Folio 7 a boy and a girl were dancing songs a-c a boy and girl were dancing songs a-c A Broken Doll Community Song Book No. 2 a century of progress songs a-c A Dream 40 More Hits Book 2 A Dream 40 More Hits Of Our Times A Dream is a Wish Your Heart Makes Forty Best of Year a faded summer love songs a-c a faded summer love songs a-c A Faded Summer Love Ukulele Ike Collection for the Ukulele No.2 a fool in love songs a-c A Gay Ranchero Ukulele Fun Book (Roy Smeck) A Girlie Was Just Made To Love Haviland's Good Old Songs A Good Man is Hard to Find Ukulele Hit Song Folio A Home On The Range The Cowboy Sings A Kiss Before The Dawn Lawrence Wright's 2nd Monster Album A Kiss to Build a Dream On 20 years 20 hits A Kiss To Build A Dream On 30 Years 30 Hits Book 2 a kiss to build a dream on songs a-c a lane in spain songs a-c a little bird told me so songs a-c A Little Bit Off The Top 88 Grand Old Songs A Little Boy Called Taps Haviland's Good Old Songs a little church around the corner songs a-c a little kiss each morning duplicates a little kiss each morning songs a-c a little kiss each morning duplicates a little love songs a-c a little southern town songs a-c a little street duplicates a little street 2 duplicates A Little Street
    [Show full text]
  • Download File
    Lillian Ducey Lived: November 26, 1878 - December 9, 1952 Worked as: director, screenwriter, title writer, writer Worked In: United States by Daniela Bajar, Livia Bloom “The skeptical may not believe it… Hundreds of directors may scoff—But—There is one director who is efficient—and without the aid of puttees. Introducing Lillian Ducey, directing Youth Triumphant for the newly formed Fisher Productions. Efficiency plus is said to be Miss Ducey’s middle name,” heralded the Los Angeles Times in reference to Ducey’s first job as a motion picture director in 1923 (III34). With silent star Anna Q. Nilsson in the lead role, Youth Triumphant, alternately titled Enemies of Children, was a melodrama about “a street waif of questionable parentage [who] is taken into a wealthy home,” according to Variety’s summary (26). Distributed by Mammoth Pictures and released on December 13, 1923, the black-and-white six-reeler was based on the 1921 novel by George Gibbs. The film was expected to be the first of many, and as the Los Angeles Times announced a few months later: “Mrs. Ducey’s next production will be an original story of her own … .” (II10). Yet despite these announcements of her directorial debut and the possibility of other films, Lillian Ducey’s only association with directing is a single feature. In this, she can be compared to other writers like Frances Marion and Eugenie Magnus Ingleton who had one opportunity to direct. However, unlike Marion and Ingleton, Ducey’s credit has not been verified. In the American Film Institute Catalog, Ducey is not even credited as the sole author of Youth Triumphant; John M.
    [Show full text]
  • American Cinematographer
    TheAmerican CINEMATOGRAPHEU Vol. 2, No. 20 LOS ANGELES, CAL, NOVEMBER I, 1921 Fifteen Cents a Copy . , , Mitchell Camera Company MANUFACTURERS OJT M< >TI< )N PICTURE CAMERAS and A( X ESS< )RIES 6019 SANTA MONICA BOULEVARD LOS ANGELES. CALIFORNIA October 19, 1921. The American Cinemat ographer 325 Markham Bldg. Hollywood, Cal. ATTENTION MR. S. E. SNYDER, Editor :- Gentlemen :- We wish to convey to you our appreciation of the gratifying results obtained from the publicity given us and our product through the medium of your magazine, and to say that it has overshadowed by far any other channel of advertising that we have thus far attempted. It develops that the inquiries resultant and traceable to your magazina, are not merely some that are prompted by curiosity, but in the preponderance of instances carry an earnest interest and desire for information such as would only come from a prospective purchaser, and this is the co.iviction that your matter reaches the very heart of the profession. We want to thank you fcr opening ycur columns to us as you have, and for tha many courtesies shown us by yourself, and all your members. MORE POWER TO YOU ! ! ! ! Sincerely yours, MITCHELL CAMERA COMPANY, Hy. F. Boeger, HFB M J Pres't. The American Cinematographer The Voice of the Motion Picture Cameramen of America; the men who make the pictures. SILAS E. SNYDER, Editor ASSOCIATE EDITORS—ALVIN WYCKOFF, H. LYMAN BROENING, KARL BROWN, PHILIP H. WHITMAN. An educational and instructive publication espousing progress and art in motion picture photography, while fostering the industry. We cordially invite news articles along instructive and constructive lines of motion picture photography from our members and directors active in the motion picture industry.
    [Show full text]
  • Christina Georgina Rossetti - Poems
    Classic Poetry Series Christina Georgina Rossetti - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Christina Georgina Rossetti(5 December 1830 – 29 December 1894) Christina Rossetti was an English poet who wrote a variety of romantic, devotional, and children's poems. She is best known for her long poem Goblin Market, her love poem Remember, and for the words of the Christmas carol In the Bleak Midwinter. <b>Early Life and Education</b> Christina Rossetti was born at 38 Charlotte Street (now 105 Hallam Street), London to Gabriele Rossetti, a poet and a political exile from Vasto, Abruzzo, and Frances Polidori, the sister of <a href="http://www.poemhunter.com/george- gordon-lord-byron/">Lord Byron's</a> friend and physician, John William Polidori. She had two brothers and a sister: <a href="http://www.poemhunter.com/dante-gabriel-rossetti/">Dante</a> became an influential artist and poet, and <a href="http://www.poemhunter.com/william-michael-rossetti/">William</a> and Maria both became writers. Christina, the youngest, was a lively child. She dictated her first story to her mother before she had learned to write. Rossetti was educated at home by her mother, who had her study religious works, classics, fairy tales and novels. Rossetti delighted in the works of Keats, Scott, Ann Radcliffe and Monk Lewis. The influence of the work of Dante Alighieri, Petrarch and other Italian writers filled the home and would have a deep impact on Rossetti's later writing. Their home was open to visiting Italian scholars, artists and revolutionaries. The family homes in Bloomsbury at 38 and later 50 Charlotte Street were within easy reach of Madam Tussauds, London Zoo and the newly opened Regent's Park, which she visited regularly; In contrast to her parents, Rossetti was very much a London child, and, it seems, a happy one.
    [Show full text]