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TRAVEL and ADVENTURE in the WORKS of ROBERT LOUIS STEVENSON by Mahmoud Mohamed Mahmoud Degree of Doctor of Philosophy Department
TRAVEL AND ADVENTURE IN THE WORKS OF ROBERT LOUIS STEVENSON by Mahmoud Mohamed Mahmoud Degree of Doctor of Philosophy Department of Scottish Literature University of Glasgow. JULY 1984 ACKNOWLEDGEMENTS I wish to express my deepest sense of indebtedness and gratitude to my supervisor, Alexander Scott, Esq., whose wholehearted support, invaluable advice and encouragement, penetrating observations and constructive criticism throughout the research have made this work possible; and whose influence on my thinking has been so deep that the effects, certainly, will remain as long as I live. I wish also to record my thanks to my dear wife, Naha, for her encouragement and for sharing with me a considerable interest in Stevenson's works. Finally, my thanks go to both Dr. Ferdous Abdel Hameed and Dr. Mohamed A. Imam, Department of English Literature and Language, Faculty of Education, Assuit University, Egypt, for their encouragement. SUMMARY In this study I examine R.L. Stevenson as a writer of essays, poems, and books of travel as well as a writer of adventure fiction; taking the word "adventure" to include both outdoor and indoor adventure. Choosing to be remembered in his epitaph as the sailor and the hunter, Stevenson is regarded as the most interesting literary wanderer in Scottish literature and among the most intriguing in English literature. Dogged by ill- health, he travelled from "one of the vilest climates under heaven" to more congenial climates in England, the Continent, the States, and finally the South Seas where he died and was buried. Besides, Stevenson liked to escape, especially in his youth, from the respectabilities of Victorian Edinburgh and from family trouble, seeking people and places whose nature was congenial to his own Bohemian nature. -
New Arabian Nights
1882 NEW ARABIAN NIGHTS Robert Louis Stevenson Stevenson, Robert Louis (1850-1894) - Scottish novelist, poet, and essayist, best known for his adventure stories. Stevenson was a sickly man (he died of tuberculosis) who nevertheless led an adventurous life. He spent his last five years on the island of Samoa as a planter and chief of the natives. The New Arabian Nights (1882) - A collection of tales including “The Suicide Club,” “The Rajah’s Diamond,” “The Pavilion on the Links,” and more. This was Stevenson’s first published collection of fiction. TABLE OF CONTENTS NEW ARABIAN NIGHTS . 2 CONTENTS . 2 STORY OF THE YOUNG MAN WITH THE CREAM TARTS . 3 STORY OF THE PHYSICIAN AND THE SARATOGA TRUNK . 16 THE ADVENTURE OF THE HANSOM CABS . 27 THE RAJAH’S DIAMOND, STORY OF THE BANDBOX . 36 STORY OF THE YOUNG MAN IN HOLY ORDERS . 47 STORY OF THE HOUSE WITH THE GREEN BLINDS . 53 THE ADVENTURE OF PRINCE FLORIZEL AND A DETECTIVE . 66 THE PAVILION ON THE LINKS TELLS HOW I CAMPED IN GRADEN SEA-WOOD, AND BEHELD A LIGHTIN THE PAVILION . 69 TELLS OF THE NOCTURNAL LANDING FROM THE YACHT . 73 TELLS HOW I BECAME ACQUAINTED WITH MY WIFE . 75 TELLS IN WHAT A STARTLING MANNER I LEARNED THAT I WAS NOT ALONE IN GRADEN SEA-WOOD . 79 TELLS OF AN INTERVIEW BETWEEN NORTHMOUR, CLARA, AND MYSELF83 TELLS OF MY INTRODUCTION TO THE TALL MAN . 85 TELLS HOW A WORD WAS CRIED THROUGH THE PAVILION WINDOW 88 TELLS THE LAST OF THE TALL MAN . 91 TELLS HOW NORTHMOUR CARRIED OUT HIS THREAT . -
Journal of Stevenson Studies
1 Journal of Stevenson Studies 2 3 Editors Dr Linda Dryden Professor Roderick Watson Reader in Cultural Studies English Studies Faculty of Art & Social Sciences University of Stirling Craighouse Stirling Napier University FK9 4La Edinburgh Scotland Scotland EH10 5LG Scotland Tel: 0131 455 6128 Tel: 01786 467500 Email: [email protected] Email: [email protected] Contributions to future issues are warmly invited and should be sent to either of the editors listed above. The text should be submitted in MS WORD files in MHRA format. All contributions are subject to review by members of the Editorial Board. Published by The Centre for Scottish Studies University of Stirling © the contributors 2005 ISSN: 1744-3857 Printed and bound in the UK by Antony Rowe Ltd. Chippenham, Wiltshire. 4 Journal of Stevenson Studies Editorial Board Professor Richard Ambrosini Professor Gordon Hirsch Universita’ de Roma Tre Department of English Rome University of Minnesota Professor Stephen Arata Professor Katherine Linehan School of English Department of English University of Virginia Oberlin College, Ohio Professor Oliver Buckton Professor Barry Menikoff School of English Department of English Florida Atlantic University University of Hawaii at Manoa Dr Jenni Calder Professor Glenda Norquay National Museum of Scotland Department of English and Cultural History Professor Richard Dury Liverpool John Moores University of Bergamo University (Consultant Editor) Professor Marshall Walker Department of English The University of Waikato, NZ 5 Contents Editorial -
Stevensoniana; an Anecdotal Life and Appreciation of Robert Louis Stevenson, Ed. from the Writings of J.M. Barrie, S.R. Crocket
——; — ! 92 STEVENSONIANA VIII ISLAND DAYS TO TUSITALA IN VAILIMA^ Clearest voice in Britain's chorus, Tusitala Years ago, years four-and-twenty. Grey the cloudland drifted o'er us, When these ears first heard you talking, When these eyes first saw you smiling. Years of famine, years of plenty, Years of beckoning and beguiling. Years of yielding, shifting, baulking, ' When the good ship Clansman ' bore us Round the spits of Tobermory, Glens of Voulin like a vision. Crags of Knoidart, huge and hoary, We had laughed in light derision. Had they told us, told the daring Tusitala, What the years' pale hands were bearing, Years in stately dim division. II Now the skies are pure above you, Tusitala; Feather'd trees bow down to love you 1 This poem, addressed to Robert Louis Stevenson, reached him at Vailima three days before his death. It was the last piece of verse read by Stevenson, and it is the subject of the last letter he wrote on the last day of his life. The poem was read by Mr. Lloyd Osbourne at the funeral. It is here printed, by kind permission of the author, from Mr. Edmund Gosse's ' In Russet and Silver,' 1894, of which it was the dedication. After the Photo by] [./. Davis, Apia, Samoa STEVENSON AT VAILIMA [To face page i>'l ! ——— ! ISLAND DAYS 93 Perfum'd winds from shining waters Stir the sanguine-leav'd hibiscus That your kingdom's dusk-ey'd daughters Weave about their shining tresses ; Dew-fed guavas drop their viscous Honey at the sun's caresses, Where eternal summer blesses Your ethereal musky highlands ; Ah ! but does your heart remember, Tusitala, Westward in our Scotch September, Blue against the pale sun's ember, That low rim of faint long islands. -
Chapter Five: a Gentleman from France
CHAPTER FIVE A Gentleman From France THE boom of naval gunnery rolled like thunder off the hills behind Vailima. Louis could feel each concussion as he sat writing in his study beside a locked stand of loaded rifles. With these the household was supposed to defend itself if attacked by natives during the civil war that had broken out in Samoa. It had been a gory business, with heads taken on both sides, but so far Louis’s extended family had escaped harm. He knew and loved many of the Samoans taking part, and despised the Colonial governors whose incompetence had led to this fiasco, yet he felt curiously detached from it all. The men on board HMS Curacoa, now engaged in shelling a small fort full of Samoan rebels, were his friends. Whenever any naval vessel put in at Apia, Louis liked to offer the men rest and recreation at Vailima, with a Samoan feast. In return he had been welcomed on board the Curacoa and taken out on naval manoeuvres to see how Victorian marine engineering and a well-drilled crew combined to create an invincible fighting machine, whose firepower was now directed at his other, Samoan friends cowering within the stockade, their small arms and war clubs useless against a British dreadnought. They, too, had been welcome guests at Vailima, where ‘Tusitala’ (the storyteller) was always willing to interrupt his writing to entertain native chiefs and their entourages. For them each Boom! now spelled pain and death, yet Louis could not wring his hands. He had done his best to avoid this small colonial tragedy, and destiny must take its course. -
Lilia Maratovna Burganova Landysh Nurgayanovna Yuzmukhametova
QUID Nº25, pp. 135-140, julio-diciembre de 2015, ISSN: 1692-343X, Medellín-Colombia DISTRIBUTION OF R.L. STEVENSON'S WORKS IN RUSSIA AT THE TURN OF THE 19TH – 20TH CENTURIES (Recibido el 22-05-2017. Aprobado el 04-09-2017) Lilia Maratovna Burganova Landysh Nurgayanovna Yuzmukhametova Kazan Federal University, Institute of Kazan Federal University, Institute of International Relations, History and Oriental International Relations, History and Oriental Studies, Tatarstan, Russia, Studies, Tatarstan, Russia [email protected] Abstract. Relevance of the research is due to the fact that history and ways of distribution of R. L. Stevenson's works in Russia were not fully explored, although the first tries to trace how people from our country could read Stevenson's works in translation, were made in the latest fifties of the Soviet period only in a concise way, where information in the form of bibliography was carefully arranged. After that there was a lasting period of silence. Only today, thanks to new researches we can obtain extra knowledge about publication activity in the past. This article aims at a thorough analysis of the material relating to publications of Scottish writer's works in Russian print media of the past years after which certain conclusions are drawn. And these are detection of the main spreading ways of Stevenson's works in Russia that are set out in chronological order. The leading approach to the study of this problem is a descriptive approach. The names of the first translators who played the key role in popularizing Stevenson's works in Russia are also mentioned. -
Writing and Justice in the Master of Ballantrae Alexander B
Studies in Scottish Literature Volume 28 | Issue 1 Article 6 1993 "A Double Word": Writing and Justice in The Master of Ballantrae Alexander B. Clunas Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Clunas, Alexander B. (1993) ""A Double Word": Writing and Justice in The asM ter of Ballantrae," Studies in Scottish Literature: Vol. 28: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol28/iss1/6 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Alexander B. Clunas "A Double Word": Writing and Justice in The Master of Ballantrae The Master oj Ballantrae (1889) is Robert Louis Stevenson's most re markable attempt to ally the genre of adventure fiction with a deft unravel ling and retwining of the" most secret and heartfelt inclinations" 1 of the self. As a precise ordering, seriatim, of heterogeneous documents, voices, and fictional kinds, Master is a notably unstable text. It confounds generic unity, 2 placing some of the definitive elements of Stevenson's earlier, "naive" adventure stories within the main, by and large non-adventurous, narrative of Ephraim Mackellar. It requires readers to read across conven tional boundaries between exotic romantic adventure and domestic drama, between desire and "reality," between I and he. I hope to show this in the following discussion. These instabilities of genre and voice have made the novel somewhat of a puzzle for critics. -
Scotsman's Pacific
Scotsman’s Pacific Sylvie Largeaud-Ortega To cite this version: Sylvie Largeaud-Ortega. Scotsman’s Pacific: shifting identities in R. L. Stevenson’s postcolonial fiction. International Journal of Scottish Literature, 2013, p. 85-98. hal-01777635 HAL Id: hal-01777635 https://hal.archives-ouvertes.fr/hal-01777635 Submitted on 25 Apr 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. A Scotsman’s Pacific: Shifting Identities in R. L. Stevenson’s Postcolonial Fiction Sylvie Largeaud-Ortéga University of French Polynesia [email protected] international journal of scottish literature Issue 9, Autumn/Winter 2013 www.ijsl.stir.ac.uk Recommended Citation Sylvie Largeaud-Ortéga, ‘A Scotsman’s Pacific: Shifting Identities in R. L. Stevenson’s Postcolonial Fiction’, International Journal of Scottish Literature 9 (Autumn / Winter 2013), 85-98. Open Access Statement This article is ‘Open Access’, published under a creative commons license which means that you are free to copy, distribute, display, and perform the work as long as you clearly attribute the work to the author(s), that you do not use this work for any commercial gain in any form and that you in no way alter, transform or build on the work outside of its use in normal academic scholarship without express permission of the author(s) and the publisher of this journal. -
Stevensoniana; an Anecdotal Life and Appreciation of Robert Louis Stevenson, Ed. from the Writings of JM Barrie, SR Crocket
: R. L. S. AND HIS CONTEMPORARIES 225 XII R. L. S. AND HIS CONTEMPORARIES Few authors of note have seen so many and frank judg- ments of their work from the pens of their contemporaries as Stevenson saw. He was a ^persona grata ' with the whole world of letters, and some of his m,ost admiring critics were they of his own craft—poets, novelists, essayists. In the following pages the object in view has been to garner a sheaf of memories and criticisms written—before and after his death—for the most part by eminent contemporaries of the novelist, and interesting, apart from intrinsic worth, by reason of their writers. Mr. Henry James, in his ' Partial Portraits,' devotes a long and brilliant essay to Stevenson. Although written seven years prior to Stevenson's death, and thus before some of the most remarkable productions of his genius had appeared, there is but little in -i^^^ Mr. James's paper which would require modi- fication to-day. Himself the wielder of a literary style more elusive, more tricksy than Stevenson's, it is difficult to take single passages from his paper, the whole galaxy of thought and suggestion being so cleverly meshed about by the dainty frippery of his manner. Mr. James begins by regretting the 'extinction of the pleasant fashion of the literary portrait,' and while deciding that no individual can bring it back, he goes on to say It is sufficient to note, in passing, that if Mr. Stevenson had P 226 STEVENSONIANA presented himself in an age, or in a country, of portraiture, the painters would certainly each have had a turn at him. -
The Literary Development of Robert Louis Stevenson a Thesis Submitted to the Faculty of the College of Science, Literature and A
The Literary Development of Robert Louis Stevenson A thesis submitted to the Faculty of the College of Science, Literature and Arts of the University of innesota, in partial f'Ulfillment of the requirements ror the Degree of Master of Arts By Ethel N. McCauley 1911 6 0 Bibliography A. For criticism on Stevenson as an author and a stylist the following are important: R. Burton, Literary Likings H. B. Baldwin, Life study in Criticism J . Chapman, Emerson and Other Essays G. K. Chesterton, Varied Types J. Guiller couch, Adventures in Criticism J. J . Dawson, Characteristics of Fiction E. Gosse, Critical Kit Kats H . James, Partial Portraits A. Lang, Essays in Little B. Mathews, Aspects of Fiction • L. Phelps, Essays on Modern Novelists B. Torrey, Friends on the Shelf N. Raleigh, Robert Louis Stevenson L. Stephen, Studies Of a Biographer A. H. Japp, Robert Louis Stevenson I must acknowledge indebtedness to these able dissertations. B. For fU.rther criticism on Stevenson's literary development, see, especially: No. Am. 171, The Art of Stevenson Cent. ?.9, Stevenson and his Writing Sat R. 81, Catriona Fortn. 62, Critical study of Stevenson West. 139, some Aspects of the ork by Stevenson Sat. R. 81, Weir of Hermiston Liv. Age ?.21, Essayist, Novelist and Poet Acad. 58, His rank as a Writer Critic a, His Style and his Thot Nat . 14, Methods of Stevenson , - c. The following works of Robert Louis Stevenson were used for a study of his style: Weir of Hermiston, Edited c.scribner & Sons 1905 II II Treasure Island, 11 II II Travels with a Donkey, 11 II Prince Otto, » II II II New Arabian Nights, 11 II II Merry Men, 11 Memories and Portraits, 11 II II Memoir of Fleening Jenkin, 11 II 189-> The Master of Ballantrae, 11 II 1905 Letters, It II 1901 Kidnapped, II II 1905 II Island Nights Entertainments, 11 11 II An Inland Voyage, 11 11 II Familiar studies of Men and Books, 11 Tables, Edited 11 1906 Ebb Tide, 11 11 1905 David Balfour, II II II Silverado Squatters, II II II Across the Plains, II II II j D. -
William Ernest Henley - Poems
Classic Poetry Series William Ernest Henley - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive William Ernest Henley(1849 - 1902) William Ernest Henley (August 23, 1849 - July 11, 1903) was a British poet, critic and editor. Henley was born in Gloucester and educated at the Crypt Grammar School. The school was a poor relation of the Cathedral School, and Henley indicated its shortcomings in his article (Pall Mall Magazine, Nov. 1900) on T. E. Brown the poet, who was headmaster there for a brief period. Brown's appointment was a stroke of luck for Henley, for whom it represented a first acquaintance with a man of genius. "He was singularly kind to me at a moment when I needed kindness even more than I needed encouragement." Brown did him the essential service of lending him books. Henley was no classical scholar, but his knowledge and love of literature were vital. After suffering tuberculosis as a boy, he found himself, in 1874, aged twenty- five, an inmate of the hospital at Edinburgh. From there he sent to the Cornhill Magazine where he wrote poems in irregular rhythms, describing with poignant force his experiences in hospital. Leslie Stephen, then editor, visited his contributor in hospital and took Robert Louis Stevenson, another recruit of the Cornhill, with him. The meeting between Stevenson and Henley, and the friendship of which it was the beginning, form one of the best-known episodes in English literature (see Stevenson's letter to Mrs Sitwell, Jan. 1875, and Henley's poems "An Apparition" and "Envoy to Charles Baxter"). -
Robert Louis Stevenson's Kidnapped
ASSOCIATION FOR SCOTTISH LITERARY STUDIES TEACHING NOTES: 2007 ASLS Robert Louis Stevenson’s Kidnapped Teaching Notes for National 5 English Martin Axford A. TEACHING APPROACHES Class Teaching: If it is intended that all members of a class should study Kidnapped, the novel may be introduced by a formal lecture: resources may include the presentation of a film or audio-recording and provision of a single large-scale map. A range of topics can be discussed in groups simultaneously, with conclusions presented to the rest of the class. Care will be needed to take account of the different speeds of reading within classes, and to avoid the risk that the lack of choice in the text does not prevent students from enjoying the book. Group Work: Kidnapped may be offered as one choice among other books, with the students who choose the text grouped together. Tasks can then be shared e.g. there will be no need for every student to draw a map, web searches can be made by individuals, and the results pooled. Topics can be studied by pairs or by the group as a whole. N.B. For economy of texts there may be a temptation to steer the students’ choice of books; care will need RANGE: to be taken to make sure that the choice is still a real • National 5 English one, and also that the work of groups is not limited by KEY TEXTS: assumptions made about ability or levels of difficulty. • Kidnapped: Stevenson, Robert Louis, Official Edition of the Edinburgh World City Personal Study: Although these notes are written for of Literature, Get a City Reading Campaign teachers, they can be edited and presented to students (Canongate 2006) who have chosen to read Kidnapped as a text for personal • or Kidnapped in Robert Louis Stevenson, The study.