Robert Louis Stevenson
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Treasure Island by Robert Louis Stevenson Adapted by Bryony Lavery
TREASURE ISLAND BY ROBERT LOUIS STEVENSON ADAPTED BY BRYONY LAVERY DRAMATISTS PLAY SERVICE INC. TREASURE ISLAND Copyright © 2016, Bryony Lavery All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of TREASURE ISLAND is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan- American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for TREASURE ISLAND are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. Inquiries concerning all other rights should be addressed to United Agents, 12-26 Lexington Street, London, England, W1F 0LE. -
The Dracula Film Adaptations
DRACULA IN THE DARK DRACULA IN THE DARK The Dracula Film Adaptations JAMES CRAIG HOLTE Contributions to the Study of Science Fiction and Fantasy, Number 73 Donald Palumbo, Series Adviser GREENWOOD PRESS Westport, Connecticut • London Recent Titles in Contributions to the Study of Science Fiction and Fantasy Robbe-Grillet and the Fantastic: A Collection of Essays Virginia Harger-Grinling and Tony Chadwick, editors The Dystopian Impulse in Modern Literature: Fiction as Social Criticism M. Keith Booker The Company of Camelot: Arthurian Characters in Romance and Fantasy Charlotte Spivack and Roberta Lynne Staples Science Fiction Fandom Joe Sanders, editor Philip K. Dick: Contemporary Critical Interpretations Samuel J. Umland, editor Lord Dunsany: Master of the Anglo-Irish Imagination S. T. Joshi Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts Robert A. Latham and Robert A. Collins, editors Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts Joe Sanders, editor Cosmic Engineers: A Study of Hard Science Fiction Gary Westfahl The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-Century Children’s Fantasy Literature David Sandner Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts Allienne R. Becker, editor The Dark Fantastic: Selected Essays from the Ninth International Conference on the Fantastic in the Arts C. W. Sullivan III, editor Library of Congress Cataloging-in-Publication Data Holte, James Craig. Dracula in the dark : the Dracula film adaptations / James Craig Holte. p. cm.—(Contributions to the study of science fiction and fantasy, ISSN 0193–6875 ; no. -
Journal of Stevenson Studies
1 Journal of Stevenson Studies 2 3 Editors Dr Linda Dryden Professor Roderick Watson Reader in Cultural Studies English Studies Faculty of Art & Social Sciences University of Stirling Craighouse Stirling Napier University FK9 4La Edinburgh Scotland Scotland EH10 5LG Scotland Tel: 0131 455 6128 Tel: 01786 467500 Email: [email protected] Email: [email protected] Contributions to future issues are warmly invited and should be sent to either of the editors listed above. The text should be submitted in MS WORD files in MHRA format. All contributions are subject to review by members of the Editorial Board. Published by The Centre for Scottish Studies University of Stirling © the contributors 2005 ISSN: 1744-3857 Printed and bound in the UK by Antony Rowe Ltd. Chippenham, Wiltshire. 4 Journal of Stevenson Studies Editorial Board Professor Richard Ambrosini Professor Gordon Hirsch Universita’ de Roma Tre Department of English Rome University of Minnesota Professor Stephen Arata Professor Katherine Linehan School of English Department of English University of Virginia Oberlin College, Ohio Professor Oliver Buckton Professor Barry Menikoff School of English Department of English Florida Atlantic University University of Hawaii at Manoa Dr Jenni Calder Professor Glenda Norquay National Museum of Scotland Department of English and Cultural History Professor Richard Dury Liverpool John Moores University of Bergamo University (Consultant Editor) Professor Marshall Walker Department of English The University of Waikato, NZ 5 Contents Editorial -
Stevensoniana; an Anecdotal Life and Appreciation of Robert Louis Stevenson, Ed. from the Writings of J.M. Barrie, S.R. Crocket
——; — ! 92 STEVENSONIANA VIII ISLAND DAYS TO TUSITALA IN VAILIMA^ Clearest voice in Britain's chorus, Tusitala Years ago, years four-and-twenty. Grey the cloudland drifted o'er us, When these ears first heard you talking, When these eyes first saw you smiling. Years of famine, years of plenty, Years of beckoning and beguiling. Years of yielding, shifting, baulking, ' When the good ship Clansman ' bore us Round the spits of Tobermory, Glens of Voulin like a vision. Crags of Knoidart, huge and hoary, We had laughed in light derision. Had they told us, told the daring Tusitala, What the years' pale hands were bearing, Years in stately dim division. II Now the skies are pure above you, Tusitala; Feather'd trees bow down to love you 1 This poem, addressed to Robert Louis Stevenson, reached him at Vailima three days before his death. It was the last piece of verse read by Stevenson, and it is the subject of the last letter he wrote on the last day of his life. The poem was read by Mr. Lloyd Osbourne at the funeral. It is here printed, by kind permission of the author, from Mr. Edmund Gosse's ' In Russet and Silver,' 1894, of which it was the dedication. After the Photo by] [./. Davis, Apia, Samoa STEVENSON AT VAILIMA [To face page i>'l ! ——— ! ISLAND DAYS 93 Perfum'd winds from shining waters Stir the sanguine-leav'd hibiscus That your kingdom's dusk-ey'd daughters Weave about their shining tresses ; Dew-fed guavas drop their viscous Honey at the sun's caresses, Where eternal summer blesses Your ethereal musky highlands ; Ah ! but does your heart remember, Tusitala, Westward in our Scotch September, Blue against the pale sun's ember, That low rim of faint long islands. -
Writing and Justice in the Master of Ballantrae Alexander B
Studies in Scottish Literature Volume 28 | Issue 1 Article 6 1993 "A Double Word": Writing and Justice in The Master of Ballantrae Alexander B. Clunas Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Clunas, Alexander B. (1993) ""A Double Word": Writing and Justice in The asM ter of Ballantrae," Studies in Scottish Literature: Vol. 28: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol28/iss1/6 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Alexander B. Clunas "A Double Word": Writing and Justice in The Master of Ballantrae The Master oj Ballantrae (1889) is Robert Louis Stevenson's most re markable attempt to ally the genre of adventure fiction with a deft unravel ling and retwining of the" most secret and heartfelt inclinations" 1 of the self. As a precise ordering, seriatim, of heterogeneous documents, voices, and fictional kinds, Master is a notably unstable text. It confounds generic unity, 2 placing some of the definitive elements of Stevenson's earlier, "naive" adventure stories within the main, by and large non-adventurous, narrative of Ephraim Mackellar. It requires readers to read across conven tional boundaries between exotic romantic adventure and domestic drama, between desire and "reality," between I and he. I hope to show this in the following discussion. These instabilities of genre and voice have made the novel somewhat of a puzzle for critics. -
Vocative and Diminutive Forms in Robert Louis Stevenson's Fiction
International Journal of English Studies IJES UNIVERSITY OF MURCIA http://revistas.um.es/ijes Vocative and diminutive forms in Robert Louis Stevenson’s fiction: A corpus-based study MARINA DOSSENA Università degli Studi di Bergamo Received: 27 January 2012 / Accepted: 25 June 2012 ABSTRACT This paper takes a corpus-based approach to the study of vocative and diminutive forms in the prose fiction and drama of the Scottish author Robert Louis Stevenson. In such texts, the coexistence, and indeed the coalescence, of Scots and (Scottish Standard) English is one of the most important traits in their author’s distinctive style. The aim is to assess whether the use of diminutive forms together with vocative ones may constitute a syntactic unit in which semantic and pragmatic values are mutually reinforced. In addition to a specially-compiled corpus of Stevenson’s texts, the investigation will consider occurrences of the same structure in the imaginative prose section of the Corpus of Modern Scottish Writing, which will be used as a control corpus. KEYWORDS: Morphology, pragmatics, corpus linguistics, Scots, (Scottish Standard) English RESUMEN El presente trabajo adopta un enfoque basado en corpus con el objetivo de estudiar las formas vocativas y diminutivas en el teatro y en la ficción en prosa del autor escocés Robert Louis Stevenson. En estos textos, la convivencia y, de hecho, la fusión de escocés e inglés (estándar hablado en Escocia) es uno de los rasgos caracterizadores del estilo del autor. Así pues, el presente trabajo pretende evaluar si el uso de los diminutivos, junto con los vocativos, logra constituir una unidad sintáctica en la que los valores semánticos y pragmáticos se refuerzan mutuamente. -
The RLS Club News Spring 2017 3 Look Who Club Events
The RLS Club News Issue No 48 Spring 2017 Royal welcome: Louis was honoured with songs and fireworks as Network delegates met at the Chateau of Fontainebleau Fantastic Fontainebleau THE charm of Fontainebleau is a thing the Château of Fontainebleau, once the France, the Association Sur les Canaux apart, as RLS wrote in his essay on the hunting lodge of French Kings. du Nord in Belgium had been consolidat- French Bohemian idyll where he lived Visiting speakers addressed us on top- ing its route and had held a wealth of and loved in his youth, and the European ics relevant to our status as a Cultural RLS-related exhibitions. Network in the Footsteps of Robert Louis Route of the Council of Europe, and The Forest of Fontainebleau extended Stevenson discovered the truth of his member territories gave updates on their its territory with a hiking route to Châtil- words in November during its AGM activities in 2016. lon-sur-Loire, as featured in last year’s weekend. In the Highlands, the Stevenson Way Summer Update, while in the Cevennes Hosted by the Association Robert Lou- had welcomed a group of teenagers from the Association Sur le Chemin de RLS is Stevenson de Barbizon à Grez, the the Inland Voyage route for hiking, histo- had hosted hikers and students on the event’s programme took us to various ry and a ceilidh. In Bristol, home port of Travels with a Donkey trail as well as places visited by RLS in the Fon- the good ship Hispaniola, the Long John many artistic events. -
Stevensoniana; an Anecdotal Life and Appreciation of Robert Louis Stevenson, Ed. from the Writings of JM Barrie, SR Crocket
: R. L. S. AND HIS CONTEMPORARIES 225 XII R. L. S. AND HIS CONTEMPORARIES Few authors of note have seen so many and frank judg- ments of their work from the pens of their contemporaries as Stevenson saw. He was a ^persona grata ' with the whole world of letters, and some of his m,ost admiring critics were they of his own craft—poets, novelists, essayists. In the following pages the object in view has been to garner a sheaf of memories and criticisms written—before and after his death—for the most part by eminent contemporaries of the novelist, and interesting, apart from intrinsic worth, by reason of their writers. Mr. Henry James, in his ' Partial Portraits,' devotes a long and brilliant essay to Stevenson. Although written seven years prior to Stevenson's death, and thus before some of the most remarkable productions of his genius had appeared, there is but little in -i^^^ Mr. James's paper which would require modi- fication to-day. Himself the wielder of a literary style more elusive, more tricksy than Stevenson's, it is difficult to take single passages from his paper, the whole galaxy of thought and suggestion being so cleverly meshed about by the dainty frippery of his manner. Mr. James begins by regretting the 'extinction of the pleasant fashion of the literary portrait,' and while deciding that no individual can bring it back, he goes on to say It is sufficient to note, in passing, that if Mr. Stevenson had P 226 STEVENSONIANA presented himself in an age, or in a country, of portraiture, the painters would certainly each have had a turn at him. -
The Literary Development of Robert Louis Stevenson a Thesis Submitted to the Faculty of the College of Science, Literature and A
The Literary Development of Robert Louis Stevenson A thesis submitted to the Faculty of the College of Science, Literature and Arts of the University of innesota, in partial f'Ulfillment of the requirements ror the Degree of Master of Arts By Ethel N. McCauley 1911 6 0 Bibliography A. For criticism on Stevenson as an author and a stylist the following are important: R. Burton, Literary Likings H. B. Baldwin, Life study in Criticism J . Chapman, Emerson and Other Essays G. K. Chesterton, Varied Types J. Guiller couch, Adventures in Criticism J. J . Dawson, Characteristics of Fiction E. Gosse, Critical Kit Kats H . James, Partial Portraits A. Lang, Essays in Little B. Mathews, Aspects of Fiction • L. Phelps, Essays on Modern Novelists B. Torrey, Friends on the Shelf N. Raleigh, Robert Louis Stevenson L. Stephen, Studies Of a Biographer A. H. Japp, Robert Louis Stevenson I must acknowledge indebtedness to these able dissertations. B. For fU.rther criticism on Stevenson's literary development, see, especially: No. Am. 171, The Art of Stevenson Cent. ?.9, Stevenson and his Writing Sat R. 81, Catriona Fortn. 62, Critical study of Stevenson West. 139, some Aspects of the ork by Stevenson Sat. R. 81, Weir of Hermiston Liv. Age ?.21, Essayist, Novelist and Poet Acad. 58, His rank as a Writer Critic a, His Style and his Thot Nat . 14, Methods of Stevenson , - c. The following works of Robert Louis Stevenson were used for a study of his style: Weir of Hermiston, Edited c.scribner & Sons 1905 II II Treasure Island, 11 II II Travels with a Donkey, 11 II Prince Otto, » II II II New Arabian Nights, 11 II II Merry Men, 11 Memories and Portraits, 11 II II Memoir of Fleening Jenkin, 11 II 189-> The Master of Ballantrae, 11 II 1905 Letters, It II 1901 Kidnapped, II II 1905 II Island Nights Entertainments, 11 11 II An Inland Voyage, 11 11 II Familiar studies of Men and Books, 11 Tables, Edited 11 1906 Ebb Tide, 11 11 1905 David Balfour, II II II Silverado Squatters, II II II Across the Plains, II II II j D. -
ROBERT LOUIS STEVENSON HEROES of ALL TIME FIRST VOLUMES Mohammed
OBER1 .GUIS university of Connecticut a> i libraries :v CV» COSt*W PR 5L93 C7 3 1153 0nt4S37 l£>tf& 3**-- ROBERT LOUIS STEVENSON HEROES OF ALL TIME FIRST VOLUMES Mohammed. By Edith Holland. Alexander the Great. By Ada Russell, M.A (Vict.) Augustus. By Rene Francis, B.A. Alfred the Great. By A. E. McKilliam, M.A. Thomas Becket. By Susan Cunnington. Jeanne d'Arc. By E. M. Wilmot-Buxton, F.R.Hist.S. Sir Walter Raleigh. By Beatrice Marshall. William the Silent. By A. M. Miall. Marie Antoinette. By Alice Birkhead, B.A. Boys who Became Famous. By F. J. Snell. Oliver Cromwell. By Estelle Ross. Peter the Great. By Alice Birkhead, B.A. The Girlhood of Famous Women. By F. J. Snell. Garibaldi and his Red-Shirts. By F. J. Snell. Robert Louis Stevenson. By Amy Cruse. Queen Victoria. By E. Gordon Browne, M.A. Anselm. By E. M. Wilmot-Buxton, F.R.Hist.S. Sir Walter Scott. By Amy Cruse. William the Conqueror. By Rene Francis, B.A. Julius Caesar. By Ada Russell, M.A. Buddha. By Edith Holland. William Caxton. By Susan Cunnington. Chaucer. By Amy Cruse. Charles XII. By Alice Birkhead, B.A. Queen Elizabeth. By Beatrice Marshall. Warwick the King-maker. By Rene Francis, B.A. Many other volumes in active preparation Fr, R. L, S. in the South Seas From a photograph toy John Patrick ROBERT LOUIS r STEVENSON AMY CRUSE AUTHOR OF ' ' ENGLISH LITERATURE THROUGH THE AGES 1 ' SIR WALTER SCOTT ' ' CHARLOTTE BRONTE 1 ELIZABETHAN LYRISTS ' ETC. WITH TEN ILLUSTRATIONS LONDON GEORGE G. -
Top Things to Do in Apia" This Quaint Capital of Samoa Is Known for Its Old Capital Mulinu'u and the Primary City Cathedral
"Top Things To Do in Apia" This quaint capital of Samoa is known for its old capital Mulinu'u and the primary city cathedral. But primarily, its the azure waters, the golden sand beaches and the green cityscape that brings in visitors year in, year out. 创建: Cityseeker 10 位置已标记 Mount Vaea山 "Samoa's Natural Landmark" One of Samoa’s most famous sights is the emerald green peak of Mount Vaea, where the famed writer Robert Louis Stevenson and his wife Fanny are buried. Buried here in 1894, the renowned writer spent the last four years of his life enjoying Samoa’s natural splendor. The trail up to Stevenson’s grave, which sits in the by Teinesavaii shadow of Mount Vaea’s peak, is known as the “Road of Loving Hearts.” Visitors to the burial site will have roughly an hour long walk ahead of them, their eyes treated to beautiful vistas along the way. The surrounding forests are protected by the Stevenson Memorial Reserve and Mount Vaea Scenic Reserve Ordinance. +685 6 3500 (Tourist Information) Off Cross Island Road, Apia To-Sua海沟 "Aquamarine Paradise" Right in the middle of a forested sprawl is a gaping swimming hole, filled with gorgeous aquamarine water that simply demands diving into. This stunning attraction is located on the island of Upolu. Visitors must descend a ladder to reach the diving point, from where they can plunge into epic crystalline waters below. by Rickard Törnblad +685 4 1699 www.to- tosua.oceantrench@gmail. Main South Coast Road, suaoceantrench.com/ com Apia 罗伯特·路易斯·史蒂文森博物馆 "A Poetic Tour" Catch a glimpse into the life and work of Scottish poet Robert Louis Stevenson at this beautiful, well-preserved museum, where this legendary literary figure spent the last few years of his life. -
Ward, Christopher J. (2010) It's Hard to Be a Saint in the City: Notions of City in the Rebus Novels of Ian Rankin. Mphil(R) Thesis
Ward, Christopher J. (2010) It's hard to be a saint in the city: notions of city in the Rebus novels of Ian Rankin. MPhil(R) thesis. http://theses.gla.ac.uk/1865/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] It’s Hard To Be A Saint In The City: Notions of City in the Rebus Novels of Ian Rankin Christopher J Ward Submitted for the degree of M.Phil (R) in January 2010, based upon research conducted in the department of Scottish Literature and Faculty of Arts, University of Glasgow © Christopher J Ward, 2010 Contents Acknowledgements 3 Introduction: The Crime, The Place 4 The juncture of two traditions 5 Influence and intent: the origins of Rebus 9 Combining traditions: Rebus comes of age 11 Noir; Tartan; Tartan Noir 13 Chapter One: Noir - The City in Hard-Boiled Fiction 19 Setting as mode: urban versus rural 20 Re-writing the Western: the emergence of hard-boiled fiction 23 The hard-boiled city as existential wasteland 27 ‘Down these mean streets a man must