Aliy Kolesnikov. the Zoroastrian Manuscript in the Collection of The
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Nnnnãvr-N Paznû
THE MANUSCRTpTs or ð¿Nen ¿NenÃðn-N,iua n¡vn ;n¿j vt-vI nà r-NÃtw ø BY zARToSr-n nnnnÃvr-n paZnû Olga Yastrebova Zarto$t-e Bahrãm was a Zoroastrian poet who lived in Iran in the late 13th century. He is one of the few Zoroastrian authors who wrote in Persian and whose name and scraps of biographical information have been preserved to our days. The most significant and well known of his works are Ardãya-Wrãf-nãmet, ëangranghãðe' nãme2, andQesse-ye 'lJmar Xattãb va iãhzdde'ye irãn-zamr-n3, a collection of parables on the perishable nature of this world.a All of them were written in hazaj- e mosaddas metre. For several centuries tradition ascribed to him the authorship of Zarto!çnãme (onginally Mowlûd-Zartoflt)s, but as Ch. Rempis and R. Ahfi showed in their studies published independently in 1963 and 1964, the real author was another Zoroastrian, named Kay-Kâüs b. Kay-Xosrow b. Dãrã, from the city of Ray.6 The episode of Zaratustra's biography which is the subject of Õangranghãëe- nãme, is nol found in any other source except this poem. After Zaratu$tra's religion had been successfully disseminated in the kingdom of Go5tasp, the news reached the Indian sage Õangranghãðe. This wise man is said to have been one of the teachers of GoStasp's famous counsellor Jãmãsp. ðangranghaðe summoned Zarto5t to take part in a dispute, and spent two years preparing for it. He devoted all his time to gathering difficult questions and riddles. After the long period of I Text published twice: Jamasp Asa 1902; Afift 1964. -
Mah Tir, Mah Bahman & Asfandarmad 1 Mah Asfandarmad 1369
Mah Tir, Mah Bahman & Asfandarmad 1 Mah Asfandarmad 1369, Fravardin & l FEZAN A IN S I D E T HJ S I S S U E Federation of Zoroastrian • Summer 2000, Tabestal1 1369 YZ • Associations of North America http://www.fezana.org PRESIDENT: Framroze K. Patel 3 Editorial - Pallan R. Ichaporia 9 South Circle, Woodbridge, NJ 07095 (732) 634-8585, (732) 636-5957 (F) 4 From the President - Framroze K. Patel president@ fezana. org 5 FEZANA Update 6 On the North American Scene FEZ ANA 10 Coming Events (World Congress 2000) Jr ([]) UJIR<J~ AIL '14 Interfaith PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF '15 Around the World NORTH AMERICA 20 A Millennium Gift - Four New Agiaries in Mumbai CHAIRPERSON: Khorshed Jungalwala Rohinton M. Rivetna 53 Firecut Lane, Sudbury, MA 01776 Cover Story: (978) 443-6858, (978) 440-8370 (F) 22 kayj@ ziplink.net Honoring our Past: History of Iran, from Legendary Times EDITOR-IN-CHIEF: Roshan Rivetna 5750 S. Jackson St. Hinsdale, IL 60521 through the Sasanian Empire (630) 325-5383, (630) 734-1579 (F) Guest Editor Pallan R. Ichaporia ri vetna@ lucent. com 23 A Place in World History MILESTONES/ ANNOUNCEMENTS Roshan Rivetna with Pallan R. Ichaporia Mahrukh Motafram 33 Legendary History of the Peshdadians - Pallan R. Ichaporia 2390 Chanticleer, Brookfield, WI 53045 (414) 821-5296, [email protected] 35 Jamshid, History or Myth? - Pen1in J. Mist1y EDITORS 37 The Kayanian Dynasty - Pallan R. Ichaporia Adel Engineer, Dolly Malva, Jamshed Udvadia 40 The Persian Empire of the Achaemenians Pallan R. Ichaporia YOUTHFULLY SPEAKING: Nenshad Bardoliwalla 47 The Parthian Empire - Rashna P. -
L2/20-246 Teeth and Bellies: a Proposed Model for Encoding Book Pahlavi
L2/20-246 Teeth and bellies: a proposed model for encoding Book Pahlavi Roozbeh Pournader (WhatsApp) September 7, 2020 Background In Everson 2002, a proposal was made to encode a unified Avestan and Pahlavi script in the Unicode Standard. The proposal went through several iterations, eventually leading to a separate encoding of Avestan as proposed by Everson and Pournader 2007a, in which Pahlavi was considered non-unifiable with Avestan due to its cursive joining property. The non-cursive Inscriptional Pahlavi (Everson and Pournader 2007b) and the cursive Psalter Pahlavi (Everson and Pournader 2011) were later encoded too. But Book Pahlavi, despite several attempts (see the Book Pahlavi Topical Document list at https://unicode.org/L2/ topical/bookpahlavi/), remains unencoded. Everson 2002 is peculiar among earlier proposals by proposing six Pahlavi archigraphemes, including an ear, an elbow, and a belly. I remember from conversations with Michael Everson that he intended these to be used for cases when a scribe was just copying some text without understanding the underlying letters, considering the complexity of the script and the loss of some of its nuances to later scribes. They could also be used when modern scholars wanted to represent a manuscript as written, without needing to over-analyze potentially controversial readings. Meyers 2014 takes such a graphical model to an extreme, trying to encode pieces of the writing system, most of which have some correspondence to letters, but with occasional partial letters (e.g. PARTIAL SHIN and FINAL SADHE-PARTIAL PE). Unfortunately, their proposal rejects joining properties for Book Pahlavi and insists that “[t]he joining behaviour of the final stems of the characters in Book Pahlavi is more similar to cursive variants of Latin than to Arabic”. -
Arash Zeini 8Th May 2020
Response to ‘Next steps on Book Pahlavi’ (L2/20-135) Arash Zeini 8th May 2020 Introduction Pournader & Hai (2020) might be right in saying that ‘Book Pahlavi may be the best-known complex script not yet encoded in Unicode’. However, I am inclined to add that Book Pahlavi is certainly one of the least researched and understood scripts of late antiquity. Much work is needed before we can make reliable statements about the palaeography of Book Pahlavi. The issues that have puzzled the Unicode experts are in part genuinely difficult to answer. But in my view, the wrong questions have also been asked at times.1 In this document I will attempt to answer the questions raised by Pournader & Hai (2020) which is a very welcome addition to the proposals as it consolidates the questions that have remained unanswered. Please note that my rendering of Middle Persian words and Pahlavi characters is limited by the possibilities offered by the available fonts, which are not designed to accurately represent the scribal idiosyncrasies. If any representations raise more questions, please contact me for clarifications. Question 1 yh/1: The MP suffix -īh, transliterated <-yh>, is written / in Book Pahlavi. Contrary to Meyers (2014:12), the correct analysis of / is ! + + or $ + -. Some- times the scribes abbreviate or rather simplify this sequence of characters to . This happens most commonly at the end of the line, and not in everymanu- script. It is, for instance, very rare in manuscripts of the Pahlavi Yasna. Meyers 1See, for instance, Pournader & Hai (2020:6) on the issue of <b> as raised by Meyers (2014). -
FEZANA Journal Do Not Necessarily Reflect the Feroza Fitch of Views of FEZANA Or Members of This Publication's Editorial Board
FEZANA FEZANA JOURNAL ZEMESTAN 1379 AY 3748 ZRE VOL. 24, NO. 4 WINTER/DECEMBER 2010 G WINTER/DECEMBER 2010 JOURJO N AL Dae – Behman – Spendarmad 1379 AY (Fasli) G Amordad – Shehrever – Meher 1380 AY (Shenshai) G Shehrever – Meher – Avan 1380 AY (Kadimi) CELEBRATING 1000 YEARS Ferdowsi’s Shahnameh: The Soul of Iran HAPPY NEW YEAR 2011 Also Inside: Earliest surviving manuscripts Sorabji Pochkhanawala: India’s greatest banker Obama questioned by Zoroastrian students U.S. Presidential Executive Mission PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Vol 24 No 4 Winter / December 2010 Zemestan 1379 AY 3748 ZRE President Bomi V Patel www.fezana.org Editor in Chief: Dolly Dastoor 2 Editorial [email protected] Technical Assistant: Coomi Gazdar Dolly Dastoor Assistant to Editor: Dinyar Patel Consultant Editor: Lylah M. Alphonse, [email protected] 6 Financial Report Graphic & Layout: Shahrokh Khanizadeh, www.khanizadeh.info Cover design: Feroza Fitch, 8 FEZANA UPDATE-World Youth Congress [email protected] Publications Chair: Behram Pastakia Columnists: Hoshang Shroff: [email protected] Shazneen Rabadi Gandhi : [email protected] 12 SHAHNAMEH-the Soul of Iran Yezdi Godiwalla: [email protected] Behram Panthaki::[email protected] Behram Pastakia: [email protected] Mahrukh Motafram: [email protected] 50 IN THE NEWS Copy editors: R Mehta, V Canteenwalla Subscription Managers: Arnavaz Sethna: [email protected]; -
Why Was the Story of Arash-I Kamangir Excluded from the Shahnameh?” Iran Nameh, 29:2 (Summer 2014), 42-63
Saghi Gazerani, “Why Was the Story of Arash-i Kamangir Excluded from the Shahnameh?” Iran Nameh, 29:2 (Summer 2014), 42-63. Why Was the Story of Arash-i Kamangir Excluded from the Shahnameh?* Saghi Gazerani Independent Scholar In contemporary Iranian culture, the legendary figure of Arash-i Kamangir, or Arash the Archer, is known and celebrated as the national hero par excellence. After all, he is willing to lay down his life by infusing his arrow with his life force in order to restore territories usurped by Iran’s enemy. As the legend goes, he does so in order to have the arrow move to the farthest point possible for the stretch of land over which the arrow flies shall be included in Iranshahr proper. The story without a doubt was popular for many centuries, but during the various upheavals of the twentieth century, the story of Arash the Archer was invoked, and in the hands of artists with various political leanings his figure was imbued with layers reflecting the respective artist’s ideological presuppositions.1 The most famous of modern renditions of Arash’s legend is Siavash Kasra’i’s narrative poem named after its protagonist. An excerpt of Kasra’i’s rendition of Arash’s story *For further discussion of this issue please see my ture,” www.iranicaonline.org (accessed March 3, forthcoming work, On the Margins of Historiog- 2014). Arash continues to make his appearance; raphy: The Sistani Cycle of Epics and Iran’s Na- for a recent operatic performance of the legend, tional History (Leiden: Brill, 2014). -
A Comparative Study of the Story of Esfandiar in Ferdowsi's Shahnameh and Achilles in Homer's Iliad
ISSN 2239-978X Journal of Educational and Social Research Vol. 3 No. 7 ISSN 2240-0524 MCSER Publishing, Rome-Italy October 2013 A Comparative Study of the Story of Esfandiar in Ferdowsi's Shahnameh and Achilles in Homer's Iliad Dr., Masoumeh Sadeghi Faculty member of Islamic Azad University, Garmsar branch [email protected] Doi:10.5901/jesr.2013.v3n7p550 Abstract Epic is a kind of descriptive poem which is based on describing heroic and manhood actions and prides of a nation or person so that it includes different symbols of their life.Iliad and Odysses of Homerus, Ramayana and Mehabeharatay of Indians and Shahnameh of Ferdowsi are three great epics of the world.These three epic works are related to Aryan race which has been divided into different branches and everyone has been settled in a land and this is why that there are some common characteristics between them. As epic of every nation is a mirror that shows their culture, nature and endogenous life, these relations and coordination of two Iranian and Greek epics, Shahnameh and Iliad and Odysses show proximity of the two nations in mirror of history. .Shahnameh has been divided into three mythological, heroic and historical parts Iliad and Odysses has been also composed by Homerus, famous Greek poet. Iliad book includes explanation of ten years war between Greece and Troas in 24 chapters and Odysses, which has 24 poems, is about Olis, one of heroes of Troas war and figures his braveries. These two great epics which show two known old culture, can be compared from different characteristics. -
FEZANA Journal Do Not Necessarily Reflect the Views of FEZANA Or Members of This Publication's Editorial Board
FEZANA JOURNAL FEZANA WINTER ZEMESTAN 1378 AY 3747 ZRE VOL. 23, NO. 4 WINTER/DECEMBER 2009 G WINTER/DECEMBER 2009 JOURNALJODae – Behman – Spendarmad 1378 AY (Fasli) G Amordad – Shehrever – Meher 1379 AY (Shenshai) G Shehrever – Meher – Avan 1379 AY (Kadimi) Also Inside: Parliament oof the World’s Religions, Melbourne Parliamentt oof the World’s Religions:Religions: A shortshort hihistorystory Zarathustiss join in prayers for world peace in Pittsburgh Book revieew:w Thus Spake the Magavvs by Silloo Mehta PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA afezanajournal-winter2009-v15 page1-46.qxp 11/2/2009 5:01 PM Page 1 PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Vol 23 No 4 Winter / December 2009 Zemestan 1378 AY - 3747 ZRE President Bomi V Patel www.fezana.org Editor in Chief: Dolly Dastoor 2 Editorial [email protected] Technical Assistant: Coomi Gazdar Dolly Dastoor Assistant to Editor Dinyar Patel Consultant Editor: Lylah M. Alphonse, 4ss Coming Event [email protected] Graphic & Layout: Shahrokh Khanizadeh, www.khanizadeh.info Cover design: Feroza Fitch, 5 FEZANA Update [email protected] Publications Chair: Behram Pastakia Columnists: 16 Parliament of the World’s Religions Hoshang Shroff: [email protected] Shazneen Rabadi Gandhi : [email protected] Yezdi Godiwalla [email protected] Behram Panthaki: [email protected] 47 In the News Behram Pastakia: [email protected] Mahrukh Motafram: [email protected] Copy editors: R Mehta, V Canteenwalla -
Change and Continuity in the Zoroastrian Tradition
CHANGE AND CONTINUITY IN THE ZOROASTRIAN TRADITION AN INAUGURAL LECTURE DELIVERED ON 22 FEBRUARY 2012 BY ALMUT HINTZE Zartoshty Professor of Zoroastrianism in the University of London SOAS, UNIVERSITY OF LONDON 2013 CHANGE AND CONTINUITY IN THE ZOROASTRIAN TRADITION AN INAUGURAL LECTURE DELIVERED ON 22 FEBRUARY 2012 BY ALMUT HINTZE Zartoshty Professor of Zoroastrianism in the University of London SCHOOL OF ORIENTAL AND AFRICAN STUDIES UNIVERSITY OF LONDON 2013 The publication of this booklet was supported by a grant of the Zoroastrian Trust Funds of Europe. Published by the School of Oriental and African Studies (University of London), Thornhaugh Street, Russell Square, London, WC1H 0XG. © Almut Hintze, 2013 Cover image: K. E. Eduljee, Zoroastrian Heritage Layout: Andrew Osmond, SOAS British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. ISBN 978 07286 0400 1 Printed in Great Britain at SOAS, University of London. Dedicated to the memory of the brothers Faridoon and Mehraban Zartoshty, to that of Professor Mary Boyce and of an anonymous benefactor. Table of Contents Preface by the Director of SOAS 5 Preface by the President of the Zoroastrian Trust Funds of Europe 7 Change and Continuity in the Zoroastrian Tradition 11 PrefacebytheDirectorofSOAS ThelinksbetweenSOASandtheZoroastriancommunityreachrightbacktothe early years of SOAS.In 1929 a consortium of Zoroastrian benefactors from Bombayfundedthe‘ParseeCommunity’sLectureshipinIranianStudies’atSOAS on -
A History of Persian Literature Volume XVII Volumes of a History of Persian Literature
A History of Persian Literature Volume XVII Volumes of A History of Persian Literature I General Introduction to Persian Literature II Persian Poetry in the Classical Era, 800–1500 Panegyrics (qaside), Short Lyrics (ghazal); Quatrains (robâ’i) III Persian Poetry in the Classical Era, 800–1500 Narrative Poems in Couplet form (mathnavis); Strophic Poems; Occasional Poems (qat’e); Satirical and Invective poetry; shahrâshub IV Heroic Epic The Shahnameh and its Legacy V Persian Prose VI Religious and Mystical Literature VII Persian Poetry, 1500–1900 From the Safavids to the Dawn of the Constitutional Movement VIII Persian Poetry from outside Iran The Indian Subcontinent, Anatolia, Central Asia after Timur IX Persian Prose from outside Iran The Indian Subcontinent, Anatolia, Central Asia after Timur X Persian Historiography XI Literature of the early Twentieth Century From the Constitutional Period to Reza Shah XII Modern Persian Poetry, 1940 to the Present Iran, Afghanistan, Tajikistan XIII Modern Fiction and Drama XIV Biographies of the Poets and Writers of the Classical Period XV Biographies of the Poets and Writers of the Modern Period; Literary Terms XVI General Index Companion Volumes to A History of Persian Literature: XVII Companion Volume I: The Literature of Pre- Islamic Iran XVIII Companion Volume II: Literature in Iranian Languages other than Persian Kurdish, Pashto, Balochi, Ossetic; Persian and Tajik Oral Literatures A HistorY of Persian LiteratUre General Editor – Ehsan Yarshater Volume XVII The Literature of Pre-Islamic Iran Companion Volume I to A History of Persian Literature Edited by Ronald E. Emmerick & Maria Macuch Sponsored by Persian Heritage Foundation (New York) & Center for Iranian Studies, Columbia University Published in 2009 by I. -
A History of Ottoman Poetry
351 whose works, if read aloud, would have been incomprehen- sible to all but a very few of their contemporaries. The moment that poetry became anything beyond a toy it had to go, as the Khayriyya of Nabi can bear witness. Even as the conventional idiom of a literary coterie, it contained within itself the elements of decay; there was ever present from the beginning the danger which eventually proved fatal, that the Persian embroidery should encroach too much upon the Turkish background, and should eventually cover and conceal this altogether. When this happened, as we have seen it did at the close of the Classic Age, there was nothing left but to set about undoing the work which it had taken all these centuries to complete. If we look upon the history of the Archaic and Classic Periods as that of the gradual I building up and development of this artificial Perso-Turkish literary idiom, we may regard the history of the Transition and Modern Schools as that of its gradual demolition and decline. I have spoken of the language, but it is the same with the spirit which therein found expression. The spirit of Perso- Turkish poetry had no true Hfe; its semblance of life was but a series of changes reflected from a foreign literature in a foreign land. It may imlccd \)v. that llicsi: clKiiiges ui-re n(jt altogether the result of deliberate imitation on the part of (li<- 'Osnianli poets; it is possible that the Zeitgeist that was al work in Persia passed in ilue course over Turkey loo, ;iiid th.it (ril.iin ideas successively lilliil the intellectual air in eitliei (onnliw I'ut sufli is no| the opinion ol the 'links Iheinsc-lves; and thr. -
Historical, Mythical and Religious Narratives of the Babylonian Talmud
Historical, Mythical and Religious Narratives of the Babylonian Talmud in their Middle Persian Context Azadeh Ehsani Chombeli A Thesis In the Department Of Religions and Cultures Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Religion) at Concordia University Montreal, Quebec, Canada April 2018 © Azadeh Ehsani Chombeli, 2018 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Azadeh Ehsani Chombeli Entitled: Historical, Mythical and Religious Narratives of the Babylonian Talmud in their Middle Persian Context and submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Religion) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Marguerite Mendell _____________________________________________External Examiner Dr. Touraj Daryaee _____________________________________________External to Program Dr. Ivana Djordjevic _____________________________________________Examiner Dr. Naftali Cohn _____________________________________________Examiner Dr. Mark Hale _____________________________________________Thesis Supervisor Dr. Richard Foltz Approved by __________________________________________________________ Dr. Leslie Orr, Graduate Program Director Tuesday, June 26, 2018 Dr. André Roy, Dean Faculty of Arts and Science ABSTRACT Historical, Mythical and Religious Narratives of the Babylonian Talmud in their