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Tuesday Night Folk Dance Repertoire Country Dance Country Dance Country Dance Albania Cobankat Brittany An Dro Retourne Bulgaria Kardamska Zborenka Dasme e Rexhes Bannielou Lambaol Kasapsko E Vogla Tricot Katushe Mome Nje Bahce O Me Portokalle Bulgaria Ako Umram il Zaginam Kjustendilska Racenica Valle e Permetit Arnautsko Horo Krucmarsko Valle Kosovare Babechko Horo Kukunesko Valle Nuseve nga Korce (Populli) Belcova Tropanka Kukuvicka Valle Pogonishte Bicak Kumanovsko Oro Valle Shqiptare Brasni Carvul Kune Valle Toskerishte Bucimis Ljavata Argentina Jo n Jo Tango Cekurjankino Horo Lubili se Dvama Mladi Armenia Ambee Dageets Cestata Ludo Mlado Garoon Chetvorno Shopsko Horo Lyasa Guhnega Ciganko Horo Malisorka Kochari Coronavirus Shoo! Mari Marijko Laz Bar Deninka Maricensko Horo Loorke Denjovo Horo Mashala Oee Naze Dobrudjanska Reka Neda Voda Nalivala Ooska Gookas Dospatsko Horo Nestinarsko Horo Sepastia Bar Dramskoto Nevesto Mori Sev Acherov Aghcheek Drjanovska Racenica Pajduska Sheikhani Dvadzti Tritzdi Pajdusko Horo Sirdes Ekizlijsko Horo Pamasko Sirto Sweet Girl Eleno Mome Pletenica Teen (Khumkhuma) Gjusevska Racenica Pravo Cepelarsko Horo Wedding Dance (Dzangjouloum) Godecki Cacak Pravo (Synuvala Tyrnovska) Yar Ko Parag Gruzanka Pravo Trajkisko Horo Azerbaidjan Bahar Hajde Kalino Pravo Horo Balkan Nama Lesnoto Medley Idam ne Idam Radino Horo Basque Baztan Dantza Ivan na Ganke Dumashe Radomirsko Oro Bolivia Carnavalito Jove Male Mome Rhodopsko Horo Chilili Karamfil Ripni Kalinke 1 Country Dance Country Dance Country Dance Bulgaria Ripna Maca Croatia Slavonsko Kolo France La Laine des Moutons Sabrali sa se Sabrali Sukacko Kolo Les Champs Elysees Sadi Moma Turopolski Drmes C'est Une Jeune Mariee Sandansko Horo Zeno (Jasmin Stavros) Le Bal du Jugon Sborinka Zita Kolo Germany Zweifacher (Die Alte Kath) Sedi Donka Czech Doudleska Polka Zweifacher (Schneider) Sej Sej Bop Minet Zweifacher (Wintergrun) Selsko Shopsko Horo Ceresnicky Greece Daliana Snosti Vecer Rade English Country Old Wife behinf the Fire De Vre De Svatba Alice Dhipat Takanata Auretti's Dutch Skipper Diplos Horos Trgnala Rumjana Candles in the Dark Gerakina Tvardishko Christina Hasapiko Vangelia Collier's Daughter Hiotikos Vlasko Fenterlairck Kalamatianos Vrapcheto Haste to the Wedding Karagouna Ya Doidi Libe Hole in the Wall Lerikos Za Pojas I Care Not For These Ladies Paraliakos Zenski Capraz Knole Park Syrtos Columbia Cumbia Semana Mendocino Redwood Syrtos Makedonias Couple Mixer Snowflake Mixer Mile of Smiles Tou Paradeisou Limonia Croatia Drmes Never Love Thee More Tsamikos Drmes iz Zdenzine Peace Be With You Tsamikos, Sixteen Count Grad se Beli Sapphire Sea Tsutsurada (A Talking Bird) Hopa, Hopa Sellenger's Round Dhivaratikos Kolo Kalendara Specknerin Kali Tihi Krici Krici Ticek The Farmer's Joy Miserlou Lepa Moja Milena The Ragg Primavera en Salonica Moj Dragane The Spaniard Hungary Adjon az Isten Moja Diri Dika Zephyrs and Flora Bekesi Paros Nabrala Je France Branle de la Fosse aux Loups Dudalas es Ugros Pet Je Kumi La Bastringue Gypsy (Aj Mamo) Rokoko Kolo La Champeloise Kor Czardas 2 Country Dance Country Dance Country Dance Hungary Kortanc Israel Jaimale Israel Yevarechecha Lakodalmi Tanc Joshua Zeh Hazemer Mori Shej Katonti Zemer Atik Olahos Ki Eshmera Zemer Nugeh Paloc Tancok Kol Dodi Harmonica Somogyi Karikazo Kol Nedarai Italy Passu Torrau Israel Eshebo Korim Lanu Lalechet Steppin' Out Adir Adirim Kuma Echa Japan Tanko Bushi Al Sadeno Lach Yerushalayim Mace./Bulg. U Naseto Selo Ashrei Ha'ish Lo Na'Atzor Macedonia Acano Mlado Nevesto Israel At Va'Ani Ma Na'avu Ajde Jano Ba La Mayim Arap (Zajko Kokorajko) Balada Lema'ayan Naomi Bavno Oro Beleilot Hakayitz Hachamim Nashkini Na Belasicko Oro Bepundak Katan Od Lo Ahavti Dai Bitola Moj Roden Kraj Debka Oud Oy Yossel Yossel Borjakoro Kolo Debka Hachamor Poyesd iz Odessi Bufcansko Debka Ramot S'ee Yona Bum Bum Boje El Adon Sapari Cocek (ex.: Gypsy) Eretz Eretz Shabbat Menucha Cocek (e.g., Ramo Ramo) Eretz Israel Yaffa Sham Hareh Golan Cocek Slow (221) Erev Ba Shav el Admati Dedo Mili Dedo Erev Shel Shoshanim Shema Israel Devetorka Hashual Shibolet Basedeh Dimna Juda Hineh Ma Tov Shir al Etz Eleno Kerko Hineh Ma Tov II Shiri Li Kinneret Gilansko Hora Agadati Sonata Green Valley Lesnoto Hora Chatuna Sulam Yaakov (Jacob's Ladder) Imate Le Vino Hora Haktana T'Fila Indijski Cocek Hora Or T'Filati Indisko Oro Hora So'Eret Tzadik Katamar Ivanice Ima Im Hayiti Yachol Yalla Janino Oro Irisim Yasmin Jovano Jovanke 3 Country Dance Country Dance Country Dance Macedonia Kacerac Moldova Mari Kiz Romania Hora pe Gheata Koce Berberot Mongolia Kouresh Hora Pe Sase Kostursko Oro Netherlands Komt Vrienden in het Ronden Hora Suceveana Kupurlika Norway Vil Du Hore Nytt, Pols Hora Veche Legnala Dana Poland Ada's Kujawiak Hot Cheeze Lesnoto Kujawiak Niebieski Ina Ina Liljano Mome Sobotki Ini Vitui (Joc Aromân) Macedonian Syrto W Moim Ogrodecku Itele Makedonio Portugal Fado Portugues de Nos Jiana Lui Ana Makedonsko Devojche Rom E Shukar Romnji Joc de Leagane Odeno Oro Roma Chikulata Chikita La Bordeiul cel din Vale Pasarelska Roma Cine Are Naroc Are Made in Romania Pitat me Mamo Roma Mahala Mori Shej Murguletul din Negreni Pop Marinko Roma Shantel Opinca Povrateno Roma Zek Zek Dadumle Opincuta Prsten mi Padna Romania Alunelul Oromnia Ramno Oro Alunelul Batut Ostropat Ratevka Briuletul Romanita Ravno Oro Busuiocul Rumelaj Slavej mi Peje Ca La Balta Rustemul Snosti Sakav da ti Dojdam Ciuleandra Sirba Calusarilor Sto mi e Milo (Les Noto) Coboratul Sirba pe Loc Strumicka Petorka Corlu Aroman Siriul Trite Puti Dana Tarina de la Abrud Urva Fanka De Secerat Troaca Vodarki Hora Banateana Vulpiuta Vrni Si Vrni Hora ca la Mahala Romania Aroman Corlu Zensko Camce Hora de la Munte Russia Alexandrovsky Zensko Za Raka Hora de la Terova Bielolitza Kruglolitza Lesi Hora de Mina Hai Ne Ne Ne Tino Mori Hora Fetelor Korobushka Oj, Devojko Duso Moja Hora Mare Bucovineana Lenochek Moldova Hora din Giurgiulesti Hora Mare din Moldova Posadilla Rozu 4 Country Dance Country Dance Country Dance Russia Syp Simeon Serbia Pagarusa Sweden Hambo U Rekee (By the River) Pembe from Vranje Langdans fran Sollerons Ya Da Kalinushku Lomala Pinosavka Schottische Reinlander Scotland Gay Gordons Prekid Kolo Varsovienne Scottish Road to the Isles Preplet Syria Siriysko Horo Serbia Bela Rada Presevka Taiwan High Green Mountain Biserka Bojarka Raca Turkey Ali Pasa Bosarka Rama Rama Atma Turku Cacak (5 Figure) Sa Baba Cacak from Padez Sano Duso Damat Halayi Cacak Kolo (Long Cacak) Sarajevka Kolo Dilges Carlama Savila Se Bela Loza Erik Dali Ciganski Orijent Seljancica Kolo Gulaliye Cujes Mala Serbsko Kolo (Srbsko Kolo) Guzelleme Djurdjevica Serez Hayde Ersko Kolo Sestorka Hemsin Horonu Fatise Kolo Sestorka from BP Hey Gidi Gori More Setnja Iste Hendek Gras Kalo Sokacko Kolo Kendime Haj Haj Boze Daj Srbijanka Kirmizi Biber Homoljanka Stara Vlajna Kiz Horonu Ljiljino Kolo Tikino Sa Rampi Rampi Makazice & Bela Rada Trojanac Sevgi Horonu Malo Kolo Usest Turkey Yaylalar Milanovo Kolo Veliko Kolo USA 16 Tons Momacka Setnja Veliko Novosadsko Ariel Julia (Waltz) Moravsko Kolo Vlajna Criss Cross Contra Natalijino Kolo Zajecarka Gypsy Queen Nebesko Kolo Zaplanjski Cacak Istanbul Bar Neda Grivna Zikino Kolo Leona Tuttle (Waltz) Nishka Banya Serbia-Vlach Dzumbus Louie Louie Opsa Slovakia Horehronsky Czardas Lousiana Saturday Night Orijent South Africa Pata Pata Salty Dog Rag 5 Country Dance Country Dance Country Dance USA Tokyo Polka USA Waltz - Pawn Shop Twelfth Street Rag Wedding at Cleary Lake 6.
Recommended publications
  • A Short Course in International Folk Dance, Harry Khamis, 1994

    A Short Course in International Folk Dance, Harry Khamis, 1994

    Table of Contents Preface .......................................... i Recommended Reading/Music ........................iii Terminology and Abbreviations .................... iv Basic Ethnic Dance Steps ......................... v Dances Page At Va'ani ........................................ 1 Ba'pardess Leyad Hoshoket ........................ 1 Biserka .......................................... 2 Black Earth Circle ............................... 2 Christchurch Bells ............................... 3 Cocek ............................................ 3 For a Birthday ................................... 3 Hora (Romanian) .................................. 4 Hora ca la Caval ................................. 4 Hora de la Botosani .............................. 4 Hora de la Munte ................................. 5 Hora Dreapta ..................................... 6 Hora Fetalor ..................................... 6 Horehronsky Czardas .............................. 6 Horovod .......................................... 7 Ivanica .......................................... 8 Konyali .......................................... 8 Lesnoto Medley ................................... 8 Mari Mariiko ..................................... 9 Miserlou ......................................... 9 Pata Pata ........................................ 9 Pinosavka ........................................ 10 Setnja ........................................... 10 Sev Acherov Aghcheek ............................. 10 Sitno Zensko Horo ...............................
  • Folk Dances for Language Classes, Dona Hyll, Lorraine Fortner, 2001

    Folk Dances for Language Classes, Dona Hyll, Lorraine Fortner, 2001

    Folk Dances for Language Classes Dona Hyll Lorraine Fortner September 21, 2001 Louisville, Kentucky Table of Contents About the Instructors...................................................................................................................ii Dances from German speaking regions: GROSSER ATLANTIK .......................................... .......................... Germany....................1 D'HAMMERSCHMIEDSG'SELLN........................ .......................... Germany....................2 LA SALAMANDRE................................................ Alsace............... France......................15 Dances from Spanish speaking regions: CARNAVALITO..................................................... .......................... Bolivia.......................3 ESPUNYOLET........................................................ Catalonia .......... France / Spain..........16 MEXICAN POLKA................................................. .......................... Mexico ......................4 Dances from French speaking regions: AN DRO RETOURNÉ ............................................ Brittany............. France........................5 AVANT-DEUX DE TRAVERS.............................. Brittany............. France......................14 LE BAL DE JUGON ............................................... Brittany............. France........................9 BANNIELOU LAMBAOL...................................... Brittany............. France........................7 BRANLE NORMAND ...........................................
  • Južnoslovenski Filolog

    Južnoslovenski Filolog

    ЈУЖНОСЛОВЕНСКИ ФИЛОЛОГ ПОВРЕМЕНИ СПИС ЗА СЛОВЕНСКУ ФИЛОЛОГИЈУ И ЛИНГВИСТИКУ УРЕЂУЈЕ А. БЕЛИЋ УЗ СТАЛНУ САРАДЊУ г. г. А. МЕЈЕ-А, проф. Collège de France, A. CTОЈИЋЕВИЋА, проф. Унив. у Љубљани, К. ЊИЧА, проф. Унив. у Кракову, Љ. СТОЈAНОВИЋА, акад. у Београду, М. РЕШЕТАРА, проф. Унив. у Загребу, О. ХУЈЕРА, проф. Унив. у Прагу, Р. НАХТИГАЛА, проф. Унив. у Љубљани, СТ. ИBШИЋА, проф. Унив. у Загребу, СТ. М. КУЉВАКИНА, проф. Унив. у Београду, ФР. ИЛЕШИЋА, проф. Унив. у Загребу, ФР. РАМОВША, проф. Унив. у Љубљани и Х. БAРИЋА, проф. Унив. у Београду. КЊИГА III. ШТАМПАЊЕ ОВЕ КЊИГЕ ПОТПОМОГНУТО ЈЕ ИЗ ЗАДУЖБИНА СРП. КР, АКАДЕМИЈЕ: арх. НИЋИФОРА ДУЧИЋА и Д-ра. ЉУБ. РАДИВОЈЕВИЋА. БЕОГРАД, 1922–1923. : г САДРЖАЈ ШЋЕ КЊИГЕ. -о-до-ко Расправе. стpд М. Решетар: Završetak -u u gen. sing. muških imenica u slovenskom jeziku . 1–6 Лbуб. Стојановић: Реченичне конструкције без verbum-a finitum-a . 7–10 Dr. Franjo Fancev : О avtorstvu i postanju rječnika „Lexicon latinum . Zagrabiae 1742“ . 11–25 Г. Ил њи н скi W : Књ зтимологiи имени chrbrvatЋ „Хорватњ“ . 36—30 А. Белић: О промени ст. слов. кли „фиi“ . 31–34 Dr. Nikola Majnarić: Jedna zanimljiva pojava u ravnogorskom narječju . 35–40 П. К. Булат: Из живота речи . 41–47 Др. Ст. Куљбаки н: Акценатска питања . 48—70 Прилози. 1. Ivan Koštial: Stsl. zajeсњ . 71—72 2. P. Skok: Iz srpskohrvatske toponomastike . 72—77 3. В. Зрнић: Неколико ситних прилога . 78 4. А. Белић: Двојица, неколицина и слична обра зовања . 79—81 5. Ђуро Шкарић: Јужнословенска ријечца „ве“ 81—83 6. Dr. Fr. Ilešić: Slovenske „etimologije“ .
  • Virtual Dance Room Session # 65 Playlist Friday, June 18, 2021 - 7:30Pm - 11:00Pm-Ish CDT Page #1

    Virtual Dance Room Session # 65 Playlist Friday, June 18, 2021 - 7:30Pm - 11:00Pm-Ish CDT Page #1

    Virtual Dance Room Session # 65 Playlist Friday, June 18, 2021 - 7:30pm - 11:00pm-ish CDT Page #1 Play Last Set Origin Session Set Ord Dances Played Date Play Seq Ethnicity Status 6/18 50 0 Set 050 - Repertoire Workshop Set - Paul Co Paul Collins 6/18 50 1 1 Akh Naro Naro Armenian/Modern paul/Teach 6/18 6/11 50 2 2 Karakachansko Horo Bulgarian paul/Teach 6/18 6/11 50 3 3 Hackig's Tamzara Armenian paul/review 6/18 6/11 50 4 4 Zonaradikos #1 Evros/Generic (Economou) Greek/Thrace 6/18 6/11 50 5 5 Esmer (Dyarbakir in Eastern Turkey) (Ozkok)Turkish paul/review 6/18 100 0 Set 100 - Program & Requests - 1 6/18 5/7 100 1 1 Godecki Cacak Serbian/East paul/lead 6/18 6/11 100 2 2 Sardana (Bella Franca) Spanish/Catalonian paul/lead 6/18 2/12 100 3 3 Drmes Iz Zdencine Croatian paul/lead 6/18 1/8 100 4 4 Adana (Atanas) Macedonian Paul/Nakas 6/18 5/21 100 5 5 Aidym Central Asia 6/18 6/4 100 6 6 Sandansko Horo Bulgarian/Pirin 6/18 6/11 100 7 7 Indijski Cocek Serbian/Roma 6/18 6/4 100 8 8 Rukavice Croatian/Slavonian 6/18 6/11 100 9 9 Gorani Armenian Theresa 6/18 4/23 100 10 10 Joc de Fete Romanian diane/lead 6/18 2/19 100 11 11 Cimpoi Romanian Paul 6/18 5/21 100 12 12 Swing Dance USA/Swing Diane/Barbara/Paul 6/18 100 13 Announcement Set 1 Karen Tutkowski 6/18 5/21 100 14 13 Passu Torrau (Celest) Italian/Sardinian Paul/George 6/18 4/23 100 15 14 Haroa Haktana Israeli Leigh/Patti 6/18 4/9 100 16 15 Electric Slide USA/Line Paul 6/18 5/28 100 17 16 Popovicanka Serbian Paul 6/18 2/12 100 18 17 Karapyet Russian Paul/Catherine 6/18 200 0 Set 200 - Guest Host
  • Pocono Fall Folk Dance Weekend 2017

    Pocono Fall Folk Dance Weekend 2017

    Pocono Fall Folk Dance Weekend 2017 Dances, in order of teaching Steve’s and Yves’ notes are included in this document. Steve and Susan 1. Valle e Dados – Kor çë, Albania 2. Doktore – Moh ács/Moha č, Hungary 3. Doktore – Sna šo – Moh ács/Moha č, Hungary 4. Kukunje šće – Tököl (R ác – Serbs), HungaryKezes/Horoa - moldaviai Cs áng ó 5. Kezes/Hora – Moldvai Cs áng ó 6. Bácsol K ék Hora – Circle and Couple ____ 7. Pogonisht ë – Albania 8. Gajda ško 9. Staro Roko Kolo 10. Kupondjijsko Horo 11. Gergelem (Doromb) 12. Gergely T ánc 13. Hopa Hopa Yves and France 1. Srebranski Danets (Bulgaria/Dobrudzha) 2. Svornato (Bulgaria/Rhodopes) 3. Tsonkovo (Bulgaria/Trakia) 4. Nevesto Tsarven Trendafil (Macedonia) 5. Zhensko Graovsko (Bulgaria/Shope) _____ 6. Belchova Tropanka (Bulgaria/Dobrudzha) 7. Draganinata (Bulgaria/ W. Trakia) 8. Chestata (North Bulgaria) 9. Svrlji ški Čačak (East Serbia) DOKTORE I SNAŠO (Mo hács, Hungary) Doktore and Snašo are part of the “South Slavic” ( Délszláv) dance repertoire from Mohács/Moha č, Hungary. Doktore is named after a song text and is originally a Serbian Dance, but is enjoyed by the Croatian Šokci as well. Snašno (young married woman) or Tanac is a Šokac dance. Recording: Workshop CD Formation: Open circle with “V” hold, or M join hands behind W’s back and W’s hands Are on M’s nearest shoulders. Music: 2/4 Meas: DOKTORE 1 Facing center, Step Rft diag fwd to R bending R knee slightly (ct 1); close Lft to Rft and bounce on both feet (ct 2); bounce again on both feet (ct &); 2 Step Lft back to place (bend knee slightly)(ct
  • One the Peculiarities of Modern Musical Folklore of Shirak

    One the Peculiarities of Modern Musical Folklore of Shirak

    Social and Economic Aspects of Education in Modern Society ART ONE THE PECULIARITIES OF MODERN MUSICAL FOLKLORE OF SHIRAK Hasmik Harutyunyan, PhD in Art Studies, Yerevan State Conservatory after Komitas Gyumri Branch (Director), Shirak Centre for Armenological Studies NAS RA Hasmik Matikyan, PhD in Philology, Yerevan State Conservatory after Komitas Gyumri Branch (Lecturer), Shirak Centre for Armenological Studies NAS RA DOI: https://doi.org/10.31435/rsglobal_conf/25122020/7307 Abstract. In different rural communities of Shirak region nowadays live representatives of the Armenain generation who have immigrated from Western Armenia and bear unique musical specimen. They are folk and national multi-genre song types and musical instrumental works. In the article we have touched upon 100 folk songs compiled from the folkloristic material organized in about 20 communities of Shirak region in 2015 March-April, that not only give us common notion of the song tradition of our compatriots migrated from Moush and Alashkert, in 2015, but they also certify that the tradition of folk song creativity is alive and coexists next to the very different modern cultural manifestations. Keywords: Ethnomusicology, Musical folklore, Shirak regon, traditional music, folk song, study, revival. The musical heritage of Shirak of the 19th-20th centuries has its unique place and role in the development of the Armenian national music. The rich musical folklore, imbued with the genre- stylistic features of the musical dialects of Western Armenia, became the basis for the unprecedented development of the professional music of the oral tradition and the creation of a valuable heritage. From the second half of the 19th century Armenian philologists and musician-folklorists became interested in the flourishing art of the Armenian bards and folk music players of Shirak.
  • Hora Din Goicesti

    Hora Din Goicesti

    HORA DIN GOICESTI Romanian PRONUNCIATION: HAW-rah deen goy-CHEHST TRANSLATION: Dance from Goicea SOURCE: Dick Oakes learned this dance from Mihai David who learned while while performing with his brother, Alexandru, in the Romanian State Folk Dance Ensemble. BACKGROUND: According to Mihai, the dance is from the southern Romanian ethnographic region of Muntenia, around the city of Bucareşti (Bucharest). Theodor Vasilescu says that although he knows of no village in Romania with such a name, close names are the villages of Goicea or Goicea Mare, which are in the south of the Oltenia region, about 12 kilometers south of Giurgita. Oltenia, also called Lesser Wallachia, with the alternate Latin names Wallachia Minor, Wallachia Alutana, Wallachia Caesarea in use between 1718 and 1739, is a historical province and geographical region of Romania, in western Wallachia. It is situated between the Danube, the Southern Carpathians and the Olt river (although counties in the east extend beyond the river in Muntenia in some areas). MUSIC: The Lark (7"EP) FLDR, side 1, band 1. FORMATION: Closed cir of mixed M and W with hands joined and held at shldr height, elbows bent, in "W" pos. METER/RHYTHM: 4/4 STEPS/STYLE: There is a light, bouncy feeling in the dance and the running-threes in Fig II are done mostly on the balls of the ft. MEAS MOVEMENT DESCRIPTION INTRODUCTION 1-8 No action. I. CTR AND BACK ("W" Pos) 1 Facing ctr, run fwd R (ct 1); run fwd L (ct 2); run fwd R,L,R (cts 3,&,4); 2 Step bwd L,R,L (cts 1,&,2); step fwd R,L,R (cts 3,&,4); 3 Run bwd L (ct 1); run bwd R (ct 2); run bwd L,R,L (cts 3,&,4); 4 Step fwd R,L,R (cts 1,&,2); step bwd L,R,L (cts 3,&,4); 5-8 Repeat action of meas 1-4.
  • Ö 10 - 1 Royal Empress Tango English Couple I A- 5

    Ö 10 - 1 Royal Empress Tango English Couple I A- 5

    MVFD Listing by OLD Number CD Track Dance Name Nationality Type Inst Old # 9 - 20 Canadian Breakdown USA Contra A- 3 9 - 19 Petronella USA Contra I A- 3 ö 10 - 1 Royal Empress Tango English Couple I A- 5 9 - 21 Tango Waltz, The English Couple A- 5 10 - 2 Camptown Races USA Square I A- 8 10 - 3 Old Joe Clark USA Square A- 8 10 - 3 Old Joe Clark USA Contra A- 8 10 - 4 Bonfire (Fisher's Hornpipe) Irish Couple I A- 9 10 - 5 Come Up the Backstairs (Sacketts USA Contra I A- 9 10 - 4 Fisher's Hornpipe USA Contra I A- 9 10 - 5 Sacketts's Harbour (Come Up the USA Contra I A- 9 ö 81 - 17 Aird Of Coigah (Reel of Mey) Scottish Set 4 Couple I A-10 81 - 18 Cauld Kail in Aberdeen Scottish Set 4 Couple I A-10 81 - 15 Gates of Edinburgh (8x32 Reel) S Scottish Set 4 Couple A-10 81 - 13 Hooper's Jig (8x32 Jig) SKIPS Scottish Jig A-10 81 - 16 Jessie's Hornpipe (8x32 Reel) Scottish Contra I A-10 81 - 19 Kingussie Flower (8x40 Reel) Scottish Reel A-10 81 - 14 Macphersons of Edinburgh, The ( Scottish Set 4 Couple A-10 81 - 12 Mairi's Wedding (8x40 Reel) Scottish Set 4 Couple I A-10 81 - 19 Red House Reel (Kingussie Flow Scottish Set 4 Couple I A-10 ö 81 - 17 Reel of Hey, The (8x48 Reel) Scottish Set 4 Couple I A-10 81 - 19 White Heather Jig (Kingussie Flo Scottish Set 4 Couple I A-10 10 - 7 Geudman Of Ballangigh English Contra I A-11 10 - 6 Larusse English Square I A-11 10 - 8 Yorkshire Square Eight English Square I A-11 10 - 12 Dargason English Set 4 Couple I A-12 10 - 9 Little Man in a Fix Danish Set 2 Couple I A-12 Saturday, July 29, 2000 Page 1 of 96 MVFD
  • Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Boozdigoots Armenia Ajoian, F

    Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Boozdigoots Armenia Ajoian, F

    LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Boozdigoots Armenia Ajoian, F. 57 Gemrigin Baduh Armenia Ajoian, F. 56 Golden Bracelet Armenia Ajoian, F. 56, 57 Halay Armenia Ajoian, F. 55 Halay Havasi Armenia Ajoian, F. 56 Lorkay Lorkay Armenia Ajoian, F. 56, 57 Medax Tashginag Armenia Ajoian, F. 57 Nor Imatsa (Yerzinga Tamzara) Armenia Ajoian, F. 57 Pompouri Armenia Ajoian, F. 55 Sotis Armenia Ajoian, F. 56 Tamzara Armenia Ajoian, F. 55 Three And One (Bar) Armenia Ajoian, F. 55 Sheleg Al Iri Israel Alpert, A. 18 Ve’shuv Itchem Israel Alpert, A. 18 Yaffo Israel Alpert, A. 18 Normali israel Alpert, A. 18 Or Chadash Israel Alpert, A. 18 Haleluyah Le’Gal Israel Alpert, A.` 18 Hayom Hazeh Israel Alpert, A.` 18 Heya Heya Israel Alpert, A.` 18 Hora Ha’bika Israel Alpert, A.` 18 Carbonero, El El Salvador Amaya, N. 68 Cortadoras, Las El Salvador Amaya, N. 68 Diablo Chingo, El Costa Rica Amaya, N. 68 Xuc, El El Salvador Amaya, N. 68 Yenka Spain Amaya, N. 68 Bereznianka Ukraine Arabagi, G. & I. 14 Bukovinskii Tanets Ukraine Arabagi, G. & I. 12 STOCKTON FOLK DANCE CAMP INDEX 1948-2018 PAGE 1 LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Dansul Tiganilor Basarabeni Moldova (Bessarabia; Rom) Arabagi, G. & I. 14 Hora din Giurgiuleşti Moldova (Moldavian) Arabagi, G. & I. 12 Hora Dragostei Moldova Arabagi, G. & I. 14 Horlitsya Ukraine Arabagi, G. & I. 14 Hutsulka Ukraine Arabagi, G. & I. 12 Joc Mare Ukraine (Moldavian) Arabagi, G.
  • Syllabus of Dance Descriptions

    Syllabus of Dance Descriptions

    Syllabus of Dance Descriptions STOCKTON FOLK DANCE CAMP – 2014 – Final – 08/03/2014 ` In Memoriam Susan Cashion 1942 – 2013 Susan Cashion, a former Stanford University dance director was a key figure in the development of the Mexican folkloric dance movement in California The Pasadena, California, native spent more than 30 years teaching Mexican, Latin American and modern dance at Stanford. She founded or helped found a string of folkloric companies in the San Francisco Bay Area that inspired similar organizations up and down the state. In 1969, Cashion and longtime partner Ramón Morones co-founded Los Lupeños de San José, which in its heyday in the 1970s enjoyed a reputation as the elite folkloric dance group in California, on par with professional companies in Mexico. In 1980 Cashion received an award from the Mexican government “for significant contributions to the culture and teaching of Mexican folklore in the United States of America.” Susan was on the Stockton Folk Dance Camp faculty five times – 1971, 1972, 1984, 1989 and 1990. Narcisco “Pampa” Cortés 1946 – 2014 At the beginning of the 1970s, Juan Carlos Copes, a big name in tango at that time, arrived one night at Caño 14 in Buenos Aires, one of the most famous places to hear and see tango. There he discovered Pampa Cortés. From that time on, Pampa was a member of his company and ultimately became the Assistant Choreographer. He was the youngest performer in all the companies in which he danced and he danced in many. In Argentina, he founded his own company, Ballet Pampa.
  • Music Review: "Bosnia: Echoes of an Endangered World", "King Ferus

    Music Review: "Bosnia: Echoes of an Endangered World", "King Ferus

    Music Review: "Bosnia: Echoes of an Endangered World", "King Ferus: Ferus Mustafov, Macedonian Wedding Soul Cooking", and "Gaida Orchestra: Bagpipe Music from the Rhodope Mountains" Lynn Maners Pima Community College/University of Arizona "Bosnia: Echoes of an Endangered World" Music Track eight returns to the sevdalinka form for a and Chant of the Bosnian Muslims." Smithsonian lovely unaccompanied performance of "II' je vedro, Folkways CD SF 40407 il' oblacno" ("Is it clear or cloudy?") This CD is an excellent compilation of the musical Tracks nine through eleven represent the Muslim performance, both religious and vernacular of the religious experience in Bosnia and Herzegovina. Muslim population of Bosnia and Herzegovina. Track nine is the ezan, or call to prayer, while tracks Using both commercial sources and field recordings ten and eleven are chanted excerpts from zikrs, or (from 1984-5), Ted Levin and Ankica Petrovic (the Sufi religious rites, in Bosnian dervish orders. latter formerly of the University of Sarajevo's Music Faculty) illustrate a variety of Bosnian musical The final selections on this CD, tracks twelve through forms, both urban and rural. Field recordings (1989- fourteen return us once again to that musical form 90) by Mirjana Lausevic, (currently a graduate most associated with Bosnia and Herzegovina, the student at Wesleyan), also appear in this collection. sevdalinka. Track twelve, "Saraieveski Pocetak/Sarhos Aljo", is a remnant of an older urban Tracks one and two are sevdalinkas, or love songs, style in which the singer is accompanied on saz, a and represent an urban Muslim musical style, based larger version of the more rural oriented sargija.
  • Dances Inscribed in the UNESCO Intangible Cultural Heritage of Humanity a List Compiled by Alkis Raftis

    Dances Inscribed in the UNESCO Intangible Cultural Heritage of Humanity a List Compiled by Alkis Raftis

    Dances inscribed in the UNESCO Intangible Cultural Heritage of Humanity A list compiled by Alkis Raftis www.CID-world.org/Cultural-Heritage/ The International Dance Council CID, being the official organization for dance, presents a list of dances recognized by UNESCO as part of the Cultural Heritage of Humanity. Dances are part of many customs or rituals included either in the Representative List or the Urgent Safeguarding List. I have listed below only cultural manifestations where dance is ​ the central part. ​ For information visit www.CID-world.org/Cultural-Heritage/ ​ Send comments to the CID Secretariat or CID Sections in the respective countries. Representative List & Urgent Safeguarding List 2018 Yalli (Kochari, Tenzere), traditional group dances of Nakhchivan - Azerbaijan Khon, masked dance drama in Thailand - Thailand Mooba dance of the Lenje ethnic group of Central Province of Zambia - Zambia Mwinoghe, joyous dance - Malawi 2017 Zaouli, popular music and dance of the Guro communities in Côte d’Ivoire - Côte d'Ivoire Kushtdepdi rite of singing and dancing - Turkmenistan Kolo, traditional folk dance - Serbia Kochari, traditional group dance - Armenia Rebetiko – Greece Taskiwin, martial dance of the western High Atlas - Morocco 2016 Almezmar, drumming and dancing with sticks - Saudi Arabia Momoeria, New Year's celebration in eight villages of Kozani area, West Macedonia, Greece - Greece Music and dance of the merengue in the Dominican Republic - Dominican Republic Rumba in Cuba, a festive combination of music and dances and all