Syllabus of Dance Descriptions
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CATALOGUE 2018 This Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 CATALOGUE 2018 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 CATALOGUE 2018 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany WORLD SALES CEO: Jan Mojto C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager All information is not contractual and subject to change without prior notice. [email protected] & Marketing [email protected] All trademarks used herein are the property of their respective owners. [email protected] Date of Print: February 2018 © UNITEL 2018 All rights reserved Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet [email protected] [email protected] ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES AVAILABLE FOR THE FIRST TIME FOR GLOBAL DISTRIBUTION LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Nutcracker 5 Three Hundred Eighty-Second Program of the 2013-14 Season ______
2013/2014 5 The Nutcracker Peter Ilyich Tchaikovsky Three Hundred Eighty-Second Program of the 2013-14 Season _______________________ Indiana University Ballet Theater as its 55th annual production of Peter Ilyich Tchaikovsky’s The Nutcracker Ballet in Two Acts Scenario by Michael Vernon, after Marius Petipa’s adaptation of the story “The Nutcracker and the Mouse King” by E. T. A. Hoffman Michael Vernon, Choreography Philip Ellis, Conductor C. David Higgins, Set and Costume Design Patrick Mero, Lighting Design The Nutcracker was first performed at the Maryinsky Theatre of St. Petersburg on December 18, 1892. ____________ Musical Arts Center Thursday vening,E December Fifth, Seven O’Clock Friday Evening, December Sixth, Eight O’Clock Saturday Afternoon, December Seventh, Two O’Clock Saturday Evening, December Seventh, Eight O’Clock Sunday Afternoon, December Eighth, Two O’Clock music.indiana.edu The Nutcracker Michael Vernon, Artistic Director Choreography by Michael Vernon Guoping Wang, Ballet Master Shawn Stevens, Ballet Mistress Doricha Sales, Ballet Mistress & Children’s Ballet Mistress The children performing in The Nutcracker are from the Jacobs School of Music Pre-College Ballet Program. MENAHEM PRESSLER th 90BIRTHDAY CELEBRATION Friday, Dec. 13 8pm | Musical Arts Center | $10 Students $20 Regular The Jacobs School of Music will celebrate the 90th birthday of Distinguished Professor Menahem Pressler with a concert that includes performances by violinist Daniel Hope, cellist David Finckel, pianist Wu Han, the Emerson String Quartet, and the master himself! Chat online with the legendary pianist! Thursday, Dec. 12 | 8pm music.indiana.edu/celebrate-pressler For concert tickets, visit the Musical Arts Center Box Office: (812) 855-7433, or go online to music.indiana.edu/boxoffice. -
IAUP Baku 2018 Semi-Annual Meeting
IAUP Baku 2018 Semi-Annual Meeting “Globalization and New Dimensions in Higher Education” 18-20th April, 2018 Venue: Fairmont Baku, Flame Towers Website: https://iaupasoiu.meetinghand.com/en/#home CONFERENCE PROGRAMME WEDNESDAY 18th April 2018 Fairmont Baku, Flame Towers 18:30 Registration 1A, Mehdi Hüseyn Street Fairmont Baku, Flame Towers, 19:00-21:00 Opening Cocktail Party Uzeyir Hajibeyov Ballroom, 19:05 Welcome speech by IAUP President Mr. Kakha Shengelia 19:10 Welcome speech by Ministry of Education representative 19:30 Opening Speech by Rector of ASOIU Mustafa Babanli THURSDAY 19th April 2018 Visit to Alley of Honor, Martyrs' Lane Meeting Point: Foyer in Fairmont 09:00 - 09:45 Hotel 10:00 - 10:15 Mr. Kakha Shengelia Nizami Ganjavi A Grand Ballroom, IAUP President Fairmont Baku 10:15 - 10:30 Mr. Ceyhun Bayramov Deputy Minister of Education of the Republic of Azerbaijan 10:30-10:45 Mr. Mikheil Chkhenkeli Minister of Education and Science of Georgia 10:45 - 11:00 Prof. Mustafa Babanli Rector of Azerbaijan State Oil and Industry University 11:00 - 11:30 Coffee Break Keynote 1: Modern approach to knowledge transfer: interdisciplinary 11:30 - 12:00 studies and creative thinking Speaker: Prof. Philippe Turek University of Strasbourg 12:00 - 13:00 Panel discussion 1 13:00 - 14:00 Lunch 14:00 - 15:30 Networking meeting of rectors and presidents 14:00– 16:00 Floor Presentation of Azerbaijani Universities (parallel to the networking meeting) 18:30 - 19:00 Transfer from Farimont Hotel to Buta Palace Small Hall, Buta Palace 19:00 - 22:00 Gala -
Music Review: "Bosnia: Echoes of an Endangered World", "King Ferus
Music Review: "Bosnia: Echoes of an Endangered World", "King Ferus: Ferus Mustafov, Macedonian Wedding Soul Cooking", and "Gaida Orchestra: Bagpipe Music from the Rhodope Mountains" Lynn Maners Pima Community College/University of Arizona "Bosnia: Echoes of an Endangered World" Music Track eight returns to the sevdalinka form for a and Chant of the Bosnian Muslims." Smithsonian lovely unaccompanied performance of "II' je vedro, Folkways CD SF 40407 il' oblacno" ("Is it clear or cloudy?") This CD is an excellent compilation of the musical Tracks nine through eleven represent the Muslim performance, both religious and vernacular of the religious experience in Bosnia and Herzegovina. Muslim population of Bosnia and Herzegovina. Track nine is the ezan, or call to prayer, while tracks Using both commercial sources and field recordings ten and eleven are chanted excerpts from zikrs, or (from 1984-5), Ted Levin and Ankica Petrovic (the Sufi religious rites, in Bosnian dervish orders. latter formerly of the University of Sarajevo's Music Faculty) illustrate a variety of Bosnian musical The final selections on this CD, tracks twelve through forms, both urban and rural. Field recordings (1989- fourteen return us once again to that musical form 90) by Mirjana Lausevic, (currently a graduate most associated with Bosnia and Herzegovina, the student at Wesleyan), also appear in this collection. sevdalinka. Track twelve, "Saraieveski Pocetak/Sarhos Aljo", is a remnant of an older urban Tracks one and two are sevdalinkas, or love songs, style in which the singer is accompanied on saz, a and represent an urban Muslim musical style, based larger version of the more rural oriented sargija. -
East by Northeast the Kingdom of the Shades (From Act II of “La Bayadère”) Choreography by Marius Petipa Music by Ludwig Minkus Staged by Glenda Lucena
2013/2014 La Bayadère Act II | Airs | Donizetti Variations Photo by Paul B. Goode, courtesy of the Paul Taylor Dance Company East by Spring Ballet Northeast Seven Hundred Fourth Program of the 2013-14 Season _______________________ Indiana University Ballet Theater presents Spring Ballet: East by Northeast The Kingdom of the Shades (from Act II of “La Bayadère”) Choreography by Marius Petipa Music by Ludwig Minkus Staged by Glenda Lucena Donizetti Variations Choreography by George Balanchine Music by Gaetano Donizetti Staged by Sandra Jennings Airs Choreography by Paul Taylor Music by George Frideric Handel Staged by Constance Dinapoli Michael Vernon, Artistic Director, IU Ballet Theater Stuart Chafetz, Conductor Patrick Mero, Lighting Design _________________ Musical Arts Center Friday Evening, March Twenty-Eighth, Eight O’Clock Saturday Afternoon, March Twenty-Ninth, Two O’Clock Saturday Evening, March Twenty-Ninth, Eight O’Clock music.indiana.edu The Kingdom of the Shades (from Act II of “La Bayadère”) Choreography by Marius Petipa Staged by Glenda Lucena Music by Ludwig Minkus Orchestration by John Lanchbery* Lighting Re-created by Patrick Mero Glenda Lucena, Ballet Mistress Violette Verdy, Principals Coach Guoping Wang, Ballet Master Phillip Broomhead, Guest Coach Premiere: February 4, 1877 | Imperial Ballet, Bolshoi Kamenny Theatre, St. Petersburg Grand Pas de Deux Nikiya, a temple dancer . Alexandra Hartnett Solor, a warrior. Matthew Rusk Pas de Trois (3/28 and 3/29 mat.) First Solo. Katie Zimmerman Second Solo . Laura Whitby Third -
To Consignors Hip Color & No
Index to Consignors Hip Color & No. Sex Name, Year Foaled Sire Dam Barn 5 Consigned by Amende Place (Lee McMillin), Agent I Broodmare 3231 gr/ro. m. Onda Ray, 2000 On Target Double Down Eleven Barn 2 Consigned by Anderson Farms, Agent Broodmares 3055 b. m. Capacity, 1998 Capote Rare Opportunity 3287 ch. m. Selborne, 1999 French Deputy Duchess Zea Racing or broodmare prospect 3158 dk. b./br. f. It's Outta Here, 2002 Grand Slam De La Cat Weanling 3026 ch. c. unnamed, 2006 E Dubai Baraha Barn 2 Consigned by Anderson Farms, Agent for Sam-Son Farm Broodmare 2996 b. m. Windstruck, 2001 Smart Strike Wilderness Hush Barn 25 Consigned by Ashview Farm (Mr. and Mrs. Wayne G. Lyster III), Agent Broodmares 3420 ch. m. Blastoise, 1998 Mt. Livermore Jurupa 3604 b. m. Mambo Quest, 2002 Kingmambo Vindicate 3625 dk. b./br. m. Morning Splendor, 1995 Broad Brush There Are Rainbows Broodmare prospect 3511 dk. b./br. f. Flip Cat, 2004 Maria's Mon Selina Kyle Weanlings 3421 b. c. unnamed, 2006 Military Blastoise 3626 dk. b./br. f. unnamed, 2006 Hold That Tiger Morning Splendor Barn 26 Consigned by Asmussen Horse Center, Agent Broodmare prospect 3457 ch. f. Coronado Rose, 2002 Coronado's Quest Lakabi Racing or broodmare prospect 3458 ch. f. Coronado Swinger, 2004 Coronado's Quest My Swinger Racing or stallion prospect 3771 b. c. Primal Storm, 2002 Storm Boot Primistal Barn 9 Consigned by Aspendell, Agent Weanling 3276 dk. b./br. c. unnamed, 2006 Ocean Terrace Rezister Barn 24 Property of F. Gill Aulick (Cedar Point Farm) Weanling 3609 b. -
Ceremonia De Graduación De Alexander Hamilton High School Trinette H
2020–21 Ceremonia2 de junio de de 2021 Graduación • 7:30 p.m. UW – Milwaukee Panther Arena 400 W. Kilbourn Ave., Milwaukee, WI 53203 mpsmke.com/Graduation Alexander Hamilton High School Administración escolar Trinette H. Green, Directora James Dawson Allan Laird Francisco Paredones Joe Ricciardi Audrey Olscheske Director asistente Director asistente Director asistente Director asistente Supervisor de Servicios Especiales Maestros Freda Adogamhe Lauren Cruz (Kazinski) Cynthia Hayman Octavia Montgomery Ashley Schettl Maricela Aguilar Karen D’Agostino Maya Held Leah Moreau Kevin Schiebenes Monroy Kathleen Daly William Henderson Jason Morgan Eric Sego Omar Al Bassam Paul Dang Jeffrey Hoffman Darlene Moyle Jordan Sensibar Gayle Albers Linda Daniels Everette Houck Diane Mudgett Jose Serrano Naisha Alicea Coreen Dziewit Cindy Hughes Bramouse Muhammad Tammy Shalewski Brady Allen Neal Easterling Chasity Hunt Claudia Mulkerrins Jose Silva Fatima Alsharifi April Eckdahl Kathleen Irwin Demetrius Murrell Mae Smith Elliot Anderson Shacoda Erby Vicki Kachache Maria Navone Keondrae Speights Sharon Anich Karra Esenberg James Klein Kay Nichols Kellie Stacy Arrona Andrea Armstrong Laila Eslami Aleksandra Kovacevic John Pajot Pat Steiner Rosa Ana Avila Kenwauna Farrington Daphne Kozlicki Kenneth Palzewicz Corinne Steinhoff Julie Bast Jason Fellows Michelle Krawczyk Tulita Papke Yarwood Sarah Beck Martina Fernandez Robert Kreilkamp Craig Parkinson Dani Storey Rebecca Beeson Laura Fisher Carolyn Krueger Michelle Parr Donna Survillion Pat Bell John Fleissner -
Brasslands English Dialog List MASTER
BRASSLANDS DIALOG LIST Text: Meerkat Media Collective Presents It is said that time stops when the trumpet festival begins So I'm winding all my clocks now. Text: Guča, Serbia Population 2,200 Text: Brasslands Text: This summer, half a million people will fill this valley for the world's largest trumpet festival. Text: For the 50th anniversary, bands from around the world will come to compete in the first international competition. Text: Brooklyn, New York 4,524 miles from Guča 3'28" Thank you Thank you. Thank you very much. We're Zlatne Uste. Thank you very much. Nobody's Serbian though. Nobody's Serbian, but you guys are so authentic. Thank you, thank you. You made my year, Michael. Still good after all these years! Lower Third: Michael Ginsburg Middle School Gym Teacher Hello, I'm Michael Ginsburg and I am the director of Zlatne Uste, and have been since its beginnings in 1983. "Zlatne Uste," is that a Serbian… It's kind of a pan… it's not correct Serbian… It's grammatically incorrect Serbian. What does it translate to roughly? Well, umm… Golden Lips. Ah, very good. Okie doke. Time to go. Next set. 6'50" That was Demiran's Cocek. And it was named after Demiran Cerimovic the leader of the Pearls of Vranje. This is one of the bands we studied with in Serbia. We play as close to the Serbian style of playing as we can. Lower Third: Emerson Hawley Retired Biomedical Engineer Not that we succeed, but we try as hard as we can to be really hard on attacks and make some parts percussive. -
Dance 2011: Trip the Light Fantastic
Otterbein University Digital Commons @ Otterbein 2010-2011 Season Productions 2001-2010 3-3-2011 Dance 2011: Trip the Light Fantastic Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/production_2010-2011 Part of the Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "Dance 2011: Trip the Light Fantastic" (2011). 2010-2011 Season. 5. https://digitalcommons.otterbein.edu/production_2010-2011/5 This Book is brought to you for free and open access by the Productions 2001-2010 at Digital Commons @ Otterbein. It has been accepted for inclusion in 2010-2011 Season by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. Otterbein University Department of Theatre & Dance I* ram Born Yesterday The Wild Party A Doll’s House Dance 2011: Trip the Light Fantastic The Storytelling Ability of a Boy OTTERBEI Jhe Drowsy Chaperone UNIVERSITY Otterbein University Department of Theatre and Dance Presents Dodcj^ 2011: Trip +h^ ]Jgh+ Fan+os+fe Artistic Director: Stella Hiatt Kane Choreographers: Kathy Bartelt Scott Brown Heather White-Cotterman Colleen Creghan Jon Devlin Maria Glimcher Stella Hiatt Kane Tammy Plaxico Sue Saurer Shayna Zalcberg Costume Designers: Ughting Designer: Rebecca White Dana White Berlyn Drabik Wilm Pierson Michelle Leibrock Jacob WP Ramey Sound Designer: Stage Manager: Eric Van Wagner Michael Minite March 3-6, 2011 Fritsche Theatre at Cowan Hall, 30 S. Grove St. Box Office: 614-823-1109 I !L...And, until we meet ag-ain..... Slainte’ » Choreographer: Stella Hiatt Kane Music: Gaelic Storm “The Buzzards of Bourbon Street,” “Raised on Black and Tans” bound Design, Bagpipes, and Bodhran Accompaniment: Josh Howey Lighting Design: Dana White Costume Design: Berlyn Drabik Set Design: Jacob WP Ramey Cast: Mikayla Agrella, Hayden Clifton, Lili Froehlich, Cameron Hobbs, Molly Sullivan, Simon Trumble Thts is dedicated to my two Irish Ijypes, Kip andEryn. -
Dick Crum (1928-2005) Dated Material Published by the Folk Dance Federation of California, South Volume 42, No
FOLK DANCE SCENE First Class Mail 4362 Coolidge Ave. U.S. POSTAGE Los Angeles CA, 90066 PAID Los Angeles, CA Permit No. 573 ORDER FORM Please enter my subscription to FOLK DANCE SCENE for one year, beginning with the next published issue. Subscription rate: $15.00/year U.S.A., $20.00/year Canada or Mexico, $25.00/year other countries. Published monthly except for June/July and December/January issues. NAME _________________________________________ ADDRESS _________________________________________ PHONE (_____)_____–________ CITY _________________________________________ STATE __________________ E-MAIL _________________________________________ ZIP __________–________ Please mail subscription orders to the Subscription Office: 19 Village Park Way Santa Monica, CA 90405 (Allow 6-8 weeks for subscription to start if order is mailed after the 10th of the month.) First Class Mail Dick Crum (1928-2005) Dated Material Published by the Folk Dance Federation of California, South Volume 42, No. 1 February 2006 Folk Dance Scene Committee Club Directory Coordinators Jay Michtom [email protected] (818) 368-1957 SKANDIA FOLK DANCE DUNAJ INT’L Jill Michtom [email protected] (818) 368-1957 Beginner’s Classes Mon 7:00-10:00 Wed 7:00-10:00 FOLK ENSEMBLE Calendar Jay Michtom [email protected] (818) 368-1957 CABRILLO INT’L (714) 893-8888 Ted Martin FOLK DANCERS Wed 7:00-10 On the Scene Jill Michtom [email protected] (818) 368-1957 (310) 827-3618 Sparky Sotcher (714) 641-7450 Richard Duree Club Directory Steve Himel [email protected] (949) 646-7082 Tue 7:00-8:00 ANAHEIM, Community Ctr, SANTA ANA, WISEPlace, Contributing Editor Richard Duree [email protected] (714) 641-7450 (858) 459-1336 Georgina 250 E Center (Mon) 1414 N. -
Technical, Artistic, and Pedagogical Analysis of Mark Morris' L'allegro, Il Penseroso Ed Il Moderato Mireille Radwan Dana University of Wisconsin - Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations 5-2017 Technical, Artistic, and Pedagogical Analysis of Mark Morris' L'Allegro, Il Penseroso ed Il Moderato Mireille Radwan Dana University of Wisconsin - Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Dance Commons Recommended Citation Radwan Dana, Mireille, "Technical, Artistic, and Pedagogical Analysis of Mark Morris' L'Allegro, Il Penseroso ed Il Moderato" (2017). Theses and Dissertations. 1433. https://dc.uwm.edu/etd/1433 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. TECHNICAL, ARTISTIC, AND PEDAGOGICAL ANALYSIS OF MARK MORRIS’ L’ALLEGRO, IL PENSEROSO ED IL MODERATO by Mireille Radwan Dana A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Master of Fine Arts in Dance at The University of Wisconsin-Milwaukee May 2017 ABSTRACT TECHNICAL, ARTISTIC, AND PEDAGOGICAL ANALYSIS OF MARK MORRIS’ L’ALLEGRO, IL PENSEROSO ED IL MODERATO by Mireille Radwan Dana The University of Wisconsin Milwaukee, 2017 Under the Supervision of Professor Marcia R. Parsons Abstract This thesis analyzes Mark Morris' choreography for pedagogical purposes. It explores Morris' technique and style by investigating one of his most acclaimed works: L'Allegro, il Penseroso ed il Moderato. Because this evening length piece offers a large selection of sections, a total of thirty-two, it provides many possibilities to investigate Morris' musicality, creative process, and style. -
Mariinsky Ballet & Orchestra
CAL PERFORMANCES PRESENTS PROGRAM Wednesday, October 10, 2012, 8pm PROGRAM Thursday, October 11, 2012, 8pm Friday, October 12, 2012, 8pm Saturday, October 13, 2012, 2pm & 8pm Swan Lake Sunday, October 14, 2012, 3pm Ballet in Four Acts Zellerbach Hall Act I Mariinsky Ballet & Orchestra of the Mariinsky Theatre Act II St. Petersburg, Russia INTERMISSION Valery Gergiev, Artistic & General Director Yury Fateev, Interim Ballet Director Act III Mikhail Agrest, Conductor INTERMISSION The Company Act IV Principals Music Pyotr Il’yich Tchaikovsky Ekaterina Kondaurova, Anastasia Kolegova, Oksana Skoryk Libretto Vladimir Begichev & Vasili Geltzer Yevgeny Ivanchenko, Danila Korsuntsev, Vladimir Schklyarov Choreography Marius Petipa & Lev Ivanov Alexander Sergeev, Maxim Zyuzin Revised Choreography & Stage Direction Konstantin Sergeyev Soloists Set Designer Igor Ivanov Olga Gromova, Maria Shirinkina, Olga Akmatova, Elena Bazhenova, Tatiana Bazhitova, Costume Designer Galina Solovieva Nadezhda Batoeva, Olga Belik, Victoria Brileva, Daria Grigoryeva, Ksenia Dubrovina, Valeria Zhuravleva, Ekaterina Ivannikova, Svetlana Ivanova, Keenan Kampa, Lidia Karpukhina, World Premiere Mariinsky Theatre, St. Petersburg, Victoria Krasnokutskaya, Liubov Kozharskaya, Lilia Lishchuk, Anna Lavrinenko, January 15, 1895 Anastasia Mikheikina, Olga Minina, Anastasia Nikitina, Ksenia Ostreykovskaya, Irina Prokofieva, Premiere of Sergeyev’s Version Mariinsky Theatre, St. Petersburg, Ksenia Romashova, Yulia Stepanova, Alisa Sodoleva, Irina Tolchilshchikova, Tatiana Tiliguzova,