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Oleds and E-PAPER Disruptive Potential for the European Display Industry
OLEDs AND E-PAPER Disruptive potential for the European display industry Authors: Simon Forge and Colin Blackman Editor: Sven Lindmark EUR 23989 EN - 2009 The mission of the JRC-IPTS is to provide customer-driven support to the EU policy- making process by developing science-based responses to policy challenges that have both a socio-economic as well as a scientific/technological dimension. European Commission Joint Research Centre Institute for Prospective Technological Studies Contact information Address: Edificio Expo. c/ Inca Garcilaso, 3. E-41092 Seville (Spain) E-mail: [email protected] Tel.: +34 954488318 Fax: +34 954488300 http://ipts.jrc.ec.europa.eu http://www.jrc.ec.europa.eu Legal Notice Neither the European Commission nor any person acting on behalf of the Commission is responsible for the use which might be made of this publication. Europe Direct is a service to help you find answers to your questions about the European Union Freephone number (*): 00 800 6 7 8 9 10 11 (*) Certain mobile telephone operators do not allow access to 00 800 numbers or these calls may be billed. A great deal of additional information on the European Union is available on the Internet. It can be accessed through the Europa server http://europa.eu/ JRC 51739 EUR 23989 EN ISBN 978-92-79-13421-0 ISSN 1018-5593 DOI 10.2791/28548 Luxembourg: Office for Official Publications of the European Communities © European Communities, 2009 Reproduction is authorised provided the source is acknowledged Printed in Spain PREFACE Information and Communication Technology (ICT) markets are exposed to a more rapid cycle of innovation and obsolescence than most other industries. -
Textile Printing
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. -
Ess School 9-800-143 Rev
Harvard Business School 9-800-143 Rev. May 18, 2000 E Ink This is a chance for all of us to leave a legacy. Nothing I’ve seen has shaken my belief that this technology is just fundamentally revolutionary. —Jim Iuliano, President & CEO of E Ink The research building of E Ink in Cambridge, Massachusetts, sounded more like a party than a lab for serious, cutting-edge technology. Loud polka music and the laughter of young employees filled the air as they went about their work. Founded just over a year earlier, in 1997, the company aimed to revolutionize print communication through display technology. Black and white photographs, hung throughout the lab, captured scenes of everyday expression that could be affected by E Ink’s technology; these photos included everything from subway graffiti to the sign for the tobacco shop in Harvard Square. Across the parking lot, a different building housed the offices of E Ink’s management team, including Jim Iuliano, president and CEO of E Ink, and Russ Wilcox, vice president and general manager. A prototype of E Ink’s first product hung outside their offices—a sign prepared for JC Penney. It read, “Reebok High Tops on sale today. Sale ends Friday.” Electronic ink (e-ink) was an ink solution, composed of tiny paint particles and dye, that could be activated by an electric charge. This ink could be painted onto nearly any type of surface— including thin, flexible plastics. Charged particles could display one color, such as white, while the dye displayed another color, such as blue. -
Exhibitors' Forum Schedule
p47-55 Exhibitor Forum_Layout 1 4/23/2019 9:51 AM Page 47 Exhibitors’ Forum Schedule TuesDay, May 14, execuTive BallrooM session F1: Display Design anD ManuFacTuring 11:00 am – 12:45 pm F1.1: enabling Display innovations Through new Developments in open (11:00) industry standards Craig Wiley, Video Electronics Standards Association (VESA), San Jose, CA Booth 641 The Video Electronics Standards Association (VESA) will present new advancements in VESA display standards that push resolutions beyond 8K and enable life-like AR/VR. Also featured are high-dynamic-range (HDR) certification fFo1r .m2: o n iptoirxse iln-gclruaddineg lOoLcEaDl aDnidm nmotienbgo ofoksr, Hhiigghhe rD dyinspalmayi icn rtearfnagce c o m p r e s s i o n r a t e s , a n d n e w e f f o r t s (fo1r1 h:1ig5h)- r e s o l u t i o Mn ianugt Cohmeont,i BveO Edi Tspeclahynso. logy Group Co, Ltd., Beijing, China Booth 808 An ultra-high-definition display incorporating high dynamic range (HDR) and 5G content-delivery provides a great viewing experience. This presentation will introduce the HDR technology trend and describe future requirements for display devices to fulfill the HDR standard. Black Diamond is a technology that uses two LCD cells together to achieve a pixel-grade local-dimming approach that will highly improve the contrast detail for LCD devices. AF1 co.3m: p a lriasomni wnaillt iboen m aaduet oamoantgio cnu rarenndt minatiengstrraetaimon H D R t e c h n o l o g i e s , i n c l u d i n g B l a c k - D i a m o n d , m i n i L E (D1, 1O:L3E0D) , e t c . -
Leafing Through History
Leafing Through History Leafing Through History Several divisions of the Missouri Botanical Garden shared their expertise and collections for this exhibition: the William L. Brown Center, the Herbarium, the EarthWays Center, Horticulture and the William T. Kemper Center for Home Gardening, Education and Tower Grove House, and the Peter H. Raven Library. Grateful thanks to Nancy and Kenneth Kranzberg for their support of the exhibition and this publication. Special acknowledgments to lenders and collaborators James Lucas, Michael Powell, Megan Singleton, Mimi Phelan of Midland Paper, Packaging + Supplies, Dr. Shirley Graham, Greg Johnson of Johnson Paper, and the Campbell House Museum for their contributions to the exhibition. Many thanks to the artists who have shared their work with the exhibition. Especial thanks to Virginia Harold for the photography and Studiopowell for the design of this publication. This publication was printed by Advertisers Printing, one of only 50 U.S. printing companies to have earned SGP (Sustainability Green Partner) Certification, the industry standard for sustainability performance. Copyright © 2019 Missouri Botanical Garden 2 James Lucas Michael Powell Megan Singleton with Beth Johnson Shuki Kato Robert Lang Cekouat Léon Catherine Liu Isabella Myers Shoko Nakamura Nguyen Quyet Tien Jon Tucker Rob Snyder Curated by Nezka Pfeifer Museum Curator Stephen and Peter Sachs Museum Missouri Botanical Garden Inside Cover: Acapulco Gold rolling papers Hemp paper 1972 Collection of the William L. Brown Center [WLBC00199] Previous Page: Bactrian Camel James Lucas 2017 Courtesy of the artist Evans Gallery Installation view 4 Plants comprise 90% of what we use or make on a daily basis, and yet, we overlook them or take them for granted regularly. -
E-Paper Technology
Special Issue - 2016 International Journal of Engineering Research & Technology (IJERT) ISSN: 2278-0181 NSDMCC - 2015 Conference Proceedings E-Paper Technology Anitta Joseph Vth Semester B.Sc. Computer Science Vimala College, Thrissur Abstract: Made of flexible material, requiring ultra-low These limitations include the backlighting of monitors power consumption, cheap to manufacture, and most which is hard on the human eye, while electronic paper importantly, easy and convenient to read, E-papers of the reflects light just like normal paper. In addition, e-paper is future are just around the corner, with the promise to hold easier to read at an angle than flat screen monitors. libraries on a chip and replace most printed newspapers Electronic paper also has the potential to be flexible before the end of the next decade.Electronic paper(E-paper) is a portable. Reusable storage and display medium that looks becauseit is made of plastic. It is also light and potentially like paper but can be repeatedly written on (refreshed) by inexpensive. electronic means, thousands or millions of times. E-paper will be used for applications such as e-books, electronics II. TECHNOLOGY BEHIND E_PAPER newspaper, portable signs, & foldable, rollable displays. Information to be displays is downloaded through a The E-Paper is also called Electronic Paper or Electronic connection to a computer or a cell phone, or created with ink Display. The first E-Paper was developed in 1974’s by mechanical tools such as an electronic “pencil”. This paper Nicholas K Sheridon at Xerox’s Palo Alto research centre. discusses the history, features, and technology of the electronic paper revolution. -
A Reflectance Display
A Reflectance Display Daniel Glasner∗ Todd Zickler Anat Levin Harvard University Harvard University Weizmann Institute of Science Figure 1: We introduce a reflectance display: a dynamic digital array of dots, each of which can independently display a custom, time- varying reflectance function. The display passively reacts to illumination and viewpoint changes in real-time, without any illumination- recording sensors, head tracking, or on-the-fly rendering. In this example the time-varying reflectance functions create a “reflectance video” that gives the illusion of a dynamic 3D model being physically-shaded by the room’s ambient lighting. The top row shows a time-sequence of photographs of the dynamic display from a stationary viewpoint under fixed ambient lighting, and the bottom row shows how the display reacts to changes in ambient lighting by passively inducing the appropriate 3D shading effects. Abstract Links: DL PDF WEB 1 Introduction We present a reflectance display: a dynamic digital display capable of showing images and videos with spatially-varying, user-defined Display technology has advanced significantly in recent years, pro- reflectance functions. Our display is passive: it operates by phase- ducing higher definition, richer color, and even display of 3D con- modulation of reflected light. As such, it does not rely on any illu- tent. However, the overwhelming majority of current displays are mination recording sensors, nor does it require expensive on-the-fly insensitive to the illumination in the observer’s environment. This rendering. It reacts to lighting changes instantaneously and con- imposes a significant barrier to achieving an immersive experience sumes only a minimal amount of energy. -
NAZDAR 1800 Series UV Screen
Technical Data Sheet Nazdar PowerPrint® Plus 1800 UV Screen Ink Series v 14 EN The multi-purpose PowerPrint® Plus 1800 Series UV Screen Ink has been formulated to meet the processing speeds of the most modern printing equipment including in-line presses, for a wide Ref: v 13 EN range of substrates including treated corrugated polypropylene. PowerPrint® Plus 1800 features include: fast curing, hard ink surface, and high block resistance. Substrates Coverage • Styrene Estimated 2,500 – 3,500 square feet (232 - 325 • Cardstock / Coated paper square meters) per gallon depending upon ink • Matte vinyl deposit. Reference www.nazdar.com for • Rigid vinyl examples of coverage calculations. • Top coated polyester • Pressure sensitive vinyl Printing • Treated polyethylene banner 1800 Series is formulated to be press ready. • Treated polypropylene banner Thoroughly mix the ink prior to printing. Improper • Treated corrugated polypropylene mixing can lead to inconsistent color and ink • Some high density polyethylene sheeting performance. The surface tension for polyethylene and polypropylene Maintain ink temperature at 65°-90°F (18°-32°C) substrates should be at or above 44 dynes/cm. for optimum print and cure performance. Lower Not recommended for highly plasticized vinyl materials such as temperatures increase the ink viscosity, impairing vinyl banner and static cling, and not recommended for flow and increasing film thickness. Elevated container or nameplate applications. temperatures lower the ink viscosity, reducing Substrate recommendations are based on commonly available print definition and film thickness. materials intended for the ink’s specific market when the inks are processed according to this technical data. While technical Pretest to determine optimum printing information and advice on the use of this product is provided parameters for a particular set of ink, substrate, in good faith, the User bears sole responsibility for selecting the appropriate product for their end-use requirements. -
Reducing Paper and Printer Ink Usage
Reducing Paper and Printer Ink Usage Updated: 09/27/2012 PURPOSE This resource provides tips on how to reduce paper and printer ink usage in the office. DISCLAIMER The suggestions in this document are provided as an example of the types of actions you or your organization can implement to reduce usage of paper and printer ink and toner. The information in this resource does not supersede any federal agency’s policies, procedures, guidance, or requirements with respect to printing and publications. The Federal Electronics Challenge (FEC) encourages you to check within your own agency for printing policies, procedures and guidance. INTRODUCTION Executive Order 13514, Federal Leadership in Environmental, Energy, and Economic Performance, requires federal agencies to reduce printing paper use; acquire paper with at least 30% postconsumer recycled content; enable automatic duplexing (double-sided printing); and use other energy-efficient and environmentally preferable features on all eligible agency electronic equipment. This document outlines a number of activities that can be undertaken to meet all of these goals. DOCUMENT OPTIONS FOR REDUCING PAPER USAGE Reduce Margins The standard default margins for documents developed in word processing software (i.e., Microsoft Word®) are 1” on all sides. Reducing the default margins to 0.75” or 0.5” can save a significant amount of paper. When printing on a standard sheet of 8 ½” x 11” piece of paper, there are 93.5 square inches available for typeface. With a 1” margin on all sides, the usable space is reduced to 58.5 square inches; reducing your available print area to 63%. If you change your margins to 0.75”, you increase the print area to 71%, and further reducing your margins to 0.5” increases the print area to 80% of the available space on the paper. -
The Writing Surface Papyrus and Its Materials 1. Can the Writing Material Papyrus Tell Us Where It Was Produced? 2
The Writing Surface Papyrus and its Materials 1. Can the writing material papyrus tell us where it was produced? 2. Material study of the inks Ira Rabin - Myriam Krutzsch in Proceedings of the 28th Congress of Papyrology Barcelona 1-6 August 2016 Edited by Alberto Nodar & Sofía Torallas Tovar Coedited by María Jesús Albarrán Martínez, Raquel Martín Hernández, Irene Pajón Leyra, José-Domingo Rodríguez Martín & Marco Antonio Santamaría Scripta Orientalia 3 Barcelona, 2019 Coordinación y edición: Alberto Nodar – Sofía Torallas Tovar Coedición: María Jesús Albarrán Martínez, Raquel Martín Hernández, Irene Pajón Leyra, José Domingo Rodríguez Martín, Marco Antonio Santamaría Diseño de cubierta: Sergio Carro Martín Primera edición, junio 2019 © los editores y los autores 2019 La propiedad de esta edición es de Publicacions de l’Abadia de Montserrat Ausiàs Marc 92-98 – 08013 Barcelona ISBN 978-84-9191-079-4 (Pamsa) ISBN 978-84-88042-89-7 (UPF) Edición digital http://hdl.handle.net/10230/41902 TABLE OF CONTENTS Foreword i Program of the congress vi Photograph of participants xxi PART I: Papyrology: methods and instruments 1 Archives for the History of Papyrology ANDREA JÖRDENS, Die Papyrologie in einer Welt der Umbrüche 3-14 ROBERTA MAZZA, Papyrology and Ethics 15-27 PETER ARZT-GRABNER, How to Abbreviate a Papyrological Volume? Principles, 28-55 Inconsistencies, and Solutions PAOLA BOFFULA, Memorie dal sottosuolo di Tebtynis a ... Roma e a Venezia! 56-67 ELISABETH R. O’CONNELL, Greek and Coptic manuscripts from First Millennium 68-80 CE Egypt (still) in the British Museum NATASCIA PELLÉ, Lettere di B. P. Grenfell e A. S. -
Revealing Metallic Ink in Herculaneum Papyri
Revealing metallic ink in Herculaneum papyri Emmanuel Bruna,b, Marine Cottec,d, Jonathan Wrightc, Marie Ruatc, Pieter Tacke, Laszlo Vinczee, Claudio Ferreroc, Daniel Delattref,g, and Vito Mocellah,1 aInserm U1216, F-38000 Grenoble, France; bUniversité Grenoble Alpes, Grenoble Institut des Neurosciences, F-38000 Grenoble, France; cThe European Synchrotron, 38043 Grenoble, Cedex, France; dLaboratoire d’Archéologie Moléculaire et Structurale, CNRS-Université Pierre et Marie Curie, UMR 8220, 75005 Paris, France; eDepartment of Analytical Chemistry, Ghent University, B-9000 Ghent, Belgium; fCNRS-Institut de Recherche et d’Histoire des Textes, 75016 Paris, France; gCentro Internazionale per lo Studio dei Papiri Ercolanesi, 80131 Napoli, Italy; and hConsiglio Nazionale delle Ricerche - Istituto per la Microelettronica e Microsistemi (CNR-IMM), Unità di Napoli, 80131 Napoli, Italy Edited by Richard Janko, University of Michigan, Ann Arbor, MI, and accepted by the Editorial Board February 18, 2016 (received for review October 8, 2015) Writing on paper is essential to civilization, as Pliny the Elder remarks more adherent, ink was required. Thereafter, metallic inks in his Natural History, when he describes the various types of papyri, became the standard for parchments in late antiquity and for the method of manufacturing them, and all that concerns writing most of the Middle Ages (4, 7). materials in the mid-first century AD. For this reason, a rigorous In this work, we study the chemical composition of papyrus scientific study of writing is of fundamental importance for the fragments carbonized by Mount Vesuvius’ eruption in 79 AD historical understanding of ancient societies. We show that metallic and found in the Villa dei Papiri at Herculaneum between 1752 ink was used several centuries earlier than previously thought. -
Review of Display Technologies Focusing on Power Consumption
Sustainability 2015, 7, 10854-10875; doi:10.3390/su70810854 OPEN ACCESS sustainability ISSN 2071-1050 www.mdpi.com/journal/sustainability Review Review of Display Technologies Focusing on Power Consumption María Rodríguez Fernández 1,†, Eduardo Zalama Casanova 2,* and Ignacio González Alonso 3,† 1 Department of Systems Engineering and Automatic Control, University of Valladolid, Paseo del Cauce S/N, 47011 Valladolid, Spain; E-Mail: [email protected] 2 Instituto de las Tecnologías Avanzadas de la Producción, University of Valladolid, Paseo del Cauce S/N, 47011 Valladolid, Spain 3 Department of Computer Science, University of Oviedo, C/González Gutiérrez Quirós, 33600 Mieres, Spain; E-Mail: [email protected] † These authors contributed equally to this work. * Author to whom correspondence should be addressed; E-Mail: [email protected]; Tel.: +34-659-782-534. Academic Editor: Marc A. Rosen Received: 16 June 2015 / Accepted: 4 August 2015 / Published: 11 August 2015 Abstract: This paper provides an overview of the main manufacturing technologies of displays, focusing on those with low and ultra-low levels of power consumption, which make them suitable for current societal needs. Considering the typified value obtained from the manufacturer’s specifications, four technologies—Liquid Crystal Displays, electronic paper, Organic Light-Emitting Display and Electroluminescent Displays—were selected in a first iteration. For each of them, several features, including size and brightness, were assessed in order to ascertain possible proportional relationships with the rate of consumption. To normalize the comparison between different display types, relative units such as the surface power density and the display frontal intensity efficiency were proposed.