Y o u r n e x t p e r f o r m a n c e i s w o r t h i t
Bärenreiter Choral Music A selection 2018/2019
Bärenreiter Urtext
1 The Bärenreiter blue vocal scores I love are the gold standard for singers all over the world. These editions represent singing our Urtext choral catalogue and are with musicologically sound as well as practical. For the majority of the choral works Bärenreiter orchestral parts are available for sale. In addition to the Urtext editions we also publish choral collections and high-quality blue facsimiles of choral works.
S acred and Secular Works...... 4–41 Popular Choral Music and Collections...... 42–43 Facsimiles...... 44–47
Abbreviations and key to figures
Ed. Editor Review Bc/bc Basso continuo Performance material Cz Czech text ° available on sale B ärenreiter-Verlag Eng English text Performance material Karl Vötterle GmbH & Co. KG Fr French text available on hire International Department Ger German text Best Edition Prize awarded Heinrich-Schütz-Allee 35–37 Ital Italian text by the German Music 34131 Kassel · Germany Lat Latin text Publishers Association BA Bärenreiter Edition www.baerenreiter.com BE Bosse Edition Content valid as of April 2018. [email protected] H Bärenreiter Praha Errors excepted and delivery terms www.barenreiter.co.uk PoD Print on Demand subject to change without notice. SM Süddeutscher Musikverlag Printed in Germany TP Study score Artists' photos pages 1, 3: 5/1804/11,5 · SPA 30 V.s. Vocal score (includes all Marco Borggreve solo voices, choral voices and a piano reduction) Design of pages 1, 3: Contents Dave Warden Cre8tive
2 Y o u r n e x t p e r f o r m a n c e i s w o r t h i t
Sacred choral editions
Musicologically sound … l Scholarly-critical editions l At the cutting edge of scholarship l Preface on the genesis and history l Include all source discrepancies and editorial decisions l With notes on performance practice l With a Critical Commentary and source descriptions
… and practical l Spaciously laid out l Straightforward idiomatic piano part l Excellent print quality l High-quality paper and binding
Bärenreiter Urtext
3 Sacred and Secular Works
Bach, Carl Philipp Emanuel BWV 18 BWV 39 (1714–1788) Gleichwie der Regen und Brich dem Hungrigen Schnee vom Himmel fällt / dein Brot / Break with hungry Magnificat Wq 215 Like as the Raindrops and men thy bread (Ger/Eng) Choir & Organ series → page 34 Snow from Heaven fall; Cantata for the 1st Sunday after BA 7517 Score Leipzig Version (Ger/Eng) Trinity Cantata for Sunday Sexagesimae Urtext / Ed. A. Dürr Bach, Johann Sebastian Urtext / Ed. W. Neumann Piano reduction by J. Eichhorn (1685–1750) Piano reduction by BA 10 039-90 V.s.
W. Stockmeyer TP 1039 Study Score Cantatas BA 10 018-90 ° V.s. BA 10 018-91 Choral score BWV 45 BWV 1 TP 1018 Study score Es ist dir gesagt, Mensch, Wie schön leuchtet der was gut ist (Ger) Morgenstern / How bright and Cantata for the 8th Sunday fair the morning star (Ger/Eng) after Trinity Cantata for the Feast of Urtext / Ed. A. Dürr Annunciation Day Piano reduction by Urtext / Ed. M. Wendt W. Stockmeier Piano reduction by M. Focke BA 10 045-90 ° V.s. BA 10 001-90 ° V.s. TP 1045 Study score BA 10 001-91 Choral score TP 1001 Study score BWV 51 Jauchzet Gott in allen Landen / BWV 4 Praise ye God thruout creation Christ lag in Todes Banden / (Ger/Eng) Christ lay by death enshrouded Solo Cantata for the 15th (Ger/Eng) Sunday after Trinity Cantata for Easter Sunday Urtext / Ed. M. Wendt Urtext / Ed. A. Dürr Piano reduction by M. Focke Piano reduction by E. R. Barthel BA 10 051-90 ° V.s. BA 10 004-90 ° V.s. TP 1051 Study score TP 1004 Study score BWV 21 BWV 56 BWV 6 Ich hatte viel Bekümmernis / Ich will den Kreuzstab gerne Bleib bei uns, denn es will Lord my God, my heart and tragen / I will my cross-staff Abend werden (Ger) soul were sore distrest gladly carry (Ger/Eng) Cantata for Easter Monday (Ger/Eng) Cantata for the 19th Sunday Urtext / Ed. A. Dürr Cantata for the 3rd Sunday after Trinity Piano reduction by H. Ruf after Trinity Urtext / Ed. M. Wendt BA 10 006-90 ° V.s. Urtext / Ed. P. Brainard Piano reduction by A. Kroupova Piano reduction by M. Focke BA 10 056-90 ° V.s. BWV 10 BA 10 021-90 ° V.s. TP 1056 Study score Meine Seele erhebt den Herrn / TP 1021 Study score Now my soul exalts the Lord BWV 61 (Ger/Eng) BWV 31 Nun komm, der Heiden Cantata for the Feast of Der Himmel lacht! Die Erde Heiland (Ger) Visitation B. V. M. jubilieret / The Heavens laugh, Cantata for the First Sunday Urtext / Ed. U. Wolf the earth exults in gladness of Advent Piano reduction by M. Grünert (Ger/Eng) Urtext / A. Dürr BA 10010-90 ° V.s. Cantata for the 1st Easter Day Piano reduction by G. Raphael TP 1010 Study score Urtext / Ed. A. Dürr BA 10 061-90 ° V.s. Piano reduction by O. Kroupova BA 10 061-91 Choral score BWV 12 BA 10 031-90 ° V.s. TP 1061 Study score Weinen, Klagen, Sorgen, TP 1031 Study score Zagen / Weeping, crying, BWV 62 sorrow, sighing (Ger/Eng) BWV 36 Nun komm, der Heiden Cantata for the Sunday Jubilate Schwingt freudig euch empor Heiland (Ger) Urtext / Ed. A. Dürr (Ger) Cantata for the First Sunday Piano reduction by M. Focke Cantata for the First of Advent of Advent BA 10 012-90 ° V.s. Urtext / Ed. A. Dürr Urtext / A. Dürr TP 1012 Study score Piano reduction by G. Müller Piano reduction by G. Raphael BA 10 036-90 ° V.s. BA 10 062-90 ° V.s. TP 1036 PoD Study score TP 1062 Study score
4 Sacred and Secular Works
Bach, Johann Sebastian (1685–1750)
Cantatas
BWV 68 Also hat Gott die Welt geliebt (Ger) Cantata for Whit Monday Urtext / Eds. A. Dürr, A. Mendel Piano reduction by A. Dürr BA 10 068-90 ° V.s. BA 10 068-91 Choral score
BWV 78 Jesu, der du meine Seele / Jesu, by Thy Cross and Passion (Ger/Eng) Cantata for the 14th Sunday after Trinity Urtext / Ed. W. Neumann Piano reduction by W. H. Bernstein BA 10 078-90 ° V.s. TP 1078 Study score
BWV 80 Ein feste Burg ist unser Gott / A Mighty Fortress is Our God (Ger/Eng) Cantata for the Feast of From: Bach, A Mighty Fortress is Our God BWV 80 · BA 10080-90 Reformation Urtext / Ed. F. Rempp Piano reduction by E. R. Barthel BA 10 080-90 ° V.s. BWV 106 BWV 130 TP 1080 Study score Gottes Zeit ist die allerbeste Herr Gott, dich loben alle wir / Zeit / Mighty God, His time Lord God, we praise Thee all BWV 91 is ever best (Actus tragicus) of us (Ger/Eng) Gelobet seist du, Jesu Christ (Ger/Eng) Cantata for the Feast (Ger) Urtext / Ed. R. Higuchi of St. Michael Cantata for Christmas Day Piano reduction by E. Wernhard Urtext / Ed. M. Helms Urtext / Eds. A. Dürr, G. Raphael BA 10 106-90 ° V.s. Piano reduction by E. Wernhard Piano reduction by G. Raphael TP 1106 Study score BA 10 130-90 ° V.s. BA 10 091-90 ° V.s. TP 1130 Study score BA 10 091-91 Choral score TP 1091 Study score
5 Sacred and Secular Works
Bach, Johann Sebastian (1685–1750) Cantatas Johann Sebastian Bach BWV 132 The Complete Cantatas, Chorales Bereitet die Wege, bereitet die Bahn (Ger) and Motets Cantata for the 4th Sunday of Advent Urtext / Ed. A. Dürr Piano reduction by G. Raphael BA 10 132-90 ° V.s. BA 10 132-91 Choral score
BWV 134 Ein Herz, das seinen Jesum lebend weiss (Ger) Cantata for Easter Tuesday; third version Urtext / Ed. A. Dürr Piano reduction by G. Raphael BA 10 134-90 ° V.s. BA 10 134-91 Choral score
BWV 140 Wachet auf, ruft uns die Now greatly Stimme / Wake ye maids! hark, reduced in price! strikes the hour (Ger/Eng) “… the set is well worth Cantata for the 27th Sunday after Trinity acquiring … and when you Urtext / Ed. A. Dürr think about it, the cost Piano reduction by A. Dürr 19 study scores relative to the number of BA 10 140-90 ° V.s. pages is pretty good value TP 1140 Study score in paperback · TP 2004 “Best Edition 2008” for money!” (The Organ) BWV 143 Lobe den Herrn, meine Seele/ Praise thou the Lord, o my BWV 166 BWV 175 spirit (Ger/Eng) Wo gehest du hin (Ger) Er rufet seinen Schafen mit Urtext / Ed. A. Glöckner Cantata for the 4th Sunday Namen / He calleth His own Piano reduction by A. Köhs after Easter sheep each by name (Ger/Eng) Revised edition Urtext / Ed. A. Dürr Cantata for Whit Tuesday BA 10 143-90 ° V.s. Piano reduction by the editor Urtext / Ed. A. Dürr TP 1143 Study score BA 10 166-90 ° V.s. Piano reduction by the editor BA 10 166-91 Choral score BA 10 175-90 ° V.s. BWV 147 BA 10 175-91 Choral score Herz und Mund und Tat und BWV 172 TP 1175 Study score Leben / Heart and lips, thy Erschallet, ihr Lieder (Ger) whole behaviour (Ger/Eng) Cantata for Whitsunday; BWV 176 Cantata for the Feast C maj version Es ist ein trotzig und verzagt of Visitation B.V.M. Urtext / Ed. D. Kilian Ding (Ger) Urtext / Ed. U. Wolf Piano reduction by D. Kilian Cantata for Trinity Sunday Piano reduction by O. Kroupová BA 10 172-90 ° V.s. Urtext / Ed. R. Freeman BA 10 147-90 ° V.s. BA 10 172-91 Choral score BA 10 176-91 ° Choral score TP 1147 Study score TP 1172 Study score TP 1176 Study score BWV 158 BWV 208 Der Friede sei mit dir (Ger) Was mir behagt, ist nur Cantata for Easter Tuesday die muntre Jagd Urtext / Ed. A. Dürr “Congratulatory Cantata” (Ger) Piano reduction by the editor Urtext / Ed. A. Dürr ° = Performance material BA 10 158-90 ° V.s. Piano reduction by the editor available on sale BA 10 158-91 Choral score BA 10 208-90 ° V.s.
6 Sacred and Secular Works
Bach, Johann Sebastian (1685–1750)
BWV 211 Schweigt stille, plaudert nicht / Be quiet, chatter not “Coffee Cantata” (Ger/Eng) Urtext / Ed. W. Neumann Revised edition Piano reduction by A. Köhs BA 10 211-90 ° V.s. TP 1211 Study score
BWV 212 Mer hahn en neue Oberkeet/ The Chamberlain is now our Squire “Peasant Cantata” (Ger/Eng) Urtext / Ed. W. Neumann Piano reduction by A. Köhs BA 10 212-90 ° V.s. TP 1212 Study score
Festive Choral Settings from Cantatas Choir & Organ series → page 34 BA 7527 Score
Ascension Oratorio BWV 11 (Ger/Eng) Urtext / Ed. P. Brainard Piano reduction by J. Eichhorn BA 10011-90 ° V.s. TP 1011 Study score
Christmas Oratorio BWV 248 (Ger/Eng) Urtext / Eds. W. Blankenburg, A. Dürr Piano reduction by A. Dürr BA 5014-90 ° V.s. Choral parts also available separately TP 85 Study score From: Bach, Christmas Oratorio BWV 248 · BA 5014-90
Choral movements from the Lutheran Masses Christmas Oratorio Part I-III BWV 233-236 (Lat) Magnificat in D maj BWV 248 Urtext / Ed. E. Platen 2nd version with the 4 inserts Choir & Organ series → page 34 Piano reductions by A. Köhs from the E-flat maj version BA 7525 Score - Mass in F maj BWV 233 (transposed) BWV 243 (Lat) BA 5182-90 ° V.s. Urtext / Ed. A. Dürr BA 5182-91 Choral score Piano reduction by E. Müller Freut euch alle BWV 207a (Ger) Festive chorus for mixed choir - Mass in A maj BWV 234 BA 5103-90 ° V.s. NEW 2018 (SATB) and piano; woodwind BA 5183-90 ° V.s. New revised edition ad lib. BA 5183-91 Choral score → page 11 Arranged by U. Zimmer, - Mass in G min BWV 235 Piano part by R. Schweizer BA 5184-90 ° V.s. BA 5103-91 Choral score BA 6905 ° Score; BA 5184-91 Choral score TP 2 Study score Choral score - Mass in G maj BWV 236 BA 5185-90 ° V.s. BA 5185-91 Choral score
7 Sacred and Secular Works
“Uwe Wolf’s masterful treatment of the sources and problems presented in the Mass in B Minor should afford scholars and performers for generations to come many opportunities to carefully examine the diverse complexities of Bach’s masterpiece.” (Notes)
J. S. Bach · Mass in B Minor BWV 232 in a Revised Edition
Mass in B min BWV 232 (Lat) Urtext / Ed. U. Wolf Piano reduction by A. Köhs BA 5935-90 ° Vocal score TP 1232 Study score For the first time the “Dresden parts” of 1733 which were largely written by Bach are included as valuable additional source material.
Also for the first time, annotations by J. S. Bach and C. P. E. Bach can be differentiated by using ink analysis (x-ray spectography of over 500 places in the score). This method also enables in-depth-analysis of areas which have been eroded to a large extent by iron ink gall erosion.
Bach, Johann Sebastian Mass in B min, early versions (1685–1750) Mass in B min BWV 232 Missa BWV 232I (version of Facsimile edition 1733). Credo in unum Deum Magnificat in E-flat maj ISBN 978-3-7618-2194-7 BWV 233II/1 (early version in BWV 243a (Lat) → page 44 G maj). Sanctus BWV 232III Urtext / Ed. A. Dürr (version of 1724) (Lat) Piano reduction by E. Müller, Still available: Urtext / Ed. U. Wolf C. Heimbucher Mass in B min BWV 232 (Lat) Piano reduction by A. Köhs BA 5208-90 ° V.s. Urtext / Ed. F. Smend BA 5293-90 ° V.s. Piano reduction by G. Müller TP 58 Study score BA 5102-92 ° V.s.
8 Bärenreiter Urtext
9 Sacred and Secular Works
Bach, Johann Sebastian (1685–1750) Motets BWV 225-230 (Ger) Urtext / Ed. K. Ameln Piano reduction by O. Kroupová From: Bach, Motets BWV 225–230 · BA 5193 BA 5193-90 V.s. BA 5193 Choral score Separate editions: Lobet den Herrn, alle Heiden BWV 230 (Ger) I love Singet dem Herrn ein neues Motet for mixed choir (SATB) Lied BWV 225 (Ger) and bc singing Motet for two mixed choirs Urtext / Ed. K. Ameln with (SATB+SATB) BA 5135 ° Score; Choral score Urtext / Ed. K. Ameln Bärenreiter BA 5129 ° Score; Choral score
Der Geist hilft unser Motets of Doubtful Schwachheit auf BWV 226 Authenticity blue (Ger) Ich lasse dich nicht, du segnest Motet for two mixed choirs mich denn BWV Anh. 159 / (SATB+SATB) Jauchzet dem Herrn, alle Welt St. Matthew Passion BWV 244 Urtext / Ed. K. Ameln BWV Anh. 160 (Ger) (Ger/Eng) BA 5130 ° Score Motets for two mixed choirs Urtext / Ed. after M. Schneider BA 5131 Choral score (SATB+SATB) by A. Dürr Urtext / Ed. F. Rempp Piano reduction by A. Dürr Jesu, meine Freude BWV 227 BA 5239 Score BA 5038-90 ° V.s. NEW 2018 (Ger) New revised edition Motet for mixed choir (SSATB) St. John Passion BWV 245 To appear in June 2018 Urtext / Ed. K. Ameln (Ger/Eng) → page 11 BA 5132 ° Score; Choral score Urtext / Ed. A. Mendel Choral parts also available Fürchte dich nicht, ich bin bei Piano reduction by W. H. Bernstein separately dir BWV 228 (Ger) TP 196 Study score Motet for two mixed choirs BA 5037-90 ° V.s. Choral parts also available (SATB+SATB) Facsimile edition Urtext / Ed. K. Ameln separately TP 197 Study score ISBN 978-3-7618-2294-4 BA 5133 ° Score; Choral score → page 44 Komm, Jesu komm BWV 229 St. Mark Passion BWV 247 (Ger) A reconstruction (Ger) St. Matthew Passion Motet for two mixed choirs Ed. A. H. Gomme Early version BWV 244b (SATB+SATB) Piano reduction by the editor (Ger/Eng) Urtext / Ed. K. Ameln BA 5209-90 V.s. Urtext / Ed. A. Glöckner BA 5134 ° Score; Choral score Piano reduction by M. Focke BA 5099-90 ° V.s.
10 Sacred and Secular Works
Vocal scores of Bach’s Magnificat and St. Matthew Passion NEW 2018
Newly engraved with a generous layout Same pagination as previous editions This means that you can rehearse and perform these works with some singers using these new editions and some the old Bärenreiter editions. Fully compatible with all existing performance material These vocal scores can be used in line with the material of BA 5038 and BA 5103 respectively Include a new revised piano reduction The reliable Alfred Dürr piano reductions have been maintained but have been corrected and uncluttered; the new piano reductions are easier to read and to play. Improved legibility for singers A larger notation and improved spacing of underlaid words in the vocal parts has been provided.
From: Bach, St. Matthew Passion BWV 244 · BA 5039-90
Magnificat in D maj St. Matthew Passion 2nd version with the inserts BWV 244 with the 4 inserts from the BA 5038-90 V.s. E-flat maj version (transposed) To appear in June 2018 BWV 243 (Lat) BA 5103-90 V.s. In preparation
11 Sacred and Secular Works
Beethoven, Ludwig van (1770–1827)
Mass in C maj op. 86 (Lat) convinced him to include a Symphony No. 9 in D min Urtext / Ed. B. Cooper fully realized organ part in op. 125. Finale (Ger) Score with full realization the score, just as Beethoven Urtext / Ed. J. Del Mar of the organ part envisioned it for the first Piano reduction by E. Wernhard Piano reduction by A. Campora printed edition. As stated in BA 9009-90 ° V.s. BA 9039-90 ° V.s. the sources, the parts for the TP 909 Study score soloists and choir are notated The Mass in C major, completed on joint staves to demonstrate Symphony No. 9 and premiered in 1808, is that the soloists are also to op. 125. Facsimile of a self-contained and, for its sing the choral passages. the autograph score in the time, decidedly modern piece Staatsbibliothek zu Berlin – of church music. Preußischer Kulturbesitz Missa solemnis NEW 2019 Bärenreiter Facsimile Drawing on the rich body in D maj op. 123 (Lat) ISBN 978-3-7618-2169-5 of sources, Beethoven Urtext / Ed. B. Cooper → page 45 specialist Barry Cooper Piano reduction by suggests practical solutions A. Campora to this work’s musical and BA 9038-90 ° V.s. interpretative problems. His BA 9038-91 Choral score deep study of the sources In preparation
Grande messe des morts Hector Berlioz “Requiem” (Lat) Year 2019 Urtext / Ed. J. Kindermann Piano reduction by M. Töpel, (1803–1869) D. Woodfull-Harris BA 5449-90 V.s. La damnation de Faust (Fr/Ger) TP 332 Study score Urtext / Ed. J. Rushton Piano reduction by E. Wernhard Messe solennelle (Lat) BA 5448-90 V.s. Urtext / Ed. H. Macdonald Piano reduction by E. Wernhard L’Enfance du Christ / BA 5463-90 V.s. The Childhood of Christ TP 333 Study score (Fr/Eng) Sacred Trilogy Urtext / Ed. D. Lloyd-Jones Roméo et Juliette (Fr) Piano reduction by E. Wernhard Symphonie dramatique BA 5451-90 (Fr/Ger) V.s. Urtext / Ed. D. K. Holoman Te Deum (Lat) BA 5451-73 (Fr/Eng) V.s. Piano reduction by E. Wernhard Urtext / Ed. D. McCaldin BA 5458-90 V.s. Piano reduction by O. Taubmann Performance material on hire TP 334 Study score BA 5782-90 V.s.
12 Sacred and Secular Works
Buxtehude, Dietrich Brahms, Johannes (1637–1707) (1833–1897) I love NEW 2019 Der Herr ist mit mir Ein deutsches Requiem op. 45 BuxWV 15 (Ger) (Ger) singing Cantata for mixed choir Urtext / Eds. P. Schmitz, with (SATB), strings and bc M. Werthmann Ed. B. Grusnick Piano reduction by Bärenreiter BA 3198 ° Score with parts the composer BA 3198-91 Choral score BA 7600-90 ° V.s. BA 7600-91 Choral score blue Erhalt uns Herr, bei deinem In preparation Wort BuxWV 127 (Ger) Chorale cantata for mixed Buxtehude, Dietrich choir (SATB) Brahms, Johannes (1637–1707) BA 3196 ° Score with parts (1833–1897) BA 3196-91 Choral score Befiehl dem Engel, dass er komm / Command the Angels Sacred Choral Music In dulci jubilo BuxWV 52 BuxWV 10 (Ger/Eng) a cappella (Ger) (Lat/Ger/Eng) for mixed choir Choral cantata for mixed choir Urtext / Ed. P. Schmitz (SAB), two violins and bc (SATB), strings and bc BA 7575 Ed. B. Grusnick Ed. B. Grusnick BA 620 ° Score with parts BA 541 ° Score with parts “This volume represents BA 620-91 Choral score a competitively priced BA 541-91 Choral score treasure trove of the finest German unaccompanied Cantate Domino / Jesu, meine Freude / Jesu, choral music … How Lobsinget Gott, dem Herrn my heart’s treasure BuxWV 60 monstrously fine music is this, BuxWV 12 (Lat/Ger) (Ger/Eng) and how well printed it is Motet for soloists (SB) ad lib., Cantata for soloists (SSB), here.” (Choir & Organ) choir (SSB) and bc mixed choir (SSB), two violins, Ed. B. Grusnick bassoon (violoncello) and bc BA 542 Score Ed. B. Grusnick Bruckner, Anton BA 542-91 Choral score BA 487 ° Score with parts (1824–1896) BA 487-91 Choral score
Sacred Songs (Lat/Ger) Magnificat anima mea for mixed choir (SSAATTB, SATB BuxWV-Anh. 1 (Lat/Ger/Eng) and SSATB) Motet for mixed choir (SSATB), SM 2815 Singing score Bärenreiter Study strings and bc Ed. B. Grusnick Te Deum WAB 45 (Lat) Score Reader BA 543 ° Score with parts Choir & Organ series → page 34 BA 543-91 Choral score BA 7524 Score Missa brevis Bunk, Gerard (Kyrie and Gloria) (Lat) (1888–1958) for mixed choir (SSATB) and bc Ed. W. Gurlitt Sacred Choral Works (Ger) BA 265 Choral score, Urtext / Eds. J. Boecker, K. E. Müller playing score BA 7548 Das neugebor‘ne Kindelein / The newborn babe, the heavenly child BuxWV 13 (Ger/Eng) Cantata for mixed choir (SATB), For further information: strings and bc www.baerenreiter.com Ed. B. Grusnick BA 717 ° Score with parts BA 717-91 Choral score
° = Performance material available on sale
13 Sacred and Secular Works
Caldara, Antonio (1670–1736) Stabat Mater (Lat) for soloists (SATB), mixed choir and orchestra Piano reduction by A. Köhs BA 8955-90° V.s.
The Stabat Mater is the best- known of Caldara’s smaller vocal works. This publication is based on E. Mandyczewski’s edition which has, until now, been the definitive edition. The notation and key signatures have been adapted to today’s standards. Any discrepancies between the score and vocal score have been corrected, and the work is presented in a modern, clear layout. The orchestral parts are available in computer print for the first time.
Caldara, Antonio Messe de Minuit pour Noël (1670–1736) H 9 (Lat) Urtext / Ed. H. Schauerte- Regina coeli laetare (Lat/Ger) Maubouet for choir (SATB), piano (organ) Piano reduction by M. Focke ad lib. BA 7592-90 ° V.s. Ed. T. Kohlhase BA 6236 Choral score, Te Deum H 146 (Lat) playing score Urtext / Ed. H. Schauerte- Maubouet Charpentier, Marc-Antoine Piano reduction by A. Köhs (1643–1704) BA 7593-90 ° V.s. In nativitatem Te Deum H 148 (Lat) Domini canticum H 416 (Lat) for mixed choir (SATB) and bc Urtext / Ed. J. Schwindt Urtext / Ed. H. Schauerte- Piano reduction by the editor Maubouet BA 7673-90 ° V.s. BA 7591 Score
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Sacred and Secular Works
Cherubini, Luigi (1760–1842) Requiem in C minor (Lat) Missa pro defunctis Urtext / Ed. H. Schellevis Piano reduction by the editor BA 8961-90 ° V.s. Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and From: Cherubini, Requiem in C minor · BA 8961-90 Schumann and served as a model for early 19th-century Requiem settings. Dispensing Distler, Hugo Dvořák, Antonín entirely with solo voices, it (1908–1942) (1841–1904) captivates with its rigorous formal concentration and Lobe den Herren, den Mass in D maj op. 86 (Lat) its restrained use of musical mächtigen König der Ehren Choir & Organ series → page 34 resources in both choir and (Ger) BA 7511 Score orchestra. Chorale-motet op. 6/2,1 This Urtext edition takes for mixed choir (SATB) Requiem op. 89 (Lat) into account not only the Gothic print Piano reduction by K. Šolc autograph score with BA 589 Choral score H 2924-90 V.s. spartitino (additional instruments written in by Singet dem Herrn ein neues Requiem op. 89 (B165) (Lat) hand) but also the first edition Lied (Ger) Arrangement for Soloists, and a copyist's manuscript. Motet on Psalm 98/1, 4-9a Choir and Chamber Orchestra op. 12/1 from Geistliche by J. Linckelmann Distler, Hugo Chormusik op. 12 for mixed BA 9582 ° Score (1908–1942) choir (SATB). Gothic print Instrumental parts available BA 751 Choral score separately Choralpassion nach den vier Evangelien op. 7 (Ger) Totentanz (Ger) This edition is based on the for soloists (TB), mixed choir Motet no. 2 from Geistliche full score from the Complete (SSATB) Chormusik op. 12 for mixed Edition of the Works by Antonín BA 633 Choral score choir (SATB) and flute ad lib. Dvořák. BA 752 Choral score Es ist ein Ros entsprungen The edition is in keeping with (Ger) Die Weihnachtsgeschichte the vocal score H 2924-90. Chorale motet from the (Ger) for soloists (SSTB) and Weihnachtsgeschichte op. 10 choir (SATB) for mixed choir (SATB) Gothic print ° = Performance material BA 681 Singing score BA 690 Singing score available on sale
15 Sacred and Secular Works
Dvořák, Antonín (1841–1904) Six Moravian Duets (Cz/Ger) Urtext edition of Fauré’s Requiem for mixed choir (SATB) and piano arranged by Leoš Janáček Ed. V. Nimec H 7718 Choral score Stabat Mater op. 58 (Lat) Version in ten movements Piano reduction by K. Šolc H 1882 V.s. Stabat Mater op. 58 (Lat) Version in ten movements Urtext / Eds. J. Kachlík, M. Srnka Vocal score based on Dvořák‘s original piano version H 7920 V.s. Te Deum op. 103 (Lat) Piano reduction by K. Šolc H 4523-90 V.s. The Spectre‘s Bride op. 69 (Cz/Ger/Eng) Eds. F. Bartos, A. Cubr Piano reduction by K. Šolc BA 9544-90 V.s.
Eben, Petr Fauré, Gabriel A restrained dynamic range (1929–2007) (1845–1924) together with graceful melodic Salve Regina writing for both soloists and Cantico della Creature / Canticle Requiem op. 48 (Lat) choir give the work a gentle and of the Sun of Francis of Assisi Urtext / Eds. C. M. Stahl, optimistic character. M. Stegemann (Lat/Ital [Umbrian]) It is important to note that the for mixed choir (SATB) Piano reduction by M. Focke BA 9461-90 ° V.s. vocal and choral scores are BA 6429 Singing score NEW 2017 compatible with the first Ubi caritas et amor dei BA 9461-91 Choral score small-scale version as well as (Lat/Ital) the second chamber orchestra for mixed choir (SSATBB) The Messe de Requiem is version. probably the internationally BA 5404 Singing score High-quality Urtext based best-known and most on the Complete Works Fauré, Gabriel frequently performed work by of Gabriel Fauré (1845–1924) Gabriel Fauré. The composer’s first version was limited to just First systematic evaluation Requiem op. 48 (Lat) five movements and small- of all sources Choir & Organ series scale forces with low strings, Based on the large orchestral BA 7513 Score harp and organ. The work was → page 34 version of 1900 then expanded several times Foreword (Ger/Eng) Requiem op. 48 (Lat) NEW 2017 culminating in the version for Bärenreiter Female Choir series large orchestra of 1900. This Vocal and choral scores BA 5695-90 ° V.s orchestral version forms the suitable for all versions of → page 28 basis of this edition. the requiem
Furrer, Beat Despite its comparatively “Of particular interest is (*1954) long period of gestation, the the clear engraving and the Requiem forms a stylistic unity. well-presented layout with Enigma I-IV and VI (Ital) Unlike other requiem settings, optimum page-turns - much (2007) for mixed a cappella choir the composer foregoes any more appealing than in earlier Texts by Leonardo da Vinci theatrical gestures in this work. publications of this work.” from Profezie (2006-13) (La Lettre du Musicien) BA 11052
16
Sacred and Secular Works
Charles Gounod Year 2018 (1818–1893)
Messe solennelle NEW 2017 (Ste Cécile) (Lat) for Soloists, Choir and Orchestra Urtext / Ed. H. Schellevis Piano reduction by the editor BA 8966-90 ° V.s. BA 8966-91 Choral score
Today Charles Gounod is associated most of all with his opera Faust yet a large part of his œuvre is taken up by sacred music and it is the Messe solennelle en l'honneur de Sainte-Cécile which established his fame as a church composer. Its melodic invention and effective treatment of the orchestra bear witness to his close ties to opera.
This new Urtext edition of Gounod's Mass is primarily based on the autograph score, which for unknown reasons was divided into two sections. The first section, preserved in the British Library, contains the for the first time for our An extensive critical Kyrie, Gloria, Offertory edition. As the Agnus Dei commentary clarifies the and Domine, salvum, fac. is missing entirely from the differences between the two The second, with the Credo, autograph, our edition draws main sources and provides Sanctus and Benedictus, is on the original print in full an insightful introduction, preserved in the library of score (1856), which was also thereby enabling choruses Northwestern University, consulted as an important and orchestras to perform the Chicago, and was consulted source for the clarification of Mass on a solid foundation. ambiguities.
17 Sacred and Secular Works
Handel, George Frideric (1685–1759) The Lord is my light HWV 255 Acis and Galatea HWV 49b (Eng/Ger) Serenata in tre parti Urtext / Ed. G. Hendrie (2nd version) (Eng/Ital/Ger) Piano reduction by A. Köhs Urtext / Ed. A. Heinrich Anthems: BA 4268-90 ° V.s. Piano reduction by A. Köhs BA 10700-90 V.s. Anthem for the Funeral of My song shall be alway Queen Caroline HWV 264 HWV 252 (Eng/Ger) (Eng/Ital) Original unabridged Urtext / Ed. G. Hendrie version Piano reduction by A. Köhs Urtext / Ed. A. Landgraf BA 4292-90 ° V.s. Piano reduction by M. Focke
BA 4267-90 ° V.s. O come let us sing HWV 253 (Eng/Ger) As pants the hart HWV 251e Urtext / Ed. G. Hendrie (Eng/Ger) Piano reduction by A. Köhs Urtext / Ed. G. Hendrie BA 4293-90 ° V.s. Piano reduction by A. Köhs BA 4265-90 ° V.s. O praise the Lord with one I will magnify thee HWV 250b consent HWV 254 (Eng/Ger) (Eng/Ger) Urtext / Ed. G. Hendrie Urtext / Ed. G. Hendrie Piano reduction by A. Köhs Piano reduction by A. Köhs BA 4264-90 ° V.s. BA 4291-90 ° V.s. Alexander’s Feast or The Power of Musick HWV 75 (Eng/Ger) Let God arise HWV 256b O sing unto the Lord HWV 249a Text by J. Dryden (Eng/Ger) (Eng/Ger) Urtext / Ed. K. Ameln Urtext / Ed. G. Hendrie Urtext / Ed. G. Hendrie Piano reduction by the editor Piano reduction by A. Köhs Piano reduction by A. Köhs Revised edition BA 4266-90 ° V.s. BA 4263-90 ° V.s. BA 4001-92 V.s. Athalia HWV 52 Jephtha HWV 70 (Eng) Ode for the Birthday of Queen (Eng, partially Ital) Urtext / Ed. K. Nott Anne HWV 74 (Eng/Ger) Text by Samuel Humphreys Piano reduction by M. Focke Urtext / Ed. W. Siegmund- after Jean Racine's Athalie BA 4014-90 V.s. Schultze Urtext / Ed. S. Blaut Piano reduction by Piano reduction by A. Köhs I. Chrysander, BA 4082-90 V.s. W. Siegmund-Schultze Messiah HWV 56 Dixit Dominus HWV 232 (Lat) BA 4007-90 V.s. Urtext / Ed. J. Tobin BA 4007-91 Choral score Psalm 109 Piano reduction by Urtext / J. H. Marx M. Schneider NEW 2018 Piano reduction by A. Köhs La Resurrezione HWV 47 (Ital) BA 4012-02 Score (soft-cover) Oratorio in two parts Revised edition → page 27 BA 10704-90 ° V.s. Urtext / Ed. T. Best Piano reduction by A. Köhs BA 10704-91 Choral score BA 4012-90 (Ger/Eng) ° V.s. BA 4096-90 V.s. BA 4012-73 (Eng) ° V.s. Esther HWV 50a (Eng) TP 175 Study score First Version 1720. Text by Samson HWV 57 (Eng)
J. Arbuthnot and J. Pope Text by N. Hamilton Urtext / Ed. H. Server Facsimile edition Urtext / Ed. H. D. Clausen Piano reduction by A. Köhs ISBN 978-3-7618-2109-1 Piano reduction by A. Köhs BA 4047-90 V.s. → page 46 BA 4099-90 V.s.
Israel in Egypt HWV 54 (Eng/ Saul HWV 53 (Eng/Ger) Ger) Occasional Oratorio HWV 62 Oratorio in three acts Includes versions 1739 and (Eng). Text by N. Hamilton Urtext / Ed. P. M. Young 1756-7 Urtext / Ed. M. Channon Piano reduction by H. Moehn, Urtext / Ed. A. Landgraf Piano reduction by A. Köhs A. Köhs Piano reduction by A. Köhs BA 4089-90 ° V.s. BA 4020-90 V.s. BA 4063-90 V.s.
18 Sacred and Secular Works
Zadok the Priest HWV 258 (Eng) Urtext / Ed. S. Blaut Piano reduction by A. Köhs BA 10258-90 ° V.s.
The King shall rejoice HWV 260 (Eng) Urtext / Ed. S. Blaut Piano reduction by A. Köhs BA 10259-90 ° V.s.
Zadok the Priest and The King shall rejoice are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king’s anointment, HWV 260 his actual coronation.
The present editions by the authoritative Handel scholar Stephan Blaut are the first to offer these two anthems based From: Handel, Zadok the Priest HWV 258 · BA 10258-90 on the Urtext from the Halle Handel Edition.
“The scholarly background to these editions is clear and convincingly laid out in the Prefaces […] and the clarity of the presentation of both vocal scores, excellently printed on noiseless (!) quality paper, are admirable” (The Organ)
Theodora HWV 68 (Eng) Text by T. Morrell after I love R. Boyle’s The Martyrdom of Theodora and Didymus singing (London, 1687) and the play with Théodore, vierge et martyre by P. Corneille (1645). Bärenreiter Urtext / Ed. C. Timms Piano reduction by M. Focke, A. Campora Revised edition blue BA 4085-90 V.s.
Utrecht Te Deum HWV 278 Handel, George Frideric (Eng) (1685–1759) Urtext / Ed. G. Hendrie Piano reduction by L. H. Nysten Solomon HWV 67 (Eng) BA 4246-90 ° V.s. Oratorio in three acts HWV 67 Urtext / Ed. H. D. Clausen NEW 2018 Piano reduction by A. Köhs BA 10709-90 V.s. Te Deum for Cannons in B-flat maj HWV 281 Te Deum for the Victory (Chandos Te Deum) (Lat) Urtext / Ed. G. Beeks at the Battle of Dettingen ° = Performance material Piano reduction by A. Köhs HWV 283 (Lat) available on sale BA 10708-90 V.s. Urtext / Ed. A Babington Piano reduction by A. Köhs In preparation = Performance material BA 10706-90 ° V.s. available on hire
19
Sacred and Secular Works
Haydn, Joseph (1732–1809) Joseph Haydn: The Creation Die drei- und vierstimmigen Gesänge (Ger) No. 1 Hob. XXVb:3 for STB and piano, No. 2 Hob. XXVb:1 for SAT and piano, Nos. 3-11 Hob. XXVc:1-9 for SATB and piano Ed. P. Paumgartner BA 901 Choral score, playing score Missa brevis in F maj Hob. XXII:1 (Lat) Urtext / Eds. J. Dack, G. Feder Piano reduction by A. Köhs BA 4644-90 ° V.s. Missa brevis Sancti Joannis de Deo “Little Organ Mass” Hob. XXII:7 (Lat) Urtext / Eds. H. C. Robbins Landon, K. H. Füssl, C. Landon Piano reduction by H. Moehn BA 4653-90 ° V.s.
Missa brevis Sti Joannis de Deo "Little Organ Mass" (Hob. XXII:7) (Lat) Bärenreiter Female Choir series BA 5694-90 ° V.s. → page 28
Missa Cellensis in honorem Beatissimae Virginis Mariae “Cecilia Mass” Hob. XXII:5 (Lat) Urtext / Eds. J. Dack, G. Feder Piano reduction by O. Kroupová BA 4643-90 ° V.s.
Missa Cellensis “Mass for Mariazell” Hob. XXII:8 (Lat) Urtext / Eds. H. C. Robbins Landon, K. H. Füssl, C. Landon Piano reduction by H. Moehn BA 4654-90 V.s. BA 4654-91 Choral score The Creation / Die Schöpfung Based on the G. Henle Hob. XXI:2 (Ger/Eng) Complete Edition of the Libretto by Gottfried Works of Joseph Haydn van Swieten. Urtext / Ed. A. Oppermann The contemporary piano Missa in Angustiis “Nelson Piano reduction by reduction by A. E. Müller Mass” Hob. XXII:11 (Lat) A. E. Müller, A. Köhs has been revised by Urtext / Ed. G. Thomas BA 4648-90 ° V.s. A. Köhs Piano reduction by H. Moehn NEW 2018 The musical text of the BA 4660-90 ° V.s. BA 4648-91 Choral score NEW 2018 full score is closely reflected BA 4660-02 Score “Bärenreiter offers its in this piano reduction (soft-cover) usual high standard of scholarly → page 27 precision married to musical accessibility and practicality, TP 98 Study score as well as affordability”. (The Organ)
20 Sacred and Secular Works
Haydn, Joseph Missa Sancti Bernardi von Haydn, Michael (1732–1809) Offida “Heilig” Mass (1737–1806) Hob. XXII:10 (Lat) Missa in B-flat maj “Creation Urtext / Eds. H. C. Robbins Laudate pueri Dominum (Lat) Mass” Hob. XXII:13 (Lat) Landon, K. H. Füssl, C. Landon for female/boys’ choir (SSA), Urtext / Ed. I. Becker-Glauch Piano reduction by H. Moehn strings and bc Piano reduction by J. Sommer BA 4651-90 ° V.s. Ed. I. Sulyok BA 4656-90 ° V.s. BA 4651-91 Choral score BA 6219 ° Score BA 4656-91 Choral score BA 6219-91 Choral score Missa Sancti Nicolai Missa in B-flat maj “Harmony “Nicolai Mass” Hob. XXII:6 (Lat) Janáček, Leoš Mass” Hob. XXII:14 (Lat) Urtext / Eds. J. Dack, M. Helms (1854–1928) Urtext / Ed. F. Lippmann Piano reduction by O. Kroupová Piano reduction by H. Moehn BA 4645-90 ° V.s. Three Pieces (Cz/Ger) BA 4659-90 ° V.s. for mixed choir (SATB) TP 97 Study score Six Psalms Ed. J. Trojan Hob. XXIII: Anhang (Eng/Ger) BA 6389 Choral score Based on an English psalm adaptation by J. Merrick Mša glagolskaja / Glagolitic for mixed choir (SAB) Mass Ed. U. Zimmer Final authorised version BA 6232 Choral score (Old Church Slavonic) Urtext / Eds. J. Zahrádka, Stabat Mater Hob. XXbis (Lat) L. Faltus Urtext / Eds. M. Helms, Piano reduction by M. Zehn F. Stoltzfus BA 6862-90 V.s. Piano reduction by E. R. Barthel TP 862 Study score BA 4642-90 ° V.s. The Lord’s Prayer (Cz/Ger) for mixed choir (SATB) Haydn, Joseph and ensemble (1732–1809) Ed. B. Štĕdroň H 3712 Score The Seasons / Die Jahreszeiten Hob. XXI:3 Mass in E-flat maj Missa in B-flat maj “Theresa (Ger/Eng/Fr) “Unfinished Mass” (Lat) Mass” Hob. XXII:12 (Lat) Libretto by G. van Swieten for soloists (SATB), choir (SATB) Urtext / Ed. G. Thomas Urtext / Ed. A. Raab and organ Piano reduction by H. Moehn Piano reduction by A. E. Müller Ed. V. Petrzelka BA 4661-90 ° V.s. BA 4647-90 ° V.s. BA 5421 Score NEW 2018 NEW 2018 BA 4661-02 Score (soft-cover) BA 4647-91 Choral score True Love (Folk Poetry) In preparation (Ger/Eng) for male choir (TTBB) → page 27 Based on the G. Henle H 3026 Choral score TP 99 Study score Complete Edition of the Works of Joseph Haydn Jansson, Mårten (*1965) Missa in E-flat maj in honorem New straightforward piano
Beatissimae Virginis mariae reduction “Great Organ Mass” Sacred Choral Works à page 22-23 Hob. XXII:4 (Lat) Clear and uncluttered Urtext / Eds. J. Dack, M. Helms appearance on the page Piano reduction by O. Kroupova Krenek, Ernst BA 4646-90 ° V.s. (1900–1991)
The Seven Last Words of our Missa in Tempore Belli Six Motets op. 169 (1959) (Ger) Saviour on the Cross “Mass in Time of War” after words by F. Kafka Hob. XX:2 (Lat) Libretto by Hob. XXII:9 (Lat) for mixed choir (SATB) Gottfried van Swieten Urtext / Eds. H. C. Robbins BA 3945 Score Landon, K. H. Füssl, C. Landon Urtext / Ed. H. Unverricht Piano reduction by the editor Piano reduction by H. Moehn BA 4652-90 ° V.s. BA 4655-90 V.s. BA 4652-91 Choral score TP 92 Study score TP 94 Study score
21 Sacred and Secular Works
“My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as “so sad that it sounds like birds who have lost their wings” but also as “the happiest classical music that we have ever heard”.
“My compositions are almost all sacred. They express not only my own faith but also my appreciation and respect for the timeless texts that have been used for centuries and centuries.”
Cantate Domino Psalm 96: 1-3 (SSAATTBB) (Lat) BA 7414 Choral score
Cantate Domino Psalm 96: 1-3 (TTBB) (Lat) BA 7416 Choral score
De sancto Pelagio et sancto Theodolo (SATB) and Organ (Lat) BA 8523 Organ reduction
Es ist ein Ros entsprungen Arrangement for SSAATTBB (Ger/Eng/Swed) BA 7418 Choral score
Fear Thou Not (SSMezAA) (Eng) BA 7411 Choral score
God Rest Ye Merry, Gentlemen Arrangement for SATB (Eng) BA 7419 Choral score
I Never Saw a Moor (SSMezMezAA) (Eng) BA 7415 Choral score Ingenting utanför / Nothing Beyond (SSMezAA) (Swed/Eng) BA 8522 Choral score
In The Light Of God (SMezATB) (Swed/Eng) BA 7417 Choral score
Maria (IV) (SATB) (Swed/Eng) BA 7412 Choral score Sample score for download: www.baerenreiter.com
22 Sacred and Secular Works Sacred Choral Works by Mårten Jansson
This work for double choir a cappella deals with three poignant episodes from the life of an old man; before his wedding, before celebrating his wedding anniversary and now as a widower talking to his grandson. The libretto together with the descriptive music are deeply moving and constitute an ideal NEW partnership. This is 2018 Mårten Jansson's first collaboration with the well-known librettist Tonight I Dance Alone Charles Anthony Silvestri. Libretto by C. A. Silvestri The piece provides a (SATBSATB) (Eng) well-worth challenge BA 8525 Choral score for ambitious choirs.
Missa brevis in E-flat minor (SATB) (Lat) BA 8521 Choral score
Missa Popularis (SS[TB ad lib.]) and String quartet (Lat) BA 7420 Score BA 7420-90 Vocal score BA 7420-22 Parts in slipcover
The Choirmaster’s Burial (SSATBB [Lat SSA/Eng TBB]) BA 7413 Choral score
Two Poems Video (SATB) (Swed/Eng) samples on BA 8524 Choral score
Order our flyer (SPA 50_64) and sample score (SPA 227). Both are available for download at: www.baerenreiter.com. From: Jansson, Missa Popularis · BA 7420-90
23 Sacred and Secular Works
Liszt, Franz Loewe, Carl Martin, Frank (1811–1886) (1796–1869) (1890–1974)
Christus (Lat) Das Sühnopfer des neuen Ode à la Musique (Fr/Ger) Oratorio on passages from Bundes (Ger) for baritone, mixed choir the Holy Bible and the Libretto based on the Holy (SATB) and orchestra Catholic liturgy Scriptures by William Telschow. BA 6725-90 ° V.s. Urtext / Ed. D. Friddle Urtext / Ed. C. Mücke BA 6725-91 Choral score Piano reduction by the composer Piano reduction by the BA 7680-90 V.s. composer BA 7678-90 ° V.s.
“… excellent new edition of this masterwork.” (Choir & Organ)
Martin, Frank (1890–1974)
Mass for Double Choir a cappella (Lat) Urtext / Ed. A. Wissemann BA 7594 Performing score
Martin's style of composition is characterized by elements of French Impressionism, modern tonality and expressive musical language.
His double choir a cappella mass was composed between 1922 and 1926 but it was not performed until 1963 in Hamburg. It has been a great favourite with capable choirs since its first publication by Bärenreiter in 1972 (BA 5419). It can be performed equally well in the concert hall and the church. First Urtext edition of Newly engraved in a larger Frank Martin’s masterwork format (23 x 30 cm) based on the autograph and preliminary studies Preface (Ger/Eng) and Critical Commentary (Eng)
24 Sacred and Secular Works
Martinů, Bohuslav (1890–1959) The first great orchestral psalm Otvírání Studánek/ Opening the Wells (Cz/Eng/Ger) for speaker, soloists (SAB), Mendelssohn’s first great female choir (SSA) orchestral psalm took almost Ed. J. Berkovec six years to complete, from the H 2122 Score, set of parts initial sketches and the first version of 1830 to the final Mendelssohn Bartholdy, Felix version of 1835. Its premiere did (1809–1847) not take place until 1838. Denn er hat seinen Engeln Unlike his other orchestral befohlen / For He shall give psalms, Mendelssohn took the His angels charge (Ger/Eng) Latin words from the Vulgate for mixed choir a cappella as his principal text which (SSAATTBB) stems from Psalm 113. When he Urtext / Ed. C. Heimbucher later prepared his own German BA 8933 Score translation, he made use of Psalm 115 from the Luther Die erste Walpurgisnacht / Bible. The First Walpurgis Night op. 60 (Ger/Eng) Mendelssohn Bartholdy, Felix This edition by the leading Text by Johann W. von Goethe (1809–1847) Mendelssohn authority John Urtext / Ed. J. M. Cooper NEW 2017 Michael Cooper incorporates Piano reduction by the Psalm "Non nobis Domine" / all the relevant sources. In composer "Nicht unserm Namen, Herr" accordance with the work's BA 9072-90 V.s. op. 31 MWV A9 (Lat/Ger) genesis, the vocal parts are Urtext / Ed. J.M. Cooper underlaid with the Latin text, Elijah op. 70 (Ger/Eng) Piano reduction by the and the German text appears Oratorio. Text compiled composer underneath. by the composer from the BA 9079-90 ° V.s. Old and New Testaments Urtext / Ed. D. Seaton Piano reduction by the composer, partially adjusted Psalm 2 Psalm 43 by A. Köhs Why rage fiercely the Heathen / Judge me, O God / BA 9070-90 ° V.s. Warum toben die Heiden Richte mich, Gott und führe (Ger/Eng) meine Sache “The production is well for mixed choir (SSAATTBB) (Ger/Eng) up to the high standards BA 8938 Choral score for mixed choir (SSAATTBB) we have come to expect BA 8939 Choral score from Bärenreiter”. Psalm 22 (Organists’ Review) My God, why hast Thou Psalm 98 forsaken me / Sing to the Lord a new made Lobgesang op. 52 Mein Gott, warum hast du Song / Singet dem Herrn ein (Ger/Eng) NEW 2019 mich verlassen neues Lied MWV A 23 / Urtext / Ed. J. M. Cooper (Ger/Eng) op. posth. 91 (Ger/Eng) Piano reduction by the for mixed choir (SSAATTBB) for soloists (SATB) and two composer BA 8940 Choral score mixed choirs (SATB[2]) BA 9092-90 ° V.s. Urtext / Ed. J. M. Cooper BA 9092-91 Choral score Psalm 42 Piano reduction based in preparation As the Hart pants / on first edition. Anonymus Wie der Hirsch schreit op. 42 BA 9076-90 ° V.s. (Ger/Eng) St. Paul op. 36 (Ger/Eng) for mixed choir (SATB) and Urtext / Ed. J. M. Cooper soloists (STTBB) Piano reduction by the Piano reduction by the composer, partially adjusted composer ° = Performance material by A. Köhs Urtext / Ed. J. M. Cooper available on sale BA 9071-90 ° V.s. BA 9074-90 ° V.s. NEW 2018 = Performance material available on hire BA 9071-91 Choral score
25 Sacred and Secular Works
Mendelssohn Bartholdy, Felix (1809–1847)
Three Motets op. 69 (Ger/Eng) New musical and performing insights for mixed choir (SATB) Urtext / Ed. J. M. Cooper BA 8937 Choral score
Separate editions from op. 69 (without introduction and critical commentary):
Lord now lettest Thou Thy servant depart in peace / Herr, nun lässest du deinen Diener in Frieden fahren (Ger/Eng) for mixed choir (SATB) BA 8934 Choral score
My soul doth magnify the Lord / Mein Herz erhebet Gott, den Herrn (Ger/Eng) for mixed choir (SATB) BA 8936 Choral score
O be joyful in the Lord / Jauchzet dem Herrn, alle Welt (Ger/Eng) for mixed choir (SATB) BA 8935 Choral score
Wer nur den lieben Gott lässt walten (Ger) Cantata for solo soprano, mixed choir (SATB) and strings (organ) Ed. B. Oswald BA 6380 Score BA 6380-91 Choral score
Mendelssohn Bartholdy, Felix (1809–1847) Bach, Johann Sebastian (1685–1750) Monteverdi, Claudio (1567–1643) St. Matthew Passion BWV 244 These movements are also (Ger). Oratorio by J. S. Bach Vespro della Beata Vergine (Lat) available with piano in the arrangement by Urtext / Ed. H. Schulze et al. reduction as print-on- F. Mendelssohn Bartholdy BA 8794-90 ° V.s. demand. Urtext / Ed. K. Winkler Piano reduction by the editor Scholarly-critical Urtext “What a monumental BA 9088-90 V.s. edition orientated towards publication! The comprehensive performance practice and remarkably documented Monteverdi, Claudio foreword ... is musicologically, Detailed Critical (1567–1643) historically and liturgically of Commentary (Eng) in the great significance for the full score Canzonetten (Ital/Ger) understanding of the work and For female choir (SSA) Movements 10, 13 and 14 are its interpretation. Regarding the German text in Gothic print included in their original score, it presents the optimum BA 1562 Choral score high clef in the appendix of in layout and readability.” the full score. (L’Education musicale)
26 Sacred and Secular Works
Full scores now in affordable soft-cover editions NEW 2018 How practical! Towering masterpieces of choral music history are now appearing in handy and affordable full scores to complement the substantial linen-bound complete edition volumes. The tried-and-tested musical text remains the same, whilst the Forewords have been revised and supplemented by an English translation.
Soft-cover Soft-cover Soft-cover Soft-cover
Mozart, Wolfgang Amadeus (1756–1791)
Requiem K. 626 Mozart’s fragment completed by Franz Xaver Süssmayr Urtext / Ed. L. Nowak BA 4538-02 Score
Handel, George Frideric (1685–1759)
Messiah HWV 56 Urtext / Ed. J. Tobin BA 4012-02 Score
Haydn, Joseph (1732–1809)
Missa in Angustiis “Nelson Mass” Hob. XXII:11 (Lat) Urtext / Ed. G. Thomas BA 4660-02 Score
Missa in B-flat maj “Theresa Mass” Hob. XXII:12 (Lat) Urtext / Ed. G. Thomas BA 4661-02 Score In preparation
From: Haydn, Missa in Angustiis s “Nelson Mass” Hob. XXII:11, BA 4660-02
27 Bärenreiter Female Choir Series
The choral scene is in a state of change! More and more choirs are lacking in male voices and at the same time, more and more female choirs are looking for high-quality literature beyond folksong arrangements. The Bärenreiter Female Choir series responds to these trends by presenting arrangements for female choir (mostly SMezA) of well-known, frequently-performed works.
Fauré, Gabriel (1845–1924) NEW 2017
Messe de Requiem op. 48 (Lat) Arranged for female soloists/ choir (SSAA) by M. Bruno / I. Bredenbach BA 5695-90 ° V.s.
The vocal score is compatible with the performance material of the original work (BA 9461).
In this arrangement of Fauré’s Requiem for female voices and organ, the tenor and bass parts are distributed among the altos which has necessitated some judicious adaptations in the part-writing. The second soprano replicates the original alto part largely unchanged, while the original baritone solo From: Fauré, Messe de Requiem op. 48 · BA 5695-90 now resounds in the alto. The organ arrangement takes all three versions of the Haydn, Joseph Mozart, Wolfgang Amadeus Requiem into consideration but (1732–1809) (1756–1791) primarily follows the second version of 1893 in terms of the Missa brevis Sti Joannis de Deo Missa brevis in D maj K. 194 rhythmic presentation of the “Little Organ Mass” (186h) (Lat) instrumental parts. (Hob. XXII:7) (Lat) Arranged for female choir However, the organ part is Arranged for female choir (SMezA) by H. Breuer tailored to the arrangement (SMezAA) by H. Breuer BA 5690-90 ° V.s. rather than trying to imitate BA 5694-90 ° V.s. the sound of the orchestra. The vocal score is compatible The vocal score is compatible with the performance material
with the performance material of the original work BA 5342. of the original work BA 4653.
28
Sacred and Secular Works
Mozart, Wolfgang Amadeus Mozart, Wolfgang Amadeus Hosanna in G maj (1756–1791) (1756–1791) K. 223 (166e) (Lat) Urtext / Ed. M. Holl Missa in C maj “Coronation Alma Dei creatoris Piano reduction by A. Köhs Mass” K. 317 (Lat) K. 277 (272a) (Lat) BA 5347-90 V.s. Arranged for female choir Urtext / Ed. H. Federhofer (SMezA) by H. Breuer Piano reduction by A. Köhs Inter natos mulierum BA 5691 Score BA 4889-90 ° V.s. K. 72 (74f) (Lat) BA 5691-90 ° V.s. BA 4889-91 Choral score Urtext / Ed. M. Holl
Piano reduction by A. Köhs
The vocal score is compatible BA 4788-90 ° V.s. with the performance material BA 4788-91 Choral score of the original work BA 4880
(arranged without trombones). Kyrie in D min K. 90 (Lat)
Urtext / Ed. M. Holl
Missa in C maj “Sparrow Mass” Piano reduction by A. Köhs b K. 220 (196 ) (Lat) BA 5346-90 ° V.s. Arranged for female choir
(SMezA) by H. Breuer Kyrie in D min K. 341 (368a) (Lat)
BA 5693 Score Urtext / Ed. W. Senn
BA 5693-90 ° V.s Piano reduction by M. Focke
BA 4702-90 ° V.s.
The vocal score is compatible with the performance material Kyrie in F maj K. 33 (Lat) of the original work BA 5343. Urtext / Ed. M. Holl Piano reduction by A. Köhs Pergolesi, Giovanni Battista BA 5345-90 ° V.s. (1710–1736) Ave verum corpus K. 618 (Lat) Urtext / Ed. H. Federhofer Stabat Mater (Lat) Piano reduction by Arranged for female choir C. Heimbucher (SMezA) by M. Bruno BA 4946-90 V.s. BA 5692 Score BA 4946 Playing score BA 5692-90 ° V.s. Benedictus sit Deus The vocal score is compatible K. 117 (66a=47b) (Lat) with the performance material Urtext / Ed. H. Federhofer of the original work BA 7679. Piano reduction by A. Köhs BA 4884-90 ° V.s. Vivaldi, Antonio BA 4884-91 Choral score (1678–1741) Betulia liberata K. 118 (Ital/Ger) Gloria RV 589 (Lat) Text by P. Metastasio / Arranged for female choir E. Schmidt (SSAA) by M. Bruno Urtext / Ed. F. Tagliavini BA 8953 Score Piano reduction by H. G. Kluge BA 8953-90 ° V.s. BA 4521-90 V.s. Laudate Dominum
from the Vesperae solennes The vocal score is compatible Dixit et Magnificat de Confessore K. 339 (Lat) with the performance material K. 193 (186g) (Lat) Urtext / Eds. K. G. Fellerer, of the original work BA 7674. Urtext / Eds. K. G. Fellerer, F. Schroeder
F. Schroeder Piano reduction by M. Focke Kyrie RV 587 (Lat) Piano reduction by M. Focke BA 5339-90 ° V.s. Arranged for female choir BA 5340-90 ° V.s. (SSAA) by M. Bruno BA 5340-91 Choral score Litaniae Lauretanae B.M.V. BA 8954 Score in B-flat maj K. 109 (74e) (Lat) BA 8954-90 ° V.s. Exsultate, jubilate Urtext / Eds. H. Federhofer,
K. 165 (158a) (Lat) R. Federhofer-Königs The vocal score is compatible with additional material Piano reduction by M. Focke with the performance material from the Salzburg version BA 4890-90 ° V.s. of the original work BA 8950. Urtext / Eds. H. Federhofer, BA 4890-91 Choral score “The Bärenreiter edition R. Münster is flawless”. (Kirchenmusik Piano reduction by M. Focke im Bistum Aachen) BA 4897-90 ° V.s.
29 Sacred and Secular Works
Mozart, Wolfgang Amadeus Missa in C maj “Dominicus (1756–1791) Mass” K. 66 (Lat) Urtext / Ed. W. Senn Litaniae Lauretanae B.M.V. Piano reduction by M. Focke in D maj K. 195 (186d) (Lat) BA 4791-90 ° V.s. Urtext / Eds. H. Federhofer, BA 4791-91 Choral score R. Federhofer-Königs Piano reduction by M. Focke Missa in C min “Waisenhaus BA 4891-90 ° V.s. Mass” K. 139 (47a) (Lat) Urtext / Ed. W. Senn Litaniae de venerabili altaris Piano reduction by M. Focke Sacramento in B-flat maj BA 4858-90 ° V.s. K. 125 (Lat) BA 4858-91 Choral score Urtext / Eds. H. Federhofer, R. Federhofer-Königs Missa in C min “Waisenhaus Piano reduction by M. Focke Mass” K. 139 (47a) (Lat) BA 4763-90 ° V.s. Choir & Organ series → page 34 BA 4763-91 Choral score BA 7521 Score Missa brevis in D maj K. 194 (186h) (Lat) Litaniae de venerabili altaris Urtext / Ed. W. Senn Sacramento in E-flat maj Piano reduction by M. Focke K. 243 (Lat) BA 5342-90 ° V.s. Urtext / Eds. H. Federhofer, BA 5342-91 Choral score R. Federhofer-Königs Piano reduction by M. Focke Missa brevis in D maj BA 4892-90 ° V.s. K. 194 (186h) (Lat) BA 4892-91 Choral score Bärenreiter Female Choir series BA 5690-90 ° V.s. → page 28 Misericordias Domini K. 222 (205a) (Lat) Missa in C maj “Sparrow Urtext / Ed. H. Federhofer Mass” K. 220 (196b) (Lat) Piano reduction by A. Köhs Urtext / Ed. W. Senn BA 4789-90 ° V.s. Piano reduction by M. Focke BA 4789-91 Choral score BA 5343-90 ° V.s. BA 5343-91 Choral score
Missa brevis in G maj Missa in C maj “Sparrow Mass” K. 140 (Anh. 235d) (Lat) K. 220 (196b) (Lat) Urtext / Ed. W. Senn Choir & Organ series → page 34 Piano reduction by M. Focke BA 7522 Score BA 4736-90 ° V.s. BA 4736-91 Choral score Missa in C maj “Sparrow Mass” K. 220 (196b) (Lat) Missa in C maj “Trinity Bärenreiter Female Choir series Sunday Mass” K. 167 (Lat) BA 5693-90 ° V.s. → page 28 Urtext / Ed. W. Senn Piano reduction by M. Focke BA 4783-90 ° V.s. Missa brevis in C maj “Credo Mass” K. 257 (Lat) Missa brevis in F maj Urtext / Ed. W. Senn K. 192 (186f) (Lat) Piano reduction by M. Focke Urtext / Ed. W. Senn BA 4859-90 ° V.s. Piano reduction by M. Focke Missa brevis in G maj BA 4770-90 ° V.s. Missa brevis in C maj K. 49 (47d) (Lat) BA 4770-91 Choral score “Credo Mass” K. 257 (Lat) Urtext / Ed. W. Senn Choir & Organ series → page 34 Piano reduction by M. Focke BA 7520 Score BA 4769-90 ° V.s. BA 4769-91 Choral score
Missa brevis in D min ° = Performance material K. 65 (61a) (Lat) available on sale Urtext / Ed. W. Senn = Performance material Piano reduction by M. Focke available on hire BA 5341-90 ° V.s.
30 Sacred and Secular Works
Mozart, Wolfgang Amadeus Missa in C maj (1756–1791) “Missa solemnis” K. 337 (Lat) I love Urtext / Ed. M. Holl Missa in C maj K. 258 (Lat) Piano reduction by M. Focke Urtext / Ed. W. Senn BA 4881-90 ° V.s. Piano reduction by M. Focke singing BA 4851-90 ° V.s. with BA 4851-91 Choral score Bärenreiter
blue
Missa longa in C maj K. 262 (246a) (Lat) Urtext / Ed. W. Senn Piano reduction by M. Focke BA 4853-90 ° V.s.
Missa brevis in B-flat maj K. 275 (272b) (Lat) Urtext / Ed. M. Holl Piano reduction by M. Focke BA 5344-90 ° V.s. Missa in C min BA 5344-91 Choral score NEW 2019 Missa in C maj “Organ K. 427 (Lat) Solo Mass” K. 259 (Lat) Credo in unum, Et incarnatus Urtext / Ed. W. Senn est, Sanctus with Hosanna, Piano reduction by M. Focke Benedictus with Hosanna. BA 4852-90 ° V.s. Reconstruction and BA 4852-91 Choral score stylistically appropriate completion by U. Leisinger Urtext / Ed. U. Leisinger Piano reduction by H. Schellevis BA 9188-90 ° V.s. BA 9188-91 Choral score Bärenreiter Study TP 988 Study score In preparation Score Reader
Missa in C min K. 427 (417a) (Lat) Credo in unum Deum, Missa in C maj “Coronation Et incarnatus est, Sanctus, Mass” K. 317 (Lat) Hosanna. Reconstructed and Urtext / Ed. M. Holl completed by Helmut Eder Piano reduction by M. Focke Urtext / Ed. M. Holl BA 4880-90 ° V.s. Piano reduction by M. Focke BA 4880-91 Choral score BA 4846-90 w V.s. TP 316 Study score TP 255 Study score
Missa in C maj “Coronation Regina coeli in C maj Mass” K. 317 (Lat) K. 108 (74d) (Lat) Choir & Organ series → page 34 Urtext / Ed. H. Federhofer For further information: BA 7519 Score Piano reduction by A. Köhs www.baerenreiter.com BA 4886-90 ° V.s. Missa in C maj “Coronation BA 4886-91 Choral score Mass” K. 317 (Lat) Bärenreiter Female Choir series BA 5691-90 ° V.s. → page 28
31 Sacred and Secular Works
Sancta Maria, mater Dei Venite populi K. 260 (248a) K. 273 (Lat) (Lat) Urtext / Ed. H. Federhofer Urtext / Ed. H. Federhofer Piano reduction by A. Köhs Piano reduction by A. Köhs BA 4751-90 ° V.s. BA 4899-90 ° V.s. BA 4751-91 Choral score BA 4899-91 Choral score
Scande coeli limina K. 34 (Lat) Vesperae solennes Urtext / Ed. H. Federhofer de Confessore K. 339 (Lat) Piano reduction by A. Köhs Urtext / Eds. K. G. Fellerer, BA 4882-90 ° V.s. F. Schroeder BA 4882-91 Choral score Piano reduction by M. Focke BA 4894-90 ° V.s. Shorter Sacred Works BA 4894-91 Choral score Choir & Organ series → page 29
BA 7523 Score Vesperae solennes de Dominica K. 321 (Lat) Tantum ergo K. 142 Urtext / Eds. K. G. Fellerer, Mozart, Wolfgang Amadeus (Anh. 186d) (Lat) (1756–1791) F. Schroeder Mozart’s arrangement Piano reduction by M. Focke of Friedrich Zachow’s BA 4893-90 ° V.s. Regina coeli in B-flat maj Tantum Ergo with K. 127 (Lat) BA 4893-91 Choral score newly composed Amen Urtext / Ed. H. Federhofer Urtext / Ed. H. Federhofer Piano reduction by A. Köhs Piano reduction by A. Köhs BA 4887-90 ° V.s. BA 4752-90 ° V.s. BA 4887-91 Choral score BA 4752-91 Choral score
Regina coeli in C maj Tantum ergo K. 197 (Anh. 186e) K. 276 (321b) (Lat) (Lat) Urtext / Ed. H. Federhofer Urtext / Ed. H. Federhofer Piano reduction by A. Köhs Piano reduction by A. Köhs BA 4888-90 ° V.s. BA 4753-90 ° V.s. BA 4888-91 Choral score BA 4753-91 Choral score
Requiem K. 626 (Lat) Mozart’s fragment in the version completed by Franz Xaver Süssmayr Urtext / Ed. L. Nowak Mozart, Wolfgang Amadeus Piano reduction by H. Moehn (1756–1791) / (Reviewed and revised Handel, George Frideric by A. Wissemann) (1685–1759) NEW 2018 BA 4538-02 Score (soft-cover) The Messiah K. 572 (Ger) → page 27 Urtext / Ed. A. Holschneider Oratorio by G. F. Handel in the BA 4538-90 ° V.s. → page 33 arrangement by W. A. Mozart TP 152 Study score Piano reduction by E. Barthel BA 4529-90 V.s. Requiem K. 626 (Lat) Te Deum laudamus Choir & Organ series K. 141 (66b) (Lat) Das Alexander-Fest / BA 7518 Score → page 34 Urtext / Ed. H. Federhofer Alexander’s Feast K. 591 (Ger) Piano reduction by A. Köhs Cantata in two parts Requiem K. 626 BA 4885-90 ° V.s. by G. F. Handel in the Facsimile of the autograph arrangement by W. A. Mozart score held in the Austrian Veni Sancte Spiritus K. 47 Urtext / Ed. A. Holschneider National Library (Lat) Piano reduction by ISBN 978-3-7618-2346-0 Urtext / Ed. H. Federhofer K. Ameln and A. Wissemann → page 47 Piano reduction by A. Köhs BA 4527-90 V.s. BA 4883-90 ° V.s. BA 4883-91 Choral score
32 Sacred and Secular Works
Mozart's “Requiem” Piano reduction now revised ...... and compatible with all existing performance material
BA 4538-90 ° V.s.
• Larger notation in the vocal parts
• Larger typeface
• Revised musical text • Improved readability
This vocal score now A more exact spacing of A Foreword (Ger/Eng) by includes a revised piano underlaid words has been authoritative Requiem reduction: The old Moehn included in the vocal parts. connoisseur Christoph Wolff is
piano reduction has been included, describing the work’s Apart from corrections the maintained, but corrected genesis and its musical features. and uncluttered. musical text remains unchanged.
33 Sacred and Secular Works
Bärenreiter Choir & Organ Series “Choir & Organ presents a great opportunity for all choirs to sing the great choral repertoire without the need for an orchestra – these versions will help to keep these works alive and in the hearts of all lovers of choral music.” (Bob Chilcott) ● Ideal for choral conductors and choirs who wish to perform well-known choral works without the expense of an orchestra ● Only one edition needed for soloists, singers and organists ● Choir and solo parts remain true to the original: original orchestral parts are transcribed into easy-to-play organ parts ● Scoring mostly for soloists (SATB), mixed choir (SATB) From: Fauré, Requiem op. 48 · BA 7513 and organ
Bach, Carl Philipp Emanuel Dvořák, Antonín Mozart, Wolfgang Amadeus Magnificat Wq 215 Mass in D maj op. 86 (Lat) Requiem K. 626 (Lat) Arranged by A. Köhs Urtext / Eds. J. Burghauser, Arranged by M. Focke BA 7517 Score A. Čubr BA 7518 Score BA 7511 Score Bach, Johann Sebastian Shorter Sacred Works Festive Choral Settings Fauré, Gabriel Arranged by A. Köhs from Cantatas Requiem op. 48 (Lat) BA 7523 Score Arranged by I. Bredenbach Arranged by I. Bredenbach for mixed choir (SATB) BA 7513 Score Saint-Saëns, Camille and organ Oratorio de Noël op. 12 Mozart, Wolfgang Amadeus “Christmas Oratorio” (Lat) BA 7527 Score Missa in C min “Waisenhaus Separate organ part Arranged by A. Köhs Mass” K. 139 (47a) (Lat) BA 7514 Score BA 7527-67 PoD Arranged by M. Focke
BA 7521 Score Schubert, Franz Choral movements from the Missa in G maj D 167 (Lat) Christmas Oratorio Part I-III Missa in C maj “Sparrow Mass” b Arranged by M. Gerisch BWV 248 K. 220 (196 ) (Lat) BA 7512 Score Arranged by H. Gehring Arranged by M. Focke BA 7522 Score for mixed choir (SATB) Vivaldi, Antonio and organ Missa brevis in C maj Introduzione al Gloria. BA 7525 Score “Credo Mass” K. 257 (Lat) Gloria in D maj Arranged by M. Focke RV 642, 589 (Lat) Bruckner, Anton BA 7520 Score Arranged by M. Focke Te Deum WAB 45 (Lat) BA 7515 Score Arranged by A. Köhs Missa in C maj “Coronation BA 7524 Score Mass” K. 317 (Lat) Magnificat RV 610/611 (Lat) Arranged by M. Focke Arranged by A. Köhs BA 7519 Score BA 7516 Score
34 Sacred and Secular Works
Pachelbel, Johann (1653–1706) Pergolesi, Giovanni Battista (1710–1736) Christ lag in Todesbanden / Christ lay in grim death’s prison Mass in F major (Ger/Eng). Easter Cantata for “Missa Romana” (Lat) soloists (SATB), choir (SATB), Urtext / Eds. M. Bruno, C. Ritchie strings, bassoon and bc Piano reduction by M. Bruno Ed. H. H. Eggebrecht BA 8958-90 ° V.s. BA 2875 ° Score BA 2875-91 Choral score This Urtext edition presents the work for the first time in Magnificat anima mea (Lat) the four-choir version that Motet for mixed choir (SATB) Pergolesi wrote for a and bc performance in Rome. Ed. H. H. Eggebrecht Choirs III and IV are reproduced BA 2877 Singing score in smaller type and are added choirs but also in the delightful to the version for double choir Nun danket alle Gott / Now enlarged version for four choirs. in order to intensify the overall thank we all our God (Ger/Eng) sound. Motet for mixed choir “For this luminous show- (SATB+SATB) and bc piece, it would be hard to This allows the work to be imagine a better edition.” Ed. H. H. Eggebrecht performed not only with two BA 2873 Singing score, (Organists’ Review) playing score Pergolesi, Giovanni Battista (1710–1736)
Vespro della Beata Vergine / Vespers (Lat) A reconstruction. Eds. M. Bruno, E. Higginbottom, R. Ross Piano reduction by M. Bruno BA 7675-90 V.s.
Puccini, Giacomo (1858–1924) NEW 2019 Messa a 4 voci (Lat) Urtext / Ed. H. Schellevis Piano reduction by the editor BA 8965-90 ° V.s. BA 8965-91 Choral score In preparation
35 Sacred and Secular Works
Pergolesi, Giovanni Battista Missa in A-flat maj D 678 (Lat) (1710–1736) (Second version) I love Urtext / Ed. D. Finke-Hecklinger Stabat Mater Piano reduction by A. Köhs for Soprano, Alto, Strings and singing BA 5623-90 ° V.s. Basso continuo (Lat) with Urtext / Eds. M. Bruno, C. Ritchie Missa in B-flat maj op. post. 141 Piano reduction by M. Bruno Bärenreiter D 324 (Lat) BA 7679-90 ° V.s. Urtext / Ed. R. Dalmonte Piano reduction by O. Kroupová Stabat Mater (Lat) blue BA 5621-90 ° V.s. Bärenreiter Female Choir series BA 5621-91 Choral score BA 5692-90 ° V.s. → page 28 Ryba, Jakub Jan (1765–1815) Missa in C maj op. 48 Purcell, Henry D 452 (Lat) (1659–1695) Czech Christmas Mass (Cz/Ger) Urtext / Ed. P. P. Scattolin for soloists (SATB) and mixed Piano reduction by O. Kroupová Evening Service choir (SATB) Revised edition Magnificat and Nunc dimittis H 5572 V.s. BA 5622-90 ° V.s. (Ger/Eng) for soloists (SSATB or BA 5622-91 Choral score small choir) and choir (SATB) Saint-Saëns, Camille Ed. J. Just (1835–1921) BA 2923 Choral score
Oratorio de Noël op. 12
O, sing unto the Lord / Singt, “Christmas Oratorio” (Lat)
o singt dem Herrn (Ger/Eng) Choir & Organ series → page 34
Anthem for soloists (SATB), BA 7514 Score
choir (SATB) and strings Ed. J. Just Schein, Johann Hermann BA 2901 ° Score (1586–1630) BA 2901-91 Choral score
Die mit Tränen säen Reger, Max Motet no. 3 from (1873–1916) “Israelsbrünnlein” for mixed choir (SSATB) and bc Sacred Choral Music BA 2553 Choral score, a cappella (Ger) playing score Urtext / Ed. M. Chizzali BA 7549 Ich freue mich im Herren (Ger) Missa in F maj D 105 (Lat) Motet no. 14 from Tantum ergo (1895), Maria Urtext / Ed. T. Pecker Berio "Israelsbrünnlein" for mixed Piano reduction by O. Kroupová Himmelsfreud (1899-1900), choir (SSATB) and bc Acht Grabgesänge (ca. 1900), BA 5624-90 ° V.s. BA 2564 Choral score, BA 5624-91 Choral score Acht Marienlieder op. 61D playing score (1901), Sechs Trauergesänge Missa in G maj D 167 (Lat) op. 61G (1901), Schubert, Franz Choir & Organ series → page 29 Palmsonntagmorgen (1902), (1797–1828) Vier Kirchengesänge (1904), BA 7512 Score Easter motet: Lasset uns German Mass D 872 (Ger) Die schöne Müllerin den Herren preisen (1911), Second definitive version arranged for mixed choir Abschiedslied (1914), Acht Urtext / Ed. M. Kube a cappella (SATB) geistliche Gesänge op. 138 Piano reduction by M. Kube BA 6596 Singing score (1914) BA 7599-90 ° V.s. BA 7599-91 Choral score Rossini, Gioachino (1792–1868) NEW 2019 Stabat Mater Petite Messe solennelle Magnificat NEW 2019 in G min D 175 (Lat) BA 10501-90 → page 37 in C maj D 486 (Lat) Urtext / Ed. R. Faber Urtext / Ed. R. Faber Piano reduction by A. Köhs Piano reduction by A. Köhs BA 5656-90 ° V.s. BA 5657-90 ° V.s. ° = Performance material In preparation available on sale In preparation
36 Sacred and Secular Works
An award-winning edition
The Claude Palisca Prize 2010
Rossini, Gioachino (1792–1868) Petite Messe solennelle (Lat) Urtext / Eds. P. B. Brauner, P. Gossett Piano reduction by A. Köhs BA 10501-90 ° V.s. NEW 2017 BA 10501-91 Choral score
Winner of the Claude Palisca Prize 2010 awarded by the American Musicological Society for Best Musical Edition
This edition presents Rossini‘s original chamber music setting of the Petite Messe solennelle for two pianos and harmonium.
This unusual instrumentation is entirely in keeping with the Neapolitean keyboard tradition of the 18th century which was cultivated in Based on the Urtext of the “… it is very difficult to France during Rossini‘s day. It series Works of Gioachino imagine anyone arriving at a forms a distinct contrast to Rossini more scholarly, accurate, and the style of large-scale sacred practically useful text than this.” compositions as written Foreword (Eng/Ital/Ger) (Classics today) by, for example Liszt and Bruckner. With a separate “This edition . is the harmonium part and one definitive version” part for pianos I and II (The American Organist)
37 Sacred and Secular Works
Revised edition of “Geistliche Chor-Music”
Selected motets available So fahr ich hin zu Jesu Christ in individual octavo editions: SWV 379 (No. 11) BA 7971 Choral score With modern notation and layout, retention of the Also hat Gott die Welt geliebt original keys and an SWV 380 (No. 12) integrated figured bass BA 7972 Choral score realisation The ‘choral’ parts can be O lieber Herre Gott, wecke uns performed by instruments auf SWV 381 (No. 13) as well as voices. For purely BA 7973 Choral score instrumental performances - order parts under BA 5901 and Das Wort ward Fleisch BA 5902 SWV 385 (No. 17) BA 7977 Choral score Verleih uns Frieden genädiglich SWV 372 (No. 4) Die Himmel erzählen die Ehre BA 7964 Choral score Schütz, Heinrich Gottes SWV 386 (No. 18) (1585–1672) Gib unsern Fürsten und aller BA 7978 Choral score Obrigkeit SWV 373 (No. 5) Sacred Choral Music BA 7965 Choral score Das ist je gewisslich wahr Urtext / Based on Werner SWV 388 (No. 20) Unser keiner lebet ihm selber Breig’s edition published BA 7980 Choral score in The New Schütz Edition SWV 374 (No. 6) BA 7966 Choral score Ich bin ein rechter Weinstock The five-part motets Herr, auf dich traue ich (Nos. 1-12, SWV 369-380) (Ger) SWV 389 (No. 21) SWV 377 (No. 9) BA 7981 Choral score BA 5901 ° Choral score BA 7969 Choral score
The six and seven-part motets Die mit Tränen säen, werden mit Selig sind die Toten (Nos. 13-29, SWV 381-397) (Ger) Freuden ernten SWV 378 (No. 10) SWV 391 (No. 23) BA 5902 ° Choral score BA 7970 Choral score BA 7983 Choral score
Schütz, Heinrich Magnificat SWV 468 (Ger) (1585–1672) for favoritchoir (SATB[solo)], I love 2 capellchoirs (SATB [tutti)], Deutsches Magnificat 1671 2 instrumental choirs and bc “Meine Seele erhebt den singing BA 4334-91 ° Choral score Herrn” SWV 494 (Ger) with BA 4334-92 ° Choral score from Der Schwanengesang BA 4334-93 ° Choral score for two mixed choirs (SATB+ Bärenreiter SATB). Transposed a whole Singet dem Herrn ein neues tone higher. Ed. K. Ameln Lied SWV 35 (Ger) BA 2155 Choral score blue Psalm no. 98 for two mixed choirs (SATB+SATB) Die sieben Worte Jesu Ed. W. Ehmann Christi am Kreuz SWV 478 (Ger) BA 2398 Choral score for soloists (SATTB), mixed choir (SATTB), strings and bc Zwölf Geistliche Gesänge (Ger) Solo voices / instrumental Historia der Geburt Jesu for mixed choir (SATB) and bc parts available separately Christi SWV 435 (Ger) ad lib. Ed. B. Grusnick Urtext/ Ed. F. Schöneich BA 6948 Choral score Gothic print BA 1709 ° Score BA 1577 ° Score BA 1709-91 Choral score BA 1577-91 Choral score TP 132 Study score
38 Sacred a Secular Works
Seither, Charlotte Donnerode TVWV 6:3 (Ger) Die Hirten bei der Krippe zu (*1965) Oratorio in two parts Bethlehem TVWV 1:797 (Ger) Urtext / Ed. W. Hobohm Sacred Cantata Guarda in giù for 12-part choir Piano reduction by A. Köhs Urtext / Ed. W. Hobohm (Ger) (2012). For mixed choir BA 5900-90 V.s. Piano reduction by M. Focke (SSSAAATTTBBB) BA 5852-90 ° V.s. BA 11027 Choral score Du aber, Daniel, gehe hin (Ger) Funeral cantata for soloists Der jüngste Tag wird bald sein
(SB), mixed choir (SATB), flute, Ziel erreichen / The Last of Days Oculi. (Ger) (2017) NEW 2018 oboe, strings and organ shall reach its destination Three easy sacred pieces for Ed. G. Fock TVWV 1:301 (Ger/Eng) female choir (3-5 parts) BA 3583-91 ° Choral score Cantata for the Second Advent BA 11098 Choral score Urtext / Ed. U. Poetzsch-Seban In preparation Gelobet sei der Herr Piano reduction by A. Köhs TVWV 1:602/1216 (Ger) BA 7671-90 ° V.s. Oratorio for St John's Day Laudate Jehovam Urtext / Ed. U. Poetzsch “Auf! Lobet den Herren” (Lat/ Piano reduction by A. Köhs Ger). Psalm no. 117 for mixed BA 5899-90 V.s choir (SATB), two violins and bc BA 5899-91 Choral score Ed. E. Valentin
Telemann’s two-part oratorio BA 2900-91 ° Choral score appeared as part of the “great Nun komm der Heiden Heiland / oratorio year” of 1730/31. Come thou of man the Saviour Richly scored hitherto TVWV 1:1174 (Ger/Eng). Cantata unknown work for the First Sunday of Advent Urtext / Ed. U. Poetzsch-Seban Interesting addition to the Piano reduction by A. Köhs repertoire for church as well BA 7677-90 ° V.s. as concert choirs Johannespassion (1745) Gelobet seist du, Jesu Christ / “Ein Lämmlein geht und trägt Telemann, Georg Philipp We praise your name die Schuld” TVWV 5:30 (Ger) (1681–1767) TVWV 1:612 (Ger/Eng). Urtext / Ed. W. Hirschmann Cantata for the Second Day of Piano reduction by O. Kroupová Die Auferstehung und Christmas BA 5310-90 V.s. Himmelfahrt Jesu TVWV 6:6 (Ger) Urtext / Ed. U. Poetzsch-Seban Urtext / Ed. R.J. Reipsch Piano reduction by A. Köhs Matthäus-Passion (1746) Piano reduction by A. Köhs BA 7676-90 ° V.s. for mixed choir (SATB) (Ger) BA 5851-90 V.s. SM 2349-91 Choral score “All in all high-quality Christus, der ist music which has been evaluated Der Tod Jesu TVWV 5:6 (Ger) mein Leben TVWV 1:138 (Ger) “in the field” for performers.” Urtext / Ed. W. Hobohm Urtext / Ed. U. Poetzsch (Journal Kirchenmusik) Piano reduction by A. Köhs Piano reduction by A. Köhs BA 5853-90 V.s. BA 5897-90 ° V.s. Gott der Hoffnung erfülle Trojahn, Manfred euch TVWV 1:634 (Ger). (*1949) This is the first scholarly- Cantata for the first day of critical edition of the highly Whitsun Ungewisses Licht (Ger) (2014) successful chorale setting Urtext / Ed. M. Richter 4 fragments for 8-part choir (1754) of the church hymn Piano reduction by A. Köhs for mixed choir (SSAATTBB) Christus, der ist mein Leben, BA 5898-90 ° V.s BA 11061 Choral score based on M. Vulpius’s melody from the Hamburg Hymnal. In 1717 Telemann composed Verdi, Giuseppe The work is especially well- this cantata based on a text (1813–1901) suited to display Telemann’s by Erdmann Neumeister. It Messa da Requiem (Lat) mastery in depicting the words forms part of the Concerten- BA 7590-90 → page 40 of the chorale. The so-called Jahrgang, also known as ‘Ausfüllungsbass’ (a vocal bass Das Harmonische Zion or added to the principal bass in Italienischer Jahrgang and has ° = Performance material tutti passages) was probably been colourfully scored. Vocal available on sale necessitated by the acoustical soloists, choir and instruments = Performance material properties of Hamburg’s have equal musical standing in available on hire churches. this festive cantata.
39 Sacred and Secular Works
“… Obviously, this is the latest and most comprehensive edition and
the one that should supplant all others on music library shelves.” (The American Organist)
The genesis of some Verdi's monumental work in misunderstandings included a Bärenreiter Urtext edition in the 1913 and 1964 Ricordi editions is traced. The first Trilingual preface in the version of the Liber scriptus score (Ital/Eng/Ger) for chorus is included in the Detailed Critical appendix while the later Commentary (Eng) version for mezzosoprano solo is to be found in the main part Idiomatic well-presented of the edition. piano reduction
Verdi, Giuseppe (1813–1901) Messa da Requiem (Lat) Urtext / Ed. M. Uvietta Piano reduction by A. Campora BA 7590-90 ° V.s. For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem; some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the Liber scriptus, was newly discovered. As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work. This edition comprises a concise Critical Commentary in the score as well as a detailed one on the Bärenreiter website. The most important editions published in the 19th century are compared with regard to musicological questions in the work.
40 Sacred and Secular Works
Vivaldi, Antonio (1678–1741)
Gloria RV 589 (Lat) Urtext / Ed. M. Bruno Piano reduction by M. Bruno BA 7674-90 ° V.s. BA 7674-91 Choral score
Gloria RV 589 (Lat) Bärenreiter Female Choir series BA 8953-90° V.s. → page 28
Introduzione al Gloria. Gloria in D maj RV 642, 589 (Lat) Choir & Organ series → page 34 BA 7515 Score
Kyrie RV 587 (Lat) The Missa Divi Xaverii ZWV 12, Urtext / Ed. M. Bruno an expansive and unusually Piano reduction by M. Bruno richly scored work, marks BA 8950-90 ° V.s. a highlight in the œuvre of Zelenka. It was composed in Kyrie RV 587 (Lat) 1729 while he was working at Arranged for female choir the Dresden court. (SSAA) Bärenreiter Female Choir series The principal source of this BA 8954-90° V.s. → page 28 first edition is the damaged autograph score which had Magnificat RV 610/611 (Lat) long been kept under lock and Choir & Organ series key. Passages missing because → page 34 of its damaged condition BA 7516 Score have been supplemented using secondary sources or reconstructed by Václav Luks, Zelenka, Jan Dismas clearly marked as such in the (1679–1745) musical text.
Missa Divi Xaverii ZWV 12 (Lat) for soloists, mixed choir and “It is good that Zelenka’s ° = Performance material orchestra work is now receiving its due available on sale Urtext / Ed. V. Luks through to scholarly editions as = Performance material Piano reduction by P. Kornfeld this.” (Organists’ Review) available on hire BA 9594-90 V.s.
41 Popular Choral Music and Collections
Major opera choruses
Bärenreiter Album of Opera Choruses for Mixed Choir NEW 2017 BA 6924 V.s.
This album for mixed choir and piano contains a selection of richly varied choruses from Italian, French, German, English and Russian operas from the 17th to 19th centuries, illuminating the great diversity of the genre. A foreword (Ger/Eng) places the choruses in their dramatic context and includes Christmas a cappella suggestions for study and for mixed choir (SATB) interpretation. Ed. G. Buckland BA 7573
Monteverdi, Claudio: "Vieni Imeneo - Lasciate i monti, lasciate “The greatest strength of i fonti” (L'Orfeo) / Handel, George Frideric: "Smiling Venus, queen this collection is its sheer of love" (Acis and Galatea HWV 49b) / Gluck, Christoph Willibald: scope, containing over 170 "Regna a noi con lieta sorte" (Alceste [Vienna Version 1767]) / carols many of which are the traditional favourites. For this Mozart, Wolfgang Amadeus: "Placido è il mar, andiamo" fact alone, many choirs will (Idomeneo K. 366) / Schubert, Franz: "Lasst Friede in die Hallen des find this book excellent value Fürstensitzes ziehn" (Fierabras D 796) / Bellini, Vincenzo: "Guerra, for money.” guerra!" (Norma) / Saint-Saëns, Camille: "L'aube qui blanchit déjà (Church Music Quarterly) les coteaux" (Samson et Dalila) / Bizet, Georges: "Les voici, voici la quadrille !" (Carmen) / Tchaikovsky, Peter: "Bolijat moi skory nožen'ki“ (Eugene Onegin) (Cyrillic text with transliteration) Christmas for female voices Ed. G. Buckland This edition contains the most BA 7598 attractive and frequently sung pieces from the series Jazz im This collection includes Chor. The pieces include jazz many well-known Christmas standards, ballads and gospel melodies in traditional as well numbers. as more popular settings from many countries around the Chor aktuell Female Voices world. All pieces are arranged (SSAA/SMA) for two female voice parts Ed. K. Suttner, S. Kalmer, with a piano accompaniment K. Ehmer, M. Frey but a third optional voice part BE 2498 is also included in many cases.
Chor aktuell Female Voices A selection: A child this contains more than 70 choral day is born / Es ist ein Ros arrangements of sacred as well entsprungen / Entre le bœuf / as secular songs from all over Joy to the world / Les anges de the world which cover musical nos campagnes / O Heiland, Best of Jazz im Chor styles such as pop, gospel, reiß die Himmel auf / Orientis (Eng) avant-garde and folk. partibus / Quando nascette for mixed choir (mostly SATB) ninno / The Carol of the Ed. C. Schönherr Distribution rights for Europe Drum / The first Nowell BE 488 Choral score and Japan
42 Popular Choral Music and Collections
Groove Sisters BA 8957 Full score (Eng) for female voices (SSAA) BA 8957-91 Choral score and piano for mixed choir Ed. M. Carbow BA 8957-97 Choral score BE 499 Choral score for children’s choir, equal-voice choir (SSA)
Groove Sisters brings together This collection by Gerd-Peter rock-jazz songs and gospel Münden presents carols in new numbers in a selection settings as a welcome addition for female voices. The to the Christmas literature and arrangements come with a will enrich the repertoire of an piano accompaniment but adults’ or children’s choir. can also be sung a cappella. There comes a galley, laden / A selection: O Saviour, open heaven’s gate / He Is Always Close To You / O Lord, how shall I meet you / He Is The Lord / I Set My Sail / Angels, from the realms of glory / He Is Making Us Sing / As I was watching o’er my Sheep / Free Your Soul / A Rainy Day / Good Christian men, rejoice never before appeared in print, Lift Your Head Up High written in an authentic idiom
for three women’s or girls’
Hits from Jesus Christ Superstar voices with piano accompaniment.
(Eng) All the arrangements can be 4 pieces for mixed choir (SATB) combined with the already a cappella published edition 64 Spirituals Ed. S. Kalmer (BA 7574) which is for SATB. To BE 429 Choral score give you an example: a children’s
choir working with our new Everything’s alright / edition can appear with a I Don’t Know How to Love mixed chorus that has already Him / The Last Supper / mastered the settings of King Herod’s Song BA 7574. In addition twelve of the
arrangements can be enhanced Worldwide distribution rights by instrumental accompaniments. excluding the USA and Canada These are to be found in the ComboCom series Spirituals Let's Get Singing edition (BA 6699) which offers for mixed choir (mostly SATB) flexible instrumental settings. Ed. K. Suttner, S. Kalmer, 64 Spirituals a cappella B. G. Mettke, M. Frey (Eng) for mixed choir Stevens, Cat BE 2439-01 (SATB to 10 parts) Wild World (Eng) Ed. G. Buckland for mixed choir (SATB) Over 100 pieces from BA 7574 Ed. S. Kalmer
more than 30 countries BE 727 This collection offers a treasure Includes sacred as well trove of the most beautiful Weltmusik für Chor / as secular pieces and gospel and spiritual numbers Christmas music World Music for Choir which every choir will want to for mixed choir (SATB) Of moderate difficulty sing over and over again. Ed. R. Dost BE 468 with audio CD Audio CD A selection: Go down Contains spoken texts to Moses / Amen / Michael row This edition contains nine assist in the pronunciation the boat ashore / Rock my soul / specially chosen pieces from of the foreign languages used. This little light of mine / countries all over the world in 99 tracks, approx. 70 minutes The Gospel train vibrant arrangements which ISBN 978-3-7649-2437-9 should appeal particularly to the 33 Spirituals for Upper Voices younger choir singer. Münden, Gerd-Peter (Eng) for female choir or The accompanying CD includes (*1966) children's choir (SMezA) and complete performances of all piano. Ed. G. Buckland the pieces, recordings of the Six Motets for Christmas BA 7572 individual vocal parts as well as for mixed choir (SSATBB), instructive information on the children’s choir, youth choir This edition offers exciting background, interpretation and original arrangements that have pronunciation. (SSA), organ ad. lib. (Ger/Eng) 43 Facsimiles
Bach, Johann Sebastian (1685–1750) Johann Sebastian Bach “Allein zu dir, Herr Jesu Christ” BWV 33 St. Matthew Passion BWV 244 Cantata for the 13th Sunday after Trinity. Edited by Christoph Wolff and Peter St. Matthew Passion BWV 244 Wollny. Autograph score, Facsimile of the autograph score original parts, text from 1724. in the Staatsbibliothek zu Berlin Facsimile series Bachscher – Preußischer Kulturbesitz Werke und Schriftstücke, With a commentary by Christoph New Series, Volume V Wolff, Martina Rebmann and Boxed set of 24 pages (score), Barbara Schneider-Kempf (Eng/Ger) 54 pages (parts), 16 pages (text) Documenta musicologica II,47 and 16 pages (commentary) 168 pages facsimile and ISBN 978-3-7618-2201-2 26 pages of commentary Bärenreiter Facsimile Half-leather binding, hardback Mass in B min BWV 232 ISBN 978-3-7618-2294-4 Facsimile of the autograph score in the Staatsbibliothek zu Berlin. Edited by Christoph Wolff. 218 pages of facsimile and a 36 page introduction (Eng/Ger/Jap); Linen-bound with silver embossing Documenta Musicologica II/35 Bärenreiter Facsimile ISBN 978-3-7618-2194-7
“This facsimile edition is a model for the presentation of musical sources, both in appearance and in documentation. Wolff’s facsimile will serve as foundational tools”. (Notes, December)
Johann Sebastian Bach Autograph score and original parts reunited
Bach, Johann Sebastian Faksimile-Reihe Bach’scher Werke (1685–1750) und Schriftstücke. Neue Folge, edited by the Bach “O Ewigkeit, du Donnerwort” Archive Leipzig (Peter Wollny), BWV 20 Volume IX Cantata for the 1st Sunday Documenta musicological II/52, after Trinity ISBN978-3-7618-2447-4 Limited edition Autograph score and original Limited edition of parts: Two 4-colour facsimile 250 copies fascicles (24 + 64 pages, each in a facsimile cover) With a Commentary by and a Commentary booklet Peter Wollny (Ger/Eng, 16 pp) in a slipcase
44 Facsimiles
“One of the most grandiose artistic working processes ever documented in the history of music” Hans-Joachim Hinrichsen
Ludwig van Beethoven Missa solemnis op. 123 NEW 2017 Facsimile of the autograph score held in the Staatsbibliothek zu Berlin - Preussischer Kulturbesitz With a commentary by Hans-Joachim Hinrichsen and With fold-out pages Martina Rebmann glued in by hand Documenta musicologica II, 51 340 pp. of facsimile and 29 pp. of Commentary (Eng/Ger); Bärenreiter Facsimile Half-leather binding, hardback ISBN 978-3-7618-2395-8
Beethoven struggled with the Missa solemnis for years. How difficult and intense this work process was, is clearly detective-like manner. In stubs and fold-out pages, reflected in the autograph. addition Martina Rebmann, thereby emulating the feel of Apart from the many head of the music department, the original source. Judicious corrections there are several explains how this and other inscriptions with movement torn-out pages. Sometimes autographs were gradually headings, continuous Beethoven could only proceed acquired for the Beethoven pagination, scholarly foliation by stitching replacement pages collection in the Berlin and measure numbers help into the manuscript. Staatsbibliothek. readers to find their way more Reproduced in high-quality easily in the manuscript. Beethoven authority Hans- four-colour printing, the Joachim Hinrichsen unveils facsimile replicates the page “A wonderful jewel for all the stages of its genesis in an Beethoven lovers” (VEKÖ) understandable and rather
Beethoven, Ludwig van “Best Edition 2008” (1770–1827) “What a joy for all of us Symphony No. 9 to have a readily available op. 125. Facsimile of facsimile of Beethoven 9 at the autograph score in the last. Del Mar’s work on the Staatsbibliothek zu Berlin – symphonies has become the Preußischer Kulturbesitz, the gold standard of contemporary Beethoven-Haus Bonn and editing for us all, an astonishing the Bibliothèque nationale work of scholarship which is de France. 422 + 11 pages miraculously practical. These of facsimile and 40 pages two virtues are not often introduction (Eng/Ger/Jap); bedfellows … I welcome his half-linen, hardback guiding hand on this new Documenta Musicologica II/42 project, and look forward to Bärenreiter Facsimile a fascinating exploration.” ISBN 978-3-7618-2169-5 (Sir Simon Rattle)
45 Facsimiles
George Frideric Handel Messiah HWV 56
Buxtehude, Dietrich (1637–1707)
Herr, ich lasse dich nicht BuxWV 36 Facsimile of the autograph set of parts in the Uppsala University Library including a new full score critical edition. Edited by P. Wollny with a foreword (Ger/Eng). Documenta Musicologica II/37 ISBN 978-3-7618-1958-6
Our facsimile edition, in four-color reproduction, is preceded by a brief commentary in German and English in which Peter Wollny Messiah HWV 56 In 2009, to mark the 250th discusses notation, textual Facsimile of the autograph score anniversary of Handel’s transmission and performance in the British Library, London. death, the British Library and practice. Edited by Donald Burrows. Bärenreiter joined forces and 284 pages of facsimile and made the autograph score of a 56 page introduction the Messiah available to the (Eng/Ger/Jap); half-linen public in a meticulously Documenta Musicologica II/40 reproduced, lavishly published Bärenreiter Facsimile facsimile. ISBN 978-3-7618-2109-1 The renowned Handel scholar No distribution rights Donald Burrows introduces for the UK the characteristics of Handel’s manuscript, describes The first performance of the history of the work’s George Frideric Handel’s composition, and explains Please see oratorio Messiah on 13 April the differences between later 1742 in Dublin aroused versions of the Messiah, as the website unqualified rapture. A reflected in the conducting newspaper report a few days scores. A two-page sketch www.baerenreiter.com later declared that it combined from the Fitzwilliam Museum “the Sublime, the Grand, and for more detailed Cambridge completes the the Tender”. Its success has publication. information on remained undiminished ever since, and the Messiah has individual editions. taken its place in musical life.
46 Facsimiles
Mozart’s Requiem · Truth and Legend
Wolfgang Amadeus Mozart Requiem K. 626
Facsimile of the autograph score held in the Austrian National Library. With a commentary by Christoph Wolff and Günter Brosche. 200 pp. of facsimile and 35 pp. of Commentary (Eng/Ger), half-leather binding, pages individually trimmed. Bärenreiter Facsimile ISBN 978-3-7618-2346-0
Mozart’s Requiem is fraught with questions and emotions: the expressive depth of its music, sorrow at the great composer’s early death, truth and legend, fragments and attempts to complete the work.
Bärenreiter NOTES NEW 2017 NEW 2018
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...... l A student lesson book ...... l A general notebook ...... l A gift ...... Format: A 6 (10.5 cm x 14.8 cm / ...... 4.1 inches x 5.8 inches) ...... 32 pages · binding stapled ......
...... BA 8100 Mozart red
...... BA 8100-24 Telemann green
...... BA 8100-27 Debussy blue
www.baerenreiter.com The Musicians’ Choice BA 8100-29 Bach blue
47 Beethoven fauré
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