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Bärenreiter Choral Music a Selection 2018/2019

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Y O U R N E X T P E R F O R M A N C E I S W O R T H I T Bärenreiter Choral Music A selection 2018/2019 Bärenreiter Urtext 1 The Bärenreiter blue vocal scores I love are the gold standard for singers all over the world. These editions represent singing our Urtext choral catalogue and are with musicologically sound as well as practical. For the majority of the choral works Bärenreiter orchestral parts are available for sale. In addition to the Urtext editions we also publish choral collections and high-quality blue facsimiles of choral works. S acred and Secular Works .........................................................................................4–41 Popular Choral Music and Collections ...............................................................42–43 Facsimiles ................................................................................................................... 44–47 ABBREVIATIONS AND KEY TO FIGURES Ed. Editor Review Bc/bc Basso continuo Performance material Cz Czech text ° available on sale B ärenreiter-Verlag Eng English text Performance material Karl Vötterle GmbH & Co. KG Fr French text available on hire International Department Ger German text Best Edition Prize awarded Heinrich-Schütz-Allee 35–37 Ital Italian text by the German Music 34131 Kassel · Germany Lat Latin text Publishers Association BA Bärenreiter Edition www.baerenreiter.com BE Bosse Edition Content valid as of April 2018. [email protected] H Bärenreiter Praha Errors excepted and delivery terms www.barenreiter.co.uk PoD Print on Demand subject to change without notice. SM Süddeutscher Musikverlag Printed in Germany TP Study score Artists' photos pages 1, 3: 5/1804/11,5 · SPA 30 V.s. Vocal score (includes all Marco Borggreve solo voices, choral voices and a piano reduction) Design of pages 1, 3: Contents Dave Warden Cre8tive 2 Y O U R N E X T P E R F O R M A N C E I S W O R T H I T Sacred choral editions Musicologically sound … l Scholarly-critical editions l At the cutting edge of scholarship l Preface on the genesis and history l Include all source discrepancies and editorial decisions l With notes on performance practice l With a Critical Commentary and source descriptions … and practical l Spaciously laid out l Straightforward idiomatic piano part l Excellent print quality l High-quality paper and binding Bärenreiter Urtext 3 SACRED AND SECULAR WORKS Bach, Carl Philipp Emanuel BWV 18 BWV 39 (1714–1788) Gleichwie der Regen und Brich dem Hungrigen Schnee vom Himmel fällt / dein Brot / Break with hungry Magnificat Wq 215 Like as the Raindrops and men thy bread (Ger/Eng) Choir & Organ series → page 34 Snow from Heaven fall; Cantata for the 1st Sunday after BA 7517 Score Leipzig Version (Ger/Eng) Trinity Cantata for Sunday Sexagesimae Urtext / Ed. A. Dürr Bach, Johann Sebastian Urtext / Ed. W. Neumann Piano reduction by J. Eichhorn (1685–1750) Piano reduction by BA 10 039-90 V.s. W. Stockmeyer TP 1039 Study Score Cantatas BA 10 018-90 ° V.s. BA 10 018-91 Choral score BWV 45 BWV 1 TP 1018 Study score Es ist dir gesagt, Mensch, Wie schön leuchtet der was gut ist (Ger) Morgenstern / How bright and Cantata for the 8th Sunday fair the morning star (Ger/Eng) after Trinity Cantata for the Feast of Urtext / Ed. A. Dürr Annunciation Day Piano reduction by Urtext / Ed. M. Wendt W. Stockmeier Piano reduction by M. Focke BA 10 045-90 ° V.s. BA 10 001-90 ° V.s. TP 1045 Study score BA 10 001-91 Choral score TP 1001 Study score BWV 51 Jauchzet Gott in allen Landen / BWV 4 Praise ye God thruout creation Christ lag in Todes Banden / (Ger/Eng) Christ lay by death enshrouded Solo Cantata for the 15th (Ger/Eng) Sunday after Trinity Cantata for Easter Sunday Urtext / Ed. M. Wendt Urtext / Ed. A. Dürr Piano reduction by M. Focke Piano reduction by E. R. Barthel BA 10 051-90 ° V.s. BA 10 004-90 ° V.s. TP 1051 Study score TP 1004 Study score BWV 21 BWV 56 BWV 6 Ich hatte viel Bekümmernis / Ich will den Kreuzstab gerne Bleib bei uns, denn es will Lord my God, my heart and tragen / I will my cross-staff Abend werden (Ger) soul were sore distrest gladly carry (Ger/Eng) Cantata for Easter Monday (Ger/Eng) Cantata for the 19th Sunday Urtext / Ed. A. Dürr Cantata for the 3rd Sunday after Trinity Piano reduction by H. Ruf after Trinity Urtext / Ed. M. Wendt BA 10 006-90 ° V.s. Urtext / Ed. P. Brainard Piano reduction by A. Kroupova Piano reduction by M. Focke BA 10 056-90 ° V.s. BWV 10 BA 10 021-90 ° V.s. TP 1056 Study score Meine Seele erhebt den Herrn / TP 1021 Study score Now my soul exalts the Lord BWV 61 (Ger/Eng) BWV 31 Nun komm, der Heiden Cantata for the Feast of Der Himmel lacht! Die Erde Heiland (Ger) Visitation B. V. M. jubilieret / The Heavens laugh, Cantata for the First Sunday Urtext / Ed. U. Wolf the earth exults in gladness of Advent Piano reduction by M. Grünert (Ger/Eng) Urtext / A. Dürr BA 10010-90 ° V.s. Cantata for the 1st Easter Day Piano reduction by G. Raphael TP 1010 Study score Urtext / Ed. A. Dürr BA 10 061-90 ° V.s. Piano reduction by O. Kroupova BA 10 061-91 Choral score BWV 12 BA 10 031-90 ° V.s. TP 1061 Study score Weinen, Klagen, Sorgen, TP 1031 Study score Zagen / Weeping, crying, BWV 62 sorrow, sighing (Ger/Eng) BWV 36 Nun komm, der Heiden Cantata for the Sunday Jubilate Schwingt freudig euch empor Heiland (Ger) Urtext / Ed. A. Dürr (Ger) Cantata for the First Sunday Piano reduction by M. Focke Cantata for the First of Advent of Advent BA 10 012-90 ° V.s. Urtext / Ed. A. Dürr Urtext / A. Dürr TP 1012 Study score Piano reduction by G. Müller Piano reduction by G. Raphael BA 10 036-90 ° V.s. BA 10 062-90 ° V.s. TP 1036 PoD Study score TP 1062 Study score 4 SACRED AND SECULAR WORKS Bach, Johann Sebastian (1685–1750) Cantatas BWV 68 Also hat Gott die Welt geliebt (Ger) Cantata for Whit Monday Urtext / Eds. A. Dürr, A. Mendel Piano reduction by A. Dürr BA 10 068-90 ° V.s. BA 10 068-91 Choral score BWV 78 Jesu, der du meine Seele / Jesu, by Thy Cross and Passion (Ger/Eng) Cantata for the 14th Sunday after Trinity Urtext / Ed. W. Neumann Piano reduction by W. H. Bernstein BA 10 078-90 ° V.s. TP 1078 Study score BWV 80 Ein feste Burg ist unser Gott / A Mighty Fortress is Our God (Ger/Eng) Cantata for the Feast of From: Bach, A Mighty Fortress is Our God BWV 80 · BA 10080-90 Reformation Urtext / Ed. F. Rempp Piano reduction by E. R. Barthel BA 10 080-90 ° V.s. BWV 106 BWV 130 TP 1080 Study score Gottes Zeit ist die allerbeste Herr Gott, dich loben alle wir / Zeit / Mighty God, His time Lord God, we praise Thee all BWV 91 is ever best (Actus tragicus) of us (Ger/Eng) Gelobet seist du, Jesu Christ (Ger/Eng) Cantata for the Feast (Ger) Urtext / Ed. R. Higuchi of St. Michael Cantata for Christmas Day Piano reduction by E. Wernhard Urtext / Ed. M. Helms Urtext / Eds. A. Dürr, G. Raphael BA 10 106-90 ° V.s. Piano reduction by E. Wernhard Piano reduction by G. Raphael TP 1106 Study score BA 10 130-90 ° V.s. BA 10 091-90 ° V.s. TP 1130 Study score BA 10 091-91 Choral score TP 1091 Study score 5 SACRED AND SECULAR WORKS Bach, Johann Sebastian (1685–1750) Cantatas Johann Sebastian Bach BWV 132 The Complete Cantatas, Chorales Bereitet die Wege, bereitet die Bahn (Ger) and Motets Cantata for the 4th Sunday of Advent Urtext / Ed. A. Dürr Piano reduction by G. Raphael BA 10 132-90 ° V.s. BA 10 132-91 Choral score BWV 134 Ein Herz, das seinen Jesum lebend weiss (Ger) Cantata for Easter Tuesday; third version Urtext / Ed. A. Dürr Piano reduction by G. Raphael BA 10 134-90 ° V.s. BA 10 134-91 Choral score BWV 140 Wachet auf, ruft uns die Now greatly Stimme / Wake ye maids! hark, reduced in price! strikes the hour (Ger/Eng) “… the set is well worth Cantata for the 27th Sunday after Trinity acquiring … and when you Urtext / Ed. A. Dürr think about it, the cost Piano reduction by A. Dürr 19 study scores relative to the number of BA 10 140-90 ° V.s. pages is pretty good value TP 1140 Study score in paperback · TP 2004 “Best Edition 2008” for money!” (The Organ) BWV 143 Lobe den Herrn, meine Seele/ Praise thou the Lord, o my BWV 166 BWV 175 spirit (Ger/Eng) Wo gehest du hin (Ger) Er rufet seinen Schafen mit Urtext / Ed. A. Glöckner Cantata for the 4th Sunday Namen / He calleth His own Piano reduction by A. Köhs after Easter sheep each by name (Ger/Eng) Revised edition Urtext / Ed. A. Dürr Cantata for Whit Tuesday BA 10 143-90 ° V.s. Piano reduction by the editor Urtext / Ed. A. Dürr TP 1143 Study score BA 10 166-90 ° V.s. Piano reduction by the editor BA 10 166-91 Choral score BA 10 175-90 ° V.s. BWV 147 BA 10 175-91 Choral score Herz und Mund und Tat und BWV 172 TP 1175 Study score Leben / Heart and lips, thy Erschallet, ihr Lieder (Ger) whole behaviour (Ger/Eng) Cantata for Whitsunday; BWV 176 Cantata for the Feast C maj version Es ist ein trotzig und verzagt of Visitation B.V.M.
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    The Choir of King’s College, Cambridge Final Logo Brand Extension Logo 06.27.12 BRUCKNER MASS IN E MINOR MOTETS Academy of St Martin in the Fields Sir Stephen Cleobury THE CHOIR OF KING’S COLLEGE, CAMBRIDGE For more than half a millennium, King’s College Chapel has been the home to one of the world’s most loved and renowned choirs. Since its foundation in 1441 by the 19-year-old King Henry VI, choral services in the Chapel, sung by this choir, have been a fundamental part of life in the College. Through the centuries, people from across Cambridge, the UK and, more recently, the world have listened to the Choir at these services. Today, even people who aren’t able to attend services in the Chapel have heard King’s Choir, thanks to its many recordings and broadcasts, and the tours that have taken it to leading international concert venues around the world. Despite its deep roots in musical history, the Choir has always been at the forefront of technological innovation, and records exclusively on its ‘impeccable’ own label. 2 BRUCKNER MASS IN E MINOR MOTETS The Choir of King’s College, Cambridge Academy of St Martin in the Fields Henry Websdale & Dónal McCann Organ Scholars Sir Stephen Cleobury conductor 3 CD 57:06 ANTON BRUCKNER (1824–1896) 1 ECCE SACERDOS MAGNUS | WAB 13 (1885) 6:04 MASS NO. 2 IN E MINOR | WAB 27 (1882) 2 I Kyrie 5:43 3 II Gloria 6:50 4 III Credo 7:58 5 IV Sanctus 2:42 6 V Benedictus 4:48 7 VI Agnus Dei 3:55 8 TOTA PULCHRA ES | WAB 46 (1878) 4:48 9 VIRGA JESSE | WAB 52 (1885) 3:17 10 LOCUS ISTE | WAB 23 (1869) 2:38 11 AVE MARIA | WAB 6 (1861) 3:05 12 CHRISTUS FACTUS EST | WAB 11 (1884) 5:18 4 SHADES OF THE PAST IN played out against a revival of interest in early music.
  • VOCAL SCORES Catalog 2019/2020

    VOCAL SCORES Catalog 2019/2020

    VOCAL SCORES Catalog 2019/2020 Over 750 vocal scores for choral works in all genres Carus STUTTGART URTEXT EDITION At Carus “Urtext” stands for historical-critical editions designed for practical performance. Carus aims to publish the complete sacred vocal music (and in some cases the secular music) for the major composers in our Johann Sebastian Bach p. 4 music program. For many editions study scores are also Ludwig van Beethoven p. 10 available. The repertoire is regularly being expanded. The “Stuttgarter Ausgaben” of works by Bach, Mo- Dieterich Buxtehude p. 10 zart, Schubert and Mendelssohn are recognized world wide as leading Urtext editions of sacred repertoire and George Frideric Handel p. 13 include the latest musicological research and newly Johann Michael Haydn p. 14 discovered sources. Joseph Haydn p. 15 Gottfried August Homilius p. 16 Ludwig van Felix Mendelssohn Bartholdy p. 18 Beethoven Messe in C Beethoven BEETHOVEN Wolfgang Amadeus Mozart p. 20 Wiener Klassik Messe in C Neben den bekannten Sinfonien und der Kammermusik haben die drei unter dem Begriff der „Wiener op. 86 Klassik“ zusammengefassten Meister Haydn, Mozart und Beethoven alle auch Kirchenmusik, insbeson- dere Messen komponiert. Im Schaffen von Haydn und Mozart nimmt diese einen größeren Raum ein als bei Beethoven; während Mozart allerdings mit seinem Wechsel nach Wien 1781 die regelmäßige Joseph Gabriel Rheinberger p. 22 Komposition von Kirchenmusik einstellt, widmet sich Haydn in seinem SpätwerkJohann beinahe Sebastian ausschließlich der geistlichen Musik. Die symphonisch konzipierten sechs späten Messen Haydns (ab 1796) bilden den Ausgangspunkt für die beiden Beiträge Beethovens zur Gattung, von denen die Missa solemnis (1824) aufgrund ihrer Dimen sionen letztlich den Kirchenraum überschreitet.