Bärenreiter Choral Music a Selection 2018/2019

Total Page:16

File Type:pdf, Size:1020Kb

Bärenreiter Choral Music a Selection 2018/2019 Y O U R N E X T P E R F O R M A N C E I S W O R T H I T Bärenreiter Choral Music A selection 2018/2019 Bärenreiter Urtext 1 The Bärenreiter blue vocal scores I love are the gold standard for singers all over the world. These editions represent singing our Urtext choral catalogue and are with musicologically sound as well as practical. For the majority of the choral works Bärenreiter orchestral parts are available for sale. In addition to the Urtext editions we also publish choral collections and high-quality blue facsimiles of choral works. S acred and Secular Works .........................................................................................4–41 Popular Choral Music and Collections ...............................................................42–43 Facsimiles ................................................................................................................... 44–47 ABBREVIATIONS AND KEY TO FIGURES Ed. Editor Review Bc/bc Basso continuo Performance material Cz Czech text ° available on sale B ärenreiter-Verlag Eng English text Performance material Karl Vötterle GmbH & Co. KG Fr French text available on hire International Department Ger German text Best Edition Prize awarded Heinrich-Schütz-Allee 35–37 Ital Italian text by the German Music 34131 Kassel · Germany Lat Latin text Publishers Association BA Bärenreiter Edition www.baerenreiter.com BE Bosse Edition Content valid as of April 2018. [email protected] H Bärenreiter Praha Errors excepted and delivery terms www.barenreiter.co.uk PoD Print on Demand subject to change without notice. SM Süddeutscher Musikverlag Printed in Germany TP Study score Artists' photos pages 1, 3: 5/1804/11,5 · SPA 30 V.s. Vocal score (includes all Marco Borggreve solo voices, choral voices and a piano reduction) Design of pages 1, 3: Contents Dave Warden Cre8tive 2 Y O U R N E X T P E R F O R M A N C E I S W O R T H I T Sacred choral editions Musicologically sound … l Scholarly-critical editions l At the cutting edge of scholarship l Preface on the genesis and history l Include all source discrepancies and editorial decisions l With notes on performance practice l With a Critical Commentary and source descriptions … and practical l Spaciously laid out l Straightforward idiomatic piano part l Excellent print quality l High-quality paper and binding Bärenreiter Urtext 3 SACRED AND SECULAR WORKS Bach, Carl Philipp Emanuel BWV 18 BWV 39 (1714–1788) Gleichwie der Regen und Brich dem Hungrigen Schnee vom Himmel fällt / dein Brot / Break with hungry Magnificat Wq 215 Like as the Raindrops and men thy bread (Ger/Eng) Choir & Organ series → page 34 Snow from Heaven fall; Cantata for the 1st Sunday after BA 7517 Score Leipzig Version (Ger/Eng) Trinity Cantata for Sunday Sexagesimae Urtext / Ed. A. Dürr Bach, Johann Sebastian Urtext / Ed. W. Neumann Piano reduction by J. Eichhorn (1685–1750) Piano reduction by BA 10 039-90 V.s. W. Stockmeyer TP 1039 Study Score Cantatas BA 10 018-90 ° V.s. BA 10 018-91 Choral score BWV 45 BWV 1 TP 1018 Study score Es ist dir gesagt, Mensch, Wie schön leuchtet der was gut ist (Ger) Morgenstern / How bright and Cantata for the 8th Sunday fair the morning star (Ger/Eng) after Trinity Cantata for the Feast of Urtext / Ed. A. Dürr Annunciation Day Piano reduction by Urtext / Ed. M. Wendt W. Stockmeier Piano reduction by M. Focke BA 10 045-90 ° V.s. BA 10 001-90 ° V.s. TP 1045 Study score BA 10 001-91 Choral score TP 1001 Study score BWV 51 Jauchzet Gott in allen Landen / BWV 4 Praise ye God thruout creation Christ lag in Todes Banden / (Ger/Eng) Christ lay by death enshrouded Solo Cantata for the 15th (Ger/Eng) Sunday after Trinity Cantata for Easter Sunday Urtext / Ed. M. Wendt Urtext / Ed. A. Dürr Piano reduction by M. Focke Piano reduction by E. R. Barthel BA 10 051-90 ° V.s. BA 10 004-90 ° V.s. TP 1051 Study score TP 1004 Study score BWV 21 BWV 56 BWV 6 Ich hatte viel Bekümmernis / Ich will den Kreuzstab gerne Bleib bei uns, denn es will Lord my God, my heart and tragen / I will my cross-staff Abend werden (Ger) soul were sore distrest gladly carry (Ger/Eng) Cantata for Easter Monday (Ger/Eng) Cantata for the 19th Sunday Urtext / Ed. A. Dürr Cantata for the 3rd Sunday after Trinity Piano reduction by H. Ruf after Trinity Urtext / Ed. M. Wendt BA 10 006-90 ° V.s. Urtext / Ed. P. Brainard Piano reduction by A. Kroupova Piano reduction by M. Focke BA 10 056-90 ° V.s. BWV 10 BA 10 021-90 ° V.s. TP 1056 Study score Meine Seele erhebt den Herrn / TP 1021 Study score Now my soul exalts the Lord BWV 61 (Ger/Eng) BWV 31 Nun komm, der Heiden Cantata for the Feast of Der Himmel lacht! Die Erde Heiland (Ger) Visitation B. V. M. jubilieret / The Heavens laugh, Cantata for the First Sunday Urtext / Ed. U. Wolf the earth exults in gladness of Advent Piano reduction by M. Grünert (Ger/Eng) Urtext / A. Dürr BA 10010-90 ° V.s. Cantata for the 1st Easter Day Piano reduction by G. Raphael TP 1010 Study score Urtext / Ed. A. Dürr BA 10 061-90 ° V.s. Piano reduction by O. Kroupova BA 10 061-91 Choral score BWV 12 BA 10 031-90 ° V.s. TP 1061 Study score Weinen, Klagen, Sorgen, TP 1031 Study score Zagen / Weeping, crying, BWV 62 sorrow, sighing (Ger/Eng) BWV 36 Nun komm, der Heiden Cantata for the Sunday Jubilate Schwingt freudig euch empor Heiland (Ger) Urtext / Ed. A. Dürr (Ger) Cantata for the First Sunday Piano reduction by M. Focke Cantata for the First of Advent of Advent BA 10 012-90 ° V.s. Urtext / Ed. A. Dürr Urtext / A. Dürr TP 1012 Study score Piano reduction by G. Müller Piano reduction by G. Raphael BA 10 036-90 ° V.s. BA 10 062-90 ° V.s. TP 1036 PoD Study score TP 1062 Study score 4 SACRED AND SECULAR WORKS Bach, Johann Sebastian (1685–1750) Cantatas BWV 68 Also hat Gott die Welt geliebt (Ger) Cantata for Whit Monday Urtext / Eds. A. Dürr, A. Mendel Piano reduction by A. Dürr BA 10 068-90 ° V.s. BA 10 068-91 Choral score BWV 78 Jesu, der du meine Seele / Jesu, by Thy Cross and Passion (Ger/Eng) Cantata for the 14th Sunday after Trinity Urtext / Ed. W. Neumann Piano reduction by W. H. Bernstein BA 10 078-90 ° V.s. TP 1078 Study score BWV 80 Ein feste Burg ist unser Gott / A Mighty Fortress is Our God (Ger/Eng) Cantata for the Feast of From: Bach, A Mighty Fortress is Our God BWV 80 · BA 10080-90 Reformation Urtext / Ed. F. Rempp Piano reduction by E. R. Barthel BA 10 080-90 ° V.s. BWV 106 BWV 130 TP 1080 Study score Gottes Zeit ist die allerbeste Herr Gott, dich loben alle wir / Zeit / Mighty God, His time Lord God, we praise Thee all BWV 91 is ever best (Actus tragicus) of us (Ger/Eng) Gelobet seist du, Jesu Christ (Ger/Eng) Cantata for the Feast (Ger) Urtext / Ed. R. Higuchi of St. Michael Cantata for Christmas Day Piano reduction by E. Wernhard Urtext / Ed. M. Helms Urtext / Eds. A. Dürr, G. Raphael BA 10 106-90 ° V.s. Piano reduction by E. Wernhard Piano reduction by G. Raphael TP 1106 Study score BA 10 130-90 ° V.s. BA 10 091-90 ° V.s. TP 1130 Study score BA 10 091-91 Choral score TP 1091 Study score 5 SACRED AND SECULAR WORKS Bach, Johann Sebastian (1685–1750) Cantatas Johann Sebastian Bach BWV 132 The Complete Cantatas, Chorales Bereitet die Wege, bereitet die Bahn (Ger) and Motets Cantata for the 4th Sunday of Advent Urtext / Ed. A. Dürr Piano reduction by G. Raphael BA 10 132-90 ° V.s. BA 10 132-91 Choral score BWV 134 Ein Herz, das seinen Jesum lebend weiss (Ger) Cantata for Easter Tuesday; third version Urtext / Ed. A. Dürr Piano reduction by G. Raphael BA 10 134-90 ° V.s. BA 10 134-91 Choral score BWV 140 Wachet auf, ruft uns die Now greatly Stimme / Wake ye maids! hark, reduced in price! strikes the hour (Ger/Eng) “… the set is well worth Cantata for the 27th Sunday after Trinity acquiring … and when you Urtext / Ed. A. Dürr think about it, the cost Piano reduction by A. Dürr 19 study scores relative to the number of BA 10 140-90 ° V.s. pages is pretty good value TP 1140 Study score in paperback · TP 2004 “Best Edition 2008” for money!” (The Organ) BWV 143 Lobe den Herrn, meine Seele/ Praise thou the Lord, o my BWV 166 BWV 175 spirit (Ger/Eng) Wo gehest du hin (Ger) Er rufet seinen Schafen mit Urtext / Ed. A. Glöckner Cantata for the 4th Sunday Namen / He calleth His own Piano reduction by A. Köhs after Easter sheep each by name (Ger/Eng) Revised edition Urtext / Ed. A. Dürr Cantata for Whit Tuesday BA 10 143-90 ° V.s. Piano reduction by the editor Urtext / Ed. A. Dürr TP 1143 Study score BA 10 166-90 ° V.s. Piano reduction by the editor BA 10 166-91 Choral score BA 10 175-90 ° V.s. BWV 147 BA 10 175-91 Choral score Herz und Mund und Tat und BWV 172 TP 1175 Study score Leben / Heart and lips, thy Erschallet, ihr Lieder (Ger) whole behaviour (Ger/Eng) Cantata for Whitsunday; BWV 176 Cantata for the Feast C maj version Es ist ein trotzig und verzagt of Visitation B.V.M.
Recommended publications
  • LCOM182 Lent & Eastertide
    LITURGICAL CHORAL AND ORGAN MUSIC Lent, Holy Week, and Eastertide 2018 GRACE CATHEDRAL 2 LITURGICAL CHORAL AND ORGAN MUSIC GRACE CATHEDRAL SAN FRANCISCO LENT, HOLY WEEK, AND EASTERTIDE 2018 11 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LÆTARE Introit: Psalm 32:1-6 – Samuel Wesley Service: Collegium Regale – Herbert Howells Psalm 107 – Thomas Attwood Walmisley O pray for the peace of Jerusalem - Howells Drop, drop, slow tears – Robert Graham Hymns: 686, 489, 473 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Benjamin Bachmann Psalm 107 – Lawrence Thain Canticles: Evening Service in A – Herbert Sumsion Anthem: God so loved the world – John Stainer Hymns: 577, 160 15 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: Thomas Tomkins Psalm 126 – George M. Garrett Canticles: Third Service – Philip Moore Anthem: Salvator mundi – John Blow Hymns: 678, 474 18 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LENT 5 Introit: Psalm 126 – George M. Garrett Service: Missa Brevis – Giovanni Pierluigi da Palestrina Psalm 51 – T. Tertius Noble Anthem: Salvator mundi – John Blow Motet: The crown of roses – Pyotr Ilyich Tchaikovsky Hymns: 471, 443, 439 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Thomas Tomkins Psalm 51 – Jeffrey Smith Canticles: Short Service – Orlando Gibbons Anthem: Aus tiefer Not – Felix Mendelssohn Hymns: 141, 151 3 22 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: William Byrd Psalm 103 – H. Walford Davies Canticles: Fauxbourdons – Thomas
    [Show full text]
  • Georg Friedrich Händel
    CAPPELLA „ARS MUSICA“ ÜBERREGIONALER CHOR 2004 Messiah HWV 56 Georg Friedrich Händel festschrift Georg Friedrich Händel 1685 – 1759 Messiah Georg Friedrich Händel Ingrid Haselberger, Sopran Florian Meixner, Countertenor Gerd Jaburek, Tenor Marcus Pelz, Bass Nikolaus Newerkla, Cembalo Cappella „Ars Musica“ Camerata „Ars Musica“ Einstudierung: Holger Kristen, Kurt Kren, Maria Magdalena Nödl Dirigentin Maria Magdalena Nödl mitwirkende 3 SONNTAG, 17. OKTOBER, 15.00 UHR PFARRKIRCHE TRAUNSTEIN SONNTAG, 24. OKTOBER, 16.00 UHR PFARRKIRCHE WULLERSDORF DIENSTAG, 26. OKTOBER, 16.00 UHR EGGENBURG - FESTSAAL LINDENHOF SONNTAG, 31. OKTOBER, 16.00 UHR KLOSTER PERNEGG SONNTAG, 14. NOVEMBER, 16.00 UHR STIFT ALTENBURG termine 4 Dr. Erwin Pröll Landeshauptmann von Niederösterreich Die Musik ist die beste Art der Kommunikation und die gemeinsame Sprache der Menschen. Niederösterreich verfügt über ein reiches, viel- fältiges und dynamisches Kulturleben. Der Chor Cappella „Ars Musica“ wird heuer das Wald- und Weinviertel musikalisch zum Klingen bringen. Der „Messias“ von G.F. Händel wird in fünf verschiedenen Orten aufgeführt. Und das ist auch die Philosophie der niederösterreichischen Kulturpolitik. Kunst und Kultur sind bei uns in jeder Gemeinde, in jeder Region erlebbar. Kunst und Kultur schaffen Lebensfreude, Lebensqualität, Zusammengehörig- keit und Identität. Die Musik ist zudem ein wirkungsvoller Botschafter unse- res Heimatlandes. Ich darf also dem Chor viel Erfolg und den Besuchern schöne Stunden mit dem „Messias“ wünschen. vorwort 5 Liebe Bevölkerung Yehudi Menuhin hat einmal gesagt: „Singen und Musik sind die eigent- liche Muttersprache aller Menschen, denn Musik ist die natürlichste Weise, in der wir uns ganz mitteilen können – mit all unseren Erfah- rungen, Empfindungen und Hoffnungen.“ Musik gehört also zur Natur des Menschen und ist eine der ursprünglichsten zwischenmenschlichen Ausdrucksformen.
    [Show full text]
  • JEFFREY THOMAS Music Director
    support materials for our recording of JOSEPH HAYDN (732-809): MASSES Tamara Matthews soprano - Zoila Muñoz alto Benjamin Butterfield tenor - David Arnold bass AMERICAN BACH SOLOISTS AMERICAN BACH CHOIR • PACIFIC MOZART ENSEMBLE Jeffrey Thomas, conductor JEFFREY THOMAS music director Missa in Angustiis — “Lord Nelson Mass” soprano soloist’s petition “Suscipe” (“Receive”) is followed by the unison choral response “deprecationem nostram” (“our Following the extraordinary success of his two so- prayer”). journs in London, Haydn returned in 1795 to his work as Kapellmeister for Prince Nikolas Esterházy the younger. The Even in the traditionally upbeat sections of the liturgy, Prince wanted Haydn to re-establish the Esterházy orchestra, the frequent turns to minor harmonies invoke the upheaval disbanded by his unmusical father, Prince Anton. Haydn’s re- wrought by war and disallow a sense of emotional—and au- turn to active duty for the Esterházy family did not, however, ditory—complacency. After the optimistic D-major opening signify a return to the isolated and static atmosphere of the of the Gloria, for example, the music slips into E minor at the relatively remote Esterházy palace, which had been given up words “et in terra pax hominibus” (“and peace to His people after the elder Prince Nikolas’s death in 1790. Haydn was now on earth”); throughout the section, D-minor inflections cloud able to work at the Prince’s residence in Vienna for most of the laudatory mood of the first theme and the text in general. the year, retiring to the courtly lodgings at Eisenstadt during The Benedictus is even more startling.
    [Show full text]
  • Nineteenth Century Sacred Music: Bruckner and the Rise of the Cäcilien-Verein
    Western Washington University Western CEDAR WWU Graduate School Collection WWU Graduate and Undergraduate Scholarship Spring 2020 Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein Nicholas Bygate Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/wwuet Part of the Music Commons Recommended Citation Bygate, Nicholas, "Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein" (2020). WWU Graduate School Collection. 955. https://cedar.wwu.edu/wwuet/955 This Masters Thesis is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Graduate School Collection by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein By Nicholas Bygate Accepted in Partial Completion of the Requirements for the Degree Master of Music ADVISORY COMMITTEE Chair, Dr. Bertil van Boer Dr. Timothy Fitzpatrick Dr. Ryan Dudenbostel GRADUATE SCHOOL David L. Patrick, Interim Dean Master’s Thesis In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Western Washington University, I grant to Western Washington University the non- exclusive royalty-free right to archive, reproduce, distribute, and display the thesis in any and all forms, including electronic format, via any digital library mechanisms maintained by WWU. I represent and warrant this is my original work and does not infringe or violate any rights of others. I warrant that I have obtained written permissions from the owner of any third party copyrighted material included in these files.
    [Show full text]
  • Das Neugeborne Kindelein« Christmas Cantatas by Buxtehude · Telemann · J
    »Das neugeborne Kindelein« Christmas Cantatas by Buxtehude · Telemann · J. S. Bach »Das neugeborne Kindelein« Christmas Cantatas La Petite Bande Anna Gschwend soprano Lucia Napoli alto Søren Richter tenor Christian Wagner bass Sigiswald Kuijken, Sara Kuijken, Anne Pekkala, Ortwin Lowyck violin Recorded at Paterskerk, Tielt (Belgium), on 16-18 December 2017 Marleen Thiers viola Recording producer: Olaf Mielke (MBM Musikproduktion Darmstadt (Germany) Executive producer: Michael Sawall Edouard Catalàn basse de violon Front illustration: “Adoration of the Shepherds”, Gerrit van Honthorst (1622), Vinciane Baudhuin, Ofer Frenkel oboe d‘amore [4-9] Pommersches Landesmuseum, Greifswald (Germany) Mario Sarrecchia organ Booklet editor & layout: Joachim Berenbold Translations: Jason F. Ortmann (English), Sylvie Coquillat (Français) + © 2018 note 1 music gmbh Sigiswald Kuijken CD manufactured in The Netherlands direction ENGLISH Christmas Cantatas Buxtehude · Telemann · Bach Dieterich Buxtehude (c 1637-1707) This recording includes the work of three great mas- and immediately moves us with his very simple and 1 Cantata »Das neugeborne Kindelein« BuxWV 13 6:39 ters dedicated to the theme of Christmas: Dietrich declamatory lyrical rendition, one which the instru- Buxtehude (1637-1707), Johann Sebastian Bach ments anticipate or echo. A perfect and charming Georg Philipp Telemann (1681-1767) (1685-1750) and Georg Philipp Telemann (1681- work! Missa sopra »Ein Kindelein so löbelich« TWV 9:5 1767). All three created a large number of canta- The lyricist Cyriakus Schneegass (1546-1597) was 2 Kyrie 4:24 tas for many occasions, each according to his own an important Protestant pastor in Thuringia and also 3 Gloria 4:19 perspective and tradition. The Christmas cantatas composed and wrote various collections of hymns.
    [Show full text]
  • Reception of Josquin's Missa Pange
    THE BODY OF CHRIST DIVIDED: RECEPTION OF JOSQUIN’S MISSA PANGE LINGUA IN REFORMATION GERMANY by ALANNA VICTORIA ROPCHOCK Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. David J. Rothenberg Department of Music CASE WESTERN RESERVE UNIVERSITY May, 2015 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Alanna Ropchock candidate for the Doctor of Philosophy degree*. Committee Chair: Dr. David J. Rothenberg Committee Member: Dr. L. Peter Bennett Committee Member: Dr. Susan McClary Committee Member: Dr. Catherine Scallen Date of Defense: March 6, 2015 *We also certify that written approval has been obtained for any proprietary material contained therein. TABLE OF CONTENTS List of Tables ........................................................................................................... i List of Figures .......................................................................................................... ii Primary Sources and Library Sigla ........................................................................... iii Other Abbreviations .................................................................................................. iv Acknowledgements ................................................................................................... v Abstract ..................................................................................................................... vii Introduction: A Catholic
    [Show full text]
  • A Concer T Tour of Krakow, Leipzig and Potsdam
    A Concert Tour of Krakow, Leipzig and Potsdam Sung by Bristol Cathedral Choir July 2014 A Concert Tour of Krakow, Leipzig and Potsdam Thank you for coming to our concert, one of several we are giving as we bring our ancient music we are singing today in the centre of this programme. While you wait, why not learn a little about the Choir, and our wonderful city of Bristol? We hope you enjoy the music! Bristol Cathedral 2014 Bristol to Krakow Taking our music abroad has long been a passion of the Cathedral Choir. We are thrilled to be singing tonight in the ancient cultural capital of Poland! But our Polish adventure began in Bristol, at the city’s own Polish Church. Founded by Poles who fought for the Allies in WWII, the church of Our Lady of Ostrobrama now welcomes 350 worshippers each week. In June the Cathedral Choir sang for them, while they cooked for us. Our young choristers enjoyed all the traditional Polish delights, including kabanos, bigos, and smalec. NINE CENTURIES OF SONG A choir has been singing on the site of the Cathedral since the Augustinian monastery was founded in 1140. When the church formally became Bristol Cathedral in 1542 its statutes made provision for the development and maintenance of the choir, whose role was to sing the praises of God. 17 girls), all of whom are educated at Bristol Cathedral Choir School Bristol Cathedral Choral Foundation. Most join the choir as A Concert Tour of Krakow, Leipzig and Potsdam BRISTOL AT A GLANCE 12 ways to experience the very best the city has to offer Shop
    [Show full text]
  • Ticketpreise Ticket Prices
    Programmbuch · Programme book TiCketprEisE TiCkET Prices European Choir Games Eröffnungs- und Abschlusskonzert · Graz (Österreich · Austria) 2013 Opening & Closing concert: € 30,- | € 20,-*| € 20,-** | frei · free *** (Plätze begrenzt · limited seats) INTERKULTUR INTERKULTUR Österreich Festivalchor-konzert: Verdi: requiem · Ruhberg 1 · 35463 Fernwald, Germany Liebenauer Hauptstraße 2-6 Festival Choir Concert: Verdi: Requiem: Telefon · Phone: +49 (0)6404 69749-25 8041 Graz Fax: +49 (0)6404 69749-29 Austria € 69,-/59,-/49,-/29,- | € 62,-/53,-/44,-/26,-* E-mail: [email protected] € 59,-/50,-/42,-/24,-** | € 15,-/12,-/10,-/8,-*** www.europeanchoirgames.com Galakonzerte · Gala concerts: € 20,-| € 15,-*| € 15,-**| € 10,-*** Großpreis-Wettbewerb · Grand Prize Competition: € 15,-| € 10,-*| € 10,-**| frei · free *** (Plätze begrenzt · limited seats) Wettbewerbe · Competitions: Tagesticket · one-day ticket: € 10,- | € 7,-*| € 7,-** | frei · free *** Wettbewerbsabo (für alle Wettbewerbe) · competition pass (for all competition concerts): € 20,-| € 15,-*| € 15,-** | frei · free *** Freundschaftskonzerte in der steiermark · Friendship concerts in Styria: € 12,- (Vorverkauf / advance sale) € 15,- (Abendkasse / box office) € 5,- (Kinder bis 15 Jahre /children up to 15 years) Tickets erhältlich · Tickets available • Ö-Ticket Vorverkaufsstellen · Ö-Ticket offices • Kundenbüros der Kleinen Zeitung · Costumer Service Centers Kleine Zeitung • Graz Tourismus Information (Herrengasse 16, Graz), Tel: 0316/8075-0 • Online: www.oeticket.com • Ö-Ticketcenter Hotline in Graz: Tel.: 0316/8088-200 • Abendkasse an den Konzertorten · box office at the concert venues • Ticketschalter im Congress Graz · Ticket counter in Congress Graz Tickethotline: +43-664-7907231 Freundschaftskonzerte in der Steiermark: Tickets nur in den jeweiligen Konzertorten erhältlich, weitere Informationen unter www.kultur-land-leben.at · Friendship concerts in Styria: tickets 14. – 21. Juli 2013, Graz, Österreich | Austria Österreich 14.
    [Show full text]
  • Knox Music Program- Major Works List Updated December 2019
    KNOX MUSIC PROGRAM - MAJOR WORKS REPERTOIRE LIST (UPDATED DECEMBER 2019) Johann Georg Albrechtsberger Organ Concerto in B-flat Major - 2011 Johann Sebastian Bach Cantata BWV 4, Christ lag in Todesbanden - 1985, 2011 Cantata BWV 63, Christen, ätzet diesen Tag - 2010 Cantata BWV 106, Gottes Zeit ist die allerbeste Zeit - 1985, 1987 Cantata BWV 140, Wachet auf, ruft uns die Stimme – 1983 Cantata BWV 191 Gloria in Excelsis - 2016 Johannes-Passion (St. John Passion), BWV 245 - 1984, 1990, 1995, 2001, 2010 Magnificat, BWV 243 - 1993, 2006, 2017 Mass in B Minor, BWV 232 - 1992, 1996 Matthäus-Passion (St. Matthew Passion), BWV 244 - 1987, 1994, 2002 Missa brevis in F Major, BWV 233 - 1997, 2000, 2004, 2017 Missa brevis in A Major, BWV 234 - 1997, 2000, 2008, 2015, 2019 Missa brevis in G Minor, BWV 235 - 1998, 2009, 2014, 2018 Missa brevis in G Major, BWV 236 - 1998, 2013, 2016 Oster-Oratorium (Easter Oratorio), BWV 249 - 2005 Weihnachts-Oratorium (Christmas Oratorio), BWV 248 (complete) - 1985, 1988, 1992, 2011, 2019 Weihnachts-Oratorium, BWV 248 (portions) – 1997 (Parts I, IV and V), 2005 (Parts IV, V, and VI), 2007 (I, II, and III), 2014 (Parts I, V, and VI), 2016 (Part I, excerpts) Ludwig van Beethoven Mass in C Major, Op. 86 - 1989, 2003 Hector Berlioz L’enfance du Christ (The Infant Christ), Op. 25 - 1998, 2012 Te Deum, Op. 22 - 1983 Judith Bingham Jacob’s Ladder: Parable for Organ and Strings - 2009 Johannes Brahms Ein deutsches Requiem (A German Requiem), Op. 45 - 2000 Benjamin Britten Saint Nicolas Cantata, Op. 42 - 1990, 2008 Marc-Antoine Charpentier Messe de Minuit pour Noël (Midnight Mass for Christmas) (excerpts) – 2009, 2016 1 Michel Corrette Organ Concerto No.
    [Show full text]
  • Presenting a Comprehensive Picture of Bach's Creative Genius Is One Of
    Presenting a comprehensive picture of Bach’s creative genius is one of the chief objectives of the Baldwin Wallace Bach Festival. The list that follows records works performed on Festival programs since its inception in 1933. VOCAL WORKS LARGE CHORAL WORKS BWV 232, Messe in h-moll. 1935, 1936, 1940, 1946, 1947, 1951,1955, 1959, 1963, 1967, 1971, 1975, 1979, 1983, 1985, 1989, 1993, 1997, 2001, 2005, 2007, 2011, 2015, 2019. BWV 245, Johannespassion. 1937, 1941, 1948, 1952, 1956, 1960, 1964, 1968, 1972, 1976, 1980, 1984, 1990, 1994, 1998, 2002, 2006, 2010, 2014, 2018. BWV 248, Weihnachts-Oratorium. 1938, 1942, 1949, 1953, 1957, 1961, 1965, 1969, 1973, 1977, 1981, 1986, 1991, 1995, 1999, 2003, 2009, 2013. BWV 244, Matthäuspassion. 1939, 1950, 1954, 1958, 1962, 1966, 1970, 1974, 1978, 1982, 1987, 1992, 1996, 2000, 2004, 2008, 2012. BWV 243, Magnificat in D-Dur. 1933, 1934, 1937, 1939, 1943, 1945, 1946, 1950, 1957, 1962, 1968, 1976, 1984,1996, 2006, 2014. BWV 249, Oster-Oratorium. 1962, 1990. MOTETS BWV 225, Singet dem Herrn ein neues Lied. 1940, 1950, 1957, 1963, 1971, 1976, 1982, 1991, 1996, 1999, 2006, 2017, 2019. BWV 226, Der Geist hilft unsrer Schwachheit auf. 1937, 1949, 1956, 1962, 1968, 1977, 1985, 1992, 1997, 2003, 2007, 2019. BWV 227, Jesu, meine Freude. 1934, 1939, 1943, 1951, 1955, 1960, 1966, 1969, 1975, 1981, 1988, 1995, 2001, 2005, 2019. BWV 228, Fürchte dich nicht, ich bin bei dir. 1936, 1947, 1952, 1958, 1964, 1972, 1979, 1995, 2002, 2016, 2019. BWV 229, Komm, Jesu, komm. 1941, 1949, 1954, 1961, 1967, 1973, 1992, 1993, 1999, 2004, 2010, 2019.
    [Show full text]
  • Bruckner Mass in E Minor Motets
    The Choir of King’s College, Cambridge Final Logo Brand Extension Logo 06.27.12 BRUCKNER MASS IN E MINOR MOTETS Academy of St Martin in the Fields Sir Stephen Cleobury THE CHOIR OF KING’S COLLEGE, CAMBRIDGE For more than half a millennium, King’s College Chapel has been the home to one of the world’s most loved and renowned choirs. Since its foundation in 1441 by the 19-year-old King Henry VI, choral services in the Chapel, sung by this choir, have been a fundamental part of life in the College. Through the centuries, people from across Cambridge, the UK and, more recently, the world have listened to the Choir at these services. Today, even people who aren’t able to attend services in the Chapel have heard King’s Choir, thanks to its many recordings and broadcasts, and the tours that have taken it to leading international concert venues around the world. Despite its deep roots in musical history, the Choir has always been at the forefront of technological innovation, and records exclusively on its ‘impeccable’ own label. 2 BRUCKNER MASS IN E MINOR MOTETS The Choir of King’s College, Cambridge Academy of St Martin in the Fields Henry Websdale & Dónal McCann Organ Scholars Sir Stephen Cleobury conductor 3 CD 57:06 ANTON BRUCKNER (1824–1896) 1 ECCE SACERDOS MAGNUS | WAB 13 (1885) 6:04 MASS NO. 2 IN E MINOR | WAB 27 (1882) 2 I Kyrie 5:43 3 II Gloria 6:50 4 III Credo 7:58 5 IV Sanctus 2:42 6 V Benedictus 4:48 7 VI Agnus Dei 3:55 8 TOTA PULCHRA ES | WAB 46 (1878) 4:48 9 VIRGA JESSE | WAB 52 (1885) 3:17 10 LOCUS ISTE | WAB 23 (1869) 2:38 11 AVE MARIA | WAB 6 (1861) 3:05 12 CHRISTUS FACTUS EST | WAB 11 (1884) 5:18 4 SHADES OF THE PAST IN played out against a revival of interest in early music.
    [Show full text]
  • VOCAL SCORES Catalog 2019/2020
    VOCAL SCORES Catalog 2019/2020 Over 750 vocal scores for choral works in all genres Carus STUTTGART URTEXT EDITION At Carus “Urtext” stands for historical-critical editions designed for practical performance. Carus aims to publish the complete sacred vocal music (and in some cases the secular music) for the major composers in our Johann Sebastian Bach p. 4 music program. For many editions study scores are also Ludwig van Beethoven p. 10 available. The repertoire is regularly being expanded. The “Stuttgarter Ausgaben” of works by Bach, Mo- Dieterich Buxtehude p. 10 zart, Schubert and Mendelssohn are recognized world wide as leading Urtext editions of sacred repertoire and George Frideric Handel p. 13 include the latest musicological research and newly Johann Michael Haydn p. 14 discovered sources. Joseph Haydn p. 15 Gottfried August Homilius p. 16 Ludwig van Felix Mendelssohn Bartholdy p. 18 Beethoven Messe in C Beethoven BEETHOVEN Wolfgang Amadeus Mozart p. 20 Wiener Klassik Messe in C Neben den bekannten Sinfonien und der Kammermusik haben die drei unter dem Begriff der „Wiener op. 86 Klassik“ zusammengefassten Meister Haydn, Mozart und Beethoven alle auch Kirchenmusik, insbeson- dere Messen komponiert. Im Schaffen von Haydn und Mozart nimmt diese einen größeren Raum ein als bei Beethoven; während Mozart allerdings mit seinem Wechsel nach Wien 1781 die regelmäßige Joseph Gabriel Rheinberger p. 22 Komposition von Kirchenmusik einstellt, widmet sich Haydn in seinem SpätwerkJohann beinahe Sebastian ausschließlich der geistlichen Musik. Die symphonisch konzipierten sechs späten Messen Haydns (ab 1796) bilden den Ausgangspunkt für die beiden Beiträge Beethovens zur Gattung, von denen die Missa solemnis (1824) aufgrund ihrer Dimen sionen letztlich den Kirchenraum überschreitet.
    [Show full text]