Cathedral Services and Music
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5, 2020 - 00 the Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Sun, Jul 05, 2020 - 00 The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 05:50 Watkins Soul of Remembrance from New Black Music 13225 Albany 1200 034061120025 Five Movements in Color Repertory Ensemble/Dunner 00:08:3505:43 Paulus Berceuse Yolanda Kondonassis 11483 Azica 71281 787867128121 00:15:4844:19 Beethoven Symphony No. 6 in F, Op. 68 New York 08852 CBS 42222 07464422222 "Pastoral" Philharmonic/Bernstein 01:01:37 10:51 Schubert Impromptu in B flat, D. 935 No. Marc-Andre Hamelin 13496 Hyperion 68213 034571282138 3 01:13:4317:49 Britten Variations and Fugue on a Philadelphia 04033 Sony 62638 074646263822 Theme of Purcell, Op. 34 Orchestra/Ormandy Classical 01:33:02 27:47 MacDowell Piano Concerto No. 2 in D Amato/London 00734 Archduke 1 n/a minor, Op. 23 Philharmonic/Freeman Recordings 02:02:1910:37 Dvorak Romance in F minor, Op. 11 Frank/Czech 05323 London 460 316 028946031629 Philharmonic/Mackerra s 02:14:1117:25 Dett Magnolia Suite Denver Oldham 05092 New World 367 n/a Records 02:33:0626:51 Haydn Symphony No. 102 in B flat London 00664 London 414 673 028941467324 Philharmonic/Solti 03:01:2730:36 Schubert Symphony No. 6 in C, D. 589 Dresden State 03988 Philips 446 539 028944653922 Orchestra/Sawallisch 03:33:3312:36 Hanson Elegy in Memory of Serge Seattle 00825 Delos 3073 013491307329 Koussevitsky Symphony/Schwarz 03:47:2409:55 Chopin Scherzo No. 4 in E, Op. 54 Benjamin Grosvenor 10752 Decca 478 3206 028947832065 03:58:49 13:08 Harbach One of Ours - A Cather Slovak Radio 08416 MSR 1252 681585125229 Symphony Symphony/Trevor 04:13:1227:41 Chadwick String Quartet No. -
Suggested / Designated Music for Funeral (Memorial) Masses • Sts. Joachim and Ann Name of Deceased
Suggested / Designated Music for Funeral (Memorial) Masses • Sts. Joachim and Ann Name of Deceased: ____________________________________________________________ Person(s) filling out this form, contact info: _________________________________________ ______________________________________________________________________________ Date and Time of Funeral/Memorial: ______________________________________________ Psalms: (The “D#” designation refers to their labels in “Through Death to Life”) D1 - Psalm 23 - The Lord is My Shepherd (Kreutz) D2 - Psalm 25 - To You, O Lord, I Lift My Soul (Manion or Haugen) D3 - Psalm 27 - The Lord is My Light and My Salvation (Haas or Walker) D4 - Psalm 42 - My Soul is Thirsting for the Living God: When Shall I See Him Face to Face? (Alstott, altered text from Easter Vigil) D5 - Psalm 63 - My Soul is Thirsting for You, O Lord My God (Angrisano) D6 - Psalm 103 - The Lord is Kind and Merciful (Haugen or Cotter) D7 - Psalm 116 - I will walk in the Presence of the Lord in the Land of the living (Haas) D8 - Psalm 122 - I Rejoiced when I Heard them Say: Let Us Go to the House of the Lord (Johnson or Haugen) D9 - Psalm 130 - Out of the Depths I Cry to You, Lord (Alstott) D10 - Psalm 143 - O Lord, Hear My Prayer (Alstott) Psalm Selection: _______________________________________________________________ Song of Farewell: (Please note that this music is not needed at memorials, only at funerals) O Loving God - McCoy (to the tune of “Danny Boy” or Londonderry Air) (BB2017 #678) “O loving God, we send your daughter/son home -
A Reply to Morton on Psalmody
— : A REPLY MORTON ON PSALMODY TO WHICH is ADDED A CONDENSED ARGUMENT FOR tllE EXCLUSIVE- USE OF AN INSPIRED PSALMODY, ROBERT J. DODDS, BfiNISTER, OF THE GtOSPEL IN THE REFORMED PRESBYTERIAN CHURCH Answer a fool according to his folly, lest he be wise in his own conceit. Prov. 26:5. PITTSBURGH KENNEDY & BROTHER, PUBLISHERS, THIRD STREET. 1861. ' • ERRATA. The author not having had an opportunity of correcting the proof sheets of the first part of this work, the reader will please correct the following errors. Page 17, line 9, for '*' cant," read '' rant." " " " 22, for " invite," read " indite." " 23, '' 4, for " illiberality," read " liberality." " 33, "1-2, for " the divine," read "a divine person, the" " 34, " 8, after the word fZeac?, insert "And when, Bro. Morton, could we learn from any book in the Bible that the son of Joseph and Mary attested his Messiahship by raising Lazarus from the dead." Page 42, line 11, for "religion," read "religious faith." " 44. " 22, for " Lord," read " word." PREFACE. The work to which the followmg pages are intend- ed as a reply, purports to be a review of Dr. Pressly on Psalmody, by Rev. George Morton, of the Pres- byterian Church. Mr. Morton would, so far as I am concerned, have remained forever unnoticed, had he not made a foul attack upon that version of the Psalms which is sung in the church to which I have the honor to belong, and in sundry other Presbyte- rian Churches of high respectability. I am far from having so low an opinion of Mr. -
Download Companion
THE COMPANION TO THE EDINGTON MUSIC FESTIVAL & beauty came like the setting sun A FESTIVAL OF MUSIC WITHIN THE LITURGY 19–26 AUGUST 2018 Ed18Comp_ED18comp.qxd 22/07/2018 19:25 Page 1 The Priory Church of Saint Mary, Saint Katharine and All Saints Edington, Westbury, Wiltshire THE COMPANION TO THE EDI NGTON MUSIC FESTIVAL Sunday 19 to Sunday 26 August 2018 Ed18Comp_ED18comp.qxd 22/07/2018 19:25 Page 2 Contents Introduction page 3 Festival and general information page 8 Festival participants page 12 Orders of service, texts and translations page 14 Cover Photo credit: British Cemetery at Courcelette at Sunset © Paul Reed Designed and typeset by Nick Flower Researched and edited by Peter Roberts & Tom Bennett Proofread by Ian Aitkenhead Printed in England by Caligraving Ltd 2 Ed18Comp_ED18comp.qxd 22/07/2018 19:25 Page 3 Introduction Richard Pinel Welcome to the 63rd Edington Festival of Music within the Liturgy. After several momentous years that have, amongst other things, seen the commissioning and installation of a fine new organ in the Priory Church, the 60th Festival, and two changes of Director, we look forward to a ‘business as usual’ festival this year. Entitled ‘Beauty came like the setting sun’, this year’s festival commemorates the centenary of the end of World War One, referring to the works of several prominent war poets. Some festival-goers will be aware that Siegfried Sassoon has a connection to this area—his family lived in the nearby village of Heytesbury. Each day during the festival is marked by reference to a particular poem that will be the focus of the sermon for that day. -
The Psalms in Our Times: an Online Study of the Psalms During the COVID-19 Pandemic
The Psalms in Our Times: An Online Study of the Psalms During the COVID-19 Pandemic Agenda for Weeks 1-3: - Series overview (week 1 only) - Check-in and review - Introduction of the Week’s Psalm(s) - Discussion and Question & Answer Agenda for Week 4: - Check-in and review - Sharing of Psalms (optional) - Wrap-up Sources for Psalm texts: - Book of Common Prayer (Psalter, pages 582-808) - Oremus Bible Browser (bible.oremus.org) Participants are invited to this document and take notes (or not) and work on creating their own Psalm for Session 4 (or not). All videos will be posted to the “St. John’s Episcopal Church Lancaster” YouTube page so participants can review or catch up as needed. Session 1 Psalm 29 Psalm 146 1Ascribe to the Lord, O heavenly beings, 1Praise the Lord! Praise the Lord, O my ascribe to the Lord glory and strength. soul! 2Ascribe to the Lord the glory of his name; 2I will praise the Lord as long as I live; I will worship the Lord in holy splendor. sing praises to my God all my life long. 3The voice of the Lord is over the waters; 3Do not put your trust in princes, in the God of glory thunders, the Lord, over mortals, in whom there is no help. mighty waters. 4When their breath departs, they return to 4The voice of the Lord is powerful; the voice the earth; on that very day their plans of the Lord is full of majesty. perish. 5The voice of the Lord breaks the cedars; 5Happy are those whose help is the God of the Lord breaks the cedars of Lebanon. -
Daily Devotions in the Psalms Psalm 129-133
Daily Devotions in the Psalms Psalm 129-133 Monday 12th October - Psalm 129 “Greatly have they afflicted me from my youth”— let Israel now say— 2 “Greatly have they afflicted me from my youth, yet they have not prevailed against me. 3 The plowers ploughed upon my back; they made long their furrows.” 4 The Lord is righteous; he has cut the cords of the wicked. 5 May all who hate Zion be put to shame and turned backward! 6 Let them be like the grass on the housetops, which withers before it grows up, 7 with which the reaper does not fill his hand nor the binder of sheaves his arms, 8 nor do those who pass by say, “The blessing of the Lord be upon you! We bless you in the name of the Lord!” It is interesting that Psalm 128 and 129 sit side by side. They seem to sit at odds with one another. Psalm 128 speaks of Yahweh blessing his faithful people. They enjoy prosperity and the fruit of their labour. It is a picture of peace and blessing. And then comes this Psalm, clunking like a car accidentally put into reverse. Here we see a people long afflicted (v. 1-2). As a nation, they have had their backs ploughed. And the rest of the Psalm prays for the destruction of the wicked nations and individuals who would seek to harm and destroy Israel. It’s possible that this Psalm makes you feel uncomfortable, or even wonder if this Psalm is appropriate for the lips of God’s people. -
Psalms Commentary
I YOU CAN UNDERSTAND THE BIBLE PSALMS: THE HYMNAL OF ISRAEL BOOK I BOB UTLEY PROFESSOR OF HERMENEUTICS (BIBLE INTERPRETATION) STUDY GUIDE COMMENTARY SERIES OLD TESTAMENT, VOL. 9B BIBLE LESSONS INTERNATIONAL MARSHALL, TEXAS 2012 www.BibleLessonsIntl.com www.freebiblecommentary.org Copyright ©2012 by Bible Lessons International, Marshall, Texas All rights reserved. No part of this book may be reproduced in any way or by any means without the written permission of the publisher. Bible Lessons International P. O. Box 1289 Marshall, TX 75671-1289 1-800-785-1005 ISBN 978-1-892691-37-8 The primary biblical text used in this commentary is: New American Standard Bible (Update, 1995) Copyright ©1960, 1962, 1963, 1968, 1971, 1972, 1973, 1975, 1977, 1995 by The Lockman Foundation P. O. Box 2279 La Habra, CA 90632-2279 The paragraph divisions and summary captions as well as selected phrases are from: 1. The New King James Version, Copyright ©1979, 1980, 1982 by Thomas Nelson, Inc. Used by permission. All rights reserved. 2. The New Revised Standard Version of the Bible, Copyright ©1989 by the Division of Christian Education of National Council of the Churches of Christ in the U. S. A. Used by permission. All rights reserved. 3. Today’s English Version is used by permission of the copyright owner, The American Bible Society, ©1966, 1971. Used by permission. All rights reserved. 4. The New Jerusalem Bible, copyright ©1990 by Darton, Longman & Todd, Ltd. and Doubleday, a division of Bantam Doubleday Dell Publishing Group, Inc. Used by permission. All rights reserved. www.freebiblecommentary.org The New American Standard Bible Update — 1995 Easier to read: } Passages with Old English “thee’s” and “thou’s” etc. -
Asterius on Psalm 11 Homily 2 As Is Well Known, the Tenth Century Hebrew Masoretic Text (MT) Used for Modern Bible Translations
Asterius On Psalm 11 Homily 2 As is well known, the tenth century Hebrew Masoretic Text (MT) used for modern Bible translations has 150 psalms whereas the Psalter in the Septuagint (LXX) has 151 psalms. This homily is based on Psalm 11 LXX which is Psalm 12 MT. Most psalms have a title or superscription which may include names of composers or people to whom a psalm is committed, situational details, genre, and liturgical directions.1 Whether these superscriptions were part of the original composition is unknown. In any case, the superscriptions are incorporated into the psalm text in the Hebrew MT, such that when the text was versified in the sixteenth century, they were counted as the first verse. This incorporaton is already evident in some of the psalm fragments found among the Dead Sea Scrolls. For example, the oldest fragment 4QPsa (= 4Q83, mid second century BCE) shows ‘no special separation between title and text’.2 More tellingly, 4QpPsa (= 4Q171 Pesher Psalms) which contains commentary on Psalm 45, includes commentary on its superscription, as if it were part of the psalm proper.3 Early Christians who used the LXX also considered the psalm title or superscription to be part of scripture and would exegete it as such. The superscription for Psalm 11 LXX in the Hebrew MT reads: ‘To the leader: according to The Sheminith. A Psalm of David.’ In the Greek LXX it reads: ‘To the end, upon the eighth. A Psalm of David’.4 Asterius spends considerable time in the first part of the homily expounding this title, and in particular the significance of the eighth day in redemption history. -
LCOM182 Lent & Eastertide
LITURGICAL CHORAL AND ORGAN MUSIC Lent, Holy Week, and Eastertide 2018 GRACE CATHEDRAL 2 LITURGICAL CHORAL AND ORGAN MUSIC GRACE CATHEDRAL SAN FRANCISCO LENT, HOLY WEEK, AND EASTERTIDE 2018 11 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LÆTARE Introit: Psalm 32:1-6 – Samuel Wesley Service: Collegium Regale – Herbert Howells Psalm 107 – Thomas Attwood Walmisley O pray for the peace of Jerusalem - Howells Drop, drop, slow tears – Robert Graham Hymns: 686, 489, 473 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Benjamin Bachmann Psalm 107 – Lawrence Thain Canticles: Evening Service in A – Herbert Sumsion Anthem: God so loved the world – John Stainer Hymns: 577, 160 15 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: Thomas Tomkins Psalm 126 – George M. Garrett Canticles: Third Service – Philip Moore Anthem: Salvator mundi – John Blow Hymns: 678, 474 18 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LENT 5 Introit: Psalm 126 – George M. Garrett Service: Missa Brevis – Giovanni Pierluigi da Palestrina Psalm 51 – T. Tertius Noble Anthem: Salvator mundi – John Blow Motet: The crown of roses – Pyotr Ilyich Tchaikovsky Hymns: 471, 443, 439 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Thomas Tomkins Psalm 51 – Jeffrey Smith Canticles: Short Service – Orlando Gibbons Anthem: Aus tiefer Not – Felix Mendelssohn Hymns: 141, 151 3 22 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: William Byrd Psalm 103 – H. Walford Davies Canticles: Fauxbourdons – Thomas -
Trinityevents
Trinityevents April 2, 2017 Welcome to Trinity Church Whether you have worshiped here for years or are visiting our Episcopal Church for the first time, we are glad you are with us. We invite all to enter fully into worship and to explore the variety of learning, small group, and service opportunities that are part of our life together. To learn more, visit trinitychurchboston.org and click on For Newcomers or contact Mark Kharas, at [email protected], 617-536-0944 x360. We hope to know you better in the time ahead. Today Fifth Sunday in Lent Welcome To Dean June Osborne: Guest Preacher & Forum Speaker Sun., April 2 • Guest Preacher: 9 & 11:15 a.m. • Forum Speaker: 10:15 a.m. Today we welcome as Guest Preacher in our morning services an important leader in the Church of England today, the Very Rev. June Osborne, Dean of Salisbury Cathedral. Dean Osborne has been a significant voice in the Church of England addressing major issues, among them the ordination of women and controversies over consecrating gay and lesbian bishops. The London Times attributed to Dean Osborne’s speech in the Church’s Synod the “swinging of the General Synod vote in favor of female priests.” Dean Osborne presides over one of England’s most cherished places of worship. With its narrow, graceful spire, the tallest in England, rising from the vivid green lawn of the cloister, author and travel writer Bill Bryson declares that “there is no doubt in my mind that Salisbury Cathedral is the single most beautiful structure in England and the close around it the most beautiful space.” Chat with a Vestry Member Today, 10:15-11 a.m.,Angel Room • 12:15-1 p.m., Parish House LL-A • 7:10-7:50 p.m., Commons Join a few members of the Vestry for coffee and informal conversation about what’s currently going on in the parish. -
Seven Sevenfold Purifications of the Words of the LORD
Seven Sevenfold Purifications of The Words of the LORD Introduction Attention is drawn to the familiar passage Psalm 12:6 “The words of the LORD are pure words: as silver tried in a furnace of earth, purified seven times.” Sister Riplinger and others have shown that the Lord has fulfilled Psalm 12:6 for sevenfold purifications of “The words of the LORD” as fol- lows1, 2, five in all thus far. From the ancient Biblical languages to the 1611 AV1611 From the pre-English and early English Bibles to the 1611 AV1611 From the Greek Textus Receptus New Testament Editions to the final TR in English as the 1611 AV1611. This study has been attached for information. From the 16th century English Protestant Reformation Bibles e.g. Tyndale etc. to the 1611 AV1611 From the 1611 AV1611 through its major editions to the 1769 i.e. 2015+ AV1611. It is realistic to consider that the Lord would have implemented seven sevenfold purifications for “The words of the LORD.” This is so because Revelation 5:1, 6-7 refer to “a book written within and on the backside, sealed with seven seals” and “a Lamb as it had been slain, having seven horns and seven eyes, which are the seven Spirits of God sent forth into all the earth And he came and took the book out of the right hand of him that sat upon the throne.” Revelation 8:1-2 state “And when he had opened the seventh seal...I saw the seven angels which stood before God; and to them were given seven trumpets.” The successive opening of the seven seals by the Lamb with seven horns and seven eyes that are the seven Spirits of God and the sounding by the seven angels of the seven trumpets finally perfect God’s revelation in the form of “the little book” Revelation 10:8, 9, 10 that is hand-held and associated with “seven thunders” Revelation 10:3, 4 i.e. -
Grosser Saal Klangwolke Brucknerhaus Präsentiert Von Der Linz Ag Linz
ZWISCHEN CREDO Vollendeter Genuss TRADITION BEKENNTNIS braucht ein & GLAUBE perfektes MODERNE Zusammenspiel RELIGION Als führendes Energie- und Infrastrukturunternehmen im oberösterreichischen Zentralraum sind wir ein starker Partner für Wirtschaft, Kunst und Kultur und die Menschen in der Region. Die LINZ AG wünscht allen Besucherinnen und Besuchern beste Unterhaltung. bezahlte Anzeige LINZ AG_Brucknerfest 190x245.indd 1 02.05.18 10:32 6 Vorworte 12 Saison 2018/19 16 Abos 2018/19 22 Das Große Abonnement 32 Sonntagsmatineen 44 Internationale Orchester 50 Bruckner Orchester Linz 56 Kost-Proben 60 Das besondere Konzert 66 Oratorien 128 Hier & Jetzt 72 Chorkonzerte 134 Moderierte Foyer-Konzerte INHALTS- 78 Liederabende 138 Musikalischer Adventkalender 84 Streichquartette 146 BrucknerBeats 90 Kammermusik 150 Russische Dienstage 96 Stars von morgen 154 Musik der Völker 102 Klavierrecitals 160 Jazz VERZEICHNIS 108 Orgelkonzerte 168 Jazzbrunch 114 Orgelmusik zur Teatime 172 Gemischter Satz 118 WortKlang 176 Kinder.Jugend 124 Ars Antiqua Austria 196 Serenaden 204 Kooperationen 216 Kalendarium 236 Saalpläne 242 Karten & Service 4 5 Linz hat sich schon längst als interessanter heimischen, aber auch internationalen Künst- Der Veröffentlichung des neuen Saisonpro- Musik wird heutzutage bevorzugt über diverse und innovativer Kulturstandort auch auf in- lerinnen und Künstlern es ermöglichen, ihr gramms des Brucknerhauses Linz sehen Medien, vom Radio bis zum Internet, gehört. ternationaler Ebene Anerkennung verschafft. Potenzial abzurufen und sich zu entfalten. Für unzählige Kulturinteressierte jedes Jahr er- Dennoch hat die klassische Form des Konzerts Ein wichtiger Meilenstein auf diesem Weg war alle Kulturinteressierten jeglichen Alters bietet wartungsvoll entgegen. Heuer dürfte die nichts von ihrer Attraktivität eingebüßt. Denn bislang auf jeden Fall die Errichtung des Bruck- das ausgewogene und abwechslungsreiche Spannung besonders groß sein, weil es die das Live-Erlebnis bleibt einzigartig – dank der nerhauses Linz.