DOCSLIB.ORG

Workshops & Research

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

WORKSHOPS & RESEARCH 20 JULY - 16 AUGUST 2014 Workshops in Contemporary Dance and Bodywork for all levels from beginners to professional dancers. Seven phases which can be attended independently from each other (each week- workshop: 1 class per day, each intensive-workshop: 2 classes per day) «impressions'14»: 20 July ! Week1: 21 - 25 July Intensive1: 26 + 27 July Week2: 28 July - 01 August! Intensive2: 02 + 03 August! Week3: 04 - 08 August! Intensive3: 09 + 10 August! Week4: 11 - 15 August ! «expressions'14»: 16 August Index 3 Artists listed by departments 4 - 133 All workshop descriptions listed by artists 134 - 149 All Field Project descriptions listed by artists 149 - 150 Pro Series description 2 CONTEMPORARY DANCE Jose Agudo | Conny Aitzetmueller | Kristina Alleyne | Sadé Alleyne | Laura Arís | Iñaki Azpillaga | Susanne Bentley | Marco Berrettini | Bruno Caverna | Marta Coronado | Zoi Dimitriou | Frey Faust | Ori Flomin | Saju Hari | Sascha Hauser aka CIONN | Kathleen Hermesdorf | Damien Jalet | Peter Jasko | German Jauregui | Kira Kirsch | Kerstin Kussmaul | Juliana Neves | Sabine Parzer | Rasmus Ölme | Francesco Scavetta | Rakesh Sukesh | Samantha Van Wissen | Hagit Yakira | David Zambrano IMPROVISATION Marco Berrettini | Adriana Borriello | Alice Chauchat | Ivo Dimchev | Zoi Dimitriou | Defne Erdur | Judith Grodowitz | Miguel Gutierrez | Francesca Harper | Andrew Harwood de Lotbinière | Keith Hennessy | Damien Jalet | Martin Kilvády | Barbara Kraus | Aiko Kazuko Kurosaki | Jennifer Lacey | Benoît Lachambre | Nita Little | Eroca Nicols | Sabine Parzer | Matthew Smith | Sabine Sonnenschein | Doris Uhlich | Samantha van Wissen | David Wampach | David Zambrano BODY WORK Adriana Almeida Pees | Nicole Berndt-Caccivio | Adriana Borriello | Gabriella Cimino | Frances d´Ath | Ori Flomin | Judith Grodowitz |Sascha Krausneker | Kerstin Kussmaul | Sri Louise | Roderich Madl | Fabiana Pastorini | Nicole Peisl | Dieter Rehberg | Shelley Senter | Dasniya Sommer | Anastasia Stoyannides SHAKE THE BREAK Paola Aguilera | Clélia Colonna | Mareike Dagmar Dick | Corinne Eckenstein | Ákos Hargitay | Inge Kaindlstorfer | Florian Loycke | Mamadou M' Baye | Michikazu Matsune | Simon Mayer | Kevin E. Osenau | Hanna Pessl | Melika Ramic | Christina Rauchbauer | Charlotta Ruth | Volker Schmidt | Futurelove Sibanda | Marjory Smarth | Dasniya Sommer | Flo Staffelmayr | Niels Robitzky aka STORM | Laura Weiss COMPOSITION Laura Arís | Jonathan Burrows | Marta Coronado | Laia Fabre | Matteo Fargion | Mariella Greil | Miguel Gutierrez | Saju Hari | Trajal Harrell | Sabina Holzer | Emmanuelle Huynh | Kaori Ito | Peter Jasko | Thomas Kasebacher | Rasmus Ölme | Francesco Scavetta | Kenji Takagi WORLD DANCE Kristina Alleyne | Sadé Alleyne | Ziya Azazi | GUEM | Ismael Ivo | Koffi Kôkô | Terence Lewis Karine LaBel | Terence Lewis | Mamadou M' Baye | Alexandra Mabes | Amanda Piña | Rakesh Sukesh REPERTORY Jose Agudo | Laura Arís | Francesca Harper | German Jauregui | Juliana Neves | Nicole Peisl | Shelley Senter MODERN Joe Alegado | Kaori Ito | Ismael Ivo | Corinne Lanselle | Edilson Roque | Risa Steinberg | Kenji Takagi HIPHOP Archie Burnett | Daybee Dorzile | Nina Kripas | Marjory Smarth | Niels Robitzky aka STORM | Bruce Ykanji JAZZ Russell Adamson | Jermaine Browne | Salim Gauwloos | Nathalie Lucas | Bruce Taylor | Hagit Yakira THEORY Frey Faust | Jassem Hindi | Lisa Hinterreithner | Gérald Kurdian | Alva Noë | Joaquim Pujol | Peter Rille | Dr. Gobert v. Skrbensky | Mårten Spångberg BALLET Libby Farr | Zvi Gotheiner | Franca Pagliassotto | Janet Panetta GOLDEN AGE Nicole Berndt-Caccivio | Elio Gervasi | Mårten Spångberg | Doris Uhlich MIXED ABILITIES Alito Alessi | Adam Benjamin | Vera Rebl MUSIC GUEM | Mamadou M'Baye BUTOH Ko Murobushi FIELD PROJECTS Esther Balfe | Andreas Berger | Jozef Frucek | Jared Gradinger | Chris Haring | Thomas Hauert | Keith Hennessy | Linda Kapetanea | Karine Label | Hannes Langolf | Martin Kilvády | Mathilde Monnier | Lloyd Newson | Alva Noë | Mani Obeya | Angela Schubot | Alexis Simon | Meg Stuart | Akemi Takeya | Angela Vadori PRO SERIES Ko Murobushi 3 ImPulsTanz Worshops 2014 20 JULY - 16 AUGUST 2014 This level system is based on experiences in fields important for the Workshop or in related areas.The first Workshop day is the final day of admittance according to the teacher's decision, if your level is considerably different than the level of the Workshop, you are kindly asked to switch to a more appropriate one. Workshops and their symbols: o (open) - for all levels, people interested in bodywork and movement Beg (beginning level) - providing basic knowledge, no specific precognition required Int (intermediate level) - for dancers with some knowledge, skill-refreshment Adv (advanced level) - for dancers with extended knowledge Adv* (advanced level) - for professional dancers with extended knowledge RUSSELL ADAMSON Week1: 21 - 25 July Contemporary Jazz Adv 16:15 - 18:00 Urban Styles Beg 18:15 - 20:00 Contemporary Jazz Enjoyment, the creative process and working with others The class begins with a contemporary warm up that consists of exercises in various combined forms. These vary throughout the warm up in order to acquire body placement, make your tendons and muscles elastic and springy and develop your sense of balance, which will be needed for correct execution of technique. Later on a series of various Adagio and Allegro combinations are put together to develop movement phrases in the middle part of the class. Participants will be required to do floor and aerial work as well as travelling in space. The class ends with a choreography. The main goal of the workshop is to work with and encourage the students to embrace the different movement possibilities of the body through nonverbal communication. I would like to give choices that are innovative, exciting, progressive and diverse in the bringing together of the rapidly expanding discipline called dance. The emphasis of the class is also on enjoyment, the creative process and working with others. Urban Styles Dynamic, Energy & Fun Urban Styles are movements in motion. Everything is constantly changing and the real inspiration is the music! The feeling is like a block party, having fun while experiencing visually and physically the different forms of expression that are going on in today's urban culture from the street to the clubs. So join the party and let loose the dance in you! Constant motion, improvisation, continuity rhythm and harmony. The beat goes on, never final, never finished. That‘s the pulse and energy movement we call dance. To convey the energy and moves of dance from HipHop, Funk to Ragga and House Dance a warm up and cool down in the creative process is included at all levels. All technical stuff is put into an easy-to-follow choreography for the beginner's level. As for the advanced level the combinations are physically and technically more challenging. 4 Russell Leon Adamson was born in Jamaica and moved to England with his family at the age of 10. He attained three city and guild certificates in electronics and engineering at Gloucester City College. His athletic abilities lead him to the Gloucester Youth Gymnastics team and to amateurs as well as Thai boxing. He carries the black belt status in various Martial Art Techniques. With this physical background he was granted a 4-year scholarship at the London School of Contemporary Dance. At the same time he took classes in Classical Ballet at the Central School of Ballet in London. He studied Ballet with Marian Lane and Laura Conners of the Royal Ballet School and Company (UK) and Jazz with Deirdre Lowell and Wayne Babeist (Alvin Ailey Company), Daniela Lorenz (Matt Mattox Company), Charles Augins (USA) and also Claude Paul Henry (London) and Max Stone (New York). He also studied Modern with Bill Louther (Martha Graham and Alvin Ailey Company), Carolyn Carson and Jorma Uotinen (Helsinki City Theatre, Finland), Viola Farber from the Merce Cunningham Company, Jane Dudley and Robert Cohan from the Martha Graham Company. Russell Adamson is an innovative teacher, motivating his students to focus on their work, so they can do more than they expected. With his support many young dancers have chosen dance as their profession. He has also created many choreographies, which received a lot of recognition in Finland and abroad. During the last years he has worked as a performer for the National Ballet of Estonia, the Gala for the 6th International Baltic Ballet Festival (Riga, Lithuania) and for Marimekkos 50th birthday (2001 - 2004), amongst others. In addition he has worked with the Black Dance Festival in Vienna (2002 & 2003) and the Estonia Art and Culture Gala Night in Tallinn (2004). As a choreographer he has created his own work including: "Spirit of the Landscape" (Finland, 2005), a solo and duet with Rodney Williams for the Black Dance Festival (Vienna, 2005), "Flow" a solo (London, 2006), "Terrain" (Finland, 2006), a choreography for the opera La Traviata (Finland, 2006), "Episodes" for the Rainbow Jazz Festival (2007, Estonia), a choreography for the Higher Ground Gospel Concert (Finland, 2007), The Live Orchestral Music and visual effects show at the Estonia Concert Hall (Tallinn, 2007), a Funk & HipHop choreography for the Urban Culture Tour (Helsinki, 2007) and lately a choreography for the jazz opera Manon with the world premiere (Estonia, February 2008). In 2009 Russell created four big productions, which have been shown in London, Tallinn and Vienna. Jose AGUDO Week2: 28 July - 01 August Energetic
Recommended publications
  • New Breed 2018 July 2018

    New Breed 2018 July 2018

    NEW BREED 2018 MEET THE NEW BREED OF AUSTRALIAN CHOREOGRAPHERS Forimmediate release August7 2018 29 NOV – 8 DEC CARRIAGEWORKS SYDNEY Sydney DanCe Company and Carriageworks, in conjunCtion with The Balnaves Foundation, announCe four Australian choreographers commissioned to Create works for the aCClaimed New Breed initiative that supports Australia’s next generation of dance-maKers. ‘An eclectic and consistently satisfying night of dance’ Time Out Sydney Co-presented by two of Australia’s most dynamic arts organisations – Carriageworks and Sydney Dance Company – with the generous support of The Balnaves Foundation, New Breed 2018 will provide Australian choreographers Prue Lang (Melbourne), Katina Olsen (Sydney/Sunshine Coast), Holly Doyle (Sydney) and Janessa Dufty (Yamba) with an invaluable opportunity to work with Australia’s finest contemporary dancers on a newly commissioned dance piece. These four new works will comprise the New Breed 2018 season from 29 November to 8 December 2018. The New Breed initiative made its debut in November 2014, supporting five emerging Australian choreographers through the commissioning and presentation of new dance work. Four sold out seasons in 2014, 2015, 2016 and 2017 ensued. Adelaide-based New Breed 2014 choreographer Gabrielle Nankivell was the recipient of the 2015 Tanja Liedtke Fellowship for her New Breed premiere, Wildebeest. Wildebeest was part of Sydney Dance Company’s stunning double bill Untamed in 2016, and nominated for a Helpmann Award for Best Choreography in a Ballet, Dance or Physical Theatre Production in 2017. It went on to bepart of Sydney Dance Company’s European Spring Tour in April 2018, which included sold-out performances at the Chaillot - Théâtre National de la Danse in Paris.
  • Dancers for the World (Catherine Habasque) Jg 10.2020

    Dancers for the World (Catherine Habasque) Jg 10.2020

    DFW / DANCERS FOR THE WORLD „CURE THE PAST, EMBRACE THE PRESENT, BUILT THE FUTURE“ A HUMANITARIAN ACTION FOR TRAUMATIZED AND / OR UNDERPRIVILEGED CHILDREN, WOMEN AND YOUNG ADULTS VICTIMS OF CONFLICT “The two weeks of dance workshops offered by the volunteers of Dancers For the World to our sexually assaulted girls was a magical time for all.” (Sabine Claudio, Director Caméléon Philippines) www.dfw-ch.com 2 TABLE OF CONTENTS CONTEXT AND JUSTIFICATION 3 THE ORIGIN OF A PROJECT 4 OUR MISSION AND VALUES 4 GOALS 5 METHODOLOGY 5 PARTNERSHIP 7 BENEFICIARIES 7 RESULTS 8 FEEDBACKS 8 COMMUNICATION 9 TEAM 9 2020 - 2015 11 CALENDAR DFW 13 BUDGET 14 CONTACT 15 www.dfw-ch.com 3 CONTEXT AND JUSTIFICATION In a context where crises in the world are multiplying and taking different forms, the first victims remain populations, especially children, women and young adults who are often marginalized and insufficiently involved in the search for solutions. Yet the latter must be able to play a role as a driving force for conflict resolution and peace building. The arts, and dance in particular, can initiate new perspectives for the future. While performing arts have value in and for themselves, they can engage with societal challenges such as inequalities, migration, conflict and violence, and create a deeper intercultural understanding. The arts can prepare citizens to think critically, act creatively, and foster civic engagement and social change, while at the same time providing a safe space to express their emotions. Dancers For the World (DFW) has demonstrated its power in supporting the most vulnerable, empowering children, women and young adults, and creating protected surroundings to exchange in time of crises.
  • Black Grace March 19 / 2:30 Pm Memorial Auditorium

    Black Grace March 19 / 2:30 Pm Memorial Auditorium

    PROGRAM: BLACK GRACE MARCH 19 / 2:30 PM MEMORIAL AUDITORIUM ARTISTS PROGRAM Black Grace All choreography by Neil Ieremia. A separate program will be provided at Minoi (1999) the performance. Minoi fuses a traditional Samoan dance style known as Fa’ataupati (slap dance) and western contemporary dance as a means of exploring cultural identity issues, live singing, and vocalizations. Pati Pati (2009) This work is a mixture of excerpts from older repertoire that utilizes body percussion influenced by traditional Samoan Sasa (seated dance) and Fa’ataupati (slap dance). Crying Men – Excerpt (new work) In this sneak preview of his latest work, Ieremia explores masculinity from a Pacific perspective. Mother Mother (premiered 2013) Mother Mother was originally choreographed for a music video, on request from the popular New Zealand band Fat Freddy’s Drop. INTERMISSION As Night Falls (2016) A poetic ode to our troubled world, As Night Falls is a beautiful new work set to the timeless and passionate sounds of Antonio Vivaldi. PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and watch alarms. Photography and recording of any kind are not permitted. Thank you. 28 STANFORD LIVE MAGAZINE MARCH 2017 his work has been presented in Australia, Canada, Germany, Holland, Luxembourg, Mexico, New Caledonia, South Korea, Scotland, Switzerland, Japan, and the United States. Numerous firsts for a New Zealand choreographer include sell-out performances at Jacob’s Pillow Dance Festival (U.S. debut 2004 and 2005), a four-week season on New York City’s 42nd Street, and performances at the renowned Cervantino Festival in Mexico, the John F.
  • POST-DANCE Alice Chauchat Ana Vujanovic Andre Lepecki Jonathan Burrows Bojana Cvejic Bojana Kunst Charlotte Szasz Josefihe Wikst

    POST-DANCE Alice Chauchat Ana Vujanovic Andre Lepecki Jonathan Burrows Bojana Cvejic Bojana Kunst Charlotte Szasz Josefihe Wikst

    POST-DANCE Alice Chauchat Ana Vujanovic Andre Lepecki Jonathan Burrows Bojana Cvejic Bojana Kunst Charlotte Szasz Josefihe Wikstrom Ofelia Jarl Ortega Samlingen Valeria Graziano • Samira Elagoz Ellen Soderhult Edgar Schmitz Manuel Scheiwiller Alina Popa Antonia Rohwetter & Max Wallenhorst Danjel Andersson : R - i I- " Mette Edvardsen Marten Spdngberg (Eds.) % POST-DANCE Alice Chauchat Ana Vujanovic Andre Lepecki Jonathan Burrows Bojana Cvejic Bojana Kunst Charlotte Szasz Josefine Wikstrom Ofelia Jarl Ortega Samlingen Valeria Graziano Samira Elagoz Ellen Soderhult Edgar Schmitz Manuel Scheiwiller Alina Popa Antonia Rohwetter & Max Wallenhorst Danjel Andersson Mette Edvardsen Marten Spangberg (Eds.) Published by MDT 2017 Creative commons, Attribution-ShareAlike 4.0 International Edited by Danjel Andersson, Mette Edvarsdsen and Mirten Spingberg Designed by Jonas Williamson ISBN 978-91-983891-0-4 This book is supported by Cullbergbaletten and Life Long Burning, a cultural network, funded with support from the European Commission. CULLBERGBALETTEN Culture o BUNNTNG Contents Acknowledgement 9 Danjel Andersson I Had a Dream 13 Marten Spangberg Introduction 18 Alice Chauchat Generative Fictions, or How Dance May Teach Us Ethics 29 Ana Vujanovic A Late Night Theory of Post-Dance, a selfinterview 44 Andre Lepecki Choreography and Pornography 67 Jonathan Burrows Keynote address for the Postdance Conference in Stockholm 83 Bojana Cvejic Credo In Artem Imaginandi 101 Bojana Kunst Some Thoughts on the Labour of a Dancer 116 Charlotte Szasz Intersubjective
  • Saluteremembering WW1: Four Dance Works

    Saluteremembering WW1: Four Dance Works

    EDUCATION RESOURCE Education rnzb.org.nz facebook.com/nzballet SALUTERemembering WW1: Four dance works NATIONAL SPONSOR SUPPORTED BY MAJOR SUPPORTER SUPPORTING EDUCATION CURRICULUM In this unit you and your students will: LEARNING OBJECTIVES FOR • Learn about the elements that come LEVELS 7 & 8 together to create a theatrical ballet experience. Level 7 students will learn how to: • Identify the processes involved in making a • Understand dance in context – Investigate theatre production. and evaluate the effects of individual, social, cultural, and technological influences on the development of a variety of dance genres and styles. CURRICULUM LINKS IN THIS • Develop practical knowledge – UNIT Extend skills in the vocabulary, practices, Values and technologies of selected dance genres Students will be encouraged to value: and styles. • Innovation, inquiry and curiosity, by thinking • Communicate and interpret – Analyse, critically, creatively and reflectively. explain, and discuss aspects of performance • Diversity, as found in our different cultures and choreography in a range of dance and heritages. works. • Community and participation for the common good. Level 8 students will learn how to: • Understand dance in context – Investigate, analyse, and discuss the features, history, KEY COMPETENCIES issues, and development of dance in New Zealand, including the contribution of • Using language, symbols and text – selected individuals and groups. Students will recognise how choices of • Develop practical knowledge – language and symbols in live theatre affect Extend and refine skills, practices, and use people’s understanding and the ways in of technologies in a range of dance genres which they respond. and styles. • Relating to others – Students will develop • Communicate and interpret – Critically the ability to listen actively and share ideas analyse, interpret, and evaluate the artistic regarding theatrical ballet performances.
  • The Joyce Ballet Festival | Criticaldance 2015-12-09, 12:18 AM

    The Joyce Ballet Festival | Criticaldance 2015-12-09, 12:18 AM

    MOVE: the company at The Joyce Ballet Festival | CriticalDance 2015-12-09, 12:18 AM Search… Follow @CriticalDance An Inclusive Site for Dancers and Dance Audiences Home About Reviews and Features Taiwan International Festival of the Arts Dance Salad 2015 Forum Archives Links Contact ! BALLET (USA & CANADA), REVIEWS FOLLOW US ON MOVE: the company at The Joyce Ballet Festival FACEBOOK The Joyce CriticalDance Theater, New Like Page 1.8k likes York, NY August 4, 2015 REVIEWS AND Jerry FEATURES: BY Hochman CATEGORY The two-week Reviews and Features: summer 2015 By Category Joyce Ballet Select Cate Festival began gory with the first Joshua Beamish’s Burrow of two REVIEWS AND (dancers here: Nicol Edmonds, Matthew Ball) FEATURES: BY performances Photo Alice Pennefather MONTH by Canadian- born dancer Reviews and Features: and contemporary ballet choreographer Joshua Beamish’s MOVE: the company. By Month Select Mon Beamish is one of ballet’s choreographers du jour – a post-up-and-coming but not quite th household name who is virtually ubiquitous, having presented Conditional Sentences in Wendy Whelan’s Restless Creatures program in May (also at the Joyce), his company’s RECENT COMPANIES tenth anniversary performance in Vancouver, a world premiere at the Fire Island Dance Festival last month, and Rouge et Noir (reportedly an homage to the Ballet Russes) for Akram Khan the Ashley Bouder Project at this same Joyce Festival; and he gets to work with some of Alonzo King LINES Ballet the finest dancers in the world. American Ballet Theatre American Of the pieces danced here, Stay and Surface Properties have more interest than the Repertory Ballet AXIS others, but each was skillfully crafted and superbly executed.
  • The Long Term You Cannot Afford

    The Long Term You Cannot Afford

    e LONG TERM you caot aÿord. on e distribuon of e TOXIC INVOCATIONS .– WITH Edna Bonhomme BPoC Environmenta and Cimate Justice Coective (Imeh Ituen and Rebecca Abena Kennedy-Asante) Center for Intersectiona Justice (Emiia Roig) Yoanda Ariadne Coins Discard Studies (Aex Zahara and Josh Lepawsky) Angea Fournoy The Forest Curricuum (Pujita Guha and Abhijan Toto) Hazardous Traves (Ayushi Dhawan, Maximiian Feichtner and Simone Müer) Hyoung-Min Kim and Gabrie Gaindez Cruz Jessika Khazrik Laboratory for Aesthetics and Ecoogy (Ida Bencke) Latedjou Liping Ting Mother the Verb (Ivan “Ivy” Monteiro) Franziska Pierwoss Raqs Media Coective (Shuddhabrata Sengupta) Matana Roberts Huda Rós Guðnadóttir Tomás Saraceno and the Aerocene Foundation Aexis Shotwe Stephan Thierbach Françoise Vergès Wearebornfree! Empowerment Radio (Moro Yapha) XR Extinction Rebeion (Kate Sagovsky) among others CURATORS Antonia Aampi Caroine Ektander CO¨CURATORS Jasmina A-Qaisi Kamia Metway ARTISTIS DIRECTOR Bonaventure Soh Bejeng Ndikung PROJECT TEAM Monioa Iupeju António Pedro Mendes Oa Zieińska CURATORIAL ASSISTANT Mahnoor Zehra Lodhi MANAGEMENT Lema Sikod Lynhan Baatbat-Hebock COMMUNICATION Anna Jäger GRAPHIC DESIGN Esa Westreicher Lii Somogyi SOUND ENGINEER Kay Bennet Kruthoff LIVE STREAM Boiing Head The project is funded by Hauptstadtkuturfonds and the Foundation for Arts Initiatives. With additiona support by the Mondriaan Fund, Goethe-Institut / Max Mueer Bhavan Kokata, Goethe Institut Pakistan, White Space Beijing, The Visua Arts Fund Iceand, DAAD Artists-in-Berin Program and the Berin Senate Department for Cuture and Europe. SAVVY Contemporary T Laboratory of Form-Ideas THE LONG TERM YOU CANNOT AFFORD. ON THE DISTRIBUTION OF THE TOXIC is the third chapter of SCHEDULE our ong-term investigation THE INVENTION OF SCIENCE.
  • Šokio Modulis

    Šokio Modulis

    MENŲ PAŽINIMO BENDROJI PROGRAMA ŠOKIO MODULIS Parengė: Ieva Norkūnienė Šokio modulis, kaip naujos MENŲ programos bendrojo lavinimo mokykloms dalis, skiriasi nuo ankstesnių šio dalyko programų funkcionavimo sociokultūrinėje aplinkoje pažinimo, suvokimo bei vertinimo veiklos kryptimis. Iš šiuolaikinio žiūrovo šokio menas reikalauja atvirumo naujoms estetinėms patirtims, gilesnių istorinių bei teorinių žinių, mąstymo ir analitinių gebėjimų – tai yra aktyvaus dalyvavimo ne tik priimant, bet ir suvokiant bei interpretuojant scenos kūrinį, įvertinant jo estetinę vertę, meninius ypatumus. Šokio dalyko, kaip ir MENŲ programos, tikslas bei uždaviniai – plėtoti mokinių estetinę, kultūrinę ir bendrąsias (iniciatyvumo ir kūrybingumo, asmeninę, socialinę ir pilietinę, mokymosi mokytis, pažinimo) kompetencijas, ugdyti sumanų ir aktyvų kultūrinio gyvenimo dalyvį. Ir kartu – auginti nuovokų ir tolerantišką šokio meno žiūrovą (suvokėją, interpretatorių), kuris geba analizuoti ir vertinti šokio spektaklio ar judesio reiškinio estetinius bei meninius ypatumus ir moka taikyti šiuos gebėjimus skirtingoje meninėje aplinkoje, kasdieniame gyvenime bei veikloje. Šokio modulio struktūra Šokio dalykas aprėpia šokio meno istorijos, teorijos ir kritikos žinias, skirtas taikyti priimant ir suvokiant ir vertinant šokio meno ypatumus, analizuojant šokio funkcionavimo sociokultūrinėje aplinkoje pobūdį. Dalyko bendroji programa sudaro galimybę mokiniams mokytis bendruoju ir išplėstiniu kursais, kurie skiriasi savo sudėtingumu. Mokinių įgyjamos nuostatos, gebėjimai ir
  • Šiuolaikinės Visuomenės Ugdymo Veiksniai

    Šiuolaikinės Visuomenės Ugdymo Veiksniai

    ISSN 2424-6131 (Print) ISSN 2424-614X (Online) GENEROLO JONO ŽEMAIČIO LIETUVOS KARO AKADEMIJA ŠIUOLAIKINĖS VISUOMENĖS UGDYMO VEIKSNIAI 4 MOKSLO ŽURNALAS TOMAS ISSN 2424–6131 (print) ISSN 2424–614X (online) Šiuolaikinės visuomenės ugdymo veiksniai 1 ISSN 2424–6131 (print) ISSN 2424–614X (online) GENERAL JONAS ŽEMAITIS MILITARY ACADEMY OF LITHUANIA The Factors of Education in Modern Society Volume 4, 2019 Scientific journal Vilnius 2019 2 ISSN 2424–6131 (print) ISSN 2424–614X (online) GENEROLO JONO ŽEMAIČIO LIETUVOS KARO AKADEMIJA Šiuolaikinės visuomenės ugdymo veiksniai 4 tomas Mokslo žurnalas Vilnius 2019 3 Generolo Jono Žemaičio Lietuvos karo akademijos mokslo žurnalas „Šiuolaikinės visuome- nės ugdymo veiksniai“ skirtas Lietuvos ir užsienio aukštųjų mokyklų mokslininkams, dės- tytojams, karininkams, visiems, kurie tiria socialinių ir humanitarinių mokslų problematiką siedami su karo mokslais. REDAKCINĖ KOLEGIJA Mokslinė redaktorė ir sudarytoja – doc. dr. Dileta Jatautaitė, Generolo Jono Žemaičio Lietuvos karo akademija Nariai: doc. dr. Jelena Brazauskienė, Vilniaus universitetas prof. dr. Jadvyga Čiburienė, Kauno technologijos universitetas prof. dr. Dalia Eigirdienė, Kauno technologijos universitetas doc. dr. Jūratė Guščinskienė, Generolo Jono Žemaičio Lietuvos karo akademija mjr. Gintautas Jakštys, Generolo Jono Žemaičio Lietuvos karo akademija doc. dr. Jelena Kazimianec, Generolo Jono Žemaičio Lietuvos karo akademija dr. Lela Khubuluri, Gruzijos nacionalinė gynybos akademija prof. dr. Gintautas Kundrotas, Lietuvos edukologijos universitetas
  • Sylvie Guillem – Life in Progress Ek / Forsythe / Khan / Maliphant Marketing Pack

    Sylvie Guillem – Life in Progress Ek / Forsythe / Khan / Maliphant Marketing Pack

    Sylvie Guillem – Life in Progress Ek / Forsythe / Khan / Maliphant Marketing Pack Sylvie Guillem Contents 1. Billing and crediting 2. Images 3. Brochure copy 4. A note from Sylvie Guillem 5. Press release 6. Press Quotes 7. Tour dates 8. Biographies Lucy White, Marketing Manager Caroline Ansdell, Press Manager +44 (0) 20 7863 8104 +44 (0) 20 7863 8125 [email protected] [email protected] 1. Billing and crediting Full show title: Sylvie Guillem – Life in Progress A Sadler’s Wells London Production, co-produced with Les Nuits de Fourvière, Shanghai International Arts Festival and Sylvie Guillem This billing must be used in all brochures and programmes and on all print including leaflets and posters. technê Choreographer Akram Khan Composer Alies Sluiter published by Mushroom Music Publishing/BMG Chrysalis Lighting Designers Adam Carrée & Lucy Carter Costume Designer Kimie Nakano Rehearsal Director Jose Agudo Dancer Sylvie Guillem Musicians Prathap Ramachandra, Grace Savage, Alies Sluiter DUO2015 Choreographer William Forsythe Composer Thom Willems Stage, Lights & Costumes William Forsythe World premiere 20 January 1996, Ballett Frankfurt, Opernhaus Frankfurt, Germany Performers Brigel Gjoka, Riley Watts* Here & After Director & Choreographer Russell Maliphant Lighting Designer Michael Hulls Composer Andy Cowton Costume Designer Stevie Stewart Dancers Sylvie Guillem, Emanuela Montanari Bye Choreographer Mats Ek Composer Ludwig van Beethoven (Piano Sonata Op. 111, Arietta; Recording played by Ivo Pogorelich) Set & Costume Designer Katrin Brännström Lighting Designer Erik Berglund Filmographer Elias Benxon Dancer Sylvie Guillem Co-produced by Dansens Hus Stockholm * Casting may change in some venues. Please check with Sadler’s Wells. 2. Images Please note that there is one lead image for this production.
  • American Dance Recon New York 2014 International Participating Presenters !

    American Dance Recon New York 2014 International Participating Presenters !

    ! ! American Dance Recon New York 2014 International Participating Presenters ! Balázs Arató - Art Manager/International Relations - National Dance Theatre / Budapest Dance Festival, Budapest, Hungary After completing his dance education as a ballet dancer at the Hungarian Dance Academy (Budapest,1997), Balázs Arató danced with the Hungarian National Ballet (Hungary) and with the Konzert & Theater St. Gallen (Switzerland). After finishing his dancing career, he started to learn cultural and museum management at the Eotvos Lorand University (2003) and at the Moholy- Nagy University of Art and Design (2012). He has founded his own company and also worked at the Aranytíz Cultural Center as art manager until 2005, when he got invited to work in the management of the National Dance Theatre Budapest. During his time with the National Dance Theatre, he has worked with Shen Wei Dance Arts, Cloud Gate Dance Theatre of Taiwan, Merce Cunningham Dance Company, Cullberg Ballet, Bridgman/Packer Dance, and many others. In 2004, he started a cultural online magazine (www.tancelet.hu) that is focusing on the dance life of Hungary. Balázs Arató speaks fluent English and German.! ! Jarmo Penttila - Advisor for Programming, Théâtre National de Chaillot,!Paris, France! Jarmo Penttila has been advisor for dance programming in National Theatre Chaillot in Paris, France, since September 2011.!!Between 2000-2011, he was responsible for the creations, rehearsals and touring of CCN Centre Chorégraphiques National of Ballet de Lorraine, Nancy, France.!!Before 2000 he was a professional dancer in different contemporary dance companies in France for 20 years. ! ! Anna C Y CHAN - Head, Artistic Development (Dance),! West Kowloon Cultural District Authority, Hong Kong! Anna C Y Chan is a practicing administrator, producer, curator, and arts educator.
  • Memory Is Fragile Garbage Lasts Forever

    Memory Is Fragile Garbage Lasts Forever

    MEMORY IS FRAGILE GARBAGE LASTS FOREVER INDEX CONSTANZA MACRAS |DORKYPARK SHOWS OPEN FOR EVERYTHING HERE/AFTER BERLIN ELSEWHERE THE OFFSIDE RULES MEGALOPOLIS OEDIPUS REX HELL ON EARTH BRICKLAND I´M NOT THE ONLY ONE SURE, SHALL WE TALK ABOUT IT? NO WONDER BIG IN BOMBAY BACK TO THE PRESENT UPCOMING PIECES PIECES FOR TOURING TOURING CONTACT CONSTANZA MACRAS Constanza Macras was born in Buenos Aires, Argentina, where she In 2008 Constanza Macras received the GOETHE-INSTITUT Award for an outstanding German studied dance and fashion design, at the Buenos Aires University production for her piece Hell On Earth. (UBA). She continued her dance studies in Amsterdam and New York (Merce Cunningham Studios). In 1995, Macras moved to Berlin and In 2010 she was awarded with the Arts at MIT (Massachusetts Institute of Technology) William danced for various companies. In 1997, she founded her own first L. Abramowitz Residency. Since 1961, the series has brought renowned performing artists and company TAMAGOTCHI Y2K. writers to MIT to perform, present public lectures, and collaborate with students in free Between 1998 and 2000, TAMAGOTCHI Y2K presented four pieces: programs. Wild Switzerland (1998), Face One (1999), In Between (2000) and Dolce Vita (2000), a site-specific live music performance that com- In the same year Constanza Macras was awarded the national German theater-prize DER FAUST bined artists from various disciplines. It was created as a one-time for best choreography for the piece Megalopolis. event for each specific location. Next to her productions with her company Constanza Macras | DorkyPark, Constanza Macras From 2001 to 2002, Macras developed and presented the trilogy MIR: has also created: A Love Story.