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Sex Issue Next Issue
the independent newspaper of Washington University in St. Louis since 1878 VOLUME 134, NO. 35 MONDAY, FEBRUARY 11, 2013 WWW.STUDLIFE.COM BEN SOLLEE BEYONCÉ WOMEN’S HOOPS The optimistic Where you should Alyssa Johanson and cellist talks about go see Queen B the Bears split this songwriting on her tour weekend’s games (Scene, pg 7) (Cadenza, pg 5) (Sports, pg 6) Men’s basketball topples Adult stars answer fourth-ranked Rochester questions about porn MANVITHA MARNI STAFF REPORTER “As St. Francis said, where there is hate f---, let there be love,” porn star Lance Hart declared, to the amuse- ment of a crowd of students that filled Graham Chapel Friday evening. Hart and fellow adult film stars Tori Black and James Deen answered questions as a part of a Sex Week panel event, moderated by Susan Stiritz, a professor of sexuality studies. Hart, a former software salesman, both acts in and films pornography usually targeted at specific fetishes and kinks. Black, currently expecting her second child, is more known for mainstream porn. She is the first per- GENEVIEVE HAY | STUDENT LIFE Junior Chris Klimek finishes a layup in the second half of the Washington University men’s basketball team’s 72-53 blowout of No. 4 University of Rochester. former ever to win two Adult Video Klimek finished with 19 points and seven rebounds in the win. News Female Performer of Year Awards. Much of Deen’s work is ALEX LEICHENGER 18-4 overall with three regular season we were going to do.” Burnett scored close to the basket for a popular with women and teenagers, NEWS EDITOR contests remaining on its schedule. -
New Breed 2018 July 2018
NEW BREED 2018 MEET THE NEW BREED OF AUSTRALIAN CHOREOGRAPHERS Forimmediate release August7 2018 29 NOV – 8 DEC CARRIAGEWORKS SYDNEY Sydney DanCe Company and Carriageworks, in conjunCtion with The Balnaves Foundation, announCe four Australian choreographers commissioned to Create works for the aCClaimed New Breed initiative that supports Australia’s next generation of dance-maKers. ‘An eclectic and consistently satisfying night of dance’ Time Out Sydney Co-presented by two of Australia’s most dynamic arts organisations – Carriageworks and Sydney Dance Company – with the generous support of The Balnaves Foundation, New Breed 2018 will provide Australian choreographers Prue Lang (Melbourne), Katina Olsen (Sydney/Sunshine Coast), Holly Doyle (Sydney) and Janessa Dufty (Yamba) with an invaluable opportunity to work with Australia’s finest contemporary dancers on a newly commissioned dance piece. These four new works will comprise the New Breed 2018 season from 29 November to 8 December 2018. The New Breed initiative made its debut in November 2014, supporting five emerging Australian choreographers through the commissioning and presentation of new dance work. Four sold out seasons in 2014, 2015, 2016 and 2017 ensued. Adelaide-based New Breed 2014 choreographer Gabrielle Nankivell was the recipient of the 2015 Tanja Liedtke Fellowship for her New Breed premiere, Wildebeest. Wildebeest was part of Sydney Dance Company’s stunning double bill Untamed in 2016, and nominated for a Helpmann Award for Best Choreography in a Ballet, Dance or Physical Theatre Production in 2017. It went on to bepart of Sydney Dance Company’s European Spring Tour in April 2018, which included sold-out performances at the Chaillot - Théâtre National de la Danse in Paris. -
Children in Opera
Children in Opera Children in Opera By Andrew Sutherland Children in Opera By Andrew Sutherland This book first published 2021 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2021 by Andrew Sutherland Front cover: ©Scott Armstrong, Perth, Western Australia All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-6166-6 ISBN (13): 978-1-5275-6166-3 In memory of Adrian Maydwell (1993-2019), the first Itys. CONTENTS List of Figures........................................................................................... xii Acknowledgements ................................................................................. xxi Chapter 1 .................................................................................................... 1 Introduction What is a child? ..................................................................................... 4 Vocal development in children ............................................................. 5 Opera sacra ........................................................................................... 6 Boys will be girls ................................................................................. -
2015 Next Wave Festival NOV 2015
2015 Next Wave Festival NOV 2015 Shinique Smith, Magnetic Beam, 2015 Published by: Season Sponsor: Brooklyn Academy of Music Alan H. Fishman, Epiphany: Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, The Cycle of Life Vice Chairman of the Board Katy Clark, President VisionIntoArt Joseph V. Melillo, Executive Producer Young People’s Chorus of New York City An immersive choral installation inpired by the Tibetan Book of the Dead, traditional African folk songs, and ancient mythologies DATES: NOV 4—7 at 7:30pm Doors and Installation at 7pm Season Sponsor: LOCATION: BAM Fisher (Fishman Space) RUN TIME: 1hr (no intermission) Viacom is the BAM 2015 Music Sponsor. Leadership support for programming by New York City artists in the BAM Fisher provided by Rockefeller Brothers Fund. Additional support provided by The TinMan Fund. Leadership support for music #EpiphanyCycle at BAM provided by: #BAMNextWave Frances Bermanzohn & Alan Roseman. BAM Fisher AMERICAN CONTEMPORARY MUSIC ENSEMBLE (ACME) Ben Russell & Caleb Burhans, violins Epiphany: The Cycle of Life Caitlin Lynch, viola Clarice Jensen, cello & artistic director CONDUCTED BY David Cossin, Ibrahima “Thiokho” Diagne, & Ian Rosenbaum, percussion Francisco J. Núñez PROGRAM PERFORMERS ORIGINAL CONCEPT & VIDEO Passage YOUNG PEOPLE’S CHORUS OF NYC CONCERT CHORUS Ali Hossaini Vhiri reNgoro Francisco J. Núñez, Artistic Director/Founder Composed by Netsayi Chigwendere THEATRICAL CONCEPT & Tiffany Alulema Emma Higgins Maya Osman-Krinsky STAGE DIRECTION Epiphany Clare Altman Nyota Holmes-Cardona Ranya Perez Michael McQuilken Michelle Britt Bianca Jeffrey Jordan Reynoso COMPOSED BY Kelli Carter Olivia Katzenstein Elvira Rivera STORY DEVELOPMENT Paola Prestini Samuel Chachkes Zoe Kaznelson Sophie Saidmehr Nathaniel Bellows, Maruti Evans, LIBRETTO BY Nadine Clements Bethany Knapp Jeniecy Scarlett Michael McQuilken, Netsayi, Niloufar Talebi Louisa Cornelis Maria Kogarova Isabel Schaffzin Francisco J. -
June WTTW & WFMT Member Magazine
Air Check Dear Member, The Guide As we approach the end of another busy fiscal year, I would like to take this opportunity to express my The Member Magazine for WTTW and WFMT heartfelt thanks to all of you, our loyal members of WTTW and WFMT, for making possible all of the quality Renée Crown Public Media Center content we produce and present, across all of our media platforms. If you happen to get an email, letter, 5400 North Saint Louis Avenue or phone call with our fiscal year end appeal, I’ll hope you’ll consider supporting this special initiative at Chicago, Illinois 60625 a very important time. Your continuing support is much appreciated. Main Switchboard This month on WTTW11 and wttw.com, you will find much that will inspire, (773) 583-5000 entertain, and educate. In case you missed our live stream on May 20, you Member and Viewer Services can watch as ten of the area’s most outstanding high school educators (and (773) 509-1111 x 6 one school principal) receive this year’s Golden Apple Awards for Excellence WFMT Radio Networks (773) 279-2000 in Teaching. Enjoy a wide variety of great music content, including a Great Chicago Production Center Performances tribute to folk legend Joan Baez for her 75th birthday; a fond (773) 583-5000 look back at The Kingston Trio with the current members of the group; a 1990 concert from the four icons who make up the country supergroup The Websites wttw.com Highwaymen; a rousing and nostalgic show by local Chicago bands of the wfmt.com 1960s and ’70s, Cornerstones of Rock, taped at WTTW’s Grainger Studio; and a unique and fun performance by The Piano Guys at Red Rocks: A Soundstage President & CEO Special Event. -
The Nationalnational a Bitter, Angry Record in a Lot of Spots
ISSUE #28 MMUSICMAG.COM ISSUE #28 MMUSICMAG.COM Q&A songs and make records together, definitely and closer and repeatedly, the different “Our voices will be mixed together in a weird in the shadows. dimensions of our songs reveal themselves. I way.” I wanted it to sound like what would get why people label us dark or brooding or be on the radio in the afterlife, and she got Why was it easier to write this time? depressing. It’s the most obvious thing when into that. Our voices are kind of distorted Alligator was the first record we released you first hear us because of the sound of my and mutated into some weird hybrid that was signed to a real label. We were voice or the instrumentation we’re using. And creation in that section. But it’s not like, desperate for people to notice us, and they when I’m writing I definitely like to wallow “Here’s Annie Clark in her starring cameo!” did. But we had a lot of anxiety about how in the dark stuff, but often it’s also very silly People prefer that way because they know to follow that up without painting ourselves observations about my own neuroses or they’re not just being used for their name; into a corner. We knew we wanted to make obsessions. A lot of our songs are about it’s because we respect their musicality, something that wasn’t like Alligator, but we death and the idea of existence, but in kind and they’re friends. -
Pdfaboutnews To-The-Pointe-Spring12.Pdf
To the Pointe the To ISSUE 54 SPRING 2012 Message from the Executive Director As I reflect on my first quarter at Canada’s So too, the building is alive after hours, the support from our government National Ballet School, I’m drawn to the through our Adult and Associates partners, and will continue to connect spring scenes around the School. This is programs. It is a source of inspiration to them with NBS. a season of renewal, a time to anticipate see the Celia Franca Centre is alive with the summer ahead. In particular, the dancers at night. Two attributes characterize NBS from my spring brings something that is dear to perspective—passion and excellence. I me—the return of baseball! What does One item on my agenda is the completion want to acknowledge Mavis Staines for baseball have to do with ballet? Good of a new NBS Strategic Plan. There has her support during my transition, and for question—more on that later. been superb planning work done in modelling those attributes. I’d also like to past years, including a trend analysis of recognize our talented staff for the same Since joining NBS, I have found it to be the dance industry and an articulation reasons, and to thank our committed as stimulating and rewarding as I had of three strategic initiatives to address friends who attended the For the Love hoped. Coming from the museum world, these. We are facilitating a process for of Ballet Gala. I am a strong supporter of culture and the soliciting and refining staff contributions, role that knowledge plays in advancing with a goal of completing the plan in And so, how do my first few months at our society. -
Copyright by Bonny Kathleen Winston 2003
Copyright by Bonny Kathleen Winston 2003 The Development of a Multimedia Web Database for the Selection of 20th Century Intermediate Piano Repertoire by Bonny Kathleen Winston, B.M., M.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts The University of Texas at Austin May, 2003 Dedication This dissertation would not have been completed without all of the love and support from professors, family, and friends. To all of my dissertation committee for their support and help, especially John Geringer for his endless patience, Betty Mallard for her constant inspiration, and Martha Hilley for her underlying encouragement in all that I have done. A special thanks to my family, who have been the backbone of my music growth from childhood. To my parents, who have provided unwavering support, and to my five brothers, who endured countless hours of before-school practice time when the piano was still in the living room. Finally, a special thanks to my hall-mate friends in the school of music for helping me celebrate each milestone of this research project with laughter and encouragement and for showing me that graduate school really can make one climb the walls in MBE. The Development of a Multimedia Web Database for the Selection of 20th Century Intermediate Piano Repertoire Publication No. ________________ Bonny Kathleen Winston, D.M.A. The University of Texas at Austin, 2003 Supervisor: John M. Geringer The purpose of this dissertation was to create an on-line database for intermediate piano repertoire selection. -
The Displaced Hindu Gods Trilogy
Excerpt terms and conditions This excerpt is available to assist you in the play selection process. Excerpts are not intended for performance, classroom or other academic use. In any of these cases you will need to purchase playbooks via our website or by phone, fax or mail. A short excerpt is not always indicative of the entire work, and we strongly suggest you read the whole play before planning a production or ordering a cast quantity. © Dramatic Publishing The Displaced Hindu Gods Trilogy Brahmani, a One-Hijra Stand-Up Comedy Show The Chronicles of Kalki Shiv A collection by ADITI BRENNAN KAPIL Dramatic Publishing Company Woodstock, Illinois ● Australia ● New Zealand ● South Africa © Dramatic Publishing *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY, INC., without whose permission in writing no performance of it may be given. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. Current royalty rates, applications and restrictions may be found at our website: www.dramaticpublishing.com, or we may be contacted by mail at: THE DRAMATIC PUBLISHING COMPANY, INC., 311 Washington St., Woodstock, IL 60098. COPYRIGHT LAW GIVES THE AUTHOR OR THE AUTHOR’S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the performance of their work. -
Workshops & Research
WORKSHOPS & RESEARCH 20 JULY - 16 AUGUST 2014 Workshops in Contemporary Dance and Bodywork for all levels from beginners to professional dancers. Seven phases which can be attended independently from each other (each week- workshop: 1 class per day, each intensive-workshop: 2 classes per day) «impressions'14»: 20 July ! Week1: 21 - 25 July Intensive1: 26 + 27 July Week2: 28 July - 01 August! Intensive2: 02 + 03 August! Week3: 04 - 08 August! Intensive3: 09 + 10 August! Week4: 11 - 15 August ! «expressions'14»: 16 August Index 3 Artists listed by departments 4 - 133 All workshop descriptions listed by artists 134 - 149 All Field Project descriptions listed by artists 149 - 150 Pro Series description 2 CONTEMPORARY DANCE Jose Agudo | Conny Aitzetmueller | Kristina Alleyne | Sadé Alleyne | Laura Arís | Iñaki Azpillaga | Susanne Bentley | Marco Berrettini | Bruno Caverna | Marta Coronado | Zoi Dimitriou | Frey Faust | Ori Flomin | Saju Hari | Sascha Hauser aka CIONN | Kathleen Hermesdorf | Damien Jalet | Peter Jasko | German Jauregui | Kira Kirsch | Kerstin Kussmaul | Juliana Neves | Sabine Parzer | Rasmus Ölme | Francesco Scavetta | Rakesh Sukesh | Samantha Van Wissen | Hagit Yakira | David Zambrano IMPROVISATION Marco Berrettini | Adriana Borriello | Alice Chauchat | Ivo Dimchev | Zoi Dimitriou | Defne Erdur | Judith Grodowitz | Miguel Gutierrez | Francesca Harper | Andrew Harwood de Lotbinière | Keith Hennessy | Damien Jalet | Martin Kilvády | Barbara Kraus | Aiko Kazuko Kurosaki | Jennifer Lacey | Benoît Lachambre | Nita Little | Eroca -
Annual Report 2005-2006
V I R G I N I A F O U N D A T I O N F O R T H E H U M A N I T I E S ANNUAL REPORT 2005-2006 V I R G I N I A F O U N D A T I O N F O R T H E H U M A N I T I E S www.virginiafoundation.org Each time a man stands up for an ideal, or acts to improve the lot of others, or strikes out against injustice, he sends forth a tiny ripple of hope, and crossing each other from a million different centers of energy and daring, those ripples build a current that can sweep down the mightiest walls of oppression and resistance. — Robert F. Kennedy President’s Letter ...............................2 Programs and Projects ......................4 VFH Grants ........................................14 VFH Fellows ......................................20 VFH Donors .......................................21 Statement of Financial Position ......28 VFH Board and Staff .........................29 Two years ago Encyclopedia Virginia was an idea; one year ago at it was a promise; today it is building the Virginia Foundation for the in energy. Now the currents flow in Humanities (VFH). A strong sense two directions. Some people are of mission and an excitement about researching, writing, and designing the future charge our work. It is an the database of knowledge about exciting mission to help individuals, Virginia culture and history, while organizations, and communities others are envisioning its structural harness their ideas and raw energy underpinnings. Our goal is to make to understand the past, confront this website fun and easy for all to important issues in the present, and use, no matter their age or their shape a promising future. -
The Nile Project Europe Debut
For Immediate Release: June 03, 2016 The Nile Project Europe Debut This June, the Nile Project will make its European premiere with concerts in Brussels, Bradford, and London. We will also be performing on BBC Radio 3 on June 17 at 11pm (UK Time) - tune in! Belgium Panel @ 10th European Development Days Tour & Taxis, Brussels 15 June 9:30am Concert @ 10th European Development Days Tour & Taxis, Brussels 15 June 7:45pm Concert @ Bozar Centre for Fine Arts Bozar, Brussels 16 June 8:00pm United Kingdom Concert @ Yorkshire Festival 2016 Alhambra Theatre, Bradford, UK 18 June 7:30pm Concert @ Barbican Islington Assembly Hall, London 19 June 7:30pm Described as “a committed, euphoric international coalition” by the New York Times, the Nile Project brings together artists from the 11 countries sharing the world’s longest river to combine their instruments, languages, scales and rhythms in one of the tightest cross- cultural collaborations in music. The project’s mission is to inspire, inform and empower Nile citizens to collaboratively cultivate the sustainability of their shared ecosystem. The Nile Project has designed an innovative musical process that allows its artists to self- organize by leveraging each other’s strengths in order to unearth a unique sound representative of the Nile watershed as a whole. By creating award-winning music within a participatory leadership framework, the Nile Project Collective provides a blueprint for new ways in which Nile citizens can organize themselves across sectors to generate creative and mutually-beneficial system-wide solutions in response to their shared hydro-political challenges. Now in its 4th year, the Nile Project is growing beyond its musical program to strengthen its mission of Nile stewardship.