REACHING U Student Dress Rehearsal March 12, 2021 — 1:30Pm
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Pdfaboutnews To-The-Pointe-Spring12.Pdf
To the Pointe the To ISSUE 54 SPRING 2012 Message from the Executive Director As I reflect on my first quarter at Canada’s So too, the building is alive after hours, the support from our government National Ballet School, I’m drawn to the through our Adult and Associates partners, and will continue to connect spring scenes around the School. This is programs. It is a source of inspiration to them with NBS. a season of renewal, a time to anticipate see the Celia Franca Centre is alive with the summer ahead. In particular, the dancers at night. Two attributes characterize NBS from my spring brings something that is dear to perspective—passion and excellence. I me—the return of baseball! What does One item on my agenda is the completion want to acknowledge Mavis Staines for baseball have to do with ballet? Good of a new NBS Strategic Plan. There has her support during my transition, and for question—more on that later. been superb planning work done in modelling those attributes. I’d also like to past years, including a trend analysis of recognize our talented staff for the same Since joining NBS, I have found it to be the dance industry and an articulation reasons, and to thank our committed as stimulating and rewarding as I had of three strategic initiatives to address friends who attended the For the Love hoped. Coming from the museum world, these. We are facilitating a process for of Ballet Gala. I am a strong supporter of culture and the soliciting and refining staff contributions, role that knowledge plays in advancing with a goal of completing the plan in And so, how do my first few months at our society. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
1 Alberta Ballet CANADA ARTISTIC DIRECTOR JEAN GRAND-MAÎTRE
18/19 ARTISTIC DIRECTOR JEAN GRAND-MAÎTRE Company Artists Hayna Gutierrez & Garrett Groat, Photo by Paul McGrath Alberta Ballet CANADA 1 2018—2019 SEASON 2018—2019 DEAR DANCE LOVERS, OUR 52ND SEASON IS SO RICH with ideas, contrasts and artistic daring, it may very well go down in history as one of our most memorable. Join us as we invite the very finest dancers, composers, singer-songwriters, designers and filmmakers from across the country on our exciting and inspiring journey. For our upcoming yearlong celebration of dance, Alberta Ballet is proud to have concocted what is arguably the richest convergence of Canadian artistry 2018—2019 SEASON 2018—2019 ever gathered in one season. A season book-ended with acclaimed tributes to two of Canada’s greatest music legends, Leonard Cohen and Joni Mitchell, is any artistic director’s dream come true. We’ll also stage the titanic and lavish world premiere of the most celebrated classical ballet of all time, The Sleeping Beauty, and Thomas. Heather and Groat Garrett Artists Company the comedic genius of William Shakespeare. And of course, we’re pleased to host two of Canada’s hottest Jean globe trotting sensations on our stage: Les Ballets Jazz de Montréal and Ballet BC. The season is a terpsichorean feast unlike no other. These captivating presentations will offer something Grand-Maître for everyone in abundance. From great classical ballets for the entire family – including a special 10th anniversary edition of our much loved The Nutcracker “A season of legends, – to the very best of the avant guard. Our stage will explode in a maelstrom of electrifying dreamweavers, sprites and enchanting magic, gathering artistic mavericks from across the nation. -
Juilliard Dance
Juilliard Dance Senior Graduation Concert 2019 Welcome to Juilliard Dance Senior Graduation Concert 2019 Tonight, you will experience the culmination of a transformative four-year journey for the senior class of Juilliard Dance. Through rigorous physical training and artistic and intellectual exploration, all of the fourth-year dancers have expanded the possibilities of their movement abilities, stretching beyond what they thought possible when entering the program as freshmen. They have accepted the challenge of what it means to be a generous citizen artist and hold that responsibility close to their hearts. Chosen by the dancers, the solos and duets presented tonight have been commissioned for this evening or acquired from existing repertory and staged for this singular occasion. The works represent the manifestation of an evolution of growth and the discovery of their powerfully unique artistic voices. I am immensely proud of each and every fourth-year artist; it has been a joy and an honor to get to know the senior class, a group of individuals who will inevitably change the landscape of the field of dance as it exists today. Please join me for a standing ovation, cheering on the members of the class of 2019 as they take the stage for the last time together in the Peter Jay Sharp Theater. Well done, dancers—we thank you for your beautiful contributions to our Juilliard community and to the world beyond our campus. Sincerely, Little mortal jump Alicia Graf Mack Director, Juilliard Dance Cover: Alejandro Cerrudo's This page: Collaboration -
Press Kit 2018-2019 Season
PRESS KIT 2018-2019 SEASON Shelby Colona and Chris Bloom in CARMEN.maquia | Photo by Marius Fiskum/ Northern Lights Festival MISSION & HISTORY Ballet Hispánico, America’s leading Latino dance organization, has been bringing individuals and communities together to celebrate and explore Latino cultures through dance for nearly 50 years. Whether dancing on stage, in school, or in the street, Ballet Hispánico creates a space where few institutions are breaking ground. The organization’s founder, National Medal of Arts recipient Tina Ramirez, sought to give voice to the Hispanic experience and break through stereotypes. Today, Ballet Hispánico is led by Eduardo Vilaro, an acclaimed choreographer and former member of the Company, whose vision of social equity, cultural identity, and quality arts education for all drives its programs. Ballet Hispánico, a role model in and for the Latino community, is inspiring creativity and social awareness in our neighborhoods and across the country by providing access to arts education. CARMEN.maquia | Photo by Marius Fiskum/ Northern Lights Festival 2 ABOUT EDUARDO VILARO Artistic Director & CEO EDUARDO VILARO joined Ballet Hispánico as Artistic Director in August 2009, becoming only the second person to Photo by Paula Lobo Paula Photo by head the company since it was founded in 1970. In 2015, Mr. Vilaro took on the additional role of Chief Executive Officer of Ballet Hispánico. He has been part of the Ballet Hispánico family since 1985 as a dancer and educator, after which he began a ten-year record of achievement as founder and Artistic Director of Luna Negra Dance Theater in Chicago. Mr. -
Professional Division Graduates, 1999-2014
Professional Division Graduates, 1999-2014 Name Company/College/University Year Heather Aagard Ballet Arizona; Joffrey Ballet 2001 Chelsea Adomaitis Pacific Northwest Ballet 2009 Tristan Alberda Milwaukee Ballet 2000 Maggie Alden Columbia University 2009 Kirsten Allman Louisville Ballet 2009 Garrett Anderson Hubbard Street Dance; Royal Ballet of Flanders; San Francisco Ballet 2001 Jessika Anspach Pacific Northwest Ballet 2004 Isaac Aoki Grand Rapids Ballet 2013 Emma Appel University of California, Berkeley 2011 Robbie-Jean Arbaczewski Central Pennsylvania Youth Ballet 2009 Jacquelyn Arcati Cherylyn Lavagnino Dance; Nevada Ballet; Columbia Univ. School of Law 2005 Thomas Baltrushunas Pennsylvania Ballet; Temple University 2002 Edward Barnes Pennsylvania Ballet 2008 Eli Barnes Cincinnati Ballet; Alberta Ballet 2011 Andrew Bartee Ballet BC; Pacific Northwest Ballet; Princess Grace Award Recipient 2008 Reid Bartelme Alberta Ballet; BalletMet; Current: Freelance fashion/costume designer 2001 Taisha Barton-Rowledge Ballet du Capitole, Toulouse, France; Carolina Ballet 2009 Alison Basford Boston Ballet; Pacific Northwest Ballet; Suzanne Farrell Ballet 2002 Marlowe Bassett Napoles Ballet Theatre; LINES Ballet; Metamorphosis (San Francisco) 2002 Reilley Bell Alberta Ballet 2007 Ezra Benjamin Cornish College of the Arts 2003 Christiana Bennett Ballet West (Principal Dancer) 1999 Laurel Benson Ballet West II 2014 Ian Bethany Ballet Austin 2008 Kelsey Bevington Nevada Ballet Theatre; Cincinnati Ballet II 2013 Perry Bevington Nevada Ballet Theatre, -
Art Works Grants
National Endowment for the Arts — December 2014 Grant Announcement Art Works grants Discipline/Field Listings Project details are as of November 24, 2014. For the most up to date project information, please use the NEA's online grant search system. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Click the discipline/field below to jump to that area of the document. Artist Communities Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 168 Artist Communities Number of Grants: 35 Total Dollar Amount: $645,000 18th Street Arts Complex (aka 18th Street Arts Center) $10,000 Santa Monica, CA To support artist residencies and related activities. Artists residing at the main gallery will be given 24-hour access to the space and a stipend. Structured as both a residency and an exhibition, the works created will be on view to the public alongside narratives about the artists' creative process. Alliance of Artists Communities $40,000 Providence, RI To support research, convenings, and trainings about the field of artist communities. Priority research areas will include social change residencies, international exchanges, and the intersections of art and science. Cohort groups (teams addressing similar concerns co-chaired by at least two residency directors) will focus on best practices and develop content for trainings and workshops. -
Program 2 1St Flash Jorma Elo
Program 2 1st Flash Jorma Elo WHICH/ONE Adi Salant Solo Echo Crystal Pite Feb 28 Mar 1 2 Queen Elizabeth Theatre @BALLETBC AN ARTSLANDIA #BALLETBCPROGRAM2 #TALKBALLET PUBLICATION WECHAT JOIN THE BALLET BC E-LIST: BALLETBC.COM Program 1st Flash orma lo WHICH/ONE Adi alant Solo Echo Crystal ite Learning Guide The goal of this Learning Guide is to help students engage fully with the dance performance featured in Ballet BC’s 2018 production of Program at the Queen Elizabeth Theatre. TABLE OF CONTENTS 3… Welcome from Artistic Director 4… About Ballet BC 5… nterie it Emi nr i … About Ballet BC’s Program … About the Artists 1… Before the Performance Lesson I - Dance … Before the Performance Lesson II - Storytelling … After the Performance Lesson III … Continue Your Exploration Ballet BC would like to thank Diamond Foundation for their geners support of Ballet BC’s Student and Community Dress Rehearsal rgrm. Ballet BC acknowledges the financial assistance of the Province of British Columbia for Ballet BC’s Outreach and Education Program. A message from Ballet BC WELCOME TO PROGRAM 2! First, a sincere thank you for joining and supporting us as we journey through this celebratory 2018–19 season . After weeks of exciting touring in new locations, we return to our home town to present a captivating evening of dance featuring three remarkable and inspired works. Tonight’s program features the return of Jorma Elo’s gripping 1st Flash, followed by a world premiere by the fresh choreographic voice of Adi Salant, and we close the evening with Solo Echo, a company signature and audience favourite by renowned Canadian choreographer, Crystal Pite. -
Aszure Barton & Artists
2016 // 17 SEASON Northrop Presents ASZURE BARTON & ARTISTS Sat, Nov 12, 8:00 pm Carlson Family Stage Awáa Dear Friends of Northrop, Northrop at the University of Minnesota Presents I’m so glad you’re here tonight to meet Aszure Barton, an artist I’ve been crazy about ever since I first laid eyes on her work about 10 years ago. That was an enchanting work she created for Ballet Jazz de Montréal called Les Chambres de Jacques. I think I vowed at that moment to share Aszure’s work with as many people as possible if I ever had the ASZURE BARTON opportunity to do so. She was invited back to create a subsequent work for BJM the following year (Jack in a Box), and by then, word had spread & ARTISTS throughout the dance world that dancers loved working with Aszure Barton. And those dancers represent genres from classical ballet to the most contemporary. Her list of credits would be the envy of any choreographer: Alvin Ailey American Dance Theater, the National Ballet of Canada, Artistic Director English National Ballet, Martha Graham Dance Company, ASZURE BARTON Christine Tschida. Photo by Tim Rummelhoff. and Hubbard Street Dance Chicago, to name just a few. Critics often use the words “sexy” and “cheeky” when talking about Aszure’s work, and her choreography certainly does have a lush sensuality as well as a delightfully quirky sense of humor. But I think the thing that touches me the most—and will touch you, as well, I Artists hope—is the profound humanity at the root of everything she creates. -
Program 3 Bedroom Folk Sharon Eyal & Gai Behar
Program 3 Bedroom Folk Sharon Eyal & Gai Behar Poesía Serge Bennathan Minus 16 Ohad Naharin May 9 10 11 @BALLETBC AN ARTSLANDIA #BALLETBCPROGRAM3 #TALKBALLET PUBLICATION JOIN THE BALLET BC E-LIST: BALLETBC.COM Queen Elizabeth Theatre Program 3 Bedroom Folk Sharon Eyal & Gai Behar Poesía Serge Bennathan Minus 16 Ohad Naharin Learning Guide The goal of this Learning Guide is to help students engage fully with the dance performance featured in Ballet BC’s 2018/19 production of Program 3 at the Queen Elizabeth Theatre. TABLE OF CONTENTS 3… Welcome from Artistic Director 4… About Ballet BC 5… Interview with Serge Bennathan by Pia Lo 6… About Ballet BC’s Program 3 8… About the Artists 15… Before the Performance Lesson I - Dance 18… Before the Performance Lesson II - Storytelling 19… After the Performance Lesson III 20… Continue Your Exploration Ballet BC would like to thank Diamond Foundation for their generous support of Ballet BC’s Student and Community Dress Rehearsal program. Ballet BC acknowledges the financial assistance of the Province of British Columbia for Ballet BC’s Outreach and Education Program. 2 A message from Ballet BC WELCOME TO PROGRAM 3, the final program of a memorable season! Thank you for joining and supporting us as we commemorate 10 years of inspiring dance under the artistic director of Emily Molnar. After touring across Canada, we return to Vancouver to present a celebratory evening of intriguing works. This season concludes with a riveting mix of dance, music, and design, featuring long-time col- laborators Sharon Eyal and Gai Behar’s North American premiere of Bedroom Folk, followed by a world premiere by the poetic Serge Ben- nathan, and ending with the much-anticipated return of Ohad Naharin’s playful and interactive Minus 16. -
January 2020 Resident Choreographers
® Global Resident Choreographer Survey JANUARY 2020 Summary Dance Data Project® (DDP) has conducted an initial examination of resident choreographer positions globally within the ballet industry. DDP found that among the 116 international and U.S. ballet companies studied, a significant majority have hired men as resident choreographers. The study reveals that 37 of the 116 ballet companies surveyed globally employ resident choreographers. Twenty-eight of these 37 companies have placed exclusively men in this position (76%). DDP found that 22 of the 69 U.S. ballet companies surveyed employ resident choreographers. Sixteen of these 22 domestic companies have hired exclusively men in this position (73%). DDP also found that 15 of the 47 international ballet companies examined employ resident choreographers. Only 2 of these 15 companies have hired exclusively women (13%), although one international company employs four resident choreographers (1 woman, 3 men). © DDP 2020 Dance DATA Global Resident Project] Choreographer Survey Introduction A note about resident choreographers: The position of resident choreographer is one of the most secure opportunities for the otherwise freelance choreographer. The position offers a contract with a steady salary, the possibility of benefits, a group of dancers with whom to workshop, time, access to set, costume, lighting designers and a regular audience. Most ballet companies do not employ resident choreographers, given the expense of an additional employee and funding regular commissions. Quite often, an artistic director serves as a de facto resident choreographer, regularly creating for the company and producing new works. DDP reviewed as many prominent dance publications1 as possible and consulted several leaders of ballet companies and dance venues in the U.S. -
Admissions Guide 2019/2020 a GROWING LEGACY of DANCE in CANADA PATRIMOINE CROISSANT DE LA DANSE AU CANADA
ARTS UMBRELLA & VANCOUVER COMMUNITY COLLEGE DANCE DIPLOMA PROGRAM Admissions Guide 2019/2020 A GROWING LEGACY OF DANCE IN CANADA PATRIMOINE CROISSANT DE LA DANSE AU CANADA Arts Umbrella dance is the vanguard of research and development of relevant, wide-reaching dance arts and performance. Our alumni go on to perform with some of the world’s most prestigious companies, where Arts Umbrella dancers are applauded as valuable company members for their maturity and understanding of the tenets of professional dance. The Arts Umbrella Dance Program has fostered integrity and inspired creativity in a generation of performers. That growing legacy moves us forward. OF DANCE IN CANADA Le programme de danse de l’école Arts Umbrella est à la fine pointe de la recherche et du développement dans l’art de la danse, d’actualité et d’une vaste portée. Les anciens de ce programme poursuivent leur carrière dans certaines des plus prestigieuses compagnies de danse au monde. En tant que membres de compagnies de danse, les danseurs et danseuses de l’école Arts Umbrella sont appréciés pour leur maturité et leur compréhension des principes de la danse professionnelle. Le programme de danse de l’école Arts Umbrella a favorisé l’intégrité et stimulé la créativité de toute une génération d’artistes. 3 DEVELOPING DÉVELOPPER DES SKILLS FOR A COMPÉTENCES EN VUE CAREER IN DANCE D’UNE CARRIÈRE EN DANSE Arts Umbrella has partnered with L’école Arts Umbrella s’est associée au Vancouver Community College to offer Vancouver Community College (VCC) afin d’offrir an accredited post-secondary dance un programme intégré à la School of Music, diploma as part of the VCC School of Dance and Design du VCC, menant ainsi à un Music, Dance and Design.