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Robin Trower Biography by Greg Prato
New Releases Discover Articles Recommendations My Profile Search bmit Que Robin Trower Biography by Greg Prato One of rock's prime guitarists, due to his uncanny ability to channel Jimi Hendrix's blues-psych, Fender Strat- fueled playing style. Read Full Biography Overview Biography Discography Songs Credits Related Share on Artist Biography by Greg Prato Throughout his long and winding solo career, guitarist Robin Trower has had to endure countless comparisons to Jimi Hendrix due to his uncanny ability to channel Hendrix's bluesy/psychedelic, Fender Strat-fueled playing style. Born on March 9, 1945 in Catford, England, Trower spent the early '60s playing guitar in various London-based outfits, the most successful being the R&B group the Paramounts, who specialized mostly in covers, but managed to issue several singles between 1963 and 1965. It wasn't until 1967 that Trower received his big break, however, when he joined Procol Harum. The group had just scored a worldwide smash hit with "A Whiter Shade of Pale," but the only problem was that the band's leader, singer/pianist Gary Brooker, didn't have a proper band to back him. Brooker was previously a bandmate of Trower's in the Paramounts, and offered the guitar slot in his new fast-rising project to his old friend. As a result, Trower appeared on such Procol Harum classics as 1967's Procol Harum, 1968's Shine on Brightly, 1969's A Salty Dog, 1970's Home (which spawned the popular Trower tune "Whiskey Train"), and 1971's Broken Barricades. While Procol Harum helped launch Trower's career, the guitarist realized there was limited space for his guitar work and eventually left for a solo career. -
PROCOL HARUM 2014 BIOGRAPHY Procol Harum Are Still Going Strong
PROCOL HARUM 2014 BIOGRAPHY Procol Harum are still going strong. March 2014 sees a new double CD, Inside/Outside, celebrating over forty years of studio and live recordings. In addition the spring will see a new download-only release, Some Long Road, featuring tracks from the band’s 2012 US tour. Alongside this Procol continue to tour many parts of the world, and are considering options on three continents at the moment. You could not be blamed for thinking that, with the monumental success of Procol's first smash hit, the band just stopped there, like so many others. Even the recently-awarded accolade of ‘most- played single of the past seventy-five years’ has not quelled their need to go forward: hence 2014’s new live album. In the past couple of years they have released ten re-mastered CD albums, plus the 2CD anthology Secrets of the Hive (all generally available in Europe, and sourceable on import); their DVDs In Concert with the Danish National Concert Orchestra and Live at Union Chapel have been widely acclaimed. There’s also a special 4-disc CD/DVD box-set compendium – aptly entitled All this and More – featuring 68 of the band’s many unique compositions: this prompted Classic Rock magazine to observe, ‘it’s small wonder The Who’s Tommy and Queen’s Bohemian Rhapsody can be traced to Procol’s influence’. It could be termed a plethora of Procol. The quality of writing and performance has remained Procol Harum’s gold standard through the gradually-mutating line-ups: each participating musician has kept the ideas flowing and prevented Procol from resting on their laurels. -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
'Echoes in the Night' • Convention Merchandise
‘Echoes in the Night’ • convention merchandise Prices in Euros • cash only, please ‘Echoes in the Night’ convention tee-shirt by Schwebebahn artist, Holger 18 Weber: ‘Sixteen Vestal Virgins’ (designed and made in Wuppertal) Procol Harum tour tee-shirt: ‘Perpetual Motion’ 10 Procol Harum tour tee-shirt: ‘Grand Hotel’ top hat design 10 5 Euros each Brooker / Reid: ‘Procol Rarum’ tee-shirt when bought Tee-shirts Tee-shirts with full-price Procol Harum tee-shirt: cartoon of the band by ‘Cookie’ tee-shirt The Ghosts of A Whiter Shade of Pale : 5-star hardback Procol Harum biography 20 by Henry Scott-Irvine The Waiter Brought a Tray – popular Procol concert memoir Books 10 by George Lovell I’m Coming Home DVD: The Paramounts live in Southend, 2005 (NTSC) 10 I’m Coming Home DVD: The Paramounts live in Southend, 2005 (PAL) 10 All This and More : Procol Harum Box Set: 3 CDS, 1 DVD, many rarities and live 20 tracks, 15,000-word book inside The Secrets of the Hive – Procol Harum ‘best of’ 2 CD set on Salvo Records 10 Shine on Brightly re-mastered, lavish artwork, bonus tracks (Salvo Records) 10 A Salty Dog re-mastered, lavish artwork, bonus tracks (Salvo Records) 10 Home reissued, re-mastered, lavish artwork, bonus tracks (Salvo Records) 10 Broken Barricades re-mastered, lavish artwork, bonus tracks (Salvo Records) 10 Live in Edmonton re-mastered, lavish artwork, bonus tracks (Salvo Records) 10 Grand Hotel re-mastered, lavish artwork, bonus tracks (Salvo Records) 10 Exotic Birds and Fruit re-mastered, lavish artwork, bonus tracks (Salvo Records) -
PROCOL HARUM Am Sonntag, 14.10.2018 Um 20:00 H Im Gasometer Bank Austria Halle Guglgasse 6 1110 Wien Ein
Der Vorstand der Österreichisch-Britischen Gesellschaft ( ABS ) lädt alle Firmen- und Vorstandsmitglieder der Österreichisch-Britischen Gesellschaft zum Live Konzert mit PROCOL HARUM am Sonntag, 14.10.2018 um 20:00 h im Gasometer Bank Austria Halle Guglgasse 6 1110 Wien ein. Welches ist die meist gespielte Single weltweit der letzten 57 Jahre? Hätten Sie es gewusst? Dem Internet sei dank - somit wissen wir es jetzt alle: "A Whiter Shade of Pale" von Procol Harum, 1967 veröffentlicht. Diesen und viele andere Hits werden wir live erleben. Die englische Kultband aus den 60iger Jahren tritt noch immer (nach einer Unterbrechung) öffentlich auf. Der Gründer und Sänger Gary Brooker ist noch von der Anfangsformation dabei. Gary Brooker und Keith Reid gründeten Procol Harum 1967. Der Bandname soll durch die Falschschreibung aufgrund der telefonischen Übermittlung eines Katzennamens „Procul Harum“ entstanden sein. Procol Harum wurde im Frühjahr 1967 vor allem mit einem Lied bekannt: A Whiter Shade of Pale wurde kurz nach seiner Veröffentlichung 2,5 Millionen Mal und seitdem weltweit mindestens 6 Millionen Mal verkauft. Dieser Erfolg traf die Autoren Brooker und Reid unvorbereitet. Es folgten weitere Hits wie Homburg und A Salty Dog . Auch in den 1970er Jahren hatten Procol Harum Erfolg, unter anderem mit dem Album Grand Hotel . Die Besetzung wechselte – bis auf Brooker, Wilson und Reid – häufig. Die Band veröffentlichte bis zu ihrer Auflösung 1977 zehn Alben, darunter Live with the Edmonton Symphony Orchestra . Sie zeichnete sich durch einfallsreiche, oft an klassischer Musik orientierte Kompositionen aus. Daneben finden sich im Werk von Procol Harum aber auch immer wieder Songs, die stark im Blues verwurzelt sind. -
Nordic Delights Featuring Jochen Brusch, Violin and Sven‐Ingvart Mikkelsen, Organ
Nordic Delights featuring Jochen Brusch, violin and Sven‐Ingvart Mikkelsen, organ Friday, June 4 - 7:30 PM Miller Chapel, Princeton Theological Seminary Spring from The Four Seasons Antonio Vivaldi 1. allegro (1678-1741) 2. largo e pianissimo sempre 3. allegro Romance, opus 24 Otto Olsson (1879-1964) Meditation Dies Irae for Organ Peter Møller (1947-1999) from Sonata in A Minor (opus 27, no. 2) for solo violin Eugene Ysaye Obsession (1858-1931) Malinconia Tocatta Christ ist erstanden Peter Møller Bach Goes to Lumbye Brusch and Mikkelsen themes by J.S. Bach and H.C. Lumbye (Danish composer) - intermission - A Whiter Shade of Pale Gary Brooker (Procol Harum) A Salty Dog Bourée Ian Anderson (Jethro Tull) and J.S. Bach Riders of the Storm The Doors Touch Me Shine on Brightly Brooker Grand Finale About the Artists Two countries: Jochen grew up in Germany’s industrial Ruhr-area. After having lived in Denmark for many years he has now settled down in the university town of Tübingen, Germany. Sven-Ingvart was brought up on the west coast of Denmark and now lives in Hilleröd near Copenhagen. Two backgrounds: Jochen studied violin in Duisburg, Essen, Hannover and London, and Sven-Ingvart studied organ and church music in Esbjerg, Copenhagen, Vienna and Paris. Two careers Both musicians concertized extensively in many countries as soloists and taught at many institutions such as summer-classes, conservatories and universities. Both have a long list of CD releases. Jochen lives as a freelance musician in South Germany and Sven-Ingvart is organist at the Royal Chapel of Frederiksborg Castle in Hilleröd. -
Copy 26 of DOC016
TECH DEFEATS OXY IN BASEBALL by Short Spears and Stanley tech senior, pitched the first six the fifth, once in the sixth, and Centerfielder Tom Howell innings before he moved to left once in the seventh to take an scored on a passed ball with two field. Gschwend allowed seven 8-7 lead. out in the bottom of the ninth runs. The Tech batters came up to give the Caltech varsity Early Lead with no runs on only two hits baseball team a 9-8 victory over Caltech jumped to a 4-1 lead until the last of the ninth. The Occidental here Tuesday. Caltech after the first inning. The Beavers first two batters struck out, and second. baseman Bob Pleva sing tallied four times without a hit it looked bad for the home team. led to drive in the tying run in the first frame, getting their Then Gschwend watched a 3-2 earlier in the inning, with Phil runs on walks and wild pitches. pitch sail outside for ball four, Gschwend sliding under the The lead increased to 5-1, in the and Tom Howell singled sharply throw from right field to make second but Oxy then scored through the hole into left. Bob the score 8-8. three times in the third to Pleva drove the ball into right Senior John Ellis pitched the narrow Tech's lead to 5-4. Doug field to bring home Gschwend, last three innings of the game, Schladweiler doubled in Jerry and Howell moved to third. The allowing just one run, and was Feely and Rich Short for Tech in count on John Dilles was one credited with Caltech's first the bottom of the fourth, giving ball and two strikes when the league victory this year against Gschwend a 7-4 lead to work ball bounced off the tip of the BEAVERS POSE by score after first league win since 1970. -
Forma Y Fondo En El Rock Progresivo
Forma y fondo en el rock progresivo Trabajo de fin de grado Alumno: Antonio Guerrero Ortiz Tutor: Juan Carlos Fernández Serrato Grado en Periodismo Facultad de Comunicación Universidad de Sevilla CULTURAS POP Índice Resumen 3 Palabras clave 3 1. Introducción. Justificación del trabajo. Importancia del objeto de investigación 4 1.1. Introducción 4 1.2. Justificación del trabajo 6 1.3. Importancia del objeto de investigación 8 2. Objetivos, enfoque metodológico e hipótesis de partida del trabajo 11 2.1. Objetivos generales y específicos 11 2.1.1. Objetivos generales 11 2.1.2. Objetivos específicos 11 2.2. Enfoque metodológico 11 2.3. Hipótesis de partida 11 3. El rock progresivo como tendencia estética dentro de la música rock 13 3.1. La música rock como denostado fenómeno de masas 13 3.2. Hacia una nueva calidad estética 16 3.3. Los orígenes del rock progresivo 19 3.4. La difícil definición (intensiva) del rock progresivo 25 3.5. Hacia una definición extensiva: las principales bandas de rock progresivo 27 3.6. Las principales escenas del rock progresivo 30 3.7. Evoluciones ulteriores 32 3.8. El rock progresivo hoy en día 37 3.9. Algunos nombres propios 38 3.10. Discusión y análisis final 40 4. Conclusiones 42 5. Bibliografía 44 5.1. De carácter teórico-metodológico (fuentes secundarias) 44 5.2. General: textos sobre pop y rock 45 5.3. Específica: rock progresivo 47 ANEXO I. Relación de documentos audiovisuales de interés 50 ANEXO II. PROGROCKSAMPLER 105 2 Resumen Este trabajo, que constituye un ejercicio de periodismo cultural, en el que se han puesto en práctica conocimientos diversos adquiridos en distintas asignaturas del Grado de Periodismo, trata de definir el concepto de rock progresivo desde dos perspectivas complementarias: una interna y otra externa. -
March 2014 - Issue 25
free! DAYTON - MARCH 2014 - ISSUE 25 Photo# Chyanneweekly Moore Contributors Stephanie Baker Kerry Duane Brown Jacob S. Combs Randy Cornett Coco Gagnet Justin Gault Danny Hamen Victoria Harley Brian Johnson Eric Keck Emily Mendenhall Tom Morgan Chyanne Moore M Ross Perkins Vince Williams Lisa Patrick-Wright Illustrators Sophie Dannin Erin Dreis Adam Eckley Ben Riddlebarger Brittany Schwarck Wakka Christopher ‘ETCH’ Weyrich Jason Young Publisher: Brian Johnson [email protected] Editor: Kerry Duane Brown [email protected] 937-580-8551 Copy Editor: M Ross Perkins Designer: Justin Gault [email protected] Director of Photography: Stephanie Baker [email protected] © Copyright 2014 by Telephone Media 2014. Reproduction of any content, in whole or in part,without written consent of publisher is strictly prohibited. # weekly Photos Stephanie Baker table of contents PHOTONS|6-7 Photography by Chyanne Moore WHAT WE’RE DRINKING |8 Craft Beer Writer Tom Morgan KALIMOTXO, WINE SPRITZERS & YOU|9 Emily Mendenhall love chemicals|10 Coco Gagnet / Illustrated by Erin Dreis DIY: BREAST AND TESTICLE SELF EXAM |11 Lisa Patrick-Wright / Illustrated by Adam Eckley RECORD ROULETTE: |12 PROCOL HARUM, FLEETWOOD MAC & ROTARY CONNECTION M Ross Perkins POKEMON FEVER: THE ECONOMICS OF JAPANESE MONSTERS|14 Danny Hamen / Illustrated by Brittany Schwarck GUIDED BY VOICES INFOGRAPHIC |16 Erin Dreis/M Ross Perkins/Vince Williams SUBARUS AND MICROBREWS: THE ETYMOLOGY OF “HIPSTER”|18 Victoria Harley / Illustrated by Erin Dreis OFF THE RADAR: BECAUSE POP STARS ARE PEOPLE TOO|20 Jacob S Combs / Illustrated by Sophie Dannin ANGELS IN AMERICA|22 Mindy Parade / Illustrated by Adam Eckley STATUTORY ROCK|24 Randy Cornett / Illustrated by Adam Eckley TELEPHONE ASKS.. -
Disunity in Proco I Harum
PAGE 11 OFFTHERECORD 'Broken Barricades' Shows Disunity in Proco I Harum ., TONY GABS'lDI Barricadea" and "Playmate of been common to man for een- the Month" are cuts that are turies. Procol Harwn muat not be indicative of Procol Hanam's The theme of man'. sensual ipored by the music lover. 'Ibis desired musical dimension. admiration for the female is Il'oup of musicians is CODIiat- These pieces are more lyrical, personified in "Luskus Delph": antly better than the aVerBle and are composed with .uperb Tulip u.ps, oh luskus delph rock group. The poetry of Keith lecture. The lyrical qualities Your bakinl breath breeds Reid and the compositions of do not exist in Trower's ma- body x. Gary Brooker, when intell'ated, terial. The IUitar player is a are sensitive and awake. With blues oriented player that feels With silken measures try to these lifted artists, Procol uncomfortable in a band that is iUate Harum produces music that not blues oriented. If the iliat- The inside sweetness of your moves my soul. ener is aware of the difference eave. LOOK IIA, NO IIANDB! Procol Harum's .. teat album in style of playilll in "Memorial Peach preserves, your If you we a pall phone in the lib,.4ry 4nd C4n't lind is Broken Burleades. This re- Drive," "50111 for a Dreamer" simmering jewel the ,.eceive7', it'. becauae thne im't one. ThiB phone hili the lease does not radiate the qual- and "Poor Mohammed" (all ,.eceive7' built into it. Wh4t'1l M4 Bell tMnk of nut? ity that the aroup's other re- composed by Trower) is 0b- Hid away like orphans lUiel, leases have. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details AESTHETIC EXPERIENCE IN MUSIC: CASE STUDIES IN COMPOSITION, PERFORMANCE AND LISTENING Suzanne Mary Wilkins Submitted for the degree of DPhil in Music University of Sussex August 2012 ii I hereby declare that this thesis has not been, and will not be, submitted in whole or in part to another University for the award of any other degree. However, the thesis incorporates to the extent indicated below, material already submitted as part of required coursework for the degree of Masters in Music, which was awarded by the University of Sussex. Sections 3.3.3- 3.3.7 are revised and expanded versions of a term paper submitted for the course Music and Critical Thought II as part of this MA in Music. The interview transcript within Appendix E, pages E2-E15, appeared in the Appendix of the same paper. Signature:.................................................... S. M. Wilkins iii Acknowledgements It would not have been possible to write this thesis without the encouragement and support of my brilliant supervisor, Björn Heile, whose dedication to this project went beyond the call of duty. -
Woolsack 1975 Volume 14 Number 1 University of San Diego School of Law Student Bar Association
University of San Diego Digital USD Newspaper, The ooW lsack (1963-1987) Law Student Publications 9-1-1975 Woolsack 1975 volume 14 number 1 University of San Diego School of Law Student Bar Association Follow this and additional works at: http://digital.sandiego.edu/woolsack Part of the Law Commons Digital USD Citation University of San Diego School of Law Student Bar Association, "Woolsack 1975 volume 14 number 1" (1975). Newspaper, The Woolsack (1963-1987). 63. http://digital.sandiego.edu/woolsack/63 This Book is brought to you for free and open access by the Law Student Publications at Digital USD. It has been accepted for inclusion in Newspaper, The ooW lsack (1963-1987) by an authorized administrator of Digital USD. For more information, please contact [email protected]. ·Annis Wins ABA-LSD Position prac ticihg C.P.A. for 'four years. He has ' Ri c h ard Annis , a third ·y cor clinics, monority rccudtmcnt programs, served as Li eute nant Governor o f the 9 th Univursi ty o f San Di qgo lnw student., has and wome1_1's projects. The fund has Circuit a t th e Law Student Division been elected Second Vice-President o f· the supplied mo ni es to the USD Law School which inc ludes law schools in California: Law Student Divi sio n of the American for operation of the Immigra tion Clinic Bar Assoch1tio n . The election took place Howai, Nevada, Utah and Ari zo na. Last and tbwards mino ritv recruitment. during the ABA annual conventioil, held year Rick was USD's Student Bar Ac:.c; ncintio n trc;i<• •rnr.