Phil Mogg: Mister UFO
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Robin Trower Biography by Greg Prato
New Releases Discover Articles Recommendations My Profile Search bmit Que Robin Trower Biography by Greg Prato One of rock's prime guitarists, due to his uncanny ability to channel Jimi Hendrix's blues-psych, Fender Strat- fueled playing style. Read Full Biography Overview Biography Discography Songs Credits Related Share on Artist Biography by Greg Prato Throughout his long and winding solo career, guitarist Robin Trower has had to endure countless comparisons to Jimi Hendrix due to his uncanny ability to channel Hendrix's bluesy/psychedelic, Fender Strat-fueled playing style. Born on March 9, 1945 in Catford, England, Trower spent the early '60s playing guitar in various London-based outfits, the most successful being the R&B group the Paramounts, who specialized mostly in covers, but managed to issue several singles between 1963 and 1965. It wasn't until 1967 that Trower received his big break, however, when he joined Procol Harum. The group had just scored a worldwide smash hit with "A Whiter Shade of Pale," but the only problem was that the band's leader, singer/pianist Gary Brooker, didn't have a proper band to back him. Brooker was previously a bandmate of Trower's in the Paramounts, and offered the guitar slot in his new fast-rising project to his old friend. As a result, Trower appeared on such Procol Harum classics as 1967's Procol Harum, 1968's Shine on Brightly, 1969's A Salty Dog, 1970's Home (which spawned the popular Trower tune "Whiskey Train"), and 1971's Broken Barricades. While Procol Harum helped launch Trower's career, the guitarist realized there was limited space for his guitar work and eventually left for a solo career. -
Subjugation IV
Subjugation 4 Tribulation by Fel (aka James Galloway) ToC 1 To: Title ToC 2 Chapter 1 Koira, 18 Toraa, 4401, Orthodox Calendar Wednesday, 28 January 2014, Terran Standard Calendar Koira, 18 Toraa, year 1327 of the 97th Generation, Karinne Historical Reference Calendar Foxwood East, Karsa, Karis Amber was starting to make a nuisance of herself. There was just something intrinsically, fundamentally wrong about an insufferably cute animal that was smart enough to know that it was insufferably cute, and therefore exploited that insufferable cuteness with almost ruthless impunity. In the 18 days since she’d arrived in their house, she’d quickly learned that she could do virtually anything and get away with it, because she was, quite literally, too cute to punish. Fortunately, thus far she had yet to attempt anything truly criminal, but that didn’t mean that she didn’t abuse her cuteness. One of the ways she was abusing it was just what she was doing now, licking his ear when he was trying to sleep. Her tiny little tongue was surprisingly hot, and it startled him awake. “Amber!” he grunted incoherently. “I’m trying to sleep!” She gave one of her little squeaking yips, not quite a bark but somewhat similar to it, and jumped up onto his shoulder. She didn’t even weigh three pounds, she was so small, but her little claws were like needles as they kneaded into his shoulder. He groaned in frustration and swatted lightly in her general direction, but the little bundle of fur was not impressed by his attempts to shoo her away. -
Karan Acoustics - KA I 180 MK2
Karan Acoustics - KA I 180 MK2 You know, I was just thinking about this the last time I tried to describe the meaning Audiophile begins parts of the system in my opinion and for me. She just graduated doctor and her residency acquiring think the first serious system. She has been interested in for several years, albeit from the sidelines, listening more than talking about music, but still ... Anyway, I have outlined the amplification means a little bit more, apparently.Maybe from past experience and maybe because it was a little more "hard" to pass oral than the obvious loudspeaker for example. Why there are differences between the ladies, how is it different Aodiovilim elements between braces so justify thousands, even tens of thousands of dollars more than that. Of course the differences between the topologies and the like had little easier that work with . But all of this, a little less concern us. "We" I mean those who are deeper in the field, probably heard in quite a few men, exhibitions and with friends and probably realize aural experience - how men are changing complex system. Still, we try to describe the advantage or the tonality of an audio product tested or heard, especially men (like the time), we sometimes find it difficult. Text goes in finding what we heard or felt and creating text be understood by others in a manner that will connect to it. This is of course relevant Opening another desperate attempt to review a new amplifier in my system. Of what seems new is not acquired, but a new hearing, I tried and I have reviewed following direct import from Serbia, and now here in the Holy Land. -
Acknowledgment to Reviewers of Animals in 2020
Editorial Acknowledgment to Reviewers of Animals in 2020 Animals Editorial Office MDPI AG, St. Alban-Anlage 66, 4052 Basel, Switzerland Peer review is the driving force of journal development, and reviewers are gatekeepers who ensure that Animals maintains its standards for the high quality of its published pa- pers. Thanks to the cooperation of our reviewers, in 2020, the median time to first decision was 17 days and the median time to publication was 37 days. The editors would like to express their sincere gratitude to the following reviewers for their precious time and ded- ication, regardless of whether the papers were finally published: Abbate, Jessica Maria Aftab, Usama Abd El-Hack, Mohamed E. Agerholm, Jørgen S Abdallah, Mohamed F. Agga, Getahun E. Abdennebi-Najar, Latifa Aggeli, Ioanna-Katerina Abdollahi-Arpanahi, Rostam Agnew, Dalen W. Abelson, Klas Ågren, Estelle C. C. Abeni, Fabio Aguayo, Lorena Ablondi, Michela Agui, Takashi Abo-Ismail, Mohammed K. Aguiar, Daniel M. Abramo, Francesca Águila, Luis Abuelo, Ángel Agut Giménez, Amalia Abugomaa, Amira Ahmed, Ahmed A. Abu-Niaaj, Lubna Aiyegoro, Olayinka A. Accomando, Alyssa W. Akanno, Everestus Accorsi, Pier Attilio Ákos, Maróti-Agóts Citation: Animals Editorial Office. Acknowledgment to Reviewers of Achaaban, Mohamed Rachid Akter, Yeasmin Animals in 2020. Animals 2021, 11, Acharya, Arpan Alabiso, Marco 313. https://doi.org/10.3390/ani1102 Ackerman, Matthew Alagwany, Mahmoud 0313 Acutis, Pier Luigi Aland, Andres Adamczak, Lech Alarcón López, Francisco Javier Published: 27 January 2021 Adamczyk, Krzysztof Alarcon-Rojo, Alma D. Adamiak, Zbigniew Albano, Marco Publisher’s Note: MDPI stays neu- Adamík, Peter Albarella, Sara tral with regard to jurisdictional Adams, Seidu Alberghina, Daniela claims in published maps and institu- tional affiliations. -
Catalogo Nov2003.Pdf
Via Savona 12, 20144 Milano - tel/fax 02.89401623 - e-mail: [email protected] CATALOGO - POP / ROCK > A-G < novembre 2003 AUTORE/GRUPPO TITOLO ANNO CASA DISCOGRAFICA CODICE STAMPA N/U/O PREZZO A-HA Hunting high and low 1986 REPRISE 9204830 Tedesca LP-U MIX 5,5 ABBA Greatest hits vol.2 1979 ATLANTIC 16009 Americana LP-U 8 ABBA Arrival 1976 POLYDOR 2310483 Olandese LP-U 10,5 ADAM AND THE ANTS Prince charming 1981 CBS 85268 Italiana LP-U 5,5 ADAM AND THE ANTS Strip 1983 CBS 25705 Italiana LP-U 5,5 AEROSMITH Rocks 1976 CBS 32360 Olandese LP-U 6 AFRIKA BAMBAATAA AND FAMILY Decade of darkness 1991 D.F.C. 57705 Italiana LP-U 5,5 ALABAMA Just us 1987 RCA 86495 Italiana LP-U 5,5 ALARM Eye of the hurricane 1987 I.R.S. 42061 Canadese LP-U 5,5 ALBION BAND Rise up like the sun 1978 ATTIC 1047 Canadese LP-U 15,5 ALBION BAND Under the rose 1984 SPINDRIFT 110 Inglese LP-U 5,5 ALIEN SEX FIEND R.i.p. 1984 ANAGRAM 18 Francese LP-U MIX 8 ALLEN DAEVID Now is the happiest time.... 1977 AFFINITY 3 Inglese LP-U 13 ALLMAN BROTHERS BAND Wipe the check the oil .... 1976 CAPRICORN 2637103 Americana DBL LP-U 31 ALPHA BAND Spark in the dark 1977 ARISTA 4145 Americana LP-U 10,5 ALVIN DAVE Romeo’s escape 1986 EPIC 40921 Canadese LP-U 8 AMEN CORNER Greatest hits 1978 IMMEDIATE(LINEA TRE) 33059 Italiana LP-U 5,5 AMERICA Homecoming 1972 WARNER 46180 Francese LP-U 10,5 AMERICA History greatest hits 1975 WARNER BROS 56169 Italiana LP-U 5,5 AMERICA The very best 1991 FIVE RECORDS 30002 Italiana LP-U 5,5 AMERICA Hliday 1974 WARNER BROS. -
Die Letzten Ca. 1000 Einträge Aus Der Gesamtliste (Stand 01.10.2021)
www.jukeboxrecords.de - die letzten ca. 1000 Einträge aus der Gesamtliste (Stand 01.10.2021) Best.Nr. Name A B Kat.Nr. Land Cover/Zst. Platte/Zst. LP/EP/Si Jahr Label VK Preis 76961 1910 Fruitgum Co. Goody Goody Gumdrops Candy Kisses 201025 D 2+ 1- Si 68 Buddah 4,00 76845 1910 Fruitgum Co. May I Take A Giant Step (Into Your Heart)(Poor Old) Mr. Jensen BDA39 US LC 2 Si 68 Buddah 1,25 78154 5000 Volts (Airbus) I'm On Fire Bye Love EPC3359 D 2+ 2- Si 75 Epic 1,50 76270 53rd & 3rd & The Sound Of ShagChick-A-Boom Kingmaker 2012002 D LC 2 Si 75 UK Records 1,25 77931 Abba Does Your Mother Know Kisses Of Fire 2001881 D 2-woc 2 Si 79 Polydor 1,75 77915 Abba Head Over Heals The Visitors 2002122 D 2+ 2+ Si 81 Polydor 1,75 78139 Abba I Have A Dream Take A Chance On Me(live) 2001931 D 2- 2- Si 79 Polydor 1,50 77929 Abba Money Money Money Crazy World 2001696 D 2woc 2 Si 76 Polydor 1,75 78713 Abba One Of Us Should I love Or Cry 2002113 D 2- 2- Si 81 Polydor 1,50 78560 Abba Summer Night City Medley 2001810 D 2 2+ Si 78 Polydor 1,50 76316 Abba Take A Chance On Me I'm A Marionette 2001758 D 2 2+ Si 77 Polydor 2,00 76036 Abba The Name Of The Game I Wonder 2001742 D 2- 2 Si 77 Polydor 1,50 78045 Abba The Winner Takes It All Elaine 456460 DDR 2+ 2+ Si 80 Amiga 2,00 77052 Abba Under Attack You Owe Me One 2002204 D 1- 2+ Si 82 Polydor 1,50 75689 Abba Voulez-Vous Angeleyes 2001899 D 2+ 2- Si 79 Polydor 1,50 77328 Abba Waterloo Watch Out 2040114 D 3 2- Si 74 Polydor 1,75 78704 Abba Waterloo Watch Out 2040114 D 2+ 2+ Si 74 Polydor 2,50 78308 Abdul, Paula Forever Your Girl Next To You 112244100 D 2+ 2+ Si 89 Virgin 1,50 77104 Adam & The Ants Stand And Deliever Beat My Guest 1065 D 2 2+ Si 81 CBS 1,50 76485 Aguilar, Freddie Todo Cambia ( Everything Changes) Worries PB5849 D 2 2+ Si 80 RCA 1,50 75189 A-ha Cry Wolf Maybe, maybe 9285007 D 2 2 Si 86 WB 1,50 76269 Alligators Like The Way (You Funk With Me) instr. -
Billy Paul Let 'Em in Mp3, Flac, Wma
Billy Paul Let 'Em In mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Let 'Em In Country: Netherlands Released: 1976 Style: Disco MP3 version RAR size: 1667 mb FLAC version RAR size: 1937 mb WMA version RAR size: 1816 mb Rating: 4.2 Votes: 663 Other Formats: VOX AUD MP4 MPC VOC AC3 MP2 Tracklist Hide Credits Let 'Em In A1 5:11 Written-By – P. McCartney-L. McCartney* We All Got A Mission A2 3:35 Written-By – C. Gamble*, K. Gamble*, L. Huff* How Good Is Your Game A3 4:08 Written-By – M. Burton*, P. Terry* Love Won't Come Easy A4 4:15 Written-By – D. Wansel* Without You B1 3:16 Written-By – P. Ham*, T. Evans* Word Sure Gets Around B2 4:30 Written-By – V. Barrett*, V. Gray* I Trust You B3 4:20 Written-By – K. Gamble-L. Huff* I Think I'll Stay Home Today B4 6:19 Written-By – D. Wansel* Credits Arranged By – Bobby Martin (tracks: A2, B2), Dexter Wansel (tracks: A3, A4, A1, A2, A4) Artwork By – Ed Lee Engineer – Jay Mark, Joe Tarsia Executive Producer – Kenneth Gamble & Leon Huff* Other [Music By] – MFSB Photography – Frank Laffitte Producer – Dexter Wansel (tracks: A4, B1, B2, B4), Kenneth Gamble & Leon Huff* (tracks: A2, B3), Michael Burton (tracks: A3), Phil Terry (tracks: A3) Producer, Arranged By – Jack Faith (tracks: A1) Notes Recorded at Sigma Sound Studios Philadelphia, PA Mastered at Frankford/Wayne Recording Labs, Philadelphia, PA "TSOP" The Sound Of Philadelphia BIEM/Stemra Other versions Category Artist Title (Format) Label Category Country Year Philadelphia PZ 34389, Billy Let 'Em In (LP, International Records, -
Village Green Preservation Society Est Une Splendeur À La Perfection Diabolique
LE ROMAN DU ROCK NICOLAS UNGEMUTH Le Roman du rock Ces pages ne sont pas disponibles à la pré- visualisation. elles, ne suivent pas. Depuis 1962 et Return To Sender, plus aucun single d’Elvis ne s’est vendu à un million d’exemplaires. Elvis, lui-même, commence à voir l’ampleur de sa chute. Dans la presse, on se moque de ses films, de ses dialogues et de ses maigres talents d’acteur. Pour ce fan de cinéma idolâtrant Marlon Brando, James Dean mais également Peter Sellers, le constat est difficile à accepter. Et les titres quasi dadaïstes de ses films sont déjà suffisamment embarrassants… Entre Chatouille- moi, En embrassant les cousins et L’Idole d’Acapulco, il est clair qu’Elvis a du mal à rivaliser avec ce Dr Folamour qu’il vénère. Et pendant que le King chante La Chanson de la crevette, le monde entier écoute, sidéré, Like A Rolling Stone, Satisfaction ou Day Tripper. Elvis est devenu has been. Et il s’en rend compte. Il a conscience d’être comme une belle antiquité qu’on vient admirer rapidement chez lui à Graceland, comme le font les Fab Four qui passent lui rendre visite, consternés par son entourage de copains white trash. Autour de lui, une révolution a lieu, mais il n’en fait pas partie. Elvis admire Dylan, exècre sa voix, mais est impressionné par la qualité de ses compositions, particulièrement lorsqu’elles sont interprétées par Odetta (il reprend même, presque en catimini, Tomorrow Is A Long Long Time, qui l’obsède). Il s’enthousiasme pour les Beatles et apprécie leur fraîcheur. -
Department of the Navy\Marine
Department of Defense Telephone Directory DEPARTMENT OF THE NAVY/MARINE DEPARTMENT OF THE NAVY IMMEDIATE OFFICE OF THE SECRETARY OF THE NAVY (PNT) ∂ SECRETARY OF THE NAVY Hon Gordon R England 4E686 ............................................................703-695-3131 Confidential Asst J Drennan 4E686................................................703-695-4884 Receptionist SGT Vincent Wharton 4E686 ....................................703-695-3131 YN1 Eric Hollins 4E686 .............................................................703-695-3131 The Exec Asst & Naval Aide CAPT Derwood Curtis 4E686..........................................................703-695-4603 Mil Asst & Marine Corps Aide COL J Frause 4E686.......................................................................703-695-5133 Admin Aide to SECNAV LCDR V McBeth 4E687 ..................................................................703-695-5410 Spec Asst for Admin Matters P Matthews 4E687 .....................................................................703-697-3334 Dir Admin Div Wanda A Rhea 4D680.........................................703-695-4609 Admin Ch/Security Admin YNC(SW) M Simpson 4D680 .................................................703-695-4609 Supv Correspondence Anal G Cole 4D680 ......................................................................................703-695-4609 Supv Mail Rec & Ref Br H Owens 4C745...................................................................................703-695-4609 Awards Br Joyce Scott 4C745 ....................................................703-695-4609 -
Pop / Rock / Commercial Music Wed, 25 Aug 2021 21:09:33 +0000 Page 1
Pop / Rock / Commercial music www.redmoonrecords.com Artist Title ID Format Label Print Catalog N° Condition Price Note 10000 MANIACS The wishing chair 19160 1xLP Elektra Warner GER 960428-1 EX/EX 10,00 € RE 10CC Look hear? 1413 1xLP Warner USA BSK3442 EX+/VG 7,75 € PRO 10CC Live and let live 6546 2xLP Mercury USA SRM28600 EX/EX 18,00 € GF-CC Phonogram 10CC Good morning judge 8602 1x7" Mercury IT 6008025 VG/VG 2,60 € \Don't squeeze me like… Phonogram 10CC Bloody tourists 8975 1xLP Polydor USA PD-1-6161 EX/EX 7,75 € GF 10CC The original soundtrack 30074 1xLP Mercury Back to EU 0600753129586 M-/M- 15,00 € RE GF 180g black 13 ENGINES A blur to me now 1291 1xCD SBK rec. Capitol USA 7777962072 USED 8,00 € Original sticker attached on the cover 13 ENGINES Perpetual motion 6079 1xCD Atlantic EMI CAN 075678256929 USED 8,00 € machine 1910 FRUITGUM Simon says 2486 1xLP Buddah Helidon YU 6.23167AF EX-/VG+ 10,00 € Verty little woc COMPANY 1910 FRUITGUM Simon says-The best of 3541 1xCD Buddha BMG USA 886972424422 12,90 € COMPANY 1910 Fruitgum co. 2 CELLOS Live at Arena Zagreb 23685 1xDVD Masterworks Sony EU 0888837454193 10,90 € 2 UNLIMITED Edge of heaven (5 vers.) 7995 1xCDs Byte rec. EU 5411585558049 USED 3,00 € 2 UNLIMITED Wanna get up (4 vers.) 12897 1xCDs Byte rec. EU 5411585558001 USED 3,00 € 2K ***K the millennium (3 7873 1xCDs Blast first Mute EU 5016027601460 USED 3,10 € Sample copy tracks) 2PLAY So confused (5 tracks) 15229 1xCDs Sony EU NMI 674801 2 4,00 € Incl."Turn me on" 360 GRADI Ba ba bye (4 tracks) 6151 1xCDs Universal IT 156 762-2 -
Download 1 File
Starship Troopers by Robert Heinlein Table of Contents Starship Troopers Chapter 8 Chapter 1 Chapter 9 Chapter 2 Chapter 10 Chapter 3 Chapter 11 Chapter 4 Chapter 12 Chapter 5 Chapter 13 Chapter 6 Chapter 14 Chapter 7 Chapter 1 Come on, you apes! You wanta live forever? — Unknown platoon sergeant, 1918 I always get the shakes before a drop. I’ve had the injections, of course, and hypnotic preparation, and it stands to reason that I can’t really be afraid. The ship’s psychiatrist has checked my brain waves and asked me silly questions while I was asleep and he tells me that it isn’t fear, it isn’t anything important — it’s just like the trembling of an eager race horse in the starting gate. I couldn’t say about that; I’ve never been a race horse. But the fact is: I’m scared silly, every time. At D-minus-thirty, after we had mustered in the drop room of theRodger Young , our platoon leader inspected us. He wasn’t our regular platoon leader, because Lieutenant Rasczak had bought it on our last drop; he was really the platoon sergeant, Career Ship’s Sergeant Jelal. Jelly was a Finno-Turk from Iskander around Proxima — a swarthy little man who looked like a clerk, but I’ve seen him tackle two berserk privates so big he had to reach up to grab them, crack their heads together like coconuts, step back out of the way while they fell. Off duty he wasn’t bad — for a sergeant.