True Path of the Ninja: the Definitive Translation of the Shoninki (Pdf)
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UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries Permalink https://escholarship.org/uc/item/90w6w5wz Author Carter, Caleb Swift Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Caleb Swift Carter 2014 ABSTRACT OF THE DISSERTATION Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries by Caleb Swift Carter Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2014 Professor William M. Bodiford, Chair This dissertation considers two intersecting aspects of premodern Japanese religions: the development of mountain-based religious systems and the formation of numinous sites. The first aspect focuses in particular on the historical emergence of a mountain religious school in Japan known as Shugendō. While previous scholarship often categorizes Shugendō as a form of folk religion, this designation tends to situate the school in overly broad terms that neglect its historical and regional stages of formation. In contrast, this project examines Shugendō through the investigation of a single site. Through a close reading of textual, epigraphical, and visual sources from Mt. Togakushi (in present-day Nagano Ken), I trace the development of Shugendō and other religious trends from roughly the thirteenth through mid-nineteenth centuries. This study further differs from previous research insofar as it analyzes Shugendō as a concrete system of practices, doctrines, members, institutions, and identities. -
Agriculture Was One of the Most Important Economic
SPATIAL DIVERSITY AND TEMPORAL CHANGE OF PLANT USE IN SAGAMI PROVINCE, CLASSICAL JAPAN: AN ARCHAEOLOGICAL APPROACH KATSUNORI TAKASE INTRODUCTION Agriculture was one of the most important economic bases of classical Japan and there were two main types of plant farming: paddy rice cultivation and dry field cultivation. There is no doubt that paddy rice cultivation was dominant in almost all of regions in classical Japan. At the same time, a lot of Japanese historians and historical geographers have disserted that farming in classical Japan was managed combining paddy rice cultivation and dry field cultivation. Classical Japanese state often recommended cultivating millets and beans beside paddy rice against a poor crop. Furthermore, in the 8th century, the state established the public relief stocking system (義倉制) for taking precautions of food shortage caused by bad weather, flood and earth quake and so on. In this system, foxtail millet was regulated to be stocked in warehouses. Therefore, agricultural policies of the state had obviously a close relationship not only with paddy rice cultivation, but also dry field farming. It is likely that combination balance ought to differ from region to region and it should reflect land use strategy of each settlement. However, there are just few written records on dry field farming in classical Japan especially before the 11th century. Even if there are fragmentary descriptions on farming, they show only kinds of grain and their crop totaled in each province or county. Therefore, it is very difficult to approach to micro-scale land use and plant use in classical Japan. Nevertheless, pictorial diagrams and wooden strips have begun to play an important role to reveal these problems. -
Samurai Life in Medieval Japan
http://www.colorado.edu/ptea-curriculum/imaging-japanese-history Handout M2 (Print Version) Page 1 of 8 Samurai Life in Medieval Japan The Heian period (794-1185) was followed by 700 years of warrior governments—the Kamakura, Muromachi, and Tokugawa. The civil government at the imperial court continued, but the real rulers of the country were the military daimy class. You will be using art as a primary source to learn about samurai and daimy life in medieval Japan (1185-1603). Kamakura Period (1185-1333) The Kamakura period was the beginning of warrior class rule. The imperial court still handled civil affairs, but with the defeat of the Taira family, the Minamoto under Yoritomo established its capital in the small eastern city of Kamakura. Yoritomo received the title shogun or “barbarian-quelling generalissimo.” Different clans competed with one another as in the Hgen Disturbance of 1156 and the Heiji Disturbance of 1159. The Heiji Monogatari Emaki is a hand scroll showing the armor and battle strategies of the early medieval period. The conflict at the Sanj Palace was between Fujiwara Nobuyori and Minamoto Yoshitomo. As you look at the scroll, notice what people are wearing, the different roles of samurai and foot soldiers, and the different weapons. What can you learn about what is involved in this disturbance? What can you learn about the samurai and the early medieval period from viewing this scroll? What information is helpful in developing an accurate view of samurai? What preparations would be necessary to fight these kinds of battles? (Think about the organization of people, equipment, and weapons; the use of bows, arrows, and horses; use of protective armor for some but not all; and the different ways of fighting.) During the Genpei Civil War of 1180-1185, Yoritomo fought against and defeated the Taira, beginning the Kamakura Period. -
Chigasaki Breeze
International Association of Chigasaki (IAC) March 1, 2014 Bimonthly Publication Chigasaki Breeze Truly great friends are hard to find, difficult to leave, and impossible to forget. No.51 けんせつちゅう し やくしょしんちょうしゃ New City Hall Under Construction 建設中の市役所新庁舎 The new municipal hall is scheduled to be completed at the end of 2015 and come into service in January, 2016. After the completion of the new hall, the existing annex will be renovated and then the temporary and current main hall will be demolished. The entire construction, including parking lots for cars, motorbikes and bicycles, is projected to be finished by March, 2017. The design philosophy of the project is comprised of seven pillars, namely that the new City Hall should be: a) a base to support citizens’ safe and peaceful lives; b) sustainable; c) efficient in providing public services; d) open for citizens to associate and cooperate with each other; e) friendly to people; f) friendly to the environment; and g) appealing to citizens. These principles are reflected in a number of key features of the new hall, as follows: z The hall’s structure is seismically isolated to withstand great earthquakes and has been designed to be strong and durable with built-in flexibility to facilitate future restructuring. z Energy will be saved through natural ventilation and lighting, using LED (light-emitting diode) and solar panels. z For the purposes of disaster management, the new hall is equipped with an emergency power generator, a hovering space for a helicopter, open space and a well. z Inside, a universal design has been adopted for the disabled, elderly, and mothers with young children. -
A Concentrated Group of Kofun Built in Various Sizes and Shapes a Virtually Reconstructed Aerial View of the Furuichi Area Chapter 3
A concentrated group of kofun built in various sizes and shapes A virtually reconstructed aerial view of the Furuichi area Chapter 3 Justification for Inscription 3.1.a Brief Synthesis 3.1.b Criteria under Which Inscription is Proposed 3.1.c Statement of Integrity 3.1.d Statement of Authenticity 3.1.e Protection and Management Requirements 3.2 Comparative Analysis 3.3 Proposed Statement of Outstanding Universal Value 3.1.a Brief Synthesis 3.Justification for Inscription 3.1.a Brief Synthesis The property “Mozu-Furuichi Kofun Group” is a tomb group of the king’s clan and the clan’s affiliates that ruled the ancient Japanese archipelago and took charge of diplomacy with contemporary East Asian powers. The tombs were constructed between the late 4th century and the late 5th century, which was the peak of the Kofun period, characterized by construction of distinctive mounded tombs called kofun. A set of 49 kofun in 45 component parts is located on a plateau overlooking the bay which was the maritime gateway to the continent, in the southern part of the Osaka Plain which was one of the important political cultural centers. The property includes many tombs with plans in the shape of a keyhole, a feature unique in the world, on an extraordinary scale of civil engineering work in terms of world-wide constructions; among these tombs several measure as much as 500 meters in mound length. They form a group, along with smaller tombs that are differentiated by their various sizes and shapes. In contrast to the type of burial mound commonly found in many parts of the world, which is an earth or piled- stone mound forming a simple covering over a coffin or a burial chamber, kofun are architectural achievements with geometrically elaborate designs created as a stage for funerary rituals, decorated with haniwa clay figures. -
Nihontō Compendium
Markus Sesko NIHONTŌ COMPENDIUM © 2015 Markus Sesko – 1 – Contents Characters used in sword signatures 3 The nengō Eras 39 The Chinese Sexagenary cycle and the corresponding years 45 The old Lunar Months 51 Other terms that can be found in datings 55 The Provinces along the Main Roads 57 Map of the old provinces of Japan 59 Sayagaki, hakogaki, and origami signatures 60 List of wazamono 70 List of honorary title bearing swordsmiths 75 – 2 – CHARACTERS USED IN SWORD SIGNATURES The following is a list of many characters you will find on a Japanese sword. The list does not contain every Japanese (on-yomi, 音読み) or Sino-Japanese (kun-yomi, 訓読み) reading of a character as its main focus is, as indicated, on sword context. Sorting takes place by the number of strokes and four different grades of cursive writing are presented. Voiced readings are pointed out in brackets. Uncommon readings that were chosen by a smith for a certain character are quoted in italics. 1 Stroke 一 一 一 一 Ichi, (voiced) Itt, Iss, Ipp, Kazu 乙 乙 乙 乙 Oto 2 Strokes 人 人 人 人 Hito 入 入 入 入 Iri, Nyū 卜 卜 卜 卜 Boku 力 力 力 力 Chika 十 十 十 十 Jū, Michi, Mitsu 刀 刀 刀 刀 Tō 又 又 又 又 Mata 八 八 八 八 Hachi – 3 – 3 Strokes 三 三 三 三 Mitsu, San 工 工 工 工 Kō 口 口 口 口 Aki 久 久 久 久 Hisa, Kyū, Ku 山 山 山 山 Yama, Taka 氏 氏 氏 氏 Uji 円 円 円 円 Maru, En, Kazu (unsimplified 圓 13 str.) 也 也 也 也 Nari 之 之 之 之 Yuki, Kore 大 大 大 大 Ō, Dai, Hiro 小 小 小 小 Ko 上 上 上 上 Kami, Taka, Jō 下 下 下 下 Shimo, Shita, Moto 丸 丸 丸 丸 Maru 女 女 女 女 Yoshi, Taka 及 及 及 及 Chika 子 子 子 子 Shi 千 千 千 千 Sen, Kazu, Chi 才 才 才 才 Toshi 与 与 与 与 Yo (unsimplified 與 13 -
Art Spotlight: Hokusai's Thirty-Six Views of Mount Fiji
Art Spotlight: Hokusai's Thirty-six Views of Mount Fiji This document has all 36 prints from Hokusai's Thirty-six Views of Mount Fiji. The following links will help you discuss these works with your children. • Art Spotlight: Hokusai's Thirty-six Views of Mount Fiji: The original blog post about these works with commentary, discussion questions, and learning activities • Woodblock Printing with Kids tutorial • Free Art Appreciation Printable Worksheet Bundle • How to Look at Art with Children • All art posts on the Art Curator for Kids The Art Curator for Kids, Cindy Zerm Ingram, [email protected], http://artcuratorforkids.com/ Conventions of Japanese Ukiyo-e Prints • peaceful, harmonious scenes • asymmetrical composition • limited color palette of about 4 colors plus black • unclear space or perspective • diagonal or curved lines that guide your eye through the composition • outlined shapes filled with solid, flat color The Art Curator for Kids, Cindy Zerm Ingram, [email protected], http://artcuratorforkids.com/ The Art Curator for Kids, Cindy Zerm Ingram, [email protected], http://artcuratorforkids.com/ Questions to Ask • What is going on in this artwork? What do you see that makes you say that? • What emotions do you feel when looking at this artwork? What emotions do you think the artist was feeling? • Describe the lines and colors in this artwork. How do the colors and lines contribute to the emotion? • Describe the ways Hokusai included Mount Fuji in the artworks. • What can you tell about the Japanese way of life in the Edo Period by looking at these artworks? What types of things are the people doing? • What do these artworks have in common? How could you tell that these were created by Hokusai during this time period? The Art Curator for Kids, Cindy Zerm Ingram, [email protected], http://artcuratorforkids.com/ The Art Curator for Kids, Cindy Zerm Ingram, [email protected], http://artcuratorforkids.com/ Learning Activities 1. -
Hokusai's Landscapes
$45.00 / £35.00 Thomp HOKUSAI’S LANDSCAPES S on HOKUSAI’S HOKUSAI’S sarah E. thompson is Curator, Japanese Art, HOKUSAI’S LANDSCAPES at the Museum of Fine Arts, Boston. The CompleTe SerieS Designed by Susan Marsh SARAH E. THOMPSON The best known of all Japanese artists, Katsushika Hokusai was active as a painter, book illustrator, and print designer throughout his ninety-year lifespan. Yet his most famous works of all — the color woodblock landscape prints issued in series, beginning with Thirty-Six Views of Mount Fuji — were produced within a relatively short time, LANDSCAPES in an amazing burst of creative energy from about 1830 to 1836. These ingenious designs, combining MFA Publications influences from several different schools of Asian Museum of Fine Arts, Boston art as well as European sources, display the 465 Huntington Avenue artist’s acute powers of observation and trademark Boston, Massachusetts 02115 humor, often showing ordinary people from all www.mfa.org/publications walks of life going about their business in the foreground of famous scenic vistas. Distributed in the United States of America and Canada by ARTBOOK | D.A.P. Hokusai’s landscapes not only revolutionized www.artbook.com Japanese printmaking but also, within a few decades of his death, became icons of art Distributed outside the United States of America internationally. Illustrated with dazzling color and Canada by Thames & Hudson, Ltd. reproductions of works from the largest collection www.thamesandhudson.com of Japanese prints outside Japan, this book examines the magnetic appeal of Hokusai’s Front: Amida Falls in the Far Reaches of the landscape designs and the circumstances of their Kiso Road (detail, no. -
(I): Labour Osamu Saito Abstract Tokugawa Japan Was a Land of Peasant
Factor markets and their institutions in traditional Japan (I): Labour Osamu Saito Draft. Please do not cite Abstract Tokugawa Japan was a land of peasants. They were family-farm cultivators. Although the proportion of land under tenancy increased over time, there was no tendency towards consolidation of family farms. This social group of peasant families accounted for 80 per cent of the population. This percentage suggests that the size of the workforce in industry and trade was small and occupational differentiation limited, hence, one may argue, it is likely that market forces hardly operated in the allocation of labour during Tokugawa times. However, given the recent consensus that Tokugawa Japan achieved Smithian growth with rural industrialisation and agricultural output growth as major engines of growth, how could this picture of a factor market be consistent with the Smithian scenario? In order to answer this question, the paper will go over both rural and urban labour markets in the period before the age of the factory, examining how large the markets were, how they operated, and how skills were formed in different sectors of the economy. The rural sector Perhaps the best numerical evidence we have for the structure of the workforce in a traditional rural setting is the 1879 pilot census for Yamanashi prefecture (Tōkei-in 1882. See Saito 1986, 1998, Umemura 1969, 1980). This was a comprehensive survey of population taken by a group of Meiji-government statisticians in the hope that the exercise would be a preparation for the taking of a national census. Yamanashi (formerly Kai province) was chosen for the pilot study because the prefecture was relatively small with population of 397,000, geographically compact with no change made in administrative boundaries at the time of the Meiji Restoration, and retained much of traditional characteristics from the Tokugawa past. -
Nengo Alpha.Xlsx
Nengô‐Tabelle (alphabetisch) A ‐ K Jahr Nengō Devise Jahr Nengō Devise Jahr Nengō Devise Jahr Nengō Devise 1772 安永 An'ei 1521 大永 Daiei 1864 元治 Genji 1074 承保 Jōhō 1175 安元 Angen 1126 大治 Daiji 877 元慶 Genkei 1362 貞治 Jōji * 968 安和 Anna 1096 永長 Eichō 1570 元亀 Genki 1684 貞享 Jōkyō 1854 安政 Ansei 987 永延 Eien 1321 元亨 Genkō 1219 承久 Jōkyū 1227 安貞 Antei 1081 永保 Eihō 1331 元弘 Genkō 1652 承応 Jōō 1234 文暦 Benryaku 1141 永治 Eiji 1204 元久 Genkyū 1222 貞応 Jōō 1372 文中 Bunchū 983 永観 Eikan 1615 元和 Genna 1097 承徳 Jōtoku 1264 文永 Bun'ei 1429 永享 Eikyō 1224 元仁 Gennin 834 承和 Jōwa 1185 文治 Bunji 1113 永久 Eikyū 1319 元応 Gen'ō 1345 貞和 Jōwa * 1804 文化 Bunka 1165 永万 Eiman 1688 元禄 Genroku 1182 寿永 Juei 1501 文亀 Bunki 1293 永仁 Einin 1184 元暦 Genryaku 1848 嘉永 Kaei 1861 文久 Bunkyū 1558 永禄 Eiroku 1329 元徳 Gentoku 1303 嘉元 Kagen 1469 文明 Bunmei 1160 永暦 Eiryaku 650 白雉 Hakuchi 1094 嘉保 Kahō 1352 文和 Bunna * 1046 永承 Eishō 1159 平治 Heiji 1106 嘉承 Kajō 1444 文安 Bunnan 1504 永正 Eishō 1989 平成 Heisei * 1387 嘉慶 Kakei * 1260 文応 Bun'ō 988 永祚 Eiso 1120 保安 Hōan 1441 嘉吉 Kakitsu 1317 文保 Bunpō 1381 永徳 Eitoku * 1704 宝永 Hōei 1661 寛文 Kanbun 1592 文禄 Bunroku 1375 永和 Eiwa * 1135 保延 Hōen 1624 寛永 Kan'ei 1818 文政 Bunsei 1356 延文 Enbun * 1156 保元 Hōgen 1748 寛延 Kan'en 1466 文正 Bunshō 923 延長 Enchō 1247 宝治 Hōji 1243 寛元 Kangen 1028 長元 Chōgen 1336 延元 Engen 770 宝亀 Hōki 1087 寛治 Kanji 999 長保 Chōhō 901 延喜 Engi 1751 宝暦 Hōreki 1229 寛喜 Kanki 1104 長治 Chōji 1308 延慶 Enkyō 1449 宝徳 Hōtoku 1004 寛弘 Kankō 1163 長寛 Chōkan 1744 延享 Enkyō 1021 治安 Jian 985 寛和 Kanna 1487 長享 Chōkyō 1069 延久 Enkyū 767 神護景雲 Jingo‐keiun 1017 寛仁 Kannin 1040 長久 Chōkyū 1239 延応 En'ō -
The Ichikawa and Warrior Family Dynamics In
ALPINE SAMURAI: THE ICHIKAWA AND WARRIOR FAMILY DYNAMICS IN EARLY MEDIEVAL JAPAN by KEVIN L. GOUGE A THESIS Presented to the Department of History and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2009 ii “Alpine Samurai: The Ichikawa and Warrior Family Dynamics in Early Medieval Japan,” a thesis prepared by Kevin L. Gouge in partial fulfillment of the requirements for the Master of Arts degree in the Department of History. This thesis has been approved and accepted by: ____________________________________________________________ Dr. Andrew Goble, Chair of the Examining Committee ________________________________________ Date Committee in Charge: Dr. Andrew Goble, Chair Dr. Jeffrey Hanes Dr. Peggy Pascoe Accepted by: ____________________________________________________________ Dean of the Graduate School iii © 2009 Kevin L. Gouge iv An Abstract of the Thesis of Kevin L. Gouge for the degree of Master of Arts in the Department of History to be taken June 2009 Title: ALPINE SAMURAI: THE ICHIKAWA AND WARRIOR FAMILY DYNAMICS IN EARLY MEDIEVAL JAPAN Approved: _______________________________________________ Dr. Andrew Goble This study traces the property lineage of the Ichikawa family of Japan’s Shinano province from the early 1200s through the mid-1300s. The property portfolio originated in complicated inheritance dynamics in the Nakano family, into which Ichikawa Morifusa was adopted around 1270. It is evident that Morifusa, family head for the next fifty years, was instrumental in establishing a solid foundation for the Ichikawa’s emergence as a powerful warrior clan by 1350. This study will begin with a broad interpretation of the concept of warrior “family” as reflected in a variety of primary sources, followed by an in-depth case study of six generations of the Nakano/Ichikawa lineage. -
Encyclopedia of Japanese History
An Encyclopedia of Japanese History compiled by Chris Spackman Copyright Notice Copyright © 2002-2004 Chris Spackman and contributors Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.1 or any later version published by the Free Software Foundation; with no Invariant Sections, with no Front-Cover Texts, and with no Back-Cover Texts. A copy of the license is included in the section entitled “GNU Free Documentation License.” Table of Contents Frontmatter........................................................... ......................................5 Abe Family (Mikawa) – Azukizaka, Battle of (1564)..................................11 Baba Family – Buzen Province............................................... ..................37 Chang Tso-lin – Currency............................................... ..........................45 Daido Masashige – Dutch Learning..........................................................75 Echigo Province – Etō Shinpei................................................................ ..78 Feminism – Fuwa Mitsuharu................................................... ..................83 Gamō Hideyuki – Gyoki................................................. ...........................88 Habu Yoshiharu – Hyūga Province............................................... ............99 Ibaraki Castle – Izu Province..................................................................118 Japan Communist Party – Jurakutei Castle............................................135