Ancient Road to Fujisan
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Japan's Suicide Forest
Cold Open: An alarming number of Japanese citizens have taken a dark pilgrimage to the Aokigahara (“Ah-oakee-gah-hara”) forest, more commonly known as Japan’s suicide forest, to end their lives, most commonly by hanging themselves from tree branches followed by taking an overdose of sleeping pills. An untold number have wandered in and have never wandered out. Beginning in the 1960s, between approximately ten and thirty people each year spent their last living moments in this forest at the base of Mt. Fuji. And the number of annual suicides has greatly increased recently. In 2003, 105 bodies were discovered. Comprehensive data on lives lost in the forest doesn’t seem to have been released since 2003, which is not a good sign. Why here? Why is a small patch of serene forest the second most popular suicide destination in the world, thought to trail only the Golden Gate Bridge in San Francisco? More than 1,500 people have jumped off that bridge and died since construction was completed in 1937. So many that the government has decided to build the world’s most expensive safety net. A stainless steel net, located about 20 feet below the bridge’s sidewalk, will span 1.7 miles of roadway on each side of the bridge and extend twenty feet out over the water. It’s gonna take four years to construct and will cost just over $200 million. It should be finished by 2021. And while that net will certainly make it a Hell of a lot harder for people to throw themselves off that bridge, how do you stop people from taking their lives in a thirty-square kilometer patch of forest? You can’t put a net under every tree. -
Mt. FUJI (Heads Up.) (Advanced Warning.) (Evacuation Necessary.) in the Case That Volcanic Activity Develops Around Mt
How should we evacuate in the event of an eruption? ① Volcanic Advisory. ② Volcanic Advisory. ③ Volcanic Alert. Mt. FUJI (Heads up.) (Advanced Warning.) (Evacuation Necessary.) In the case that volcanic activity develops around Mt. Fuji, In the case that dangerous volcanic activity becomes more Emergency Evacuation Announcements will be broadcast when the Japan Meteorological Agency (JMA) will broadcast a frequent and an eruption is imminent, advanced warnings volcanic eruptions become large enough to threaten lives. VOLCANIC HAZARD MAP Heads Up. will be broadcast. Refrain from Mountain mountain climbing Climbers and or sightseeing in Mountain Climbers Sightseers must Evacuation Zone 1. and Sightseers in evacuate from Zone 1 should the eruption area. evacuate ~ Being Prepared immediately. for a Possible Eruption ~ People in Zone 2 and Zone 3 should begin preparations for evacuation. Following public evacuation instructions, persons in Zone 2 must evacuate. Follow emergency Persons in Zone 3 should warnings broadcast over Elderly or disabled persons return to their homes, prepare TV, radio, intercom, and in Zone 2 and Zone 3 to evacuate, and refrain from public address systems. should evacuate at this time. attempts to view the eruptions. A Volcanic Alert may be announced without warning when dangerous volcanic activity occurs or is imminent. Fuji Northern Region →Follow public announcements and evacuate in a calm and orderly manner. Though Mt. Fuji is famous for its clean, When is Mt. Fuji expected to erupt? The Latest volcanic information may be found Important! Nobody knows for sure, however over the past 2200 years at the Japan Meteorological Agency(JMA) pure water and amazing scenery, it is also there have been 75 different eruptions. -
Agriculture Was One of the Most Important Economic
SPATIAL DIVERSITY AND TEMPORAL CHANGE OF PLANT USE IN SAGAMI PROVINCE, CLASSICAL JAPAN: AN ARCHAEOLOGICAL APPROACH KATSUNORI TAKASE INTRODUCTION Agriculture was one of the most important economic bases of classical Japan and there were two main types of plant farming: paddy rice cultivation and dry field cultivation. There is no doubt that paddy rice cultivation was dominant in almost all of regions in classical Japan. At the same time, a lot of Japanese historians and historical geographers have disserted that farming in classical Japan was managed combining paddy rice cultivation and dry field cultivation. Classical Japanese state often recommended cultivating millets and beans beside paddy rice against a poor crop. Furthermore, in the 8th century, the state established the public relief stocking system (義倉制) for taking precautions of food shortage caused by bad weather, flood and earth quake and so on. In this system, foxtail millet was regulated to be stocked in warehouses. Therefore, agricultural policies of the state had obviously a close relationship not only with paddy rice cultivation, but also dry field farming. It is likely that combination balance ought to differ from region to region and it should reflect land use strategy of each settlement. However, there are just few written records on dry field farming in classical Japan especially before the 11th century. Even if there are fragmentary descriptions on farming, they show only kinds of grain and their crop totaled in each province or county. Therefore, it is very difficult to approach to micro-scale land use and plant use in classical Japan. Nevertheless, pictorial diagrams and wooden strips have begun to play an important role to reveal these problems. -
Special Article 1
Special Article 1 By Rene Duignan Author Rene Duignan Introduction week nights and weekends for two years. People laughed at the tiny In a war on suicide, who is the enemy? scale of our project but gave us an interview anyway. After a year doing 96 interviews and a year editing 100 hours of footage the Despite having one of the highest living standards and the longest movie was almost complete, but I collapsed from exhaustion. I life expectancy in the world, Japan has tragically lost over 450,000 remember the peace I felt while in a hospital bed on a drip. I used lives to suicide in the last 15 years. Attempted suicides could be 10 this precious time to make the final movie edits in my head as I knew times that figure, according to the World Health Organization. From each scene by heart. 1995 to 2009, a decline in suicide was achieved in most OECD I am not naive enough to believe that with this uncomfortable topic countries but the rate increased by 40% in Japan (Chart). In the we could ever make it onto Japanese TV, so we work at the international context, Japan’s suicide rate is double that of the United grassroots level. We made DVDs and have started to do screenings, States, three times that of Thailand, six times higher than Greece and and the audience reactions have been incredible. One audience 12 times larger than the Philippines. member told me that the movie was like an answer to his prayers. I felt compelled to make a documentary on how Japan could Many people have shared personal stories of suicide loss with me reduce suicide but many people warned me this was a foolish idea, after seeing the movie. -
Art Spotlight: Hokusai's Thirty-Six Views of Mount Fiji
Art Spotlight: Hokusai's Thirty-six Views of Mount Fiji This document has all 36 prints from Hokusai's Thirty-six Views of Mount Fiji. The following links will help you discuss these works with your children. • Art Spotlight: Hokusai's Thirty-six Views of Mount Fiji: The original blog post about these works with commentary, discussion questions, and learning activities • Woodblock Printing with Kids tutorial • Free Art Appreciation Printable Worksheet Bundle • How to Look at Art with Children • All art posts on the Art Curator for Kids The Art Curator for Kids, Cindy Zerm Ingram, [email protected], http://artcuratorforkids.com/ Conventions of Japanese Ukiyo-e Prints • peaceful, harmonious scenes • asymmetrical composition • limited color palette of about 4 colors plus black • unclear space or perspective • diagonal or curved lines that guide your eye through the composition • outlined shapes filled with solid, flat color The Art Curator for Kids, Cindy Zerm Ingram, [email protected], http://artcuratorforkids.com/ The Art Curator for Kids, Cindy Zerm Ingram, [email protected], http://artcuratorforkids.com/ Questions to Ask • What is going on in this artwork? What do you see that makes you say that? • What emotions do you feel when looking at this artwork? What emotions do you think the artist was feeling? • Describe the lines and colors in this artwork. How do the colors and lines contribute to the emotion? • Describe the ways Hokusai included Mount Fuji in the artworks. • What can you tell about the Japanese way of life in the Edo Period by looking at these artworks? What types of things are the people doing? • What do these artworks have in common? How could you tell that these were created by Hokusai during this time period? The Art Curator for Kids, Cindy Zerm Ingram, [email protected], http://artcuratorforkids.com/ The Art Curator for Kids, Cindy Zerm Ingram, [email protected], http://artcuratorforkids.com/ Learning Activities 1. -
Mount Fuji Viewed Over in the Foothills of Aokigahara-Jukai Forest Mount Fuji
Series NATIONAL PARKS Mount Fuji viewed over In the Foothills of Aokigahara-Jukai Forest Mount Fuji With its beautiful and varied natural landscapes Fuji-Hakone-Izu National Park dominated in all areas by Mount Fuji, the Fuji- Hakone-Izu National Park makes for a spectacu- lar pleasure trip all year round. KENTARO SANO uji-Hakone-Izu National Park is a national park that straddles Tokyo, Kanagawa Pre- fecture, Yamanashi Prefecture and Shizuoka Prefecture. This national park consists of fourF areas: the Mount Fuji area, which is centered on Mount Fuji, which was designated as a World Heri- tage site in 2013 and includes lakes, ponds and high- lands; the Hakone area, which originated as a post station along the Tokaido road and has long been known as a hot spring area; the Izu Peninsula area featuring the Amagi Mountain Range and richly var- ied coastlines and hot spring resorts closely associ- ated with literature and intellectuals, including The Dancing Girl of Izu by Yasunari Kawabata, a Nobel laureate; and the Izu Islands area that is made up of volcanic islands on the sea, including islands with volcanoes that are still active. According to a sur- vey conducted by the Ministry of the Environment, of about 5.5 million foreign visitors to national Oshino-Hakkai spring parks around the country in 2016, more than Video by Satoshi Tanaka 30 | highlighting japan Series Oshino-Hakkai is half, or 2,577,000 a spring sourced people, visited from riverbed Fuji-Hakone-Izu water from Mount National Park. Fuji. It features It can be said pure water that that the symbol was sourced as a of Fuji-Hakone- result of Mount Izu National Park Fuji’s snow water is Mount Fuji, being filtered which is located The hot spring resort of Hakone Yumoto through under- to the north of ground lava for the entire park and is the highest mountain in Japan. -
Hokusai's Landscapes
$45.00 / £35.00 Thomp HOKUSAI’S LANDSCAPES S on HOKUSAI’S HOKUSAI’S sarah E. thompson is Curator, Japanese Art, HOKUSAI’S LANDSCAPES at the Museum of Fine Arts, Boston. The CompleTe SerieS Designed by Susan Marsh SARAH E. THOMPSON The best known of all Japanese artists, Katsushika Hokusai was active as a painter, book illustrator, and print designer throughout his ninety-year lifespan. Yet his most famous works of all — the color woodblock landscape prints issued in series, beginning with Thirty-Six Views of Mount Fuji — were produced within a relatively short time, LANDSCAPES in an amazing burst of creative energy from about 1830 to 1836. These ingenious designs, combining MFA Publications influences from several different schools of Asian Museum of Fine Arts, Boston art as well as European sources, display the 465 Huntington Avenue artist’s acute powers of observation and trademark Boston, Massachusetts 02115 humor, often showing ordinary people from all www.mfa.org/publications walks of life going about their business in the foreground of famous scenic vistas. Distributed in the United States of America and Canada by ARTBOOK | D.A.P. Hokusai’s landscapes not only revolutionized www.artbook.com Japanese printmaking but also, within a few decades of his death, became icons of art Distributed outside the United States of America internationally. Illustrated with dazzling color and Canada by Thames & Hudson, Ltd. reproductions of works from the largest collection www.thamesandhudson.com of Japanese prints outside Japan, this book examines the magnetic appeal of Hokusai’s Front: Amida Falls in the Far Reaches of the landscape designs and the circumstances of their Kiso Road (detail, no. -
(I): Labour Osamu Saito Abstract Tokugawa Japan Was a Land of Peasant
Factor markets and their institutions in traditional Japan (I): Labour Osamu Saito Draft. Please do not cite Abstract Tokugawa Japan was a land of peasants. They were family-farm cultivators. Although the proportion of land under tenancy increased over time, there was no tendency towards consolidation of family farms. This social group of peasant families accounted for 80 per cent of the population. This percentage suggests that the size of the workforce in industry and trade was small and occupational differentiation limited, hence, one may argue, it is likely that market forces hardly operated in the allocation of labour during Tokugawa times. However, given the recent consensus that Tokugawa Japan achieved Smithian growth with rural industrialisation and agricultural output growth as major engines of growth, how could this picture of a factor market be consistent with the Smithian scenario? In order to answer this question, the paper will go over both rural and urban labour markets in the period before the age of the factory, examining how large the markets were, how they operated, and how skills were formed in different sectors of the economy. The rural sector Perhaps the best numerical evidence we have for the structure of the workforce in a traditional rural setting is the 1879 pilot census for Yamanashi prefecture (Tōkei-in 1882. See Saito 1986, 1998, Umemura 1969, 1980). This was a comprehensive survey of population taken by a group of Meiji-government statisticians in the hope that the exercise would be a preparation for the taking of a national census. Yamanashi (formerly Kai province) was chosen for the pilot study because the prefecture was relatively small with population of 397,000, geographically compact with no change made in administrative boundaries at the time of the Meiji Restoration, and retained much of traditional characteristics from the Tokugawa past. -
E Sacred Place and Source of Artistic Inspiration”
Fujisan World Heritage e sacred place e official and source of guidebook artistic inspiration Connecting the world heritage component assets Fujisan World Heritage Association for Preservation & Utilization, Yamanashi Secretarial Office : Fujisan World Heritage Division, Resident Affairs Department, Yamanashi Prefectural Government Tel : +81-55-223-1316 Fax : +81-55-223-1781 E-mail : [email protected] Date of Issue : 1 January,2018 Translated by : Mt.Fuji Yamanashi Guide-Interpreters Association(FYGIA) Fujisan World Heritage Association for Preservation & Utilization, Yamanashi Creation 1. Creation e erce mountain and source of scenic beauty Fujisan, A Great Road to Worship source of scenic beauty 1The fierce mountain and At registration of Fujisan as a World Cultural Heritage by UNESCO, “Fujigoko (Fuji Five Lakes) ”, that are distributed in an arc at the foot, were included in the list of its component assets. Let’s travel back to the time of foundation of Fujisan. You may feel ineffable emotions to the magnificent scale of nature at Fujisan, which was miraculously born as the fire and water mountain. ■Referred Component assets Lake Saiko, Lake Shojiko and Lake Motosuko ……………………………………………………………………………………………2 Worship from afar 2. Worship from afar Beginning of the worship of the worship 2Beginning In the ancient times that Fujisan was not easily accessible like present days. How people confronted with Fujisan and offered their prayers? If you travel around the ancient sacred places of Fujisan, you will find the figure of Fujisan in deep psychology of the Japanese for nature veneration and mountain worship. Kawaguchi Asama-jinja Shrine, Lake Kawaguchiko ■Referred Component assets and Omuro Sengen-jinja Shrine ……………………………………………………………………………………………9 Fuji-ko 3. -
Mount Fuji, Symbol of Japan
Discovering Japan 2014 no.13 Special Feature Mount Fuji, Symbol of Japan niponica is published in Japanese and six other languages (Arabic, Chinese, English, Special Feature French, Russian and Spanish), to introduce the world to the people and culture of Japan today. The title niponica is derived from “Nip- pon,” the Japanese word for Japan. no.13 Mount Fuji, contents Symbol of Japan Special Feature Mount Fuji, Symbol of Japan 04 Mount Fuji: One of the World’s Treasures 08 Reverence for Mount Fuji No. 13 12 October 31, 2014 Mount Fuji and Surrounding Area Published by: Ministry of Foreign Affairs of Japan 14 An Eco-tour to a Mysterious Kasumigaseki 2-2-1, Forest on Mount Fuji Chiyoda-ku, Tokyo 100-8919, Japan http://www.mofa.go.jp/ 18 Fuji—Here, There, and Everywhere Cover photo: Mount Fuji, offset with cherry blossoms 24 (Photo courtesy of Aflo) Soak in a Hot Spring while Admiring Mount Fuji 26 Tasty Japan: Time to Eat! Wasabi 28 Souvenirs of Japan Mount Fuji Sweets Mount Fuji, so tall, so beautiful. And for many centuries, revered as a sacred place, as well as a source of artistic inspiration. These qualities were recognized in 2013 when UNESCO inscribed Fuji on its World Heritage List as “Fujisan, sacred place and source of artistic inspiration.” The following pages take you closer to this symbol of Japan. Above: A work of art made in 1838, entitled Fujisan Shinzu (“A Lifelike Illustration Depicting Places on Mount Fuji”), showing points of interest in relief form. Made by gluing sheets of paper together. -
How Places Creep Us out Francis T. Mcandrew D
Geography & Architecture of Horror 1 The Geography and Architecture of Horror: How Places Creep Us Out Francis T. McAndrew Department of Psychology Knox College CONTACT INFORMATION: Francis T, McAndrew Department of Psychology Knox College Galesburg, IL 61401-4999 Email: [email protected] Phone: +1-309-341-7525 Website: www.frankmcandrew.com Geography & Architecture of Horror 2 Abstract It is the goal of this paper to apply what psychologists and other social scientists have learned about human emotional responses to physical surroundings to an understanding of why some types of settings and some combinations of sensory information can induce a sense of dread in humans. The hoped-for contribution is to bring empirical evidence from psychological research to bear on the experience of horror, and to explain why the tried-and-true horror devices intuitively employed by writers and filmmakers work so well. Research has demonstrated that human beings have been programmed by evolution to respond emotionally to their physical surroundings, and natural selection has favored individuals who gravitated toward environments containing the “right” physical and psychological features. Places that contain a bad mix of these features induce unpleasant feelings of dread and fear, and therefore have become important ingredients of the settings for horror fiction and films. This article applies McAndrew and Koehnke’s (2016) theory of creepiness to the study of classic horror settings and explores the role played by architecture, isolation, association with -
Encyclopedia of Japanese History
An Encyclopedia of Japanese History compiled by Chris Spackman Copyright Notice Copyright © 2002-2004 Chris Spackman and contributors Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.1 or any later version published by the Free Software Foundation; with no Invariant Sections, with no Front-Cover Texts, and with no Back-Cover Texts. A copy of the license is included in the section entitled “GNU Free Documentation License.” Table of Contents Frontmatter........................................................... ......................................5 Abe Family (Mikawa) – Azukizaka, Battle of (1564)..................................11 Baba Family – Buzen Province............................................... ..................37 Chang Tso-lin – Currency............................................... ..........................45 Daido Masashige – Dutch Learning..........................................................75 Echigo Province – Etō Shinpei................................................................ ..78 Feminism – Fuwa Mitsuharu................................................... ..................83 Gamō Hideyuki – Gyoki................................................. ...........................88 Habu Yoshiharu – Hyūga Province............................................... ............99 Ibaraki Castle – Izu Province..................................................................118 Japan Communist Party – Jurakutei Castle............................................135